12876 Results
Form:
photographs
photographs
Reference number:
PH1998:0007:055
Description:
- Photographs PH1998:0007:001-058 show models and drawings for four different projects and three variations for the decorative scheme for the principal façade for a Red Army Theater in Moscow by Fridman and Glushchenko. Photographs for the four projects include: first project - drawings (PH1998:0007:001-013), a model for the exterior (PH1998:0007:014-020) and a model for the interior (PH1998:0007:021-027); second project - drawings (PH1998:0007:028-040) and a model (PH1998:0007:041-045); third project - a model (PH1998:0007:046-052); fourth project - a model (PH1998:0007:056-058). Photographs for the three variations for the decorative scheme for the principal façade include two elevations for the principal façade (PH1998:0007:053-054) and a perspective drawing (PH1998:0007:055). The model for the exterior and model for the interior for the first project are inscribed with "RKKA" which stands for Workers' and Peasants' Red Army (model for the exterior: PH1998:0007:015-016, PH1998:0007:018-020; model for the interior PH1998:0007:021-022, PH1998:0007:024, PH1998:0007:026-027).
PH1998:0007:055
Description:
- Photographs PH1998:0007:001-058 show models and drawings for four different projects and three variations for the decorative scheme for the principal façade for a Red Army Theater in Moscow by Fridman and Glushchenko. Photographs for the four projects include: first project - drawings (PH1998:0007:001-013), a model for the exterior (PH1998:0007:014-020) and a model for the interior (PH1998:0007:021-027); second project - drawings (PH1998:0007:028-040) and a model (PH1998:0007:041-045); third project - a model (PH1998:0007:046-052); fourth project - a model (PH1998:0007:056-058). Photographs for the three variations for the decorative scheme for the principal façade include two elevations for the principal façade (PH1998:0007:053-054) and a perspective drawing (PH1998:0007:055). The model for the exterior and model for the interior for the first project are inscribed with "RKKA" which stands for Workers' and Peasants' Red Army (model for the exterior: PH1998:0007:015-016, PH1998:0007:018-020; model for the interior PH1998:0007:021-022, PH1998:0007:024, PH1998:0007:026-027).
People:
Subject:
architecture
architecture
Date:
after 1931
after 1931
Title:
Photograph of a perspective drawing for a Red Army Theater, Moscow
Actions:
PH1998:0007:055
Description:
- Photographs PH1998:0007:001-058 show models and drawings for four different projects and three variations for the decorative scheme for the principal façade for a Red Army Theater in Moscow by Fridman and Glushchenko. Photographs for the four projects include: first project - drawings (PH1998:0007:001-013), a model for the exterior (PH1998:0007:014-020) and a model for the interior (PH1998:0007:021-027); second project - drawings (PH1998:0007:028-040) and a model (PH1998:0007:041-045); third project - a model (PH1998:0007:046-052); fourth project - a model (PH1998:0007:056-058). Photographs for the three variations for the decorative scheme for the principal façade include two elevations for the principal façade (PH1998:0007:053-054) and a perspective drawing (PH1998:0007:055). The model for the exterior and model for the interior for the first project are inscribed with "RKKA" which stands for Workers' and Peasants' Red Army (model for the exterior: PH1998:0007:015-016, PH1998:0007:018-020; model for the interior PH1998:0007:021-022, PH1998:0007:024, PH1998:0007:026-027).
Photograph of a perspective drawing for a Red Army Theater, Moscow
Actions:
PH1998:0007:055
Description:
- Photographs PH1998:0007:001-058 show models and drawings for four different projects and three variations for the decorative scheme for the principal façade for a Red Army Theater in Moscow by Fridman and Glushchenko. Photographs for the four projects include: first project - drawings (PH1998:0007:001-013), a model for the exterior (PH1998:0007:014-020) and a model for the interior (PH1998:0007:021-027); second project - drawings (PH1998:0007:028-040) and a model (PH1998:0007:041-045); third project - a model (PH1998:0007:046-052); fourth project - a model (PH1998:0007:056-058). Photographs for the three variations for the decorative scheme for the principal façade include two elevations for the principal façade (PH1998:0007:053-054) and a perspective drawing (PH1998:0007:055). The model for the exterior and model for the interior for the first project are inscribed with "RKKA" which stands for Workers' and Peasants' Red Army (model for the exterior: PH1998:0007:015-016, PH1998:0007:018-020; model for the interior PH1998:0007:021-022, PH1998:0007:024, PH1998:0007:026-027).
Form:
photographs
photographs
Date:
after 1931
after 1931
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Reference number:
AP113.S1.D1
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
AP113.S1.D1
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
People:
Date:
[1997-1998]
[1997-1998]
Title:
Peter Eisenman (Eisenman Architects), New York
Actions:
AP113.S1.D1
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
Peter Eisenman (Eisenman Architects), New York
Actions:
AP113.S1.D1
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
Level of archival description:
File 1
File 1
Date:
[1997-1998]
[1997-1998]
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP113.S1.D3
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
AP113.S1.D3
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
People:
Date:
[1997]-1998
[1997]-1998
Title:
Helmut Jahn, Chicago, and Werner Sobek, Stuttgart
Actions:
AP113.S1.D3
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
Helmut Jahn, Chicago, and Werner Sobek, Stuttgart
Actions:
AP113.S1.D3
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
Level of archival description:
File 3
File 3
Date:
[1997]-1998
[1997]-1998
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP113.S1.D4
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
AP113.S1.D4
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
People:
Date:
[1997-1998]
[1997-1998]
Title:
Kazuyo Sejima + Ryue Nishizawa / S A N A A , Tokyo
Actions:
AP113.S1.D4
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
Kazuyo Sejima + Ryue Nishizawa / S A N A A , Tokyo
Actions:
AP113.S1.D4
Description:
File documents an unexecuted competition entry for the IIT - New Campus Center Competition, in Chicago, Illnois. Material in the file was produced between 1997 and 1998. File contains presentation panels and models. _____________________ Le dossier documente un projet, non-réalisé, proposé pour le concours IIT - New Campus Center Competition, à Chicago, Illnois. Les documents inclus dans le dossier ont été produits entre 1997 et 1998. Le dossier contient des panneaux de présentation et des maquettes.
Level of archival description:
File 4
File 4
Date:
[1997-1998]
[1997-1998]
People:
Level of archival description:
Project
Project
Reference number:
AP022.S1.1973.PR09
Description:
File documents an integrated development constructed on city blocks 51, 61 and 71 in downtown Vancouver, British Columbia. The project consists of a Provincial Government Office complex including a terraced civic space (Robson Square), a Provincial Law Courts building, and a former courthouse building (F.M. Rattenbury, architect) converted to house the Vancouver Art Gallery (built). File contains design development drawings, presentation drawings, presentation panels, working drawings, photographs and slides, models and textual documents (includes photographs).
AP022.S1.1973.PR09
Description:
File documents an integrated development constructed on city blocks 51, 61 and 71 in downtown Vancouver, British Columbia. The project consists of a Provincial Government Office complex including a terraced civic space (Robson Square), a Provincial Law Courts building, and a former courthouse building (F.M. Rattenbury, architect) converted to house the Vancouver Art Gallery (built). File contains design development drawings, presentation drawings, presentation panels, working drawings, photographs and slides, models and textual documents (includes photographs).
People:
Date:
1973-1981
1973-1981
Title:
Three Block Project, Robson Square
Actions:
AP022.S1.1973.PR09
Description:
File documents an integrated development constructed on city blocks 51, 61 and 71 in downtown Vancouver, British Columbia. The project consists of a Provincial Government Office complex including a terraced civic space (Robson Square), a Provincial Law Courts building, and a former courthouse building (F.M. Rattenbury, architect) converted to house the Vancouver Art Gallery (built). File contains design development drawings, presentation drawings, presentation panels, working drawings, photographs and slides, models and textual documents (includes photographs).
Three Block Project, Robson Square
Actions:
AP022.S1.1973.PR09
Description:
File documents an integrated development constructed on city blocks 51, 61 and 71 in downtown Vancouver, British Columbia. The project consists of a Provincial Government Office complex including a terraced civic space (Robson Square), a Provincial Law Courts building, and a former courthouse building (F.M. Rattenbury, architect) converted to house the Vancouver Art Gallery (built). File contains design development drawings, presentation drawings, presentation panels, working drawings, photographs and slides, models and textual documents (includes photographs).
Level of archival description:
Project
Project
Date:
1973-1981
1973-1981
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Actions:
Reference number:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1995-2000
1995-2000
Title:
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Series
Series
Date:
1995-2000
1995-2000
People:
Level of archival description:
Project
Project
Title:
Ashmole
Ashmole
Reference number:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
People:
Date:
1986-1987, 1993, predominant 1987
1986-1987, 1993, predominant 1987
Title:
Ashmole
Actions:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Ashmole
Actions:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Level of archival description:
File 142
File 142
Date:
1986-1987, 1993, predominant 1987
1986-1987, 1993, predominant 1987
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH274658
Description:
Contains materials from the following projects: - Casa González, Madrid, AP164.S1.1997.D5 (16 slides: aerial, models and plans); - Poblenou, Cerdà Barcelona, AP164.S1.1999.D8 (16 slides: plans and renderings); - Architekturforum Bonn, AP164.S1.1997.D9 (27 slides: model, plans, maps, aerial and collages?); - Pabellón de gimnasia en el parque del Retiro, Madrid, AP164.S1.2000.D3 (89 slides: interior/exterior, area, plans, reference materials and a map).
ARCH274658
Description:
Contains materials from the following projects: - Casa González, Madrid, AP164.S1.1997.D5 (16 slides: aerial, models and plans); - Poblenou, Cerdà Barcelona, AP164.S1.1999.D8 (16 slides: plans and renderings); - Architekturforum Bonn, AP164.S1.1997.D9 (27 slides: model, plans, maps, aerial and collages?); - Pabellón de gimnasia en el parque del Retiro, Madrid, AP164.S1.2000.D3 (89 slides: interior/exterior, area, plans, reference materials and a map).
People:
Date:
between 1997 and 2002
between 1997 and 2002
Title:
Ring binder containing photographic materials from four projects by Abalos & Herreros
Actions:
ARCH274658
Description:
Contains materials from the following projects: - Casa González, Madrid, AP164.S1.1997.D5 (16 slides: aerial, models and plans); - Poblenou, Cerdà Barcelona, AP164.S1.1999.D8 (16 slides: plans and renderings); - Architekturforum Bonn, AP164.S1.1997.D9 (27 slides: model, plans, maps, aerial and collages?); - Pabellón de gimnasia en el parque del Retiro, Madrid, AP164.S1.2000.D3 (89 slides: interior/exterior, area, plans, reference materials and a map).
Ring binder containing photographic materials from four projects by Abalos & Herreros
Actions:
ARCH274658
Description:
Contains materials from the following projects: - Casa González, Madrid, AP164.S1.1997.D5 (16 slides: aerial, models and plans); - Poblenou, Cerdà Barcelona, AP164.S1.1999.D8 (16 slides: plans and renderings); - Architekturforum Bonn, AP164.S1.1997.D9 (27 slides: model, plans, maps, aerial and collages?); - Pabellón de gimnasia en el parque del Retiro, Madrid, AP164.S1.2000.D3 (89 slides: interior/exterior, area, plans, reference materials and a map).
Form:
photographs
photographs
Date:
between 1997 and 2002
between 1997 and 2002
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
People:
Date:
2002-2010
2002-2010
Title:
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Level of archival description:
Series
Series
Date:
2002-2010
2002-2010
People:
Level of archival description:
Project
Project
Title:
Pappkuppel (1951-1954)
Pappkuppel (1951-1954)
Actions:
Reference number:
AP187.S1.1951.PR02
Description:
This project series documents a cardboard model of a dome, for which triangles were used to shape the structure. Material was produced in 1953 and 1954. Documenting the project are photographs (some of them are reprographic copies).
AP187.S1.1951.PR02
Description:
This project series documents a cardboard model of a dome, for which triangles were used to shape the structure. Material was produced in 1953 and 1954. Documenting the project are photographs (some of them are reprographic copies).
People:
Date:
1953-1954
1953-1954
Title:
Pappkuppel (1951-1954)
Actions:
AP187.S1.1951.PR02
Description:
This project series documents a cardboard model of a dome, for which triangles were used to shape the structure. Material was produced in 1953 and 1954. Documenting the project are photographs (some of them are reprographic copies).
Pappkuppel (1951-1954)
Actions:
AP187.S1.1951.PR02
Description:
This project series documents a cardboard model of a dome, for which triangles were used to shape the structure. Material was produced in 1953 and 1954. Documenting the project are photographs (some of them are reprographic copies).
Level of archival description:
Project
Project
Date:
1953-1954
1953-1954
People:
