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books
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Title:
e-flux Index #2
e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that(...)
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that(...)
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e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that point at nothing in particular, and the gullible eyes that follow the lead of pointing index fingers. There is indeed something awkward to the snapshot’s belatedness. Its untimeliness. The ways in which, the second the shutter clicks—or that our thumb melds with the appropriate region of our phone’s liquid plasma displays and the resultant file is uploaded to a distant server—the instant we sought to "capture" has passed by and something else enters the frame. Someone blinks, the rubble dust envelopes the scene, the light changes, the hoodie we saw underground bearing the phrase "THEIR DESTINIES WOULD INTERTWINE" disappears behind an arriving subway’s blur, the wind cajoles a neighboring branch we hadn’t before noticed into the family portrait. Photography then remains, contrary to the terms in which it is sold to us by Silicon Valley manufacturers who stress its total immediacy as an instrument for perceiving the world, a stubbornly untimely pursuit. Can we not also say, "It’s always too late, whenever you start to index"?
e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that point at nothing in particular, and the gullible eyes that follow the lead of pointing index fingers. There is indeed something awkward to the snapshot’s belatedness. Its untimeliness. The ways in which, the second the shutter clicks—or that our thumb melds with the appropriate region of our phone’s liquid plasma displays and the resultant file is uploaded to a distant server—the instant we sought to "capture" has passed by and something else enters the frame. Someone blinks, the rubble dust envelopes the scene, the light changes, the hoodie we saw underground bearing the phrase "THEIR DESTINIES WOULD INTERTWINE" disappears behind an arriving subway’s blur, the wind cajoles a neighboring branch we hadn’t before noticed into the family portrait. Photography then remains, contrary to the terms in which it is sold to us by Silicon Valley manufacturers who stress its total immediacy as an instrument for perceiving the world, a stubbornly untimely pursuit. Can we not also say, "It’s always too late, whenever you start to index"?
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books
books
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July 2024
July 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
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E-flux index #4
E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
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E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
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journals and magazines
journals and magazines
Publication:
December 2024
December 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
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e-flux index #3
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
e-flux index 8
e-flux index 8
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This eighth issue of the Index brings together contributions from 142 artists, philosophers, designers, architects, theorists, poets, activists, and more, organized into 11 thematic digressions: Don’ts, Othercare, Chance Operations, The World of Interiors, Bone Alphabets, The One Who Waits, The Day Is the Barricade, Sentimental Educations, Marking Territory,(...)
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This eighth issue of the Index brings together contributions from 142 artists, philosophers, designers, architects, theorists, poets, activists, and more, organized into 11 thematic digressions: Don’ts, Othercare, Chance Operations, The World of Interiors, Bone Alphabets, The One Who Waits, The Day Is the Barricade, Sentimental Educations, Marking Territory,(...)
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e-flux index 8
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This eighth issue of the Index brings together contributions from 142 artists, philosophers, designers, architects, theorists, poets, activists, and more, organized into 11 thematic digressions: Don’ts, Othercare, Chance Operations, The World of Interiors, Bone Alphabets, The One Who Waits, The Day Is the Barricade, Sentimental Educations, Marking Territory, [gesticulating], Sedimentology.
e-flux index 8
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This eighth issue of the Index brings together contributions from 142 artists, philosophers, designers, architects, theorists, poets, activists, and more, organized into 11 thematic digressions: Don’ts, Othercare, Chance Operations, The World of Interiors, Bone Alphabets, The One Who Waits, The Day Is the Barricade, Sentimental Educations, Marking Territory, [gesticulating], Sedimentology.
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journals and magazines
journals and magazines
Publication:
February 2026
February 2026
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Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
E-flux index #5
E-flux index #5
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This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks(...)
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This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks(...)
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E-flux index #5
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This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks on the forbidden childhood pleasures of taxonomizing, more than that of Linnaeus, each of these categories represents an attempt at daisy cutting samples from the dynamic, complex meadow of discourse across the arts, architecture, education, theory, and politics. This deviant taxonomy is not designed to reduce or abstract away from the complexity of critical discourse and artistic activity in the present moment, but rather to do justice to this very heterogeneity.
E-flux index #5
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This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks on the forbidden childhood pleasures of taxonomizing, more than that of Linnaeus, each of these categories represents an attempt at daisy cutting samples from the dynamic, complex meadow of discourse across the arts, architecture, education, theory, and politics. This deviant taxonomy is not designed to reduce or abstract away from the complexity of critical discourse and artistic activity in the present moment, but rather to do justice to this very heterogeneity.
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journals and magazines
journals and magazines
Publication:
March 2025
March 2025
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Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
E-flux index #6
E-flux index #6
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The sixth issue of e-flux Index features contributions from: Katherine C.M. Adams, Mal Ahern, Jamie Allen, Mónica Amor, Stephanie Bailey, Oliver Basciano, Sarah Bell, Lucy Benjamin, Franco "Bifo" Berardi, Pietro Bianchi, Ewa Borysiewicz, Molly Crabapple, Jhordan Channer, Adeline Chia, After Comfort Collective, Guy Debord, Brian Dillon, Cathryn Drake, Marguerite Duras, Ben(...)
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The sixth issue of e-flux Index features contributions from: Katherine C.M. Adams, Mal Ahern, Jamie Allen, Mónica Amor, Stephanie Bailey, Oliver Basciano, Sarah Bell, Lucy Benjamin, Franco "Bifo" Berardi, Pietro Bianchi, Ewa Borysiewicz, Molly Crabapple, Jhordan Channer, Adeline Chia, After Comfort Collective, Guy Debord, Brian Dillon, Cathryn Drake, Marguerite Duras, Ben(...)
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E-flux index #6
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The sixth issue of e-flux Index features contributions from: Katherine C.M. Adams, Mal Ahern, Jamie Allen, Mónica Amor, Stephanie Bailey, Oliver Basciano, Sarah Bell, Lucy Benjamin, Franco "Bifo" Berardi, Pietro Bianchi, Ewa Borysiewicz, Molly Crabapple, Jhordan Channer, Adeline Chia, After Comfort Collective, Guy Debord, Brian Dillon, Cathryn Drake, Marguerite Duras, Ben Eastham, Caroline Elbaor, Jean Epstein, Irmgard Emmelhainz, Almudena Escobar López, Chris Fite-Wassilak, Andrea Fraser, Yervant Gianikian and Angela Ricci Lucchi, Alan Gilbert, David Gissen, Anna Gorskaya, Rob Goyanes, Simon Hajdini, Jörg Heiser, Yuk Hui, Dylan Huw, Nadia Huggins, Isabel Jacobs, Jason Fitzroy Jeffers, Jennifer Johung, George Kafka, Michael Kurtz, Enzo Lara-Hamilton, Alex Taek-Gwang Lee, Jen Liu, Sven Lütticken, Mae-ling Lokko, Natasha Marie Llorens, Elsa Mäki, Ives Maes, Babette Mangolte, Michael Marder, Jeremy Millar, John Douglas Millar, Luise Mörke, Serubiri Moses, Novuyo Moyo, Chris Murtha, Minh Nguyen, Marakianí Olivieri, Trevor Paglen, Andreas Petrossiants, Armina Pilav, André Pitol, Valery Podoroga Post-Novis, Océane Ragoucy, Rachel Rakes, Oleksiy Radynski, Shellyne Rodriguez, Luis Othoniel Rosa, Sophie Rose, Kristin Ross, Roque Raquel Salas Rivera, Frans Saraste, Aaron Schuster, Marina Vishmidt, Lua Vollaard, Jason Waite, Zofia Trafas White, Toby Üpson, Slavoj Žižek, and Amy Zhang.
E-flux index #6
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The sixth issue of e-flux Index features contributions from: Katherine C.M. Adams, Mal Ahern, Jamie Allen, Mónica Amor, Stephanie Bailey, Oliver Basciano, Sarah Bell, Lucy Benjamin, Franco "Bifo" Berardi, Pietro Bianchi, Ewa Borysiewicz, Molly Crabapple, Jhordan Channer, Adeline Chia, After Comfort Collective, Guy Debord, Brian Dillon, Cathryn Drake, Marguerite Duras, Ben Eastham, Caroline Elbaor, Jean Epstein, Irmgard Emmelhainz, Almudena Escobar López, Chris Fite-Wassilak, Andrea Fraser, Yervant Gianikian and Angela Ricci Lucchi, Alan Gilbert, David Gissen, Anna Gorskaya, Rob Goyanes, Simon Hajdini, Jörg Heiser, Yuk Hui, Dylan Huw, Nadia Huggins, Isabel Jacobs, Jason Fitzroy Jeffers, Jennifer Johung, George Kafka, Michael Kurtz, Enzo Lara-Hamilton, Alex Taek-Gwang Lee, Jen Liu, Sven Lütticken, Mae-ling Lokko, Natasha Marie Llorens, Elsa Mäki, Ives Maes, Babette Mangolte, Michael Marder, Jeremy Millar, John Douglas Millar, Luise Mörke, Serubiri Moses, Novuyo Moyo, Chris Murtha, Minh Nguyen, Marakianí Olivieri, Trevor Paglen, Andreas Petrossiants, Armina Pilav, André Pitol, Valery Podoroga Post-Novis, Océane Ragoucy, Rachel Rakes, Oleksiy Radynski, Shellyne Rodriguez, Luis Othoniel Rosa, Sophie Rose, Kristin Ross, Roque Raquel Salas Rivera, Frans Saraste, Aaron Schuster, Marina Vishmidt, Lua Vollaard, Jason Waite, Zofia Trafas White, Toby Üpson, Slavoj Žižek, and Amy Zhang.
Form:
journals and magazines
journals and magazines
Publication:
July 2025
July 2025
Subject:
Magazines
Magazines
Form:
books
books
Title:
E-flux index #7
E-flux index #7
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As we myopically gaze at the handsets inches from our face, we are often encouraged by sensible apostles of "objectivity" to try and get some perspective; to zoom out, zoom up, and achieve something like a lofty bird’s-eye view on our situation. e-flux Index #7 floats upward to give an aerial view over the terrain of everything e-flux published between December 2024 and(...)
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As we myopically gaze at the handsets inches from our face, we are often encouraged by sensible apostles of "objectivity" to try and get some perspective; to zoom out, zoom up, and achieve something like a lofty bird’s-eye view on our situation. e-flux Index #7 floats upward to give an aerial view over the terrain of everything e-flux published between December 2024 and(...)
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E-flux index #7
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As we myopically gaze at the handsets inches from our face, we are often encouraged by sensible apostles of "objectivity" to try and get some perspective; to zoom out, zoom up, and achieve something like a lofty bird’s-eye view on our situation. e-flux Index #7 floats upward to give an aerial view over the terrain of everything e-flux published between December 2024 and February 2025. This peek through the porthole across three months worth of daily publishing gathers together long-form essays on contemporary culture and architecture, exhibition, book, and film reviews, profiles of artists, critical interjections, fresh translations from the historic avant-garde, and analytical dispatches from live political and social conjunctures. These have been recomposed into eleven thematic sections, to help us get some perspective (however vertiginous) on the present moment and emergent tendencies in critical discourse.
E-flux index #7
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As we myopically gaze at the handsets inches from our face, we are often encouraged by sensible apostles of "objectivity" to try and get some perspective; to zoom out, zoom up, and achieve something like a lofty bird’s-eye view on our situation. e-flux Index #7 floats upward to give an aerial view over the terrain of everything e-flux published between December 2024 and February 2025. This peek through the porthole across three months worth of daily publishing gathers together long-form essays on contemporary culture and architecture, exhibition, book, and film reviews, profiles of artists, critical interjections, fresh translations from the historic avant-garde, and analytical dispatches from live political and social conjunctures. These have been recomposed into eleven thematic sections, to help us get some perspective (however vertiginous) on the present moment and emergent tendencies in critical discourse.
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books
books
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October 2025
October 2025
Subject:
Magazines
Magazines
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books
books
Title:
David Altmejd: the index
David Altmejd: the index
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$35.00
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
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June 2007, Montréal
June 2007, Montréal
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David Altmejd: the index
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
David Altmejd: the index
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
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books
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June 2007, Montréal
June 2007, Montréal
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ix, 302 pages : illustrations, maps ; 24 cm
Description:
ix, 302 pages : illustrations, maps ; 24 cm
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Pittsburgh, Pa. : University of Pittsburgh Press, ©2012.
Pittsburgh, Pa. : University of Pittsburgh Press, ©2012.
Title:
Urban rivers : remaking rivers, cities, and space in Europe and North America / edited by Stephane Castonguay and Matthew Evenden.
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ix, 302 pages : illustrations, maps ; 24 cm
Urban rivers : remaking rivers, cities, and space in Europe and North America / edited by Stephane Castonguay and Matthew Evenden.
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ix, 302 pages : illustrations, maps ; 24 cm
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books
books
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Pittsburgh, Pa. : University of Pittsburgh Press, ©2012.
Pittsburgh, Pa. : University of Pittsburgh Press, ©2012.
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$22.95
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Orienté par une vision en faveur du design d’avant-garde, Index-Design propose chaque année la publication du guide 200 architectes et designers québécois, qui présente des entreprises, des produits et des projets provenant de professionnels québécois de l'architecture et de l'aménagement. À mi-chemin entre un magazine et un livre, vous y trouverez des nouvelles idées(...)
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Orienté par une vision en faveur du design d’avant-garde, Index-Design propose chaque année la publication du guide 200 architectes et designers québécois, qui présente des entreprises, des produits et des projets provenant de professionnels québécois de l'architecture et de l'aménagement. À mi-chemin entre un magazine et un livre, vous y trouverez des nouvelles idées(...)
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August 2023
August 2023
Title:
Guide Index Design, édition 2023
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Orienté par une vision en faveur du design d’avant-garde, Index-Design propose chaque année la publication du guide 200 architectes et designers québécois, qui présente des entreprises, des produits et des projets provenant de professionnels québécois de l'architecture et de l'aménagement. À mi-chemin entre un magazine et un livre, vous y trouverez des nouvelles idées de projets ainsi que les tendances 2023 en matière d'aménagement.
Guide Index Design, édition 2023
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Orienté par une vision en faveur du design d’avant-garde, Index-Design propose chaque année la publication du guide 200 architectes et designers québécois, qui présente des entreprises, des produits et des projets provenant de professionnels québécois de l'architecture et de l'aménagement. À mi-chemin entre un magazine et un livre, vous y trouverez des nouvelles idées de projets ainsi que les tendances 2023 en matière d'aménagement.
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books
books
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August 2023
August 2023
