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books
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The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession(...)
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The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
October 1999, New Haven
October 1999, New Haven
Title:
Humphry Repton : landscape gardening and the geography of Georgian England
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The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession in extensive writings about the theory and practice of landscape gardening. This book examines Repton's career and work in the context of the changing human geography of his time. Fully illustrated with many previously unpublished pictures, the book charts Repton's vision of England, how his style changed and persisted over time and from place to place, how he influenced his profession, and how he fashioned a social identity for himself. Stephen Daniels frames Repton's life and work in terms of five domains: the road, the county, the picturesque landscape, the aristocratic estate, and the urban periphery. Focusing on the way these domains shaped Repton's career and how he in turn attempted to shape them, Daniels examines in depth more than twenty representative commissions that delineate Repton's social and spatial theory of landscape. The author casts new light not only on the work of Humphry Repton but also on the role of landscape itself in English culture and society.
Humphry Repton : landscape gardening and the geography of Georgian England
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The leading landscape gardener of later Georgian England, Humphry Repton (17521818), was innovative and prolific, undertaking more than four hundred commissions during his thirty-year career. Repton worked for a wide variety of clients, notably the dukes of Portland and Bedford, and on many kinds of sites throughout England. He also promoted his profession in extensive writings about the theory and practice of landscape gardening. This book examines Repton's career and work in the context of the changing human geography of his time. Fully illustrated with many previously unpublished pictures, the book charts Repton's vision of England, how his style changed and persisted over time and from place to place, how he influenced his profession, and how he fashioned a social identity for himself. Stephen Daniels frames Repton's life and work in terms of five domains: the road, the county, the picturesque landscape, the aristocratic estate, and the urban periphery. Focusing on the way these domains shaped Repton's career and how he in turn attempted to shape them, Daniels examines in depth more than twenty representative commissions that delineate Repton's social and spatial theory of landscape. The author casts new light not only on the work of Humphry Repton but also on the role of landscape itself in English culture and society.
Form:
books
books
Publication:
October 1999, New Haven
October 1999, New Haven
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
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$118.50
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Harrie Thomas Lindeberg (1879-1959) was one of America's most prominent 20th century domestic architects. He designed refined country houses throughout the United States for an elite clientele, and his name became synonymous with the rich man's country estate. Royal Cortissoz, in his introduction, cited Lindeberg's distinctive artistic personality as a key to his success(...)
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Harrie Thomas Lindeberg (1879-1959) was one of America's most prominent 20th century domestic architects. He designed refined country houses throughout the United States for an elite clientele, and his name became synonymous with the rich man's country estate. Royal Cortissoz, in his introduction, cited Lindeberg's distinctive artistic personality as a key to his success(...)
Title:
Domestic architecture of H.T. Lindeberg
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Harrie Thomas Lindeberg (1879-1959) was one of America's most prominent 20th century domestic architects. He designed refined country houses throughout the United States for an elite clientele, and his name became synonymous with the rich man's country estate. Royal Cortissoz, in his introduction, cited Lindeberg's distinctive artistic personality as a key to his success and put him on a par with Charles McKim, Charles Platt, Henry Bacon, Stanford White, and John Russell Pope. Lindeberg was one of a large group of American architects who trained in the offices of McKim, Mead and White. Born in New Jersey, he served as an assistant to Stanford White on prestigious domestic commissions prior to White's death in 1906. Shortly thereafter he formed a partnership with his colleague Lewis Colt Albro and quickly became a sought-after designer of rustic country houses for the elite of American society. His style was urbane, refined and elegant, yet was always touched with a hint of idiosyncratic wit, much like that of his English contemporary Edwin Lutyens. His 1940 monograph is a rare and beautiful example of the folio retrospectives that chronicled the careers of leading domestic architects of the early 20th century. Virtually all of his major commissions are represented in large-format photographs and plans.
Domestic architecture of H.T. Lindeberg
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Harrie Thomas Lindeberg (1879-1959) was one of America's most prominent 20th century domestic architects. He designed refined country houses throughout the United States for an elite clientele, and his name became synonymous with the rich man's country estate. Royal Cortissoz, in his introduction, cited Lindeberg's distinctive artistic personality as a key to his success and put him on a par with Charles McKim, Charles Platt, Henry Bacon, Stanford White, and John Russell Pope. Lindeberg was one of a large group of American architects who trained in the offices of McKim, Mead and White. Born in New Jersey, he served as an assistant to Stanford White on prestigious domestic commissions prior to White's death in 1906. Shortly thereafter he formed a partnership with his colleague Lewis Colt Albro and quickly became a sought-after designer of rustic country houses for the elite of American society. His style was urbane, refined and elegant, yet was always touched with a hint of idiosyncratic wit, much like that of his English contemporary Edwin Lutyens. His 1940 monograph is a rare and beautiful example of the folio retrospectives that chronicled the careers of leading domestic architects of the early 20th century. Virtually all of his major commissions are represented in large-format photographs and plans.
Form:
books
books
Publication:
January 1998, New York
January 1998, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$84.00
(available in store)
Summary:
This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
Title:
Long Island Modernism, 1930-1980
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Long Island Modernism, 1930-1980
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Summary:
This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Modernism
Modernism
Form:
books
books
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$35.95
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Summary:
Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to(...)
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to(...)
Title:
The future is degrowth: A guide to a world beyond capitalism
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$35.95
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to desirable alternatives to it. Not only in society at large, but also on the left, we are held captive by the hegemony of growth. Even proposals for emancipatory Green New Deals or postcapitalism base their utopian hopes on the development of productive forces, on redistributing the fruits of economic growth and technological progress. Yet growing evidence shows that continued economic growth cannot be made compatible with sustaining life and is not necessary for a good life for all. This book provides a vision for postcapitalism beyond growth. Building on a vibrant field of research, it discusses the political economy and the politics of a non-growing economy. It charts a path forward through policies that democratise the economy, ''now-topias'' that create free spaces for experimentation, and counter-hegemonic movements that make it possible to break with the logic of growth. Degrowth perspectives offer a way to step off the treadmill of an alienating, expansionist, and hierarchical system.
The future is degrowth: A guide to a world beyond capitalism
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$35.95
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Summary:
Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to desirable alternatives to it. Not only in society at large, but also on the left, we are held captive by the hegemony of growth. Even proposals for emancipatory Green New Deals or postcapitalism base their utopian hopes on the development of productive forces, on redistributing the fruits of economic growth and technological progress. Yet growing evidence shows that continued economic growth cannot be made compatible with sustaining life and is not necessary for a good life for all. This book provides a vision for postcapitalism beyond growth. Building on a vibrant field of research, it discusses the political economy and the politics of a non-growing economy. It charts a path forward through policies that democratise the economy, ''now-topias'' that create free spaces for experimentation, and counter-hegemonic movements that make it possible to break with the logic of growth. Degrowth perspectives offer a way to step off the treadmill of an alienating, expansionist, and hierarchical system.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Social
Social
Form:
books
books
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$16.95
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At a time when socialism is entering a historic crisis and we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In ''Patriarchy of the wage,'' Silvia Federici, best-selling author and the most important Marxist feminist of our time, asks why Marx and the Marxist tradition were so crucial in their(...)
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At a time when socialism is entering a historic crisis and we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In ''Patriarchy of the wage,'' Silvia Federici, best-selling author and the most important Marxist feminist of our time, asks why Marx and the Marxist tradition were so crucial in their(...)
Title:
Patriarchy of the wage: notes on Marx, gender, and feminism
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$16.95
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At a time when socialism is entering a historic crisis and we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In ''Patriarchy of the wage,'' Silvia Federici, best-selling author and the most important Marxist feminist of our time, asks why Marx and the Marxist tradition were so crucial in their denunciation of capitalism’s exploitation of human labour and blind to women’s work and struggle on the terrain of social reproduction. Why was Marx unable to anticipate the profound transformations in the proletarian family that took place at the turn of the nineteenth century, creating a new patriarchal regime? In this fiery collection of penetrating essays published here for the first time, Federici carefully examines these questions and in the process has provided an expansive redefinition of work, class, and class-gender relations. Seeking to delineate the specific character of capitalist “patriarchalism,” this magnificently original approach also highlights Marx’s and the Marxist tradition’s problematic view of industrial production and the State in the struggle for human liberation. Federici’s lucid argument that most reproductive work is irreducible to automation is a powerful reminder of the poverty of a revolutionary imagination that consigns to the world of machines the creation of the material conditions for a communist society.
Patriarchy of the wage: notes on Marx, gender, and feminism
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$16.95
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Summary:
At a time when socialism is entering a historic crisis and we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In ''Patriarchy of the wage,'' Silvia Federici, best-selling author and the most important Marxist feminist of our time, asks why Marx and the Marxist tradition were so crucial in their denunciation of capitalism’s exploitation of human labour and blind to women’s work and struggle on the terrain of social reproduction. Why was Marx unable to anticipate the profound transformations in the proletarian family that took place at the turn of the nineteenth century, creating a new patriarchal regime? In this fiery collection of penetrating essays published here for the first time, Federici carefully examines these questions and in the process has provided an expansive redefinition of work, class, and class-gender relations. Seeking to delineate the specific character of capitalist “patriarchalism,” this magnificently original approach also highlights Marx’s and the Marxist tradition’s problematic view of industrial production and the State in the struggle for human liberation. Federici’s lucid argument that most reproductive work is irreducible to automation is a powerful reminder of the poverty of a revolutionary imagination that consigns to the world of machines the creation of the material conditions for a communist society.
Form:
books
books
Publication:
October 2021
October 2021
Subject:
Social
Social
Form:
books
books
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$73.95
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Summary:
Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the(...)
$73.95
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Summary:
Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
November 2020
November 2020
Title:
Toshiko Mori Architect: Observations
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$73.95
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Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities' livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. She has also founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA's projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself.
Toshiko Mori Architect: Observations
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$73.95
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Summary:
Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities' livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. She has also founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA's projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself.
Form:
books
books
Publication:
November 2020
November 2020
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$27.95
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Summary:
Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural(...)
$27.95
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Summary:
Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
October 2000, Milano
October 2000, Milano
Title:
Olivetti builds : modern architecture in Ivrea
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Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural patrimony of Ivrea, seat of Olivetti’s headquarters, the most famous typewriter company in the world. A detailed catalogue of the open-air museum of modern architecture in Ivrea, the text reconstructs the events from the ’thirties to the ’fifties surrounding Adriano Olivetti and his relationship with architecture and urban planning. In the mid-thirties Adriano Olivetti began not only a renewal of industrial production, but also a long process of construction of the territory and its landscape. Beginning in 1945 Ivrea became a reference point not only for Italian intellectuals interested in constructing a new civil society, but also a mecca for architects and urban planners, who brought his ideas to life through their work. Architects such as Luigi Figini and Gino Pollini, Ignazio Gardella, Marco Zanuso, Eduardo Vittoria, Ettore Sottsass, Gino Valle, urban planners such as Giovanni Astengo, Carlo Doglio, Luigi Piccinato not only gave form to the community but also, through the individual works built in Ivrea, contributed to the complex Italian and international architectural debate.
Olivetti builds : modern architecture in Ivrea
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Olivetti’s headquarters in Ivrea, near Turin, were designed by several leading architects of post-war Italy (Figini, Pollini, Gardella, Zanuso, Sottsass, Valle etc.) and offer an exceptional case study of the relationship between architectural culture and a leading, progressive company. This book offers a critical interpretation of the rich, unique architectural patrimony of Ivrea, seat of Olivetti’s headquarters, the most famous typewriter company in the world. A detailed catalogue of the open-air museum of modern architecture in Ivrea, the text reconstructs the events from the ’thirties to the ’fifties surrounding Adriano Olivetti and his relationship with architecture and urban planning. In the mid-thirties Adriano Olivetti began not only a renewal of industrial production, but also a long process of construction of the territory and its landscape. Beginning in 1945 Ivrea became a reference point not only for Italian intellectuals interested in constructing a new civil society, but also a mecca for architects and urban planners, who brought his ideas to life through their work. Architects such as Luigi Figini and Gino Pollini, Ignazio Gardella, Marco Zanuso, Eduardo Vittoria, Ettore Sottsass, Gino Valle, urban planners such as Giovanni Astengo, Carlo Doglio, Luigi Piccinato not only gave form to the community but also, through the individual works built in Ivrea, contributed to the complex Italian and international architectural debate.
Form:
books
books
Publication:
October 2000, Milano
October 2000, Milano
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
Mythologies
Mythologies
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$17.00
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Summary:
"No denunciation without its proper instrument of close analysis," Roland Barthes wrote in his preface to Mythologies. There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them. Our age is a triumph(...)
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Summary:
"No denunciation without its proper instrument of close analysis," Roland Barthes wrote in his preface to Mythologies. There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them. Our age is a triumph(...)
Subject:
Critical Theory
Critical Theory
Publication:
November 2013
November 2013
Title:
Mythologies
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$17.00
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Summary:
"No denunciation without its proper instrument of close analysis," Roland Barthes wrote in his preface to Mythologies. There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them. Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, or happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked. What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.
Mythologies
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$17.00
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Summary:
"No denunciation without its proper instrument of close analysis," Roland Barthes wrote in his preface to Mythologies. There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them. Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, or happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked. What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Critical Theory
Critical Theory
Form:
books
books
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$60.00
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Summary:
These days, a computer is as much a part of every household's standard equipment as a refrigerator, and yet the explosion of computer technology in the last several decades has transformed the daily life of every member of society far more than even utopians would ever have allowed themselves to dream. No wonder, then, that from design to production, architecture too is(...)
$60.00
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Summary:
These days, a computer is as much a part of every household's standard equipment as a refrigerator, and yet the explosion of computer technology in the last several decades has transformed the daily life of every member of society far more than even utopians would ever have allowed themselves to dream. No wonder, then, that from design to production, architecture too is(...)
Title:
Digital process : planning, design, production
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$60.00
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These days, a computer is as much a part of every household's standard equipment as a refrigerator, and yet the explosion of computer technology in the last several decades has transformed the daily life of every member of society far more than even utopians would ever have allowed themselves to dream. No wonder, then, that from design to production, architecture too is becoming more and more subject to digital influences. The range of those influences stretches from the classical computer programs used in design and presentation to media-supported design processes all the way to computerized production techniques, to say nothing of industrialized bricklayer "robots." From measurement to planning and production, archi-tecture is the product of a closely coordinated digital pro-cess chain. What influence do digital design and production methods have on contemporary architecture? How are these new methods changing architecture and the way it is created? Where does the potential of digital media for architecture lie? What are the areas in which every individual firm can begin to use them? What are the advantages of working electronically? How and at what cost can these methods be integrated into the day-to-day work of the professional architect? This publication offers answers to these and many other questions on all aspects of the digital design and construction process.
Digital process : planning, design, production
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$60.00
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Summary:
These days, a computer is as much a part of every household's standard equipment as a refrigerator, and yet the explosion of computer technology in the last several decades has transformed the daily life of every member of society far more than even utopians would ever have allowed themselves to dream. No wonder, then, that from design to production, architecture too is becoming more and more subject to digital influences. The range of those influences stretches from the classical computer programs used in design and presentation to media-supported design processes all the way to computerized production techniques, to say nothing of industrialized bricklayer "robots." From measurement to planning and production, archi-tecture is the product of a closely coordinated digital pro-cess chain. What influence do digital design and production methods have on contemporary architecture? How are these new methods changing architecture and the way it is created? Where does the potential of digital media for architecture lie? What are the areas in which every individual firm can begin to use them? What are the advantages of working electronically? How and at what cost can these methods be integrated into the day-to-day work of the professional architect? This publication offers answers to these and many other questions on all aspects of the digital design and construction process.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Digital Architecture
Digital Architecture
Form:
books
books
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$12.50
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Summary:
Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The(...)
$12.50
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Summary:
Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The(...)
Title:
Dorothea Lange: Migrant mother, Migrant gender
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Price:
$12.50
(available to order)
Summary:
Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. Dr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20thcentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR. Her numerous essays about popular mass media – Ladies Home Journal, Life and Look – extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.
Dorothea Lange: Migrant mother, Migrant gender
Actions:
Price:
$12.50
(available to order)
Summary:
Sally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. Dr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20thcentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR. Her numerous essays about popular mass media – Ladies Home Journal, Life and Look – extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Theory of Photography
Theory of Photography
