$32.95
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The American artist Sarah Morris talks with the curator Hans Ulrich Obrist about her films and paintings, which explore buildings, cities and structures and centers of power. The focus of the conversation is her longtime interest in urban developments, architecture and architects like Philip Johnson, Mies van der Rohe, Robert Venturi and many others.
An open system meets an open system. Sarah Morris and Hans Ulrich Obrist in Coversation
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The American artist Sarah Morris talks with the curator Hans Ulrich Obrist about her films and paintings, which explore buildings, cities and structures and centers of power. The focus of the conversation is her longtime interest in urban developments, architecture and architects like Philip Johnson, Mies van der Rohe, Robert Venturi and many others.
Contemporary Art Monographs
books
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196 pages : illustrations (some color) ; 23 x 24 cm
Aldershot, England ; Burlington, VT : Ashgate, [2006]
Sculpture and the garden / edited by Patrick Eyres and Fiona Russell.
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196 pages : illustrations (some color) ; 23 x 24 cm
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Aldershot, England ; Burlington, VT : Ashgate, [2006]
books
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32 pages : illustrations, plans, portrait ; 21 x 26 cm
[Washington, D.C.] : American Institute of Architecture Students, ©1985.
Beaux Arts Planning, Revisited : spring 1985 competition catalog / edited by Whitney Powers ; sponsored by the American Institute of Architecture Students.
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32 pages : illustrations, plans, portrait ; 21 x 26 cm
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[Washington, D.C.] : American Institute of Architecture Students, ©1985.
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind?(...)
Archive, library and the digital
March 2020
Data feminism
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Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In ''Data feminism,'' Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever ''speak for themselves.'' ''Data feminism'' offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But ''Data feminism'' is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.
Archive, library and the digital
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"Geothermal Larderello" investigates contemporary urbanism by looking at the evolution of human settlement patterns in relation to geothermal energy in Larderello, Italy. Larderello is "off the map," and virtually unknown to Tuscan residents and tourists, but is one of the world's centers of geothermal power research. Alternative futures for this industrial town, which(...)
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September 2005, New York
Geothermal Larderello : Tuscany, Italy
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"Geothermal Larderello" investigates contemporary urbanism by looking at the evolution of human settlement patterns in relation to geothermal energy in Larderello, Italy. Larderello is "off the map," and virtually unknown to Tuscan residents and tourists, but is one of the world's centers of geothermal power research. Alternative futures for this industrial town, which was planned by Giovanni Michelucci in the 1950s, are discussed within the context of sustainability, economics, programming, and environment. In ancient times, the Valley de Cecina was home to a spa and renowned for its healing thermal waters, while in the modern era, this steam was harnessed to generate electricity for district heating and for other uses. Larderello, with its unique landscape of agricultural fields, olive trees, cooling towers, and miles of above-ground steam pipes, is a case study for the possible confluence of geothermal power and urban design issues.
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books
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ix, 181 pages : illustrations (some color) ; 31 cm
New York : Princeton Architectural Press, ©2001.
Weekend utopia : modern living in the Hamptons / Alastair Gordon.
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ix, 181 pages : illustrations (some color) ; 31 cm
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New York : Princeton Architectural Press, ©2001.
$32.95
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In Fallout Shelter, David Monteyne traces the partnership that developed between architects and civil defense authorities during the 1950s and 1960s. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific(...)
Fallout shelter: Designing for civil defense in the Cold War
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In Fallout Shelter, David Monteyne traces the partnership that developed between architects and civil defense authorities during the 1950s and 1960s. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific assumptions about race, gender, class, and power.
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Foucault’s writings on power and control in social institutions have made him one of the modern era’s most influential thinkers. Here he argues that punishment has gone from being mere spectacle to becoming an instrument of systematic domination over individuals in society – not just of our bodies, but our souls. From the Penguin Great Ideas series.
The spectacle of the scaffold
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Foucault’s writings on power and control in social institutions have made him one of the modern era’s most influential thinkers. Here he argues that punishment has gone from being mere spectacle to becoming an instrument of systematic domination over individuals in society – not just of our bodies, but our souls. From the Penguin Great Ideas series.
books
May 2008
Critical Theory
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In this new monograph, Jamey Stillings (born 1955) synthesizes environmental interests with his longstanding fascination with the intersections of nature and human activity. In October 2010, Stillings began a three-and-a-half-year aerial exploration over what has become the world's largest concentrated solar power plant, the Ivanpah Solar Electric Generating System in the(...)
Jamey Stillings: the evolution of Ivanpah Solar
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In this new monograph, Jamey Stillings (born 1955) synthesizes environmental interests with his longstanding fascination with the intersections of nature and human activity. In October 2010, Stillings began a three-and-a-half-year aerial exploration over what has become the world's largest concentrated solar power plant, the Ivanpah Solar Electric Generating System in the Mojave Desert of California
Photography monographs
Flood : nature and culture
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Withington describes how aspects of floods—the power of nature, human drama, changed landscapes—have fascinated artists, novelists, and filmmakers. He examines the ancient, catastrophic flood that appears in many religions and cultures and considers how the symbol of the flood has become a key icon in world literatures and a component of the contemporary disaster movie.
Flood : nature and culture
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Withington describes how aspects of floods—the power of nature, human drama, changed landscapes—have fascinated artists, novelists, and filmmakers. He examines the ancient, catastrophic flood that appears in many religions and cultures and considers how the symbol of the flood has become a key icon in world literatures and a component of the contemporary disaster movie.
Landscape Theory