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The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some(...)
The return of curiosity: what museums are good for in the 21st century
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The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in.
Museology
Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of(...)
Frank Lloyd Wright
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The life and architecture of Frank Lloyd Wright (1867-1959) have been much-studied, yet there is a consistent division between analyses of his architecture, which exclude any discussion of his daily life, and books that tell the often sensational tale of his life, with barely a passing reference to the buildings themselves. The result is that, despite the large number of volumes on Wright, the most essential part of his life – his life as an architect, working, as he said, ‘in the cause of architecture’ – remains virtually unexplored. "Frank Lloyd Wright" offers an account of Wright’s life as an architect, the ideas, beliefs and relationships that shaped his life and work, and the manner in which these affected, and are reflected in, his architecture. During a tumultuous life and extensive career which includes such hugely defining buildings as the Guggenheim Museum, Fallingwater, Taliesin, Unity Temple, and the prolific Prairie Houses, Wright endeavoured to shape the emerging and evolving American democracy, its mode of dwelling, and its relation to the traditional conception of the city. Fusing ancient construction geometries with contemporary ideals of Transcendental philosophy, Wright sought to develop an appropriate architecture for the new world of the twentieth century. In doing so, he served as the primary inspiration for the emergence of Modern architecture around the world. Robert McCarter examines how Wright’s architecture crystallized key conceptions of both private dwelling and public citizenship for American society, and relates how, through his work and writings, Wright developed relationships with key leaders of the arts, industry and society. He analyses how and why Wright maintained that architecture was the ‘background or framework’ for daily life, never the literal ‘object’ of our attention, as well as Wright’s belief that architects have the most significant ethical responsibilities to improve the larger society and culture to which they belong. In exploring Wright’s life, times and culture, Robert McCarter shows how Wright was an architect of astonishing ability, whose works continue to shape the world around us, fifty years after his death.
Architecture Monographs
The americans
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In 1958, the first edition of Robert Frank's The Americanswas published in Paris. Les Americains contained Frank's 83 photographs in the same sequence as all subsequent editions, with the image on the right hand page, but juxtaposed with historical texts about American society and politics, gathered by Alain Bosquet. The following year, in the first American edition, the(...)
The americans
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In 1958, the first edition of Robert Frank's The Americanswas published in Paris. Les Americains contained Frank's 83 photographs in the same sequence as all subsequent editions, with the image on the right hand page, but juxtaposed with historical texts about American society and politics, gathered by Alain Bosquet. The following year, in the first American edition, the French texts were removed and an introduction by Jack Kerouac was added. Over the subsequent 50 years, The Americans has been republished in many editions, in numerous languages, with a variety of cover designs, and even in a range of sizes. It is the most famous photography book ever published, and it changed the face of the medium forever. Robert Frank discussed with his publisher, Gerhard Steidl, the idea of producing a new edition using modernscanning and the finest tritone printing. The starting point was to bring original prints from New York to Gottingen, Germany, where Steidl is based. In July 2007, Frank visited Gottingen. A new format for the book was worked out and new typography selected. A new cover was designed and Frank chose the book cloth, foil for embossing, and the endpaper. Most significantly, as he has done for every edition of The Americans, Frank changed the cropping of many of the photographs, usually including more information. Two images were changed completely from the original 1958 and 1959 editions.
Photography monographs
books
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135 pages : illustrations (some color) ; 16 cm
Weimar : M BOOKS, 2023.
Glass scenographies : notes on spaces of one's own / Szilvia Gellai ; with a response by Sina Brückner-Amin.
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135 pages : illustrations (some color) ; 16 cm
books
Weimar : M BOOKS, 2023.
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday"(...)
DVD Regular or Super : Views on Mies van der Rohe
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After the Seagram Building in New York, the Toronto-Dominion Centre in Toronto, the New National Gallery in Berlin and the Lake Shore Drive Apartment Buildings in Chicago, architect Mies van der Rohe (1886-1969) designed a gas station near Montreal in 1968. This simple and utilitarian building reflects the divergent views held by experts and laymen regarding "everyday" structures, which most of us tend to ignore. In addition to exploring the interplay of form and function in the works of Mies, this film gauges our awareness of architectural language and the role of the architect in society. Observations from some superstars of the world of architecture, including Rem Koolhaas, Elizabeth Diller and Phyllis Lambert, are interlaced with anecdotes from regular people who come into daily contact with the eminent architect's work. Original soundtrack is composed by acclaimed Ramachandra Borcar (a.k.a. DJ Ram). Format: DVD.
DVDs
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Now in a new edition with updated statistics, texts and other materials, ''Handbook of tyranny'' portrays the routine cruelties of the 21st century through a series of detailed nonfictional graphic illustrations. None of these cruelties represent extraordinary violence?they reflect day-to-day implementation of laws and regulations around the globe. Every page of the book(...)
Theo Deutinger: Handbook of tyranny
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Now in a new edition with updated statistics, texts and other materials, ''Handbook of tyranny'' portrays the routine cruelties of the 21st century through a series of detailed nonfictional graphic illustrations. None of these cruelties represent extraordinary violence?they reflect day-to-day implementation of laws and regulations around the globe. Every page of the book questions our current world of walls and fences, police tactics and prison cells, crowd control and refugee camps. The dry and factual style of storytelling through technical drawings is the graphic equivalent of bureaucratic rigidity, just as the detailed illustrations mirror the repressive efforts of global authorities. The 21st century shows a general striving for an ever-more-regulated and protected society. ''Handbook of tyranny'' gives a profound insight into the relationship between political power, territoriality and systematic cruelties.
Social
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What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications(...)
Provoking Freeport Magic: Art assemblage in late capitalism
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What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications of understanding the art world through contingent entanglements and practices. Examining the contested site of the freeport, Backsell addresses the dichotomous “culture v. capitalism” debate by showing how magic is not an innate and mysterious quality. Rather, it is a practice, a central yet unexplored element of curatorial toolboxes, that unfolds through what Backsell denotes as the enactment of “conspicuous withdrawal.” This insight, she argues, sheds new light and understanding on broader political issues in contemporary market society.
Art Theory
Metropolis: reflection
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There's no getting around it anymore. We are in an age of globalization, and cities around the world are being challenged in brand new ways with no historical precedents to guide them. The highly anticipated international building exhibition IBA Hamburg 2013 is preparing to tackle the many challenges that apply to metropolises around the world in our era, asking difficult(...)
Metropolis: reflection
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There's no getting around it anymore. We are in an age of globalization, and cities around the world are being challenged in brand new ways with no historical precedents to guide them. The highly anticipated international building exhibition IBA Hamburg 2013 is preparing to tackle the many challenges that apply to metropolises around the world in our era, asking difficult questions and soliciting innovative responses. Socially and geographically, how can we bring peripheral districts back into the city? How can we tap the full potential of international urban society? How can we cope with the requirements of climate change? This first installment of a ten-volume series leading up to the 2013 conference features retrospective documentation of former German building exhibitions, an outlook to the IBA Hamburg and complex considerations of the metropolis phenomenon.
Urban Theory
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This book is a cutting edge study exploring the field of the conception and the tectonic making of place as it impinges in, and thus changes, the site in which it is set. It examines the attitudes to both nature and the built environment of the designer, the client and the society in which an intervention (be it architecture, landscape design or a piece of art) is made.(...)
Constructing place : mind and matter
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This book is a cutting edge study exploring the field of the conception and the tectonic making of place as it impinges in, and thus changes, the site in which it is set. It examines the attitudes to both nature and the built environment of the designer, the client and the society in which an intervention (be it architecture, landscape design or a piece of art) is made. The legacy of the Modernist view of nature and the environment is also addressed, and the degree to which such ideas continue to impinge on contemporary interventions is assessed. These topics are addressed through the methodologies of history, theory, philosophy and psychology. The book forges new collaborative ideas in an interdisciplinary way, including essays on architecture, planning, landscape and philosophy (particularly applied aesthetics).
Architectural Theory
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''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of(...)
Come closer: the Biennale reader
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''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of "us" and "them" can potentially emerge. The reliance on a common language to bring people closer often does the opposite, leading to feelings of contempt, anxiety, and fear. By drawing attention to themes of intimacy, care, and empathy, the contributions in this book search for new types of communication that can bring people together. Like language, art can be used to mediate these differences, and to examine issues relating to how people coexist in society.
Art Theory