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With a career spanning over seven decades, Philadelphia-born, Paris-based sculptor Barbara Chase-Riboud (born 1939) has long been an innovator in sculptural composition. Her materiality is characterized by the interplay between folds of cast bronze or aluminum and skeins of wool and silk which are knotted, braided, looped and woven. Pitting opposing qualities against one(...)
Barbara Chase-Riboud: Infinite folds
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With a career spanning over seven decades, Philadelphia-born, Paris-based sculptor Barbara Chase-Riboud (born 1939) has long been an innovator in sculptural composition. Her materiality is characterized by the interplay between folds of cast bronze or aluminum and skeins of wool and silk which are knotted, braided, looped and woven. Pitting opposing qualities against one another—hard and soft, light against heavy and tactile versus rigid—the artist’s iconic monumental sculptures explore, in her own words, "reversing and upsetting the established order and the hierarchy of parts as only a true revolutionary does." At an encyclopedic exhibition at the Serpentine Gallery, these pieces feature alongside never-before-seen early bronze casts, in addition to new work created less than a year before the exhibition. The book features an illustrated chronology as well as a selection of the artist’s poetry and writing.
Contemporary Art Monographs
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and(...)
July 2024
Nocturnal history of architecture. Column issue 2
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and public spaces gradually transformed conceptions of night in the architectural discipline. This volume offers the first attempt at a nocturnal history of architecture. What emerges from the studies is the thesis that the identity of human beings—across time and their domestic, professional and cultural spaces—is powerfully determined by the parameters of nighttime. By analyzing and studying "night scenes," this book reveals how the night is a laboratory for the development of new forms of conceptualizing space and, ultimately, of living.
What design can't do
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In focusing on creating preferable conditions, the discipline of design is optimistic by default. And yet, vernacular manifestations of skepticism, dissatisfaction and even resentment toward design abound. Instead of systematically discarding them, can these "sad passions" shed a valuable light on the blind spots of the field? Can disillusion be something more than(...)
What design can't do
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In focusing on creating preferable conditions, the discipline of design is optimistic by default. And yet, vernacular manifestations of skepticism, dissatisfaction and even resentment toward design abound. Instead of systematically discarding them, can these "sad passions" shed a valuable light on the blind spots of the field? Can disillusion be something more than disillusionment? Can it become an emotional method to unveil design’s dysfunctions and contradictions? Author Silvio Lorusso looks into historical and present manifestations of design disillusion to shorten the gap between expectations and reality when it comes to the everyday practice of designers. Using humorous and irreverent visuals, often containing jokes about design, Lorusso constructs thoughtful dichotomies on such topics as synthesis and autonomy, power and impotence, and aspirations and compromise. The result is an amusing yet academic consideration of the design profession and its future.
Design Theory
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While the largest parts of icebergs — or islands — remain beneath the sea surface, often unmapped and perilous, a myriad of creatures and non-organic matter connect them to other lands. Nowadays, in the era of the climate crisis, what is hidden in the depths of the sea exponentially manifests the impact of anthropogenic activity on the planet. Plastic waste and pollution,(...)
Mediterranean icebergs: Invisible connections underwater
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While the largest parts of icebergs — or islands — remain beneath the sea surface, often unmapped and perilous, a myriad of creatures and non-organic matter connect them to other lands. Nowadays, in the era of the climate crisis, what is hidden in the depths of the sea exponentially manifests the impact of anthropogenic activity on the planet. Plastic waste and pollution, deep sea mining, and undersea network infrastructures affect marine biodiversity and life on Earth at large. Mediterranean Icebergs sheds light on forms of agency, be it human, more-than-human, or machinic, that operate in marine environments, paying attention to their entanglements, encounters, and asymmetries. Addressing the interconnectedness of environmental, political, and legal issues, this book takes the Mediterranean as a starting point to discuss what is at stake for all lives depending on the planet’s seas and oceans.
Landscape Theory
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''Eight Meditations on Architecture'' offers a rare and illuminating dialogue between two of Europe's most reflective architectural voices—Juhani Pallasmaa and Alberto Campo Baeza. Through a series of eight essays, the book examines eternal architectural themes—Beauty, Light, Time, Memory, Universality, Wisdom, Sacred, and Essentiality—revealing how enduring values shape(...)
Eight meditations on architecture: Juhani Pallasmaa and Alberto Campo Baeza
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''Eight Meditations on Architecture'' offers a rare and illuminating dialogue between two of Europe's most reflective architectural voices—Juhani Pallasmaa and Alberto Campo Baeza. Through a series of eight essays, the book examines eternal architectural themes—Beauty, Light, Time, Memory, Universality, Wisdom, Sacred, and Essentiality—revealing how enduring values shape the practice of building and the meaning of space. More than an academic treatise, this unique work underscores the necessity of cultural reflection and philosophical grounding in architectural practice. Written by architects whose writings are already essential reading in architectural education, these meditations offer a rigorous yet poetic inquiry into the discipline. Richly illustrated with contributions that interweave theory and personal insight, ''Eight Meditations on Architecture'' provides a space for reflection that is increasingly rare in contemporary discourse—one where theory and practice are not opposites but mutually reinforcing paths toward meaningful design.
Architectural Theory
Qiu Yangzi: Rotation
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''Rotation'' is an ongoing photographic series exploring how urban development reshapes our relationship with space—public, personal, and imagined. It invites viewers to reconsider orientation, perspective, and the fragility of boundaries between the built environment and the body. Referencing the disorientation of outer space—where gravity dissolves the idea of ‘up’(...)
Qiu Yangzi: Rotation
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''Rotation'' is an ongoing photographic series exploring how urban development reshapes our relationship with space—public, personal, and imagined. It invites viewers to reconsider orientation, perspective, and the fragility of boundaries between the built environment and the body. Referencing the disorientation of outer space—where gravity dissolves the idea of ‘up’ and ‘down’—the series plays with visual perspective and suspension. Many images are shot through glass, integrating reflections that allude to invisible connections between people and places. This use of light and surface evokes a sense of weightlessness and fluid identity. Since 2021, Rotation has evolved through collaborations with over 20 organizations across cities such as London, Berlin, Stockholm, and Warsaw. With more than 70 works created so far, the project continues to map spatial perception through image-making—blurring lines between architecture, motion, and memory.
Photography monographs
Maya Lin : boundaries
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Maya Lin is the designer of the starkly symbolic Vietnam Veterans Memorial in Washington, D.C., done when she was still an undergraduate. In "Boundaries", Lin's lucid, soft-spoken collection of writings, she discusses how her work evolves, after a lengthy gestation, as a way of heightening viewers' awareness of a specific environment and perception of the passage of(...)
Maya Lin : boundaries
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Maya Lin is the designer of the starkly symbolic Vietnam Veterans Memorial in Washington, D.C., done when she was still an undergraduate. In "Boundaries", Lin's lucid, soft-spoken collection of writings, she discusses how her work evolves, after a lengthy gestation, as a way of heightening viewers' awareness of a specific environment and perception of the passage of time. This temporal aspect can be a sequence of historical events (as in the Civil Rights Memorial in Montgomery, Alabama) or a purely aesthetic quality, like the shifting play of light over a grassy field of sculpted earth (Wave Field at the University of Michigan, Ann Arbor). "I like to think of my work as creating a private conversation with each person," Lin writes, "no matter how public each work is and no matter how many people are present."
Contemporary Art Monographs
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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal(...)
Surface Tension's Supplement 3 :Manual for the construction of a cart as a device to elaborate social connection
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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal favela dwellers, who venture throughout the public spaces of Curitiba in search of recyclable materials. Documentation and texts elaborate on the cultural and political issues that come to light through various uses of public space. Originally developed as a collaborative installation between international and local artists--including Ken Ehrlich, Brandon LaBelle, Octávio Camargo and Guilherme Soares--exhibited at Curitiba's Ybakatu Gallery, this publication raises pertinent questions about the consequences of cross-cultural and site-specific collaboration and proffers an experimental approach toward political inquiry and intermedia practice.
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century(...)
Contemporary Art Monographs
January 2009, Bielefeld
Kiki Smith her home
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century American silk embroidery entitled "First, Second and Last Scene of Mortality," which depicts a white woman working at a table while a white child and a black servant rest on one side of her and a closed black coffin sits on the other side, Smith here develops several narrative threads that revolve around the theme of the unmarried woman. With excursions into Christian iconography and the history of the American postcolonial era, she speaks also to the archetype of the inspired female creator or artist.
Contemporary Art Monographs
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''The Right to Nature'' is a new chapter of reflection and work of the AG greenscape, centered on the current and renewed relationship between man and nature, and the consequent transformation of our cities through new ways of living, inhabiting, working with nature and the landscape as the protagonist, in every area, at all project scales, as a social balancer and(...)
Urban Landscapes
May 2025
The right to nature: For a new urban landscape
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''The Right to Nature'' is a new chapter of reflection and work of the AG greenscape, centered on the current and renewed relationship between man and nature, and the consequent transformation of our cities through new ways of living, inhabiting, working with nature and the landscape as the protagonist, in every area, at all project scales, as a social balancer and activator of a new urban sociality. The relationship between man and nature today is an urgent issue in the debate on the contemporary city, but it still has to be truly explored, defined, and built. Throughout seven main topics – Green and blue infrastructures, Regeneration, Public space, Dwelling, Green welfare, Heritage, and Care –, the book explores contemporary urban landscape issues at the different scales of the project, in the light of the relationship between human beings and nature.
Urban Landscapes