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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
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The open studio : Essays on art and aesthetics
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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
The open studio : Essays on art and aesthetics
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Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
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books
books
Publication:
September 2004, Chicago London
September 2004, Chicago London
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Art Theory
Art Theory
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books
books
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$74.95
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Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace.(...)
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Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace.(...)
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Photographic literacy: cameras in the hands of Russian authors
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Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in "Photographic Literacy," authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself. For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers—including Sergei Prokudin-Gorsky and Alexander Rodchenko—used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.
Photographic literacy: cameras in the hands of Russian authors
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Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in "Photographic Literacy," authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself. For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers—including Sergei Prokudin-Gorsky and Alexander Rodchenko—used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.
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books
books
Publication:
December 2018
December 2018
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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200 volumes : plates (some folded), illustrations, maps ; 28-32 cm (4to)
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200 volumes : plates (some folded), illustrations, maps ; 28-32 cm (4to)
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A Paris : Chez Panckoucke, imprimeur-libraire, hôtel de Thou, rue des Poitevins : Chez Agasse, imprimeur-libraire, rue des Poitevins ..., 1782-1832.
A Paris : Chez Panckoucke, imprimeur-libraire, hôtel de Thou, rue des Poitevins : Chez Agasse, imprimeur-libraire, rue des Poitevins ..., 1782-1832.
Title:
Encyclopédie méthodique, ou par ordre de matières / par une société de gens de lettres, de savans et d'artistes ; précédée d'un vocabulaire universel, servant de table pour tout l'ouvrage, ornée des portraits de MM. Diderot & d'Alembert, premiers èditeurs de l'Encyclopédie.
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200 volumes : plates (some folded), illustrations, maps ; 28-32 cm (4to)
Encyclopédie méthodique, ou par ordre de matières / par une société de gens de lettres, de savans et d'artistes ; précédée d'un vocabulaire universel, servant de table pour tout l'ouvrage, ornée des portraits de MM. Diderot & d'Alembert, premiers èditeurs de l'Encyclopédie.
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200 volumes : plates (some folded), illustrations, maps ; 28-32 cm (4to)
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books
books
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A Paris : Chez Panckoucke, imprimeur-libraire, hôtel de Thou, rue des Poitevins : Chez Agasse, imprimeur-libraire, rue des Poitevins ..., 1782-1832.
A Paris : Chez Panckoucke, imprimeur-libraire, hôtel de Thou, rue des Poitevins : Chez Agasse, imprimeur-libraire, rue des Poitevins ..., 1782-1832.
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ix, 393 pages : illustrations ; 24 cm.
Description:
ix, 393 pages : illustrations ; 24 cm.
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Philadelphia : University of Pennsylvania Press, 2000.
Philadelphia : University of Pennsylvania Press, 2000.
Title:
Material London, ca. 1600 / edited by Lena Cowen Orlin.
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ix, 393 pages : illustrations ; 24 cm.
Material London, ca. 1600 / edited by Lena Cowen Orlin.
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ix, 393 pages : illustrations ; 24 cm.
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books
books
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Philadelphia : University of Pennsylvania Press, 2000.
Philadelphia : University of Pennsylvania Press, 2000.
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$29.95
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens(...)
$29.95
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens(...)
Subject:
Fauna and flora
Fauna and flora
Publication:
January 2023
January 2023
Title:
Lichens: toward a minimal resistance
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens were at the heart of some of the most pressing and topical questions of our day? Does the fact that they can live everywhere, even in very harsh environments, that they persist when almost all other traces of life have disappeared, mean that, despite their fragility, lichens are a force of resistance?
Lichens: toward a minimal resistance
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The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens were at the heart of some of the most pressing and topical questions of our day? Does the fact that they can live everywhere, even in very harsh environments, that they persist when almost all other traces of life have disappeared, mean that, despite their fragility, lichens are a force of resistance?
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books
books
Publication:
January 2023
January 2023
Subject:
Fauna and flora
Fauna and flora
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books
books
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$24.95
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Summary:
Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals(...)
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Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals(...)
Title:
The futurist moment avant-garde, avant guerre, and the language of rupture
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Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals the Moment's impulses and operations, tracing its echoes through the years to the work of "postmodern" figures like Roland Barthes. This updated edition, with its new preface, reexamines the Futurist Moment in the light of a new century, in which Futurist aesthetics seem to have steadily more to say to the present.
The futurist moment avant-garde, avant guerre, and the language of rupture
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Marjorie Perloff's stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals the Moment's impulses and operations, tracing its echoes through the years to the work of "postmodern" figures like Roland Barthes. This updated edition, with its new preface, reexamines the Futurist Moment in the light of a new century, in which Futurist aesthetics seem to have steadily more to say to the present.
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books
books
Publication:
January 2004, Chicago
January 2004, Chicago
Subject:
Art Theory
Art Theory
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books
books
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$51.95
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past(...)
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past(...)
Title:
Building desire : on the Barcelona pavilion
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past fifteen years, no scholar has yet to seriously study, at any length, the unique phenomenon that was, is and will continue to be the Barcelona Pavilion. "Building desire" focuses on the pavilion's image of an enduring myth of modernity.
Building desire : on the Barcelona pavilion
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In 1986 a new Barcelona Pavilion was completed on the site of the original 1929 German Pavilion in Barcelona. That same year marked the 150th anniversary of photography and the centenary of Mies van der Rohe (1886-1969). Since then, much has been written about all three, jointly and singly. Whilst the literature on Mies van der Rohe has more than doubled in the past fifteen years, no scholar has yet to seriously study, at any length, the unique phenomenon that was, is and will continue to be the Barcelona Pavilion. "Building desire" focuses on the pavilion's image of an enduring myth of modernity.
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books
books
Publication:
January 2005, London, New York
January 2005, London, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Write print fold and staple
Write print fold and staple
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In ''Write, print, fold and staple'' Jim Johnstone details the enduring importance of chapbook micropresses to the ecology of Canadian literature, arguing that the chapbook is the ideal form for publishing poetry. Small and provisional, micropresses generally operate outside of the commercial anxieties of trade publishing, pursuing unmediated aesthetic, cultural and(...)
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In ''Write, print, fold and staple'' Jim Johnstone details the enduring importance of chapbook micropresses to the ecology of Canadian literature, arguing that the chapbook is the ideal form for publishing poetry. Small and provisional, micropresses generally operate outside of the commercial anxieties of trade publishing, pursuing unmediated aesthetic, cultural and(...)
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Write print fold and staple
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$26.95
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In ''Write, print, fold and staple'' Jim Johnstone details the enduring importance of chapbook micropresses to the ecology of Canadian literature, arguing that the chapbook is the ideal form for publishing poetry. Small and provisional, micropresses generally operate outside of the commercial anxieties of trade publishing, pursuing unmediated aesthetic, cultural and personal aims. At the heart of Johnstone’s discussion is a useful survey of fifteen notable Canadian micropresses active during the past two decades, presses whose output ranges from lo-fi, zine-like, counter-cultural productions through to works whose editing and production values far exceed those of mainstream publishers, and everything in between.
Write print fold and staple
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$26.95
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In ''Write, print, fold and staple'' Jim Johnstone details the enduring importance of chapbook micropresses to the ecology of Canadian literature, arguing that the chapbook is the ideal form for publishing poetry. Small and provisional, micropresses generally operate outside of the commercial anxieties of trade publishing, pursuing unmediated aesthetic, cultural and personal aims. At the heart of Johnstone’s discussion is a useful survey of fifteen notable Canadian micropresses active during the past two decades, presses whose output ranges from lo-fi, zine-like, counter-cultural productions through to works whose editing and production values far exceed those of mainstream publishers, and everything in between.
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books
books
Publication:
December 2023
December 2023
Subject:
Book Design
Book Design
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books
books
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$49.95
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti,(...)
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti,(...)
Title:
Leon Battista Alberti: Writer and humanist
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.
Leon Battista Alberti: Writer and humanist
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Leon Battista Alberti (1404–1472) was one of the most prolific and original writers of the Italian Renaissance—a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt’s mythologizing of Alberti as a “Renaissance or Universal Man.” In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti’s major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture.
Form:
books
books
Publication:
June 2024
June 2024
Subject:
Art Theory
Art Theory
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books
books
Title:
Criticism and truth
Criticism and truth
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$23.95
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Written in 1966 in response to an attack on Barthes's sur Racine, this polemic answers many of the charges brought against French new criticism by conservative, academic, 19th-century-oriented critics: lack of "objectivity," fondness for "jargon," indifference to the author's intention, etc. More positively, Barthes outlines some key concerns: plurality of meanings;(...)
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Written in 1966 in response to an attack on Barthes's sur Racine, this polemic answers many of the charges brought against French new criticism by conservative, academic, 19th-century-oriented critics: lack of "objectivity," fondness for "jargon," indifference to the author's intention, etc. More positively, Barthes outlines some key concerns: plurality of meanings;(...)
Title:
Criticism and truth
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$23.95
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Written in 1966 in response to an attack on Barthes's sur Racine, this polemic answers many of the charges brought against French new criticism by conservative, academic, 19th-century-oriented critics: lack of "objectivity," fondness for "jargon," indifference to the author's intention, etc. More positively, Barthes outlines some key concerns: plurality of meanings; analysis, based on linguistics, of the structures of possible meanings; the idea of a science of literature; and the dynamics of reading. Though some of the issues are specific to the French literary-academic situation, the bulk of this brief essay is a lively and accessible statement of an important modern critical position that is worth reading.
Criticism and truth
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$23.95
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Summary:
Written in 1966 in response to an attack on Barthes's sur Racine, this polemic answers many of the charges brought against French new criticism by conservative, academic, 19th-century-oriented critics: lack of "objectivity," fondness for "jargon," indifference to the author's intention, etc. More positively, Barthes outlines some key concerns: plurality of meanings; analysis, based on linguistics, of the structures of possible meanings; the idea of a science of literature; and the dynamics of reading. Though some of the issues are specific to the French literary-academic situation, the bulk of this brief essay is a lively and accessible statement of an important modern critical position that is worth reading.
Form:
books
books
Publication:
January 1966, Minneapolis
January 1966, Minneapolis
Subject:
Critical Theory
Critical Theory
