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''Land Back'' highlights the ways Indigenous peoples and anti-colonial co-resistors understand land relations for political resurgence and freedom across the Americas. Contributors place Indigenous practices of freedom within the particularities of Indigenous place-based laws, cosmologies, and diplomacies, while also demonstrating how Indigeneity is shaped across colonial(...)
Land back: Relational landscapes of indeginous resistance across the Americas
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''Land Back'' highlights the ways Indigenous peoples and anti-colonial co-resistors understand land relations for political resurgence and freedom across the Americas. Contributors place Indigenous practices of freedom within the particularities of Indigenous place-based laws, cosmologies, and diplomacies, while also demonstrating how Indigeneity is shaped across colonial borders. Collectively, they examine the relationships among language, Indigenous ontologies, and land reclamation; Indigenous ecology and restoration; the interconnectivity of environmental exploitation and racial, class, and gender exploitation; Indigenous diasporic movement; community urban planning; transnational organizing and relational anti-racist place-making; and the role of storytelling and children in movements for liberation.
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Au début des années 1980, alors qu'il était jeune photographe, Serge Jauvin a passé un long séjour chez les Innus d'Unamen Shipu (La Romaine) dans la famille d'Hélène et de William-Mathieu Mark. Il a reçu d'eux le témoignage exceptionnel de leur passage du nomadisme à la sédentarité et l'a documenté à travers son journal et ses photographies. Cela lui a permis d'illustrer(...)
Aitnanipan : « C'est ainsi que nous vivions »
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Au début des années 1980, alors qu'il était jeune photographe, Serge Jauvin a passé un long séjour chez les Innus d'Unamen Shipu (La Romaine) dans la famille d'Hélène et de William-Mathieu Mark. Il a reçu d'eux le témoignage exceptionnel de leur passage du nomadisme à la sédentarité et l'a documenté à travers son journal et ses photographies. Cela lui a permis d'illustrer à la fois la vie dans la communauté et celle sur le Nutshimit, le territoire ancestral. Ce récit sur les derniers nomades de la Côte-Nord n'est pas le regard extérieur d'un étranger. Au contraire, il constitue un témoignage intime du savoir-être et du savoir-faire innu. Il est une empreinte indélébile qui témoignera aux générations futures de la contribution d'un peuple millénaire de l'Amérique septentrionale «qui vivait ainsi».
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''Framing borders'' addresses a fundamental disjuncture between scholastic portrayals of settler colonialism and what actually takes place in Akwesasne Territory, the largest Indigenous cross-border community in Canada. Whereas most existing portrayals of Indigenous nationalism emphasize border crossing as a site of conflict between officers and Indigenous nationalists,(...)
Framing borders: principle and practicality in the Akwesasne Mohawk territory
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''Framing borders'' addresses a fundamental disjuncture between scholastic portrayals of settler colonialism and what actually takes place in Akwesasne Territory, the largest Indigenous cross-border community in Canada. Whereas most existing portrayals of Indigenous nationalism emphasize border crossing as a site of conflict between officers and Indigenous nationalists, in this book Ian Kalman observes a much more diverse range of interactions, from conflict to banality to joking and camaraderie. ''Framing Borders'' explores how border crossing represents a conversation where different actors "frame" themselves, the law, and the space that they occupy in diverse ways. Written in accessible, lively prose, Kalman addresses what goes on when border officers and Akwesasne residents meet, and what these exchanges tell us about the relationship between Indigenous actors and public servants in Canada. This book provides an ethnographic examination of the experiences of the border by Mohawk community members, the history of local border enforcement, and the paradoxes, self-contradictions, and confusions that underlie the border and its enforcement.
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Theory of water
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For many years, Leanne Betasamosake Simpson has found refuge in skiing—in all kinds of weather across different forms of terrain, often following the trail beside a beloved creek near her home. Recently, as she skimmed along this path and meditated on our world's uncertainty—including environmental devastation, the rise of authoritarianism, and the effects of ongoing(...)
Theory of water
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For many years, Leanne Betasamosake Simpson has found refuge in skiing—in all kinds of weather across different forms of terrain, often following the trail beside a beloved creek near her home. Recently, as she skimmed along this path and meditated on our world's uncertainty—including environmental devastation, the rise of authoritarianism, and the effects of ongoing social injustice—her mind turned to the ice beside her, and the snow beneath her feet. And she asked herself: What might it mean to truly listen to water? To know not only the land on which we live, but the water that surrounds and inhabits us? To coexist with and alongside water? So begins this renowned writer's quest to discover, understand, and trace the historical and cultural interactions of Indigenous peoples with water in all its forms. On her journey, she reflects on the teachings, traditions, stories, and creative work of others in her community—particularly those of her longtime friend Doug Williams, an Elder whose presence suffuses these pages; reads deeply the words of thinkers from other communities whose writing expands her own; and begins to shape a "Theory of Water" that reimagines relationships among all beings and life-forces.
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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and(...)
Anarcho-Indigenism: Conversations on land and freedom
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As early as the end of the 19th century, anarchists such as Peter Kropotkin and Élisée Reclus became interested in indigenous peoples, many of whom they saw as societies without a state or private property, living a form of communism. Thinkers such as David Graeber and John Holloway have continued this tradition of engagement with the practices of indigenous societies and their politics. There has also been a long history of (often imperfect) collaboration between anarchists and indigenous activists, over land rights and environmental issues, including recent high-profile anti-pipeline campaigns. ''Anarcho-Indigenism'' is a dialogue between anarchism and indigenous politics, featuring interviews from indigenous contributors Véronique Hébert, Gord Hill, Freda Huson, J. Kehaulani Kauanui, Clifton Ariwakehte Nicholas and Toghestiy, as well as the Marxist scholar specialist in indigenous people’s history and politics, Roxanne Dunbar-Ortiz. The contributors reveal what indigenous thought and traditions and anarchism have in common, without denying the scars left by colonialism even within this anti-authoritarian movement. They ultimately offer a vision of the world that combines anti-colonialism, feminism, ecology, anti-capitalism and anti-statism.
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With more than fifty contributors, ''Indigenous critical reflections on traditional ecological knowledge'' offers important perspectives by Indigenous Peoples on Traditional Ecological Knowledge and Indigenous value systems. The book aims to educate and inspire readers about the importance of decolonizing how Indigenous Knowledges are considered and used outside of Native(...)
Indigenous critical reflections on traditional ecological knowledge
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With more than fifty contributors, ''Indigenous critical reflections on traditional ecological knowledge'' offers important perspectives by Indigenous Peoples on Traditional Ecological Knowledge and Indigenous value systems. The book aims to educate and inspire readers about the importance of decolonizing how Indigenous Knowledges are considered and used outside of Native communities. By including the work of Indigenous storytellers, poets, and scholars from around the globe, editor Lara Jacobs and chapter authors effectively explore the Indigenous value systems-relationships, reciprocity, and responsibility-that are fundamental to Indigenous Knowledge systems and cultures. Indigenous languages and positionality statements are featured for each of the contributors to frame their cultural and geographical background and to allow each Indigenous voice to lead discussions and contribute critical discourse to the literature on Indigenous Knowledges and value systems. By creating space for each of these individual voices, this volume challenges colonial extraction norms and highlights the importance of decolonial methods in understanding and protecting Indigenous Knowledges.
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''Indigenous Currencies'' follows dynamic stories of currency as a meaning-making communication technology. Settler economies regard currency as their own invention, casting Indigenous systems of value, exchange, and data stewardship as incompatible with contemporary markets. In this book, Ashley Cordes refutes such claims and describes a long history of Indigenous(...)
Indigenous currencies: Leaving some for the rest in the Digital Age
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''Indigenous Currencies'' follows dynamic stories of currency as a meaning-making communication technology. Settler economies regard currency as their own invention, casting Indigenous systems of value, exchange, and data stewardship as incompatible with contemporary markets. In this book, Ashley Cordes refutes such claims and describes a long history of Indigenous innovation in currencies, including wampum, dentalium, beads, and, more recently, the cryptocurrency MazaCoin. By looking closely at how currencies developed over time through intercultural communication, Cordes argues that Indigenous currencies transcend the scope of economic value, revealing the cultural, social, and political context of what it means to exchange.
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through(...)
Speculative relations: Indigenous worling and repair
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
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Sanaaq: An Inuit novel
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This book is an intimate story of an Inuit family negotiating the changes brought into their community by the coming of the qallunaat, the white people. Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec. Here they live their lives hunting seal,(...)
Sanaaq: An Inuit novel
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This book is an intimate story of an Inuit family negotiating the changes brought into their community by the coming of the qallunaat, the white people. Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec. Here they live their lives hunting seal, repairing their kayak, and gathering mussels under blue sea ice before the tide comes in. These are ordinary extraordinary lives: marriages are made and unmade, children are born and named, violence appears in the form of a fearful husband or a hungry polar bear. Here the spirit world is alive and relations with non-humans are never taken lightly. And under it all, the growing intrusion of the qallunaat and the battle for souls between the Catholic and Anglican missionaries threatens to forever change the way of life of Sanaaq and her young family.
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In this book, award-winning writer Leanne Betasamosake Simpson uses Michi Saagiig Nishnaabeg stories, storytelling aesthetics, and practices to explore the generative nature of Indigenous blockades through our relative, the beaver—or in Nishnaabemowin, Amik. Moving through genres, shifting through time, amikwag stories become a lens for the life-giving possibilities of(...)
A short history of the blockade: Giant beavers, diplomacy, and regeneration in Nishnaabewin
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In this book, award-winning writer Leanne Betasamosake Simpson uses Michi Saagiig Nishnaabeg stories, storytelling aesthetics, and practices to explore the generative nature of Indigenous blockades through our relative, the beaver—or in Nishnaabemowin, Amik. Moving through genres, shifting through time, amikwag stories become a lens for the life-giving possibilities of dams and the world-building possibilities of blockades, deepening our understanding of Indigenous resistance as both a negation and an affirmation. Widely recognized as one of the most compelling Indigenous voices of her generation, Simpson’s work breaks open the intersections between politics, story, and song, bringing audiences into a rich and layered world of sound, light, and sovereign creativity. This publication reveals how the practice of telling stories is also a culture of listening, “a thinking through together,” and ultimately, like the dam or the blockade, an affirmation of life.
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