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$39.95
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
$39.95
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
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Visions of nature: How landscape photography shaped settler colonialism
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Visions of nature: How landscape photography shaped settler colonialism
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
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books
books
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May 2022
May 2022
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audio
audio
Title:
Empathy.
Empathy.
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1 online resource.
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[Place of publication not identified] : Junior Aspirin Records, 2013.
[Place of publication not identified] : Junior Aspirin Records, 2013.
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audio
audio
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[Place of publication not identified] : Junior Aspirin Records, 2013.
[Place of publication not identified] : Junior Aspirin Records, 2013.
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viii, 482 pages, 16 unnumbered pages of plates : illustrations, maps ; 25 cm
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viii, 482 pages, 16 unnumbered pages of plates : illustrations, maps ; 25 cm
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New York : Bloomsbury, 2013.
New York : Bloomsbury, 2013.
Title:
Owning the earth : the transforming history of land ownership / Andro Linklater.
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viii, 482 pages, 16 unnumbered pages of plates : illustrations, maps ; 25 cm
Owning the earth : the transforming history of land ownership / Andro Linklater.
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viii, 482 pages, 16 unnumbered pages of plates : illustrations, maps ; 25 cm
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books
books
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New York : Bloomsbury, 2013.
New York : Bloomsbury, 2013.
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books
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$49.00
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Summary:
Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are(...)
$49.00
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are(...)
Publication:
March 2011
March 2011
Title:
Home is anywhere: Jewish culture and the architecture of the Sukkah
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are visible. Here, Mimi Levy Lipis' photographs record examples of contemporary Sukkah architecture from Europe, Israel and the U.S. These include a Sukkah on a truck parked in front of a restaurant in Manhattan; Sukkot on lonely parking lots in London; a Sukkah built for eternity in Berlin; criss-cross stacked booths in Jerusalem; and Sukkot made of the same fabric in London and Tel Aviv.
Home is anywhere: Jewish culture and the architecture of the Sukkah
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are visible. Here, Mimi Levy Lipis' photographs record examples of contemporary Sukkah architecture from Europe, Israel and the U.S. These include a Sukkah on a truck parked in front of a restaurant in Manhattan; Sukkot on lonely parking lots in London; a Sukkah built for eternity in Berlin; criss-cross stacked booths in Jerusalem; and Sukkot made of the same fabric in London and Tel Aviv.
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books
books
Publication:
March 2011
March 2011
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books
books
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$78.95
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''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have(...)
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''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have(...)
Title:
Gianluca Calise : Utopia ending
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''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have been almost entirely eradicated and the new buildings are more financial assets for global investors, rather than homes for Londoners. Gianluca Calise is an Italian photographer specialized in long-term documentary projects. His research focuses on social issues and on themes related to identity, belonging and memory. 2019 Daylight Photo Award juror’s pick, finalist at Urban Photo Awards 2018 and Charta Dummy Award 2021, his works have been published and exhibited internationally.
Gianluca Calise : Utopia ending
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Summary:
''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have been almost entirely eradicated and the new buildings are more financial assets for global investors, rather than homes for Londoners. Gianluca Calise is an Italian photographer specialized in long-term documentary projects. His research focuses on social issues and on themes related to identity, belonging and memory. 2019 Daylight Photo Award juror’s pick, finalist at Urban Photo Awards 2018 and Charta Dummy Award 2021, his works have been published and exhibited internationally.
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books
books
Publication:
July 2022
July 2022
Subject:
Photography monographs
Photography monographs
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books
books
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$38.95
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Summary:
Placing pressure on what it means to "do" feminist philosophy, "Feminist making, doing, and sensing" offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a disciplinary field of thought. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking.(...)
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Placing pressure on what it means to "do" feminist philosophy, "Feminist making, doing, and sensing" offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a disciplinary field of thought. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking.(...)
Title:
Feminist making, doing, and sensing: Experiments in philosophy
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Placing pressure on what it means to "do" feminist philosophy, "Feminist making, doing, and sensing" offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a disciplinary field of thought. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking. Seeking to decenter disciplinary norms about content, authority, and belonging, this collection disrupts the status quo of feminist philosophy through its insistence on formal experimentation and creative methods as well as its refusal to take philosophy and its disciplinary attachments at face value. The essays argue for ways of thinking, making, and doing philosophy that are participatory, relational, somatic, affective, sonorous, and sensorial, often looking to experimental and art-based practices such as film, music, poetry, comedy, crocheting, and more.
Feminist making, doing, and sensing: Experiments in philosophy
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Placing pressure on what it means to "do" feminist philosophy, "Feminist making, doing, and sensing" offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a disciplinary field of thought. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking. Seeking to decenter disciplinary norms about content, authority, and belonging, this collection disrupts the status quo of feminist philosophy through its insistence on formal experimentation and creative methods as well as its refusal to take philosophy and its disciplinary attachments at face value. The essays argue for ways of thinking, making, and doing philosophy that are participatory, relational, somatic, affective, sonorous, and sensorial, often looking to experimental and art-based practices such as film, music, poetry, comedy, crocheting, and more.
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books
books
Publication:
July 2026
July 2026
Subject:
Social
Social
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books
books
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Description:
xxxii, 252 pages : illustrations (some color) ; 26 cm
Description:
xxxii, 252 pages : illustrations (some color) ; 26 cm
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Publication:
Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
Title:
Mughal and Rajput painting / Milo Cleveland Beach.
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xxxii, 252 pages : illustrations (some color) ; 26 cm
Mughal and Rajput painting / Milo Cleveland Beach.
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xxxii, 252 pages : illustrations (some color) ; 26 cm
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books
books
Publication:
Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
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books
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245 pages : illustrations, plans ; 25 x 28 cm
Description:
245 pages : illustrations, plans ; 25 x 28 cm
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Publication:
Basel ; Boston : Birkhäuser, ©1997.
Basel ; Boston : Birkhäuser, ©1997.
Title:
Architektur in Niederösterreich, 1986-1997 = Architecture in Lower Austria, 1986-1997 / Walter Zschokke ; herausgegeben von ORTE Architekturnetzwerk Niederösterreich ; mit einim Essay von Otto Kapfinger.
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245 pages : illustrations, plans ; 25 x 28 cm
Architektur in Niederösterreich, 1986-1997 = Architecture in Lower Austria, 1986-1997 / Walter Zschokke ; herausgegeben von ORTE Architekturnetzwerk Niederösterreich ; mit einim Essay von Otto Kapfinger.
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245 pages : illustrations, plans ; 25 x 28 cm
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books
books
Publication:
Basel ; Boston : Birkhäuser, ©1997.
Basel ; Boston : Birkhäuser, ©1997.
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books
books
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119 pages : illustrations (some color) ; 21 cm + 1 poster
Description:
119 pages : illustrations (some color) ; 21 cm + 1 poster
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Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
Title:
Stan Douglas : every building on 100 West Hastings / edited by Reid Shier.
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Description:
119 pages : illustrations (some color) ; 21 cm + 1 poster
Stan Douglas : every building on 100 West Hastings / edited by Reid Shier.
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Description:
119 pages : illustrations (some color) ; 21 cm + 1 poster
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books
books
Publication:
Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
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$63.00
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Summary:
This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
$63.00
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Summary:
This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
Title:
Events of the social: portraiture and collective agency
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$63.00
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
Events of the social: portraiture and collective agency
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$63.00
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Summary:
This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
Form:
books
books
Publication:
February 2023
February 2023
Subject:
Photography Collections
Photography Collections
