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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing(...)
$64.95
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Summary:
This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing(...)
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
Publication:
January 1900, Munich / Berlin /London / New York
January 1900, Munich / Berlin /London / New York
Title:
China's new dawn : an architectural transformation
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing ground for the world's most innovative designers and engineers. Layla Dawson's groundbreaking survey of architectural currents in China lays out not only the historical events that have brought the country to this unique position, but explores the challenges inherent in opening up the country to outside forces and ideas. She examines projects by Chinese and non-Chinese architects, including Zaha Hadid's Soho City masterplan, Rem Koolhaas's CCTV Headquarters, Norman Foster's Shanghai Tower and plans for the Beijing 2008 Olympic Games. As Dawson demonstrates how conflicting architectural philosophies are visible in China's newly rising skyline, she takes an unblinking look at the liabilities China faces by opening itself up to foreign influence.
China's new dawn : an architectural transformation
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This incisive look at the historical, social, and economic forces that have shaped China's modern architecture analyzes the country's struggle to define its own architectural aesthetics. Since the early 1980s, when China opened its doors to international trade and tourism, the country's economy has expanded at an incredible rate. Today, China is poised to be a testing ground for the world's most innovative designers and engineers. Layla Dawson's groundbreaking survey of architectural currents in China lays out not only the historical events that have brought the country to this unique position, but explores the challenges inherent in opening up the country to outside forces and ideas. She examines projects by Chinese and non-Chinese architects, including Zaha Hadid's Soho City masterplan, Rem Koolhaas's CCTV Headquarters, Norman Foster's Shanghai Tower and plans for the Beijing 2008 Olympic Games. As Dawson demonstrates how conflicting architectural philosophies are visible in China's newly rising skyline, she takes an unblinking look at the liabilities China faces by opening itself up to foreign influence.
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books
books
Publication:
January 1900, Munich / Berlin /London / New York
January 1900, Munich / Berlin /London / New York
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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books
books
Title:
The art of Rachel Whiteread
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
Title:
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
Form:
books
books
Publication:
November 2004, London
November 2004, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$89.95
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This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such(...)
$89.95
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This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such(...)
Title:
Skidmore, Owings & Merrill : SOM since 1936
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This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such mid-century masterworks as Lever House (1952) and Chase Manhattan Plaza (1961). Before the current age of the super skyscraper, SOM designed what was for almost thirty years the world's tallest building, Chicago's Sears Tower (1973), as well as the city's John Hancock Center (1970). With an essay by the American critic Nicholas Adams that contextualizes the importance of SOM's contribution to the globalization of architecture - and its participation in less emphatically vertical structures, such as the Albright-Knox Art Gallery in Buffalo (1962) and the l Hajj Terminal at King Abdul Aziz International Airport in Jeddah, Saudi Arabia (1981) - this title provides the first-ever independently authored overview on a firm that continues to make headlines to this day.
Skidmore, Owings & Merrill : SOM since 1936
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$89.95
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Summary:
This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such mid-century masterworks as Lever House (1952) and Chase Manhattan Plaza (1961). Before the current age of the super skyscraper, SOM designed what was for almost thirty years the world's tallest building, Chicago's Sears Tower (1973), as well as the city's John Hancock Center (1970). With an essay by the American critic Nicholas Adams that contextualizes the importance of SOM's contribution to the globalization of architecture - and its participation in less emphatically vertical structures, such as the Albright-Knox Art Gallery in Buffalo (1962) and the l Hajj Terminal at King Abdul Aziz International Airport in Jeddah, Saudi Arabia (1981) - this title provides the first-ever independently authored overview on a firm that continues to make headlines to this day.
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books
books
Publication:
June 2007, Milan
June 2007, Milan
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$66.00
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At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up(...)
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At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
September 2006, Stuttgart
September 2006, Stuttgart
Title:
Luminous buildings : architecture of the night
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At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up their ever-taller works in all the major cities of the world. Both European and American architects wanted to distance their buildings from the garish electric signage that had come to dominate the street-level cityscape, so they worked with more delicately colored floodlights. Contemporary architects use many of the same techniques today, aided by technological advances that allow them to be implemented in particularly dramatic ways. "Luminous Buildings: Architecture of the NIght" opens a dialogue on the often overlooked but exciting connections between architecture, technology and light, offering points of reference in historical buildings and utopias, more recent designs, paintings and photographs of nighttime facades, and scholarly texts.
Luminous buildings : architecture of the night
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$66.00
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Summary:
At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up their ever-taller works in all the major cities of the world. Both European and American architects wanted to distance their buildings from the garish electric signage that had come to dominate the street-level cityscape, so they worked with more delicately colored floodlights. Contemporary architects use many of the same techniques today, aided by technological advances that allow them to be implemented in particularly dramatic ways. "Luminous Buildings: Architecture of the NIght" opens a dialogue on the often overlooked but exciting connections between architecture, technology and light, offering points of reference in historical buildings and utopias, more recent designs, paintings and photographs of nighttime facades, and scholarly texts.
Form:
books
books
Publication:
September 2006, Stuttgart
September 2006, Stuttgart
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Price:
$67.50
(available to order)
Summary:
In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian(...)
$67.50
(available to order)
Summary:
In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian(...)
Title:
Architecture unbound: A century of the disruptive avant-garde
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$67.50
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. '''Architecture unbound'' traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.
Architecture unbound: A century of the disruptive avant-garde
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$67.50
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Summary:
In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. '''Architecture unbound'' traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.
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books
books
Publication:
November 2021
November 2021
Subject:
Contemporary Architecture
Contemporary Architecture
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books
books
Price:
$95.00
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Summary:
Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most(...)
$95.00
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Summary:
Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most(...)
Title:
Hans Scharoun and the development of small apartment floor plans
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Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most daring and original attempts to recalibrate the ''dwelling process.'' Drawing on a vast trove of previously unpublished materials held in the archives of the Akademie der Künste in Berlin, Markus Peter and Ulrike Tillmann offer unprecedented insight into Scharoun’s design process. His writings and lectures of several decades show him weaving together the diverse strands of research that were to form the basis for his floor plans. Inherently curious and undeterred by contradictions and complexity, Scharoun was unflagging in his efforts to build on his understanding of what housing is about. Romeo and Julia, with their innovative and socially responsive organization of space, thus mark the culmination of the architect’s profound and long-standing engagement with a fundamental human need.
Hans Scharoun and the development of small apartment floor plans
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$95.00
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Summary:
Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most daring and original attempts to recalibrate the ''dwelling process.'' Drawing on a vast trove of previously unpublished materials held in the archives of the Akademie der Künste in Berlin, Markus Peter and Ulrike Tillmann offer unprecedented insight into Scharoun’s design process. His writings and lectures of several decades show him weaving together the diverse strands of research that were to form the basis for his floor plans. Inherently curious and undeterred by contradictions and complexity, Scharoun was unflagging in his efforts to build on his understanding of what housing is about. Romeo and Julia, with their innovative and socially responsive organization of space, thus mark the culmination of the architect’s profound and long-standing engagement with a fundamental human need.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$119.00
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Acclaimed architect David Adjaye is known for his artistic sensitivity and deft use of space and inexpensive, unexpected materials. With the hindsight of almost twenty years of practice and a raft of high-profile projects around the world? perhaps best symbolized by the National Museum for African American History and Culture in Washington, DC?this book looks back on the(...)
$119.00
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Summary:
Acclaimed architect David Adjaye is known for his artistic sensitivity and deft use of space and inexpensive, unexpected materials. With the hindsight of almost twenty years of practice and a raft of high-profile projects around the world? perhaps best symbolized by the National Museum for African American History and Culture in Washington, DC?this book looks back on the(...)
Title:
David Adjaye: Works 1995 - 2007
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Acclaimed architect David Adjaye is known for his artistic sensitivity and deft use of space and inexpensive, unexpected materials. With the hindsight of almost twenty years of practice and a raft of high-profile projects around the world? perhaps best symbolized by the National Museum for African American History and Culture in Washington, DC?this book looks back on the houses and buildings of his early career. Adjaye’s early commissions were the test sites for what would become his unique, celebrated, and highly sought-after brand of “critical regionalism.” From London to Brooklyn, in private houses and public buildings, his clever urban interventions abound: roof-level living space is added to a factory-turned-studio, a sunken courtyard encases a tower-like house, and basalt stone extends a basement dining area to a roofless gazebo. ''David Adjaye- Works'' brings together all of these early projects and more and presents them with new analyses and recently uncovered archival material, testifying to the originality of an architect at the height of his talents who is changing the face of our built world.
David Adjaye: Works 1995 - 2007
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$119.00
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Acclaimed architect David Adjaye is known for his artistic sensitivity and deft use of space and inexpensive, unexpected materials. With the hindsight of almost twenty years of practice and a raft of high-profile projects around the world? perhaps best symbolized by the National Museum for African American History and Culture in Washington, DC?this book looks back on the houses and buildings of his early career. Adjaye’s early commissions were the test sites for what would become his unique, celebrated, and highly sought-after brand of “critical regionalism.” From London to Brooklyn, in private houses and public buildings, his clever urban interventions abound: roof-level living space is added to a factory-turned-studio, a sunken courtyard encases a tower-like house, and basalt stone extends a basement dining area to a roofless gazebo. ''David Adjaye- Works'' brings together all of these early projects and more and presents them with new analyses and recently uncovered archival material, testifying to the originality of an architect at the height of his talents who is changing the face of our built world.
Form:
books
books
Publication:
June 2020
June 2020
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$66.95
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Summary:
The Mies Crown Hall Americas Prize (MCHAP), directed by Dirk Denison from within the Illinois Institute of Technology (IIT), promotes an academic award that is given to the best architecture built in the American continent during a specific period. ''MCHAP The Americas 2: Territory & expeditions,'' is inspired on the discussions held during the second cycle of the prize,(...)
$66.95
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Summary:
The Mies Crown Hall Americas Prize (MCHAP), directed by Dirk Denison from within the Illinois Institute of Technology (IIT), promotes an academic award that is given to the best architecture built in the American continent during a specific period. ''MCHAP The Americas 2: Territory & expeditions,'' is inspired on the discussions held during the second cycle of the prize,(...)
Title:
MCHAP The Americas 2: Territory & expeditions
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$66.95
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The Mies Crown Hall Americas Prize (MCHAP), directed by Dirk Denison from within the Illinois Institute of Technology (IIT), promotes an academic award that is given to the best architecture built in the American continent during a specific period. ''MCHAP The Americas 2: Territory & expeditions,'' is inspired on the discussions held during the second cycle of the prize, which took place in 2016. Based on the selection of the finalist projects—Weekend House by SPBR, New Campus for the UTEC by Grafton Architects, Pachacamac Museum by Llosa Cortegana Architects, Tower 41 by Alberto Kalach, Star Apartmens by Michael Maltzan Architecture, and Grace Farms by SANAA—, the jury conversations and ''discoveries'' were very much conditioned by the ideas of nature and its intimate relation to architecture and landscape. This book is part a reader, part a catalogue, part a visual essay/research on these matters. The texts and projects are in themselves contributions to the field as they show new understandings about the relationship between architecture and its environment as well as singularities and genealogies of the most prominent architectures of the Americas.
MCHAP The Americas 2: Territory & expeditions
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$66.95
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Summary:
The Mies Crown Hall Americas Prize (MCHAP), directed by Dirk Denison from within the Illinois Institute of Technology (IIT), promotes an academic award that is given to the best architecture built in the American continent during a specific period. ''MCHAP The Americas 2: Territory & expeditions,'' is inspired on the discussions held during the second cycle of the prize, which took place in 2016. Based on the selection of the finalist projects—Weekend House by SPBR, New Campus for the UTEC by Grafton Architects, Pachacamac Museum by Llosa Cortegana Architects, Tower 41 by Alberto Kalach, Star Apartmens by Michael Maltzan Architecture, and Grace Farms by SANAA—, the jury conversations and ''discoveries'' were very much conditioned by the ideas of nature and its intimate relation to architecture and landscape. This book is part a reader, part a catalogue, part a visual essay/research on these matters. The texts and projects are in themselves contributions to the field as they show new understandings about the relationship between architecture and its environment as well as singularities and genealogies of the most prominent architectures of the Americas.
Form:
books
books
Publication:
March 2022
March 2022
Subject:
Contemporary Architecture
Contemporary Architecture
Form:
books
books
Title:
Abelardo Morell
Abelardo Morell
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$29.95
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Born in Havana, Abelardo Morell emigrated to the United States in 1962, where he took his first photography course after winning a scholarship to Bowdoin College - a small liberal arts college in Maine. There, Morell experimented with a variety of photographic techniques to create surreal effects that reflected his feelings of alienation as a Cuban living abroad. He(...)
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Born in Havana, Abelardo Morell emigrated to the United States in 1962, where he took his first photography course after winning a scholarship to Bowdoin College - a small liberal arts college in Maine. There, Morell experimented with a variety of photographic techniques to create surreal effects that reflected his feelings of alienation as a Cuban living abroad. He(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2005, London, New York
September 2005, London, New York
Title:
Abelardo Morell
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Born in Havana, Abelardo Morell emigrated to the United States in 1962, where he took his first photography course after winning a scholarship to Bowdoin College - a small liberal arts college in Maine. There, Morell experimented with a variety of photographic techniques to create surreal effects that reflected his feelings of alienation as a Cuban living abroad. He proceeded to complete the graduate programme at Yale University, where he worked within the framework of Robert Frank and Garry Winogrand’s tradition of black-and-white street photography. In 1983, he began teaching at the Massachusetts College of Art in Boston, where he remains a professor. In 1986, Morell began a family and his fascination with his son engaged a new interest in this domestic environment as a subject. Morell began exploring the world from a child’s perspective – approaching mundane household objects in a new way that challenges the viewer’s perception of reality and how we see it. Morell transforms everyday objects by distorting angles and using extreme close-ups, and by exploiting perspectives that confuse and jar with our expectations. For instance, viewed from below a stack of toys blocks tower over the viewer; and a close-up of liquid pouring from a jar seems ominous and dramatic rather than an everyday occurrence. Similarly, Morell continued to transform the familiar into the surprising in his series of photographs of books, maps, American money and, more recently, a series that illustrates a new edition of Lewis Carroll’s Alice’s Adventures in Wonderland. This preoccupation with reality and illusion is most clearly realised in Morell’s series of camera obscura images. He takes an ordinary room and tapes black plastic over the windows, leaving only a 3/8" hole for the light. After setting up a large-format camera in the room and pointing it at the opposite wall, Morell leaves - a single exposure takes 8 hours. In the resulting images a scene of Brooklyn floats upside-down along the walls of his son’s bedroom; global landmarks like the Uffizi and the Eiffel Tower are projected across hotel rooms. In this, Morell’s best known and most ambitious series, the distinction between the outside and the domestic world is merged and his preoccupation with the mechanics of human vision and the principles of photography is illuminated.
Abelardo Morell
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Born in Havana, Abelardo Morell emigrated to the United States in 1962, where he took his first photography course after winning a scholarship to Bowdoin College - a small liberal arts college in Maine. There, Morell experimented with a variety of photographic techniques to create surreal effects that reflected his feelings of alienation as a Cuban living abroad. He proceeded to complete the graduate programme at Yale University, where he worked within the framework of Robert Frank and Garry Winogrand’s tradition of black-and-white street photography. In 1983, he began teaching at the Massachusetts College of Art in Boston, where he remains a professor. In 1986, Morell began a family and his fascination with his son engaged a new interest in this domestic environment as a subject. Morell began exploring the world from a child’s perspective – approaching mundane household objects in a new way that challenges the viewer’s perception of reality and how we see it. Morell transforms everyday objects by distorting angles and using extreme close-ups, and by exploiting perspectives that confuse and jar with our expectations. For instance, viewed from below a stack of toys blocks tower over the viewer; and a close-up of liquid pouring from a jar seems ominous and dramatic rather than an everyday occurrence. Similarly, Morell continued to transform the familiar into the surprising in his series of photographs of books, maps, American money and, more recently, a series that illustrates a new edition of Lewis Carroll’s Alice’s Adventures in Wonderland. This preoccupation with reality and illusion is most clearly realised in Morell’s series of camera obscura images. He takes an ordinary room and tapes black plastic over the windows, leaving only a 3/8" hole for the light. After setting up a large-format camera in the room and pointing it at the opposite wall, Morell leaves - a single exposure takes 8 hours. In the resulting images a scene of Brooklyn floats upside-down along the walls of his son’s bedroom; global landmarks like the Uffizi and the Eiffel Tower are projected across hotel rooms. In this, Morell’s best known and most ambitious series, the distinction between the outside and the domestic world is merged and his preoccupation with the mechanics of human vision and the principles of photography is illuminated.
Form:
books
books
Publication:
September 2005, London, New York
September 2005, London, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Power at ground zero : politics, money, and the remaking of lower Manhattan / Lynne B. Sagalyn.
Power at ground zero : politics, money, and the remaking of lower Manhattan / Lynne B. Sagalyn.
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Description:
xviii, 901 pages : illustrations, maps ; 27 cm
Description:
xviii, 901 pages : illustrations, maps ; 27 cm
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Publication:
New York : Oxford University Press, 2016.
New York : Oxford University Press, 2016.
Title:
Power at ground zero : politics, money, and the remaking of lower Manhattan / Lynne B. Sagalyn.
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Description:
xviii, 901 pages : illustrations, maps ; 27 cm
Power at ground zero : politics, money, and the remaking of lower Manhattan / Lynne B. Sagalyn.
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Description:
xviii, 901 pages : illustrations, maps ; 27 cm
Form:
books
books
Publication:
New York : Oxford University Press, 2016.
New York : Oxford University Press, 2016.
Author:
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