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books
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Description:
7 pages ; 28 cm
Description:
7 pages ; 28 cm
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Publication:
[Ottawa?] : Ministre Environment Canada, 1976.
[Ottawa?] : Ministre Environment Canada, 1976.
Title:
Notes pour M. Jean Marchand : conférence devant l'Association canadienne des urbanistes, section Québec et la Corporation des urbanistes du Québec / Ministre Environment Canada.
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Description:
7 pages ; 28 cm
Notes pour M. Jean Marchand : conférence devant l'Association canadienne des urbanistes, section Québec et la Corporation des urbanistes du Québec / Ministre Environment Canada.
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Description:
7 pages ; 28 cm
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books
books
Publication:
[Ottawa?] : Ministre Environment Canada, 1976.
[Ottawa?] : Ministre Environment Canada, 1976.
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books
books
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123 pages (some folded) : illustrations (some color), maps ; 26 cm
Description:
123 pages (some folded) : illustrations (some color), maps ; 26 cm
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Publication:
[Montreal] : [Montreal Urban Community], [1973]
[Montreal] : [Montreal Urban Community], [1973]
Title:
Proposals for urban development / [editing, Montreal Urban Community, Planning Department].
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123 pages (some folded) : illustrations (some color), maps ; 26 cm
Proposals for urban development / [editing, Montreal Urban Community, Planning Department].
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Description:
123 pages (some folded) : illustrations (some color), maps ; 26 cm
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books
books
Publication:
[Montreal] : [Montreal Urban Community], [1973]
[Montreal] : [Montreal Urban Community], [1973]
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books
books
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42 pages : illustrations (some color), portrait ; 18 cm
Description:
42 pages : illustrations (some color), portrait ; 18 cm
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Publication:
Berlin : Aedes, 1998.
Berlin : Aedes, 1998.
Title:
Thomas Weil : neues geometrisches Ornament für Architektur und Kunst.
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42 pages : illustrations (some color), portrait ; 18 cm
Thomas Weil : neues geometrisches Ornament für Architektur und Kunst.
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42 pages : illustrations (some color), portrait ; 18 cm
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books
books
Publication:
Berlin : Aedes, 1998.
Berlin : Aedes, 1998.
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books
books
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374 pages : illustrations (some color) ; 21 cm.
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374 pages : illustrations (some color) ; 21 cm.
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Publication:
Bari [Italy] : Edizioni Dedalo, ©1992.
Bari [Italy] : Edizioni Dedalo, ©1992.
Title:
Sterzate architettoniche : conflitti e polemiche degli anni settanta-novanta / Bruno Zevi.
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374 pages : illustrations (some color) ; 21 cm.
Sterzate architettoniche : conflitti e polemiche degli anni settanta-novanta / Bruno Zevi.
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374 pages : illustrations (some color) ; 21 cm.
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books
books
Publication:
Bari [Italy] : Edizioni Dedalo, ©1992.
Bari [Italy] : Edizioni Dedalo, ©1992.
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books
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131 pages : illustrations (some color), plans, portrait ; 22 cm
Description:
131 pages : illustrations (some color), plans, portrait ; 22 cm
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Publication:
[Berlin] : Akademie der Künste, 1969.
[Berlin] : Akademie der Künste, 1969.
Title:
Hans Scharoun / [Zusammenstellung und Gestaltung der Aussellung, Werkverzeichnis, bibliographische Angaben und Redaktion des Kataloges, Peter Pfankuch].
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131 pages : illustrations (some color), plans, portrait ; 22 cm
Hans Scharoun / [Zusammenstellung und Gestaltung der Aussellung, Werkverzeichnis, bibliographische Angaben und Redaktion des Kataloges, Peter Pfankuch].
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131 pages : illustrations (some color), plans, portrait ; 22 cm
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books
books
Publication:
[Berlin] : Akademie der Künste, 1969.
[Berlin] : Akademie der Künste, 1969.
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books
books
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96 pages : illustrations, portraits ; 19 cm
Description:
96 pages : illustrations, portraits ; 19 cm
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Publication:
North Vancouver, B.C., Canada : Presentation House Gallery, ©1997.
North Vancouver, B.C., Canada : Presentation House Gallery, ©1997.
Title:
Judith Barry, projections = Judith Barry, mise en abyme.
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96 pages : illustrations, portraits ; 19 cm
Judith Barry, projections = Judith Barry, mise en abyme.
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96 pages : illustrations, portraits ; 19 cm
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books
books
Publication:
North Vancouver, B.C., Canada : Presentation House Gallery, ©1997.
North Vancouver, B.C., Canada : Presentation House Gallery, ©1997.
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33 pages, 18 unnumbered pages of plates : illustrations, plans, portrait ; 23 cm
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33 pages, 18 unnumbered pages of plates : illustrations, plans, portrait ; 23 cm
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México [D.F.] : Universidad Nacional Autónoma de México, 1984.
México [D.F.] : Universidad Nacional Autónoma de México, 1984.
Title:
Enrique del Moral : imagen y obra escogida.
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33 pages, 18 unnumbered pages of plates : illustrations, plans, portrait ; 23 cm
Enrique del Moral : imagen y obra escogida.
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33 pages, 18 unnumbered pages of plates : illustrations, plans, portrait ; 23 cm
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books
books
Publication:
México [D.F.] : Universidad Nacional Autónoma de México, 1984.
México [D.F.] : Universidad Nacional Autónoma de México, 1984.
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$48.95
(available to order)
Summary:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
$48.95
(available to order)
Summary:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
October 2001
October 2001
Title:
Object to be destroyed : the work of Gordon Matta-Clark
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$48.95
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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$48.95
(available to order)
Summary:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Form:
books
books
Publication:
October 2001
October 2001
Form:
books
books
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Price:
$75.00
(available to order)
Summary:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
$75.00
(available to order)
Summary:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 1999, Cambridge, Mass.
December 1999, Cambridge, Mass.
Title:
Object to be destroyed : the work of Gordon Matta-Clark
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Price:
$75.00
(available to order)
Summary:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
Actions:
Price:
$75.00
(available to order)
Summary:
Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Form:
books
books
Publication:
December 1999, Cambridge, Mass.
December 1999, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$59.95
(available in store)
Summary:
In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this(...)
$59.95
(available in store)
Summary:
In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this(...)
Title:
Atrium
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$59.95
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Summary:
In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium's appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.
Atrium
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Price:
$59.95
(available in store)
Summary:
In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium's appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
