2259 Results
Form:
exhibitions
exhibitions
Title:
Starting From... The Bubble
Starting From... The Bubble
Actions:
Description:
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
Location:
Hall cases
Hall cases
Date:
26 November 2009 to 17 January 2010
26 November 2009 to 17 January 2010
Title:
Starting From... The Bubble
Actions:
Description:
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
Starting From... The Bubble
Actions:
Description:
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
Form:
exhibitions
exhibitions
Date:
26 November 2009 to
17 January 2010
26 November 2009 to
17 January 2010
Location:
Hall cases
Hall cases
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
People:
Date:
circa 1969-2015
circa 1969-2015
Title:
Tavolo “Babele“ [Table “Babele”] (1969)
Actions:
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
Tavolo “Babele“ [Table “Babele”] (1969)
Actions:
AP207.S1.1969.PR01
Description:
This project series documents the "Babele" Tavolo, a table design by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. "A sculpture that has become a stand for objects: it consists of a tree (with a marble base and metal trunk) whose leaf-shelves in lacquered wood can be placed in any position." [1] The table was designed in the context of designing furnishings for Pettena's studio-home in Florence. The project series contains a sketch showing different configurations of the table and its components, drawings, photographs and project descriptions in Italian and in English. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-babele-table-1969/ (last accessed 4 November 2019)
Level of archival description:
Project
Project
Date:
circa 1969-2015
circa 1969-2015
People:
Form:
exhibitions
exhibitions
Title:
125 Kilos of Books
125 Kilos of Books
Actions:
Description:
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 March 2006 to 30 April 2006
23 March 2006 to 30 April 2006
Title:
125 Kilos of Books
Actions:
Description:
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
125 Kilos of Books
Actions:
Description:
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
Form:
exhibitions
exhibitions
Date:
23 March 2006 to
30 April 2006
23 March 2006 to
30 April 2006
Location:
Octagonal gallery
Octagonal gallery
Form:
textual records
Quantity:
14 file
textual records
Quantity:
14 file
Reference number:
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
People:
Title:
Opening Remarks, ANYquestions, Discussions
Actions:
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
Opening Remarks, ANYquestions, Discussions
Actions:
ARCH240884
Description:
Opening Remarks Cynthia Davidson: In Any Event ANYquestions (Jeffrey Kipnis) Warning (Jeffrey Kipnis) Philosopher Panel Intro Discussion - Philosophers Panel - [Roberto Mangabeira] Unger / [Kojin] Karatani Anyone Conference Discussions Discussion - Venue A - [Peter] Eisenman / [Rosalind] Krauss Discussion - Venue A - [Mark. C.] Taylor / [Rem] Koolhaas Discussion - Venue A - [Arata] Isozaki / [Akira] Asada Discussion - Venue B - Morning Discussion - Venue B - Afternoon Schnabel Discussion ANYletters
Form:
textual records
Quantity:
14 file
textual records
Quantity:
14 file
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
People:
Date:
circa 1989-2015
circa 1989-2015
Title:
Mappe Recinti Itinerari Territori [Itineraires Territoires Maps Enclosures] (1989)
Actions:
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
Mappe Recinti Itinerari Territori [Itineraires Territoires Maps Enclosures] (1989)
Actions:
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1989-2015
circa 1989-2015
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Location:
Main galleries
Main galleries
Date:
25 January 1995 to 23 April 1995
25 January 1995 to 23 April 1995
Title:
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Form:
exhibitions
exhibitions
Date:
25 January 1995 to
23 April 1995
25 January 1995 to
23 April 1995
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
People:
Date:
circa 1987-2015
circa 1987-2015
Title:
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
People:
Form:
events
events
Location:
Shaughnessy House
Shaughnessy House
Date:
15 August 2018 to 21 August 2018
15 August 2018 to 21 August 2018
Form:
events
events
Date:
15 August 2018 to
21 August 2018
15 August 2018 to
21 August 2018
Location:
Shaughnessy House
Shaughnessy House
Level of archival description:
Series
Series
Title:
Weaver software
Weaver software
Actions:
Reference number:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
People:
Date:
ca. 2001-2004
ca. 2001-2004
Title:
Weaver software
Actions:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
Weaver software
Actions:
AP174.S2
Description:
This series contains records relating to Weaver, a software script developed by the Emergent Design Group at the Massachusetts Institute of Technology (MIT) and written in Maya Embedded Language (MEL) for Alias|Wavefront Maya. Weaver algorithmically generates woven strands and applies these strands to a surface within a 3D design model. The resulting weaves “can be complex, and depend on both the description of the weaver pattern and the topology of any user-defined surface or scaffolding in Maya on which Weaver is applied.”[1] The records in this series date from approximately 2001-2004 and include the script in Maya Executable Language (MEL) and standalone executable formats, annotated source code, tutorials, and file outputs such as images and Maya 3D models. Sources: [1] Testa, Peter and Devyn Weiser. “Material Agency,” in Network Practices: New Strategies in Architecture and Design. New York: Princeton Architectural Press (2007): 128.
Level of archival description:
Series
Series
Date:
ca. 2001-2004
ca. 2001-2004
People:
Quantity:
5 file
5 file
Actions:
Reference number:
ARCH240659
Description:
Any Exhibition - textual file Eavesdropping on Architecture exhibition tapes (4 video cassettes) [Tape 1] - Eavesdropping on Architecture exhibition tape June 3 - July 10, 2000 / Anyone: Derrida, Unger, Gehry, Gibson / Party Tape 2 - Eavesdropping on Architecture exhibition tape / Anywhere: Kipnis, Libeskind, Diller, Sola-Morales, Isozaki Tape 3 - Eavesdropping on Architecture exhibition tape / Koolhaas, von Berke, Sassen, Tschumi (Anyway), Grosz (Anyplace) Tape 4 - Eavesdropping on Architecture exhibition tape / Anyhow: Kwinter, Eisenman / Anymore: Lynn, Krauss, Vidler
ARCH240659
Description:
Any Exhibition - textual file Eavesdropping on Architecture exhibition tapes (4 video cassettes) [Tape 1] - Eavesdropping on Architecture exhibition tape June 3 - July 10, 2000 / Anyone: Derrida, Unger, Gehry, Gibson / Party Tape 2 - Eavesdropping on Architecture exhibition tape / Anywhere: Kipnis, Libeskind, Diller, Sola-Morales, Isozaki Tape 3 - Eavesdropping on Architecture exhibition tape / Koolhaas, von Berke, Sassen, Tschumi (Anyway), Grosz (Anyplace) Tape 4 - Eavesdropping on Architecture exhibition tape / Anyhow: Kwinter, Eisenman / Anymore: Lynn, Krauss, Vidler
People:
Date:
1999 - 2000
1999 - 2000
Title:
Video recordings of Eavesdropping on Architecture Exhibition
Actions:
ARCH240659
Description:
Any Exhibition - textual file Eavesdropping on Architecture exhibition tapes (4 video cassettes) [Tape 1] - Eavesdropping on Architecture exhibition tape June 3 - July 10, 2000 / Anyone: Derrida, Unger, Gehry, Gibson / Party Tape 2 - Eavesdropping on Architecture exhibition tape / Anywhere: Kipnis, Libeskind, Diller, Sola-Morales, Isozaki Tape 3 - Eavesdropping on Architecture exhibition tape / Koolhaas, von Berke, Sassen, Tschumi (Anyway), Grosz (Anyplace) Tape 4 - Eavesdropping on Architecture exhibition tape / Anyhow: Kwinter, Eisenman / Anymore: Lynn, Krauss, Vidler
Video recordings of Eavesdropping on Architecture Exhibition
Actions:
ARCH240659
Description:
Any Exhibition - textual file Eavesdropping on Architecture exhibition tapes (4 video cassettes) [Tape 1] - Eavesdropping on Architecture exhibition tape June 3 - July 10, 2000 / Anyone: Derrida, Unger, Gehry, Gibson / Party Tape 2 - Eavesdropping on Architecture exhibition tape / Anywhere: Kipnis, Libeskind, Diller, Sola-Morales, Isozaki Tape 3 - Eavesdropping on Architecture exhibition tape / Koolhaas, von Berke, Sassen, Tschumi (Anyway), Grosz (Anyplace) Tape 4 - Eavesdropping on Architecture exhibition tape / Anyhow: Kwinter, Eisenman / Anymore: Lynn, Krauss, Vidler
Quantity:
5 file
5 file
Date:
1999 - 2000
1999 - 2000
People:
