435 Results
Form:
books
books
Actions:
Price:
$41.95
(available to order)
Summary:
During the economic boom of the 1990's, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers : on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from(...)
$41.95
(available to order)
Summary:
During the economic boom of the 1990's, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers : on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
January 2004, Princeton / Cambridge, Mass.
January 2004, Princeton / Cambridge, Mass.
Title:
Whose muse? : art museums and the public trust
Actions:
Price:
$41.95
(available to order)
Summary:
During the economic boom of the 1990's, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers : on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. "Whose Muse?" brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur : as museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating - and surprisingly frank - roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
Whose muse? : art museums and the public trust
Actions:
Price:
$41.95
(available to order)
Summary:
During the economic boom of the 1990's, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers : on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. "Whose Muse?" brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur : as museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating - and surprisingly frank - roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
Form:
books
books
Publication:
January 2004, Princeton / Cambridge, Mass.
January 2004, Princeton / Cambridge, Mass.
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Actions:
Price:
$29.95
(available to order)
Summary:
In this publication, the Indonesian architectural and urban historian Abidin Kusno explores the connections between the built environment and political consciousness in Indonesia during the colonial and postcolonial eras. Focusing primarily on Jakarta, he describes how perceptions of the past, anxieties about the rapid pace of change in the present, and hopes for the(...)
$29.95
(available to order)
Summary:
In this publication, the Indonesian architectural and urban historian Abidin Kusno explores the connections between the built environment and political consciousness in Indonesia during the colonial and postcolonial eras. Focusing primarily on Jakarta, he describes how perceptions of the past, anxieties about the rapid pace of change in the present, and hopes for the(...)
Title:
The appearances of memory : mnemonic practices of architecture and urban form in Indonesia
Actions:
Price:
$29.95
(available to order)
Summary:
In this publication, the Indonesian architectural and urban historian Abidin Kusno explores the connections between the built environment and political consciousness in Indonesia during the colonial and postcolonial eras. Focusing primarily on Jakarta, he describes how perceptions of the past, anxieties about the rapid pace of change in the present, and hopes for the future have been embodied in architecture and urban space at different historical moments. He argues that the built environment serves as a reminder of the practices of the past and an instantiation of the desire to remake oneself within, as well as beyond, one’s particular time and place. Addressing developments in Indonesia since the fall of President Suharto’s regime in 1998, Kusno delves into such topics as the domestication of traumatic violence and the restoration of order in the urban space, the intense interest in urban history in contemporary Indonesia, and the implications of "superblocks", large urban complexes consisting of residences, offices, shops, and entertainment venues. Moving farther back in time, he examines how Indonesian architects reinvented colonial architectural styles to challenge the political culture of the state, how colonial structures such as railway and commercial buildings created a new, politically charged cognitive map of cities in Java in the early twentieth century, and how the Dutch, in attempting to quell dissent, imposed a distinctive urban visual order in the 1930s. Finally, the present and the past meet in his long-term considerations of how Java has responded to the global flow of Islamic architecture, and how the meanings of Indonesian gatehouses have changed and persisted over time.
The appearances of memory : mnemonic practices of architecture and urban form in Indonesia
Actions:
Price:
$29.95
(available to order)
Summary:
In this publication, the Indonesian architectural and urban historian Abidin Kusno explores the connections between the built environment and political consciousness in Indonesia during the colonial and postcolonial eras. Focusing primarily on Jakarta, he describes how perceptions of the past, anxieties about the rapid pace of change in the present, and hopes for the future have been embodied in architecture and urban space at different historical moments. He argues that the built environment serves as a reminder of the practices of the past and an instantiation of the desire to remake oneself within, as well as beyond, one’s particular time and place. Addressing developments in Indonesia since the fall of President Suharto’s regime in 1998, Kusno delves into such topics as the domestication of traumatic violence and the restoration of order in the urban space, the intense interest in urban history in contemporary Indonesia, and the implications of "superblocks", large urban complexes consisting of residences, offices, shops, and entertainment venues. Moving farther back in time, he examines how Indonesian architects reinvented colonial architectural styles to challenge the political culture of the state, how colonial structures such as railway and commercial buildings created a new, politically charged cognitive map of cities in Java in the early twentieth century, and how the Dutch, in attempting to quell dissent, imposed a distinctive urban visual order in the 1930s. Finally, the present and the past meet in his long-term considerations of how Java has responded to the global flow of Islamic architecture, and how the meanings of Indonesian gatehouses have changed and persisted over time.
Form:
books
books
Publication:
April 2010
April 2010
Subject:
History until 1900, Asia
History until 1900, Asia
Form:
books
books
Title:
New retail
New retail
Actions:
Price:
$89.95
(available to order)
Summary:
about the book In the decades since the advent of the shopping mall, shopping has become synonymous with entertainment and the retail store a key player in establishing brand identity. In a growing trend, high-profile architects are designing provocative storefronts and interiors that create an aura of exclusivity, draw in customers, and attract media attention(...)
$89.95
(available to order)
Summary:
about the book In the decades since the advent of the shopping mall, shopping has become synonymous with entertainment and the retail store a key player in establishing brand identity. In a growing trend, high-profile architects are designing provocative storefronts and interiors that create an aura of exclusivity, draw in customers, and attract media attention(...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
May 2005, London, New York
May 2005, London, New York
Title:
New retail
Actions:
Price:
$89.95
(available to order)
Summary:
about the book In the decades since the advent of the shopping mall, shopping has become synonymous with entertainment and the retail store a key player in establishing brand identity. In a growing trend, high-profile architects are designing provocative storefronts and interiors that create an aura of exclusivity, draw in customers, and attract media attention rivaling the goods within. New Retail examines this phenomenon with an overview of 24 of the most innovative retail spaces built around the world in recent years, designed by high-profile international architects as well as smaller cutting-edge firms. Projects in the book include the Carlos Miele store in New York (Asymptote), three stores for Louis Vuitton in New York and Tokyo (Jun Aoki), Selfridges in Birmingham, the UK (Future Systems), two clothing boutiques in São Paulo (Isay Weinfeld), the Mandarina Duck store in Paris (NL Architects), and the Mpries Supermarket in Austria (Dominique Perrault), among others. More than 250 color photographs as well as floor plans and site plans showcase the architectural and interior design, lighting, and often experimental materials that create these ultimate retail spaces. For the Selfridges department store, for example, Future Systems clad the building with 15,000 aluminum disks attached to a sprayed concrete surface. In New York, the interior of the Carlos Miele store by Asymptote features a sensual, sculptural white ceiling of molded high-gloss PVC-based material. Each project is accompanied by a 500-to-700-word description that explains the design concept, site, program, and significant building technologies and materials. A general introduction discusses precedents to these projects and current issues in the architecture and design of retail spaces.
New retail
Actions:
Price:
$89.95
(available to order)
Summary:
about the book In the decades since the advent of the shopping mall, shopping has become synonymous with entertainment and the retail store a key player in establishing brand identity. In a growing trend, high-profile architects are designing provocative storefronts and interiors that create an aura of exclusivity, draw in customers, and attract media attention rivaling the goods within. New Retail examines this phenomenon with an overview of 24 of the most innovative retail spaces built around the world in recent years, designed by high-profile international architects as well as smaller cutting-edge firms. Projects in the book include the Carlos Miele store in New York (Asymptote), three stores for Louis Vuitton in New York and Tokyo (Jun Aoki), Selfridges in Birmingham, the UK (Future Systems), two clothing boutiques in São Paulo (Isay Weinfeld), the Mandarina Duck store in Paris (NL Architects), and the Mpries Supermarket in Austria (Dominique Perrault), among others. More than 250 color photographs as well as floor plans and site plans showcase the architectural and interior design, lighting, and often experimental materials that create these ultimate retail spaces. For the Selfridges department store, for example, Future Systems clad the building with 15,000 aluminum disks attached to a sprayed concrete surface. In New York, the interior of the Carlos Miele store by Asymptote features a sensual, sculptural white ceiling of molded high-gloss PVC-based material. Each project is accompanied by a 500-to-700-word description that explains the design concept, site, program, and significant building technologies and materials. A general introduction discusses precedents to these projects and current issues in the architecture and design of retail spaces.
Form:
books
books
Publication:
May 2005, London, New York
May 2005, London, New York
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Form:
books
books
Price:
$19.95
(available in store)
Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the(...)
$19.95
(available in store)
Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the(...)
Title:
Erik van Egeraat associated architects : for Russia with love
Actions:
Price:
$19.95
(available in store)
Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the architecture of these Eastern Europe countries, Erick van Egeraat set himself the task to develop a contemporary response to their architectural heritage. Connecting the demands of contemporary life with the quality of the historical surroundings, he defines his approach to architecture as ‘Modern Baroque’. Seeking to develop an architecture that can inspire, offering temptation as well as solace, the opportunity to work in the capital of the former USSR, and working closely together with the client, Capital Group, on a number of projects, the context of Russia today, has been proven to be completely different from previous experiences in Eastern Europe. The EEA Moscow projects seek to express a new sensuality, catering for the new lifestyle of Moscow citizen after generations of communism. The projects - housing as well as offices and entertainment- express a desire to bridge the potential gap between progress and development and the quality of historic architecture. The invitation to be part of the international competition for the extension of the Mariinsky theatre in St. Petersburg gave EEA the opportunity to further explore the possibilities of ‘Modern Baroque’. Challenged by the intricate detailing and materialization of the classical architecture of the existing theatre, and supported by extensive experience in theatre design in the UK and the Netherlands, the proposal for the Mariinsky is an example of Erick van Egeraat’s quest for contemporary architecture.
Erik van Egeraat associated architects : for Russia with love
Actions:
Price:
$19.95
(available in store)
Summary:
The Russian projects by (EEA) Erick van Egeraat associated architects are another step in EEA’s progression east. Beginning in 1994 with the completion of the first Eastern Europe Head office of ING Bank and Nationale Nederlanden, EEA has steadily worked on a number of projects in Hungary, Czech Republic, Poland and now Russia. Deeply moved by the richness of the architecture of these Eastern Europe countries, Erick van Egeraat set himself the task to develop a contemporary response to their architectural heritage. Connecting the demands of contemporary life with the quality of the historical surroundings, he defines his approach to architecture as ‘Modern Baroque’. Seeking to develop an architecture that can inspire, offering temptation as well as solace, the opportunity to work in the capital of the former USSR, and working closely together with the client, Capital Group, on a number of projects, the context of Russia today, has been proven to be completely different from previous experiences in Eastern Europe. The EEA Moscow projects seek to express a new sensuality, catering for the new lifestyle of Moscow citizen after generations of communism. The projects - housing as well as offices and entertainment- express a desire to bridge the potential gap between progress and development and the quality of historic architecture. The invitation to be part of the international competition for the extension of the Mariinsky theatre in St. Petersburg gave EEA the opportunity to further explore the possibilities of ‘Modern Baroque’. Challenged by the intricate detailing and materialization of the classical architecture of the existing theatre, and supported by extensive experience in theatre design in the UK and the Netherlands, the proposal for the Mariinsky is an example of Erick van Egeraat’s quest for contemporary architecture.
Form:
books
books
Publication:
July 2003, Berlin
July 2003, Berlin
Subject:
small format
small format
Form:
books
books
Actions:
Price:
$60.25
(available to order)
Summary:
The classic historical interpretation of the late nineteenth and early twentieth centuries in America sees this period as a political search for order by the middle class, culminating in Progressive Era reforms. In The Middle-Class City, John Hepp examines transformations in everyday middle-class life in Philadelphia between 1876 and 1926 to discover the cultural roots of(...)
$60.25
(available to order)
Summary:
The classic historical interpretation of the late nineteenth and early twentieth centuries in America sees this period as a political search for order by the middle class, culminating in Progressive Era reforms. In The Middle-Class City, John Hepp examines transformations in everyday middle-class life in Philadelphia between 1876 and 1926 to discover the cultural roots of(...)
Title:
The middle-class city : transforming space and time in Philadelphia, 1876-1926
Actions:
Price:
$60.25
(available to order)
Summary:
The classic historical interpretation of the late nineteenth and early twentieth centuries in America sees this period as a political search for order by the middle class, culminating in Progressive Era reforms. In The Middle-Class City, John Hepp examines transformations in everyday middle-class life in Philadelphia between 1876 and 1926 to discover the cultural roots of this search for order. By looking at complex relationships among members of that city's middle class and three largely bourgeois commercial institutions - newspapers, department stores, and railroads - Hepp finds that the men and women of the middle class consistently reordered their world along rational lines. According to Hepp, this period was rife with evidence of creative reorganization that served to mold middle-class life. The department store was more than just an expanded dry goods emporium; it was a middle-class haven of order in the heart of a frenetic city--an entirely new way of organizing merchandise for sale. Redesigned newspapers brought well-ordered news and entertainment to middle-class homes and also carried retail advertisements to entice consumers downtown via train and streetcar. The complex interiors of urban railroad stations reflected a rationalization of space, and rail schedules embodied the modernized specialization of standard time. In his fascinating investigation of similar patterns of behavior among commercial institutions, Hepp exposes an important intersection between the histories of the city and the middle class. In his careful reconstruction of this now vanished culture, Hepp examines a wide variety of sources, including diaries and memoirs left by middle-class women and men of the region. Following Philadelphians as they rode trains and trolleys, read newspapers, and shopped at department stores, he uses their accounts as individualized guidebooks to middle-class life in the metropolis. And through a creative use of photographs, floor plans, maps, and material culture, The Middle-Class City helps to reconstruct the physical settings of these enterprises and recreate everyday middle-class life, shedding new light on an underanalyzed historical group and the cultural history of twentieth-century America.
The middle-class city : transforming space and time in Philadelphia, 1876-1926
Actions:
Price:
$60.25
(available to order)
Summary:
The classic historical interpretation of the late nineteenth and early twentieth centuries in America sees this period as a political search for order by the middle class, culminating in Progressive Era reforms. In The Middle-Class City, John Hepp examines transformations in everyday middle-class life in Philadelphia between 1876 and 1926 to discover the cultural roots of this search for order. By looking at complex relationships among members of that city's middle class and three largely bourgeois commercial institutions - newspapers, department stores, and railroads - Hepp finds that the men and women of the middle class consistently reordered their world along rational lines. According to Hepp, this period was rife with evidence of creative reorganization that served to mold middle-class life. The department store was more than just an expanded dry goods emporium; it was a middle-class haven of order in the heart of a frenetic city--an entirely new way of organizing merchandise for sale. Redesigned newspapers brought well-ordered news and entertainment to middle-class homes and also carried retail advertisements to entice consumers downtown via train and streetcar. The complex interiors of urban railroad stations reflected a rationalization of space, and rail schedules embodied the modernized specialization of standard time. In his fascinating investigation of similar patterns of behavior among commercial institutions, Hepp exposes an important intersection between the histories of the city and the middle class. In his careful reconstruction of this now vanished culture, Hepp examines a wide variety of sources, including diaries and memoirs left by middle-class women and men of the region. Following Philadelphians as they rode trains and trolleys, read newspapers, and shopped at department stores, he uses their accounts as individualized guidebooks to middle-class life in the metropolis. And through a creative use of photographs, floor plans, maps, and material culture, The Middle-Class City helps to reconstruct the physical settings of these enterprises and recreate everyday middle-class life, shedding new light on an underanalyzed historical group and the cultural history of twentieth-century America.
Form:
books
books
Publication:
January 1900, Philadelphia
January 1900, Philadelphia
Subject:
Urban Theory
Urban Theory
