44713 Results
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xii, 219 pages : illustrations, maps, plans ; 25 cm
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xii, 219 pages : illustrations, maps, plans ; 25 cm
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London ; New York : Routledge, Taylor & Francis Group, 2015.
London ; New York : Routledge, Taylor & Francis Group, 2015.
Title:
Architecture and armed conflict : the politics of destruction / edited by J.M. Mancini and Keith Bresnahan.
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xii, 219 pages : illustrations, maps, plans ; 25 cm
Architecture and armed conflict : the politics of destruction / edited by J.M. Mancini and Keith Bresnahan.
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xii, 219 pages : illustrations, maps, plans ; 25 cm
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books
books
Publication:
London ; New York : Routledge, Taylor & Francis Group, 2015.
London ; New York : Routledge, Taylor & Francis Group, 2015.
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books
books
Title:
Building the Great Cathedrals / François Icher ; translated from the French by Anthony Zielonka.
Building the Great Cathedrals / François Icher ; translated from the French by Anthony Zielonka.
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200 pages : color illustrations ; 32 cm
Description:
200 pages : color illustrations ; 32 cm
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New York : Harry N. Abrams, ©1998.
New York : Harry N. Abrams, ©1998.
Title:
Building the Great Cathedrals / François Icher ; translated from the French by Anthony Zielonka.
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200 pages : color illustrations ; 32 cm
Building the Great Cathedrals / François Icher ; translated from the French by Anthony Zielonka.
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Description:
200 pages : color illustrations ; 32 cm
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books
books
Publication:
New York : Harry N. Abrams, ©1998.
New York : Harry N. Abrams, ©1998.
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books
books
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246 pages : illustrations (some color) ; 29 cm
Description:
246 pages : illustrations (some color) ; 29 cm
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Gettysburg, Pennsylvania : W.C. Darrah, publisher, [1977], Gettysburg, Pennsylvania : printed by the Times and News Publishing Company., ©1977.
Gettysburg, Pennsylvania : W.C. Darrah, publisher, [1977], Gettysburg, Pennsylvania : printed by the Times and News Publishing Company., ©1977.
Title:
The world of stereographs / William C. Darrah.
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246 pages : illustrations (some color) ; 29 cm
The world of stereographs / William C. Darrah.
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246 pages : illustrations (some color) ; 29 cm
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books
books
Publication:
Gettysburg, Pennsylvania : W.C. Darrah, publisher, [1977], Gettysburg, Pennsylvania : printed by the Times and News Publishing Company., ©1977.
Gettysburg, Pennsylvania : W.C. Darrah, publisher, [1977], Gettysburg, Pennsylvania : printed by the Times and News Publishing Company., ©1977.
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books
books
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239 pages : illustrations (chiefly color), portraits ; 37 cm
Description:
239 pages : illustrations (chiefly color), portraits ; 37 cm
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San Francisco, CA : Letterform Archive, [2023]
San Francisco, CA : Letterform Archive, [2023]
Title:
Only on Saturday : the wood type prints of Jack Stauffacher / editor, Chuck Byrne ; contributors, Kristina Bell, John D. Berry, Chuck Bigelow, Matthew Carter, Stephen Coles, Jim Faris, Jennifer Dunlop Fletcher, Nathan Garland, Dennis Letbetter, Staci Steinberger, Michael Taylor, Pino Trogu.
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239 pages : illustrations (chiefly color), portraits ; 37 cm
Only on Saturday : the wood type prints of Jack Stauffacher / editor, Chuck Byrne ; contributors, Kristina Bell, John D. Berry, Chuck Bigelow, Matthew Carter, Stephen Coles, Jim Faris, Jennifer Dunlop Fletcher, Nathan Garland, Dennis Letbetter, Staci Steinberger, Michael Taylor, Pino Trogu.
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239 pages : illustrations (chiefly color), portraits ; 37 cm
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books
books
Publication:
San Francisco, CA : Letterform Archive, [2023]
San Francisco, CA : Letterform Archive, [2023]
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books
books
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431, [25] pages : illustrations (chiefly color) ; 18 cm + 1 CD-ROM (4 3/4 in.)
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431, [25] pages : illustrations (chiefly color) ; 18 cm + 1 CD-ROM (4 3/4 in.)
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Barcelona : Index Book, ©2005.
Barcelona : Index Book, ©2005.
Title:
Structural packaging : workbook / Josep M. Garrofé.
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431, [25] pages : illustrations (chiefly color) ; 18 cm + 1 CD-ROM (4 3/4 in.)
Structural packaging : workbook / Josep M. Garrofé.
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431, [25] pages : illustrations (chiefly color) ; 18 cm + 1 CD-ROM (4 3/4 in.)
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books
books
Publication:
Barcelona : Index Book, ©2005.
Barcelona : Index Book, ©2005.
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books
books
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569 pages : illustrations (some color), maps (some color) ; 24 cm.
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569 pages : illustrations (some color), maps (some color) ; 24 cm.
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[Houston, Texas] : Actar Publishers & Architecture at Rice, [2013], New York, NY : Actar D, ©2013
[Houston, Texas] : Actar Publishers & Architecture at Rice, [2013], New York, NY : Actar D, ©2013
Title:
The petropolis of tomorrow / [edited by] Neeraj Bhatia, Mary Casper.
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569 pages : illustrations (some color), maps (some color) ; 24 cm.
The petropolis of tomorrow / [edited by] Neeraj Bhatia, Mary Casper.
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569 pages : illustrations (some color), maps (some color) ; 24 cm.
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books
books
Publication:
[Houston, Texas] : Actar Publishers & Architecture at Rice, [2013], New York, NY : Actar D, ©2013
[Houston, Texas] : Actar Publishers & Architecture at Rice, [2013], New York, NY : Actar D, ©2013
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books
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Title:
Winka Dubbeldam : AT-INdex
Winka Dubbeldam : AT-INdex
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$50.00
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Summary:
European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form,(...)
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European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form,(...)
Title:
Winka Dubbeldam : AT-INdex
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European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form, technology and comfort, city and home. Folded glass facades, intelligent building cores, and interactive environments highlight the work of her progressive, process-based studio/laboratory, Archi-Tectonics. As much resource as monograph, "Archi-Tectonics Index" explores Dubbeldam's intense, research-laden approach to over twenty projects, including the highly acclaimed From HardWare to SoftForm exhibition, Aida Hair Salon, and Gipsy Trail Residence. Incisive essays by Detlef Mertins, Javier Barreiro Cavestany, and Michael Speaks complement lush photographs, informative diagrams, and her compelling designs.
Winka Dubbeldam : AT-INdex
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$50.00
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Summary:
European emigrés have been changing the face of modern American architecture for decades. Winka Dubbeldam surely belongs to that long list of practitioners. Working across scales — from a New York skyscraper to a rural house — the Dutch-born architect has established herself as one of the most provocative figures in the field by seamlessly integrating function and form, technology and comfort, city and home. Folded glass facades, intelligent building cores, and interactive environments highlight the work of her progressive, process-based studio/laboratory, Archi-Tectonics. As much resource as monograph, "Archi-Tectonics Index" explores Dubbeldam's intense, research-laden approach to over twenty projects, including the highly acclaimed From HardWare to SoftForm exhibition, Aida Hair Salon, and Gipsy Trail Residence. Incisive essays by Detlef Mertins, Javier Barreiro Cavestany, and Michael Speaks complement lush photographs, informative diagrams, and her compelling designs.
Form:
books
books
Publication:
April 2007, New York
April 2007, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
e-flux Index #2
e-flux Index #2
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$65.00
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that(...)
$65.00
(available in store)
Summary:
"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that(...)
Title:
e-flux Index #2
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$65.00
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that point at nothing in particular, and the gullible eyes that follow the lead of pointing index fingers. There is indeed something awkward to the snapshot’s belatedness. Its untimeliness. The ways in which, the second the shutter clicks—or that our thumb melds with the appropriate region of our phone’s liquid plasma displays and the resultant file is uploaded to a distant server—the instant we sought to "capture" has passed by and something else enters the frame. Someone blinks, the rubble dust envelopes the scene, the light changes, the hoodie we saw underground bearing the phrase "THEIR DESTINIES WOULD INTERTWINE" disappears behind an arriving subway’s blur, the wind cajoles a neighboring branch we hadn’t before noticed into the family portrait. Photography then remains, contrary to the terms in which it is sold to us by Silicon Valley manufacturers who stress its total immediacy as an instrument for perceiving the world, a stubbornly untimely pursuit. Can we not also say, "It’s always too late, whenever you start to index"?
e-flux Index #2
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$65.00
(available in store)
Summary:
"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that point at nothing in particular, and the gullible eyes that follow the lead of pointing index fingers. There is indeed something awkward to the snapshot’s belatedness. Its untimeliness. The ways in which, the second the shutter clicks—or that our thumb melds with the appropriate region of our phone’s liquid plasma displays and the resultant file is uploaded to a distant server—the instant we sought to "capture" has passed by and something else enters the frame. Someone blinks, the rubble dust envelopes the scene, the light changes, the hoodie we saw underground bearing the phrase "THEIR DESTINIES WOULD INTERTWINE" disappears behind an arriving subway’s blur, the wind cajoles a neighboring branch we hadn’t before noticed into the family portrait. Photography then remains, contrary to the terms in which it is sold to us by Silicon Valley manufacturers who stress its total immediacy as an instrument for perceiving the world, a stubbornly untimely pursuit. Can we not also say, "It’s always too late, whenever you start to index"?
Form:
books
books
Publication:
July 2024
July 2024
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
E-flux index #4
E-flux index #4
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$65.00
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Summary:
68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
$65.00
(available in store)
Summary:
68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
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E-flux index #4
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$65.00
(available in store)
Summary:
68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
E-flux index #4
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$65.00
(available in store)
Summary:
68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
Form:
journals and magazines
journals and magazines
Publication:
December 2024
December 2024
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
e-flux index #3
e-flux index #3
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$65.00
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Summary:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
$65.00
(available in store)
Summary:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
Title:
e-flux index #3
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$65.00
(available in store)
Summary:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
e-flux index #3
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$65.00
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Summary:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
Form:
journals and magazines
journals and magazines
Publication:
December 2024
December 2024
Subject:
Magazines
Magazines
