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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the(...)
Kimowan Metchewais: A kind of prayer
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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the source material for works in other media, such as painting and collage. Metchewais’s exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. This volume is a comprehensive overview that showcases this essential artist’s astonishing vision.
Photography monographs
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One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of “less-lethal” police force. In 2011, the year(...)
Tear gas: from the battlefields of WWI to the streets of today
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One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of “less-lethal” police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with “Made in USA” printed on them, while Britain continues to sell tear gas to countries on its own human rights blacklist.
Critical Theory
War primer 2
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Originally released in 2011 as a limited edition hardback, this paperback edition is a facsimile of the book which earned Adam Broomberg and Oliver Chanarin the 2013 Deutsche Börse Photography Prize. War Primer 2 appropriates the first English-language version of Bertolt Brecht’s remarkable 1955 Kriegsfibel in which Brecht combined press photographs from the World Wars(...)
War primer 2
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Originally released in 2011 as a limited edition hardback, this paperback edition is a facsimile of the book which earned Adam Broomberg and Oliver Chanarin the 2013 Deutsche Börse Photography Prize. War Primer 2 appropriates the first English-language version of Bertolt Brecht’s remarkable 1955 Kriegsfibel in which Brecht combined press photographs from the World Wars with four-line poems. Compiled intermittently over three decades, Brecht’s book was a visual and lyrical attack on war and its propagandists under modern capitalism. Shifting the critique to contemporary narratives perpetuated by the so-called 'War on Terror', Broomberg and Chanarin strategically overlay the pages of Brecht’s War Primer with images culled from the internet and generated by the actors, propagators and reporters of the contemporary conflict.
Photography monographs
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This book documents a unique collaboration between the artist Louise Bourgeois (1911–2010) and the architect Peter Zumthor (born 1973). The Steilneset Memorial, opened in 2011, is a monument in Vardø, Norway, commemorating the 17th-century trial and execution of 91 women for witchcraft. The brainchild of the National Tourist Routes project in Norway (a(...)
Louise Bourgeois and Peter Zumthor: Steilneset Memorial
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This book documents a unique collaboration between the artist Louise Bourgeois (1911–2010) and the architect Peter Zumthor (born 1973). The Steilneset Memorial, opened in 2011, is a monument in Vardø, Norway, commemorating the 17th-century trial and execution of 91 women for witchcraft. The brainchild of the National Tourist Routes project in Norway (a government-sponsored initiative which aims to attract visitors to remote but exceptionally beautiful locations), the Steilneset Memorial started out as a modest monument to honor the victims of the witchcraft trials, to be built on the site where the burnings originally took place. But the project, which would be Bourgeois’ last major work, grew in the hands of Zumthor and Bourgeois into two distinct, haunting structures.
Architecture Monographs
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and(...)
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan’s northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture’s intrinsic- and often problematic- relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society.
Architectural Theory
Only bleeding
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Las Vegas. Ville de jeu, de néons, de débauche, d’exagération, d’entertainment. Pourtant, ni casinos, ni palaces, ni machines à sous, ni strip-tease dans le Las Vegas de Frédéric Stucin. En noir et blanc pour aller à l’essentiel et gommer tout malentendu documentaire, au format horizontal pour en accentuer la dimension cinématographique, ces images, réalisées entre 2011(...)
Only bleeding
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Las Vegas. Ville de jeu, de néons, de débauche, d’exagération, d’entertainment. Pourtant, ni casinos, ni palaces, ni machines à sous, ni strip-tease dans le Las Vegas de Frédéric Stucin. En noir et blanc pour aller à l’essentiel et gommer tout malentendu documentaire, au format horizontal pour en accentuer la dimension cinématographique, ces images, réalisées entre 2011 et 2017, n’expliquent rien. Elles sondent l'âme d'une ville somme toute imaginaire, prennent le pouls de son bourdonnement, du mouvement, de l’errance, de la solitude. Elles ressemblent aux souvenirs de jours heureux auxquels celui qui se souvient n’aurait pas participé, qui auraient passé sans lui et dont il ne parviendrait à glaner que débris fatigués. Le livre s’accompagne d’un texte de Marie Ndiaye et Jean-Yves Cendrey.
Photography monographs
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Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online(...)
March 2022
(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) (in neoliberal times)?
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Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online research festival.” Divided into two parts, this compendium chronicles the studio’s politically and socially committed approach through lectures, research, conversations, and project documentation from the online festival and five years of studio work. Both the festival's debate about working conditions and the studio's practice critically examine the imperative of committed designers today to radically reorient their approach, the content of their work, and their relationship with the actors for whom they design.
Jerusalem : to the last path
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A la fin des années 1990, David Sauveur est un photojournaliste habitué aux chaos de l'histoire, reconnu internationalement. Lorsqu'il découvre Jérusalem, c'est pour d'autres raisons : non plus dénoncer la violence des hommes, mais sentir vibrer leur besoin de beauté. Pendant cinq ans, par une immersion méditative dans l'épaisseur de la cité millénaire, il recueille au(...)
Jerusalem : to the last path
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A la fin des années 1990, David Sauveur est un photojournaliste habitué aux chaos de l'histoire, reconnu internationalement. Lorsqu'il découvre Jérusalem, c'est pour d'autres raisons : non plus dénoncer la violence des hommes, mais sentir vibrer leur besoin de beauté. Pendant cinq ans, par une immersion méditative dans l'épaisseur de la cité millénaire, il recueille au Polaroid la matière de "To The Last Path" ('Vers le dernier chemin'). Naît une série de photographies subtiles, tout en lenteur et délicatesse, portées par une rare intelligence de la pluralité et des contradictions de la ville aux trois religions. Ce livre, accompagné d'un texte de l'historien Vincent Lemire, présente pour la première fois l'oeuvre de David Sauveur, dont une agression en août 2011 a interrompu la carrière.
Photography monographs
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La Cité de l'Architecture & du Patrimoine a présenté dans ses murs du 23 mars au 24 juillet 2011 l'exposition : "La Ville fertile. Vers une nature urbaine". Un sujet majeur pour notre société qui pose la question de la nature en ville dans une perspective large, en abordant les dimensions historique, sociale, culturelle, botanique autant qu'écologique. En préambule à(...)
Petite histoire du jardin et du paysage en ville
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La Cité de l'Architecture & du Patrimoine a présenté dans ses murs du 23 mars au 24 juillet 2011 l'exposition : "La Ville fertile. Vers une nature urbaine". Un sujet majeur pour notre société qui pose la question de la nature en ville dans une perspective large, en abordant les dimensions historique, sociale, culturelle, botanique autant qu'écologique. En préambule à cette exposition, une introduction consistait en une série de panneaux retraçaient l'histoire du paysage en ville des origines à nos jours. Cet ouvrage très pédagogique et richement illustré reprend le texte de ces panneaux. Il offre un panorama complet de la manière dont les hommes, partout dans le monde, et à toutes les époques, ont voulu domestiquer la nature pour l'intégrer au coeur des villes.
Gardens
Paul Graham: The Present
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring(...)
Paul Graham: The Present
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The Present is Paul Graham's contribution to street photography. It also completes Graham's trilogy project on America (with American Night (2003) and a shimmer of possibility (2007)). Most of the photographs were taken in the busiest parts of Manhattan (Penn Station, China Town, Times Square) between 2009 and 2011. At the first look, the photographs might seem boring and dull. In a way The Present is about nothingness, "nothing moments of life". The present is a period of time between the past and the future, also referred to as now. The images capture the same places, shot from the same position, with just few moments apart. While the street photography is about a perfect frozen moment, Paul Graham shifts it by creating a combinations before/after.
Photography monographs