Fred Herzog: Black and White
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Fred Herzog roamed the streets of Vancouver to create a portrait of his adopted hometown in chance scenarios and spontaneous acts of perception. Today his work is among the most important examples of early color photography. But Herzog did not decide to work almost exclusively with Kodachrome slide color film until the late 1950s. This volume is the first appreciation of(...)
Fred Herzog: Black and White
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Fred Herzog roamed the streets of Vancouver to create a portrait of his adopted hometown in chance scenarios and spontaneous acts of perception. Today his work is among the most important examples of early color photography. But Herzog did not decide to work almost exclusively with Kodachrome slide color film until the late 1950s. This volume is the first appreciation of a lesser-known facet of the photographer's work. Complementing the landmark publication of Modern Color in 2017, the volume brings together his sumptuous arrangements of light and shadow, and moments of life outside the city. The early black-and-white photographs evoke a sense of melancholy, not nostalgia, showing that the appeal of Herzog's work lies in his flair for condensing a psychological state
Photography monographs
Installation art
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Immerse yourself in the thought-provoking and sometimes bewildering artworks featured in Installation Art. This artistic genre rejects the passive viewing of framed artwork and encourages an interactive and often theatrical experience that draws the viewer into the artwork and sometimes even transforms the viewer into part of the piece. Marvel at a room repurposed into a(...)
Installation art
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Immerse yourself in the thought-provoking and sometimes bewildering artworks featured in Installation Art. This artistic genre rejects the passive viewing of framed artwork and encourages an interactive and often theatrical experience that draws the viewer into the artwork and sometimes even transforms the viewer into part of the piece. Marvel at a room repurposed into a giant musical instrument, imagine pressing into walls quilted in fabric, or feel the excitement of jumping in a giant plastic balloon. The artists featured in Installation Art make use of both museum space and unexpected locations, such as parks, retail shops, and even metro stations to create new realities through the manipulation of all aspects of one's environment--sight, sound, space, light and touch. Includes artists' conceptual drawings.
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the(...)
Oak: one tree, three years, fifty paintings
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the same oak scores of times over a period of three years, in extremes of weather and light, at all times of day and night. Oak is nature's creed of endurance (the tree was standing when Jane Austen was just a baby) and of one man's promise to find beauty in a painful world.
Contemporary Art Monographs
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur.(...)
Left in the dark: Portraits of San Francisco movie theatres
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur. Photographed empty, the buildings' architectural qualities, from rotunda chandeliers and warmly glowing walls to drab lobbies and worn armrests, come to the fore. Essays by scholars and film exhibitors including Rebecca Solnit, Julie Lindow, Eddie Muller, Chi-Hui Yang and Gary Meyer cast light from personal and scholarly perspectives, examining the movie houses' roles as characters in the cultural drama of the city.
Commercial interiors, Building types
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A guiding model that seeks to address the relationship between the economic meltdown and the built environment in Iceland using ecological approaches. New solutions that aspire to a long-term balance between economic objectives and ecological issues. This publication derives from a case study on the built environment in the Reykjavik capital area in the light of the(...)
Scarcity in excess: the built environment and the economic crisis in Iceland
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A guiding model that seeks to address the relationship between the economic meltdown and the built environment in Iceland using ecological approaches. New solutions that aspire to a long-term balance between economic objectives and ecological issues. This publication derives from a case study on the built environment in the Reykjavik capital area in the light of the financial meltdown in October 2008. It is the work of the participants in the case study and a number of invited contributors from different fields; researchers, artists and activists that offer different perspectives on the case. The case study is a part of a larger European project, Scarcity and Creativity in the built Environment (SCIBE), funded by HERA (Humanities in the European Research Area).
Architectural Theory
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In Peach, the young Swiss artist Susanne Hefti turns her acute and sensitive gaze on her changing surroundings. Through structure and composition, light and color, the photographer generates moments that spirit the viewer away to a world of her own and help us to see everyday things with new eyes. Hefti is interested in uncovering the ambivalence of images and their(...)
Peach
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In Peach, the young Swiss artist Susanne Hefti turns her acute and sensitive gaze on her changing surroundings. Through structure and composition, light and color, the photographer generates moments that spirit the viewer away to a world of her own and help us to see everyday things with new eyes. Hefti is interested in uncovering the ambivalence of images and their multilayered relations among one another as well as with their beholder. Even though we are aware of what we are seeing here on paper, these pictures are no longer part of reality but instead show us an artistic take on the world around us. They draw their substance from a confrontation with reality, provoking reflection on how we are to comprehend it.
Photography monographs
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During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas.(...)
Frescos within Palladio's architecture : Malcontenta, 1557-1575
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During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas. In Frescos, Antonio Foscari analyzes this fresco cycle, one that not only represents an outstanding example of trompe l’oeil based on architectural structures – and which is closely modeled on Palladio’s ideals – but also sheds light on formative events within the family that commissioned Palladio. This publication contains a wealth of historical documents as well as photographs of the frescos by Matthias Schaller.
History until 1900, Renaissance
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At the beginning of the economic crisis in 2007, housing became a central commodity in the short-circuit system of mortgages granted to private individuals and businesses. In the aftermath of the crisis, and in the wake of the COVID-19 Pandemic, housing—as a right, in its most radical form—re-emerged due to local housing, migration, and health emergencies. In light of an(...)
Rehab: Living, inhabitants, houses
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At the beginning of the economic crisis in 2007, housing became a central commodity in the short-circuit system of mortgages granted to private individuals and businesses. In the aftermath of the crisis, and in the wake of the COVID-19 Pandemic, housing—as a right, in its most radical form—re-emerged due to local housing, migration, and health emergencies. In light of an eclipse of a general discourse on housing, a new secular and international ethics arose, both foreign and superior to nation states. This book returns to a broader notion of housing: using metaphors of sanitary and salvific reinstatement, it retrieves case studies from the 1950s for re-conceptualizing the housing question in contemporary architecture and visual arts.
Collective Housing
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Although Japanese architects have to contend with very particular constraints, from tiny plots in crowded urban contexts to ever-present seismic threats, their innovative solutions to the creation of space and stable structures, combined with their close attention to materials, technology and natural light, have resulted in homes that are internationally admired. This(...)
The Japanese house reinvented
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Although Japanese architects have to contend with very particular constraints, from tiny plots in crowded urban contexts to ever-present seismic threats, their innovative solutions to the creation of space and stable structures, combined with their close attention to materials, technology and natural light, have resulted in homes that are internationally admired. This overview of fifty recently built Japanese houses includes projects by three Pritzker Prize-winners— Tadao Ando, Shigeru Ban and Kazuyo Sejima—as well as by lesser-known emerging architects. Each house is clearly illustrated with colour photographs and plans, and is lucidly described by Philip Jodidio, who has travelled extensively around Japan and is deeply familiar with these projects and their creators. His book is a demonstration of Japan’s enduring commitment to design innovation.
Contemporary Asian Architecture
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In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
Architectural Theory
October 2006, Cambridge (MA), London
Architecture in the age of divided representation : the question of creativity in the shadow of production
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In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architectural Theory