Lumière, light, licht
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Light is the central design element concerning our perception and has the power to change the mental state we are in. Light is equally elementary for life as are water and air. The industrial developments of the past few years have made possible amazing light and lamp designs. This volume illustrates the many new possibilities as well as giving some practical examples of(...)
Lumière, light, licht
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$8.95
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Summary:
Light is the central design element concerning our perception and has the power to change the mental state we are in. Light is equally elementary for life as are water and air. The industrial developments of the past few years have made possible amazing light and lamp designs. This volume illustrates the many new possibilities as well as giving some practical examples of how to apply light.
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$27.00
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Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media(...)
Shivers down your spine : cinema, museums, & the immersive view
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$27.00
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Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world.
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April 2013
Museology
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xiii, 243 pages : illustrations, map ; 29 cm
London : British School at Rome, 2002.
Lutyens abroad : the work of Sir Edwin Lutyens outside the British Isles / edited by Andrew Hopkins and Gavin Stamp.
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xiii, 243 pages : illustrations, map ; 29 cm
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London : British School at Rome, 2002.
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x, 240 pages : illustrations ; 22 cm.
New York : Columbia University Press, [2015]
The end of cinema? : a medium in crisis in the digital age / André Gaudreault and Philippe Marion ; translated by Timothy Barnard.
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x, 240 pages : illustrations ; 22 cm.
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New York : Columbia University Press, [2015]
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xv, 344 pages : illustrations ; 29 cm
Abington, Oxon ; New York, NY : Routledge, 2009.
Le Corbusier and Britain : an anthology / edited by Irena Murray and Julian Osley.
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xv, 344 pages : illustrations ; 29 cm
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Abington, Oxon ; New York, NY : Routledge, 2009.
Complaint!
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In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and(...)
Complaint!
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In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.
Social
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Today, artists are engaged in investigation. They probe corruption, human rights violations, environmental crimes and technological domination. At the same time, areas not usually thought of as artistic make powerful use of aesthetics. Journalists and legal professionals pore over opensource videos and satellite imagery to undertake visual investigations. This combination(...)
Investigative aesthetics: conflicts and commons in the politics of truth
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Today, artists are engaged in investigation. They probe corruption, human rights violations, environmental crimes and technological domination. At the same time, areas not usually thought of as artistic make powerful use of aesthetics. Journalists and legal professionals pore over opensource videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what the authors call “investigative aesthetics”: the mobilisation of sensibilities associated with art, architecture and other such practices in order to speak truth to power. ''Investigative Aesthetics'' draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art; and examines radical practices such as those of WikiLeaks, Bellingcat, and Forensic Architecture. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense. Matthew Fuller and Eyal Weizman have here provided an inspiring introduction to a new field that will change how we understand and confront power today.
Critical Theory
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The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her sixth book, Olivia Laing charts a course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences(...)
Everybody: a book about freedom
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The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her sixth book, Olivia Laing charts a course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century — among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, 'Everybody' is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.
Critical Theory
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In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy(...)
Walled states, waning sovereignty
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In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy and the popular desires that incite the contemporary building of walls. The new walls—dividing Texas from Mexico, Israel from Palestine, South Africa from Zimbabwe—consecrate the broken boundaries they would seem to contest and signify the ungovernability of a range of forces unleashed by globalization. Yet these same walls often amount to little more than theatrical props, frequently breached, and blur the distinction between law and lawlessness that they are intended to represent. But if today's walls fail to resolve the conflicts between globalization and national identity, they nonetheless project a stark image of sovereign power. Walls, Brown argues, address human desires for containment and protection in a world increasingly without these provisions. Walls respond to the wish for horizons even as horizons are vanquished.
Architectural Theory
The invisible collection
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An ostensibly whimsical story about the adventures of a Berlin art dealer, Stefan Zweig’s ''The Invisible Collection'' is a powerful evocation of the condition of Germany between the wars. When Zweig’s anonymous narrator sets out for the provinces in search of a lucrative bargain, he finds himself caught up in the slow unfolding of a family tragedy—and is confronted with(...)
The invisible collection
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$9.00
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An ostensibly whimsical story about the adventures of a Berlin art dealer, Stefan Zweig’s ''The Invisible Collection'' is a powerful evocation of the condition of Germany between the wars. When Zweig’s anonymous narrator sets out for the provinces in search of a lucrative bargain, he finds himself caught up in the slow unfolding of a family tragedy—and is confronted with a unique reminder of the power of art…
Literature and poetry