In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
6 April 2017
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
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In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Building Knowledge
This lecture discusses a range of projects from Anupama Kundoo’s practice, research, and teaching. In these distinct but complementary areas of her work, she attempts to build collective knowledge in collaboration with engineers, masons, craftsmen, infrastructure providers, residents, material suppliers, and all other stakeholders involved in constructing and occupying(...)
Paul-Desmarais Theatre
16 April 2015 , 6pm
Building Knowledge
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This lecture discusses a range of projects from Anupama Kundoo’s practice, research, and teaching. In these distinct but complementary areas of her work, she attempts to build collective knowledge in collaboration with engineers, masons, craftsmen, infrastructure providers, residents, material suppliers, and all other stakeholders involved in constructing and occupying(...)
Paul-Desmarais Theatre
articles
Toward a Sensorial Urbanism
The rest of your senses
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Shaughnessy House
19 February 2015 , 6pm
Windows and Screens: Georges Teyssot
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Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Shaughnessy House
Tokyo: Yasuhiro Ishimoto
After spending most of his life in the United States, photographer Yasuhiro Ishimoto (1921–2012) settled in Tokyo in 1961 and began a study of the city distinct from the street photography of his contemporaries. For the next fifty years, the shifting spaces and people of Tokyo made up the core of Ishimoto’s work. Tokyo: Yasuhiro Ishimoto features a selection of(...)
Hall cases
28 June 2012 to 21 October 2012
Tokyo: Yasuhiro Ishimoto
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After spending most of his life in the United States, photographer Yasuhiro Ishimoto (1921–2012) settled in Tokyo in 1961 and began a study of the city distinct from the street photography of his contemporaries. For the next fifty years, the shifting spaces and people of Tokyo made up the core of Ishimoto’s work. Tokyo: Yasuhiro Ishimoto features a selection of(...)
Hall cases
Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
North façade
11 September 2009 to 19 October 2009
Robert Burley: Photographic Proof
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Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
North façade
Melvin Charney 1935–2012
The artist and theorist Melvin Charney, who died earlier this year, made significant contributions to the CCA and the city of Montreal as a whole. Throughout a long and varied career, Charney championed the public role of the architect in the wider built environment, enforcing the idea that the street is the primary resource of the city. The CCA is celebrating Charney’s(...)
Hall cases
24 October 2012 to 14 April 2013
Melvin Charney 1935–2012
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The artist and theorist Melvin Charney, who died earlier this year, made significant contributions to the CCA and the city of Montreal as a whole. Throughout a long and varied career, Charney championed the public role of the architect in the wider built environment, enforcing the idea that the street is the primary resource of the city. The CCA is celebrating Charney’s(...)
Hall cases
Learning from... Nairobi
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Paul-Desmarais Theatre
9 October 2014 , 6pm
Learning from... Nairobi
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Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Paul-Desmarais Theatre
PH1979:0162.05
Description:
This album has title pages and a list of plates (as follows): Monographie du Nouvel Opéra de Paris Le Nouvel Opéra de Paris par Charles Garnier. Architecte Membre de l'Institut. Volume I. Paris, Librairie Générale de l'Architecture et des Travaux Publics. Ducher et Cie Éditeurs. 51, rue des Écoles, 51, 1880. Table des Planches Volume I 1-2. - Façade principale 3-4. - Façade latérale (côté du Pavillon du chef de l'État) 5. - Façade postérieure 6-7. - Plan du sous-sol 8. - Plan du rez-de-chaussée 9. - Plan à l'étage des Baignoires 10-11. - Plan du premier étage 12. - Plan à la hauteur des Troisièmes Loges 13. - Plafond à la hauteur du plafond de la Salle 14. - Détails du plafond du Foyer 15. - Détails du plafond de la Salle 16. - Plan à la hauteur des toitures 17-18. - Coupe longitudinale 19. - Coupes diverses sur les Galeries latérales 20. - Coupe sur le Pavillon du chef de l'État 21. - Coupes transversales passant par la Loggia 22. - Coupes transversales passant par le Grand Foyer 23. - Coupes transversales passant par l'Avant-foyer 24. - Coupes transversales passant par le grand Escalier 25. - Coupes transversales passant sur la Salle 26. - Coupes transversales passant sur la Scène 27. - Coupes transversales passant par le Foyer de la danse 28. - Détails de la façade principale 29. - Détails de la façade du Couronnement des avant-corps 30. - Détails de la façade du Grand fronton de la Scène 31. - Détails de la façade latérale. - Entrée du Pavillon du chef de l'État 32. - Détails de la façade latérale. - Clef des arcades et lucarnes des Pavillons 33. - Détails de la façade latérale. - Couverture de la Salle; Amortissements du dôme du Pavillon du chef de l'État 34. - Clôtures latérales. - Grandes colonnes rostrales 35. - Clôtures latérales. - Petites colonnes rostrales 36. - Candélabres (côté de l'entrée du public en voiture) 37. - Détails de la façade postérieure 38. - Clôture de la cour (façade postérieure) 39. - Détails divers extérieurs. - Amortissements et grande baie 40. - Grand ascenseur pour le service de la Scène
1880
Le Nouvel Opéra de Paris par Charles Garnier, Volume I
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PH1979:0162.05
Description:
This album has title pages and a list of plates (as follows): Monographie du Nouvel Opéra de Paris Le Nouvel Opéra de Paris par Charles Garnier. Architecte Membre de l'Institut. Volume I. Paris, Librairie Générale de l'Architecture et des Travaux Publics. Ducher et Cie Éditeurs. 51, rue des Écoles, 51, 1880. Table des Planches Volume I 1-2. - Façade principale 3-4. - Façade latérale (côté du Pavillon du chef de l'État) 5. - Façade postérieure 6-7. - Plan du sous-sol 8. - Plan du rez-de-chaussée 9. - Plan à l'étage des Baignoires 10-11. - Plan du premier étage 12. - Plan à la hauteur des Troisièmes Loges 13. - Plafond à la hauteur du plafond de la Salle 14. - Détails du plafond du Foyer 15. - Détails du plafond de la Salle 16. - Plan à la hauteur des toitures 17-18. - Coupe longitudinale 19. - Coupes diverses sur les Galeries latérales 20. - Coupe sur le Pavillon du chef de l'État 21. - Coupes transversales passant par la Loggia 22. - Coupes transversales passant par le Grand Foyer 23. - Coupes transversales passant par l'Avant-foyer 24. - Coupes transversales passant par le grand Escalier 25. - Coupes transversales passant sur la Salle 26. - Coupes transversales passant sur la Scène 27. - Coupes transversales passant par le Foyer de la danse 28. - Détails de la façade principale 29. - Détails de la façade du Couronnement des avant-corps 30. - Détails de la façade du Grand fronton de la Scène 31. - Détails de la façade latérale. - Entrée du Pavillon du chef de l'État 32. - Détails de la façade latérale. - Clef des arcades et lucarnes des Pavillons 33. - Détails de la façade latérale. - Couverture de la Salle; Amortissements du dôme du Pavillon du chef de l'État 34. - Clôtures latérales. - Grandes colonnes rostrales 35. - Clôtures latérales. - Petites colonnes rostrales 36. - Candélabres (côté de l'entrée du public en voiture) 37. - Détails de la façade postérieure 38. - Clôture de la cour (façade postérieure) 39. - Détails divers extérieurs. - Amortissements et grande baie 40. - Grand ascenseur pour le service de la Scène
1880
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
28 January 2016
Practicing Advocacy: Who Builds Your Architecture?
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Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)