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A social history of AI that finally reveals its roots in the spatial computation of industrial factories and the surveillance of collective behaviour. What is AI? A dominant view describes it as the quest ''to solve intelligence,'' a solution supposedly to be found in the secret logic of the mind or in the deep physiology of the brain, such as in its complex neural(...)
The eye of the master: A social history of artificial intelligence
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A social history of AI that finally reveals its roots in the spatial computation of industrial factories and the surveillance of collective behaviour. What is AI? A dominant view describes it as the quest ''to solve intelligence,'' a solution supposedly to be found in the secret logic of the mind or in the deep physiology of the brain, such as in its complex neural networks. ''The eye of the master'' argues, to the contrary, that the inner code of AI is shaped not by the imitation of biological intelligence, but the intelligence of labour and social relations, as it is found in Babbage's ''calculating engines'' of the industrial age as well as in the recent algorithms for image recognition and surveillance. The idea that AI may one day become autonomous (or ''sentient'', as someone thought of Google's LaMDA) is pure fantasy. Computer algorithms have always imitated the form of social relations and the organisation of labour in their own inner structure and their purpose remains blind automation. ''The eye of the master'' urges a new literacy on AI for scientists, journalists and new generations of activists, who should recognise that the ''mystery'' of AI is just the automation of labour at the highest degree, not intelligence per se.
Archive, library and the digital
books
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vii, 136 pages ; 22 cm
Cambridge, UK ; Malden, MA : Polity Press, 2017.
The scent of time : a philosophical essay on the art of lingering / Byung-Chul Han, translated by Daniel Steuer.
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vii, 136 pages ; 22 cm
books
Cambridge, UK ; Malden, MA : Polity Press, 2017.
books
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238 pages : illustrations (chiefly color) ; 22 cm
Berlin : ZK/U Press, [2017]. SB485.M55.
Livre invisible / editoren: Suzanne Labourie, Alexander Römer, Mascha Fehse ; Autoren: Atelier le Balto [and 27 others] ; Übersetzungen: Miriam Stoney, Suzanne Labourie.
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238 pages : illustrations (chiefly color) ; 22 cm
books
Berlin : ZK/U Press, [2017]. SB485.M55.
$35.95
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A profound and brilliant examination of the power of exodus to create radical interventions in perhaps the three most important and contested fields of society today: life, migration and precarious labour. It is in these fields that the present and future of multitude is at stake. Escape Routes is a toolbox in the hands of multitude.
Transportation, Tourism, Migration
August 2008, London
Escape routes: control and subversion in the 21st century
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A profound and brilliant examination of the power of exodus to create radical interventions in perhaps the three most important and contested fields of society today: life, migration and precarious labour. It is in these fields that the present and future of multitude is at stake. Escape Routes is a toolbox in the hands of multitude.
Transportation, Tourism, Migration
$51.95
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Concrete and Culture breaks new ground by charting concrete's effects on culture since its reinvention in the modern period, examining the ways it has changed our understanding of nature, of time and of materiality. This book discusses architects’ responses to and uses of concrete while also taking into account the role it has played in politics, literature, cinema and(...)
Concrete and culture: a material history
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Concrete and Culture breaks new ground by charting concrete's effects on culture since its reinvention in the modern period, examining the ways it has changed our understanding of nature, of time and of materiality. This book discusses architects’ responses to and uses of concrete while also taking into account the role it has played in politics, literature, cinema and labour-relations, as well as in present day arguments about sustainability.
Materials and Lighting
F.R David : spring 2017
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F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names,(...)
F.R David : spring 2017
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F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which accounts for who is who and why who is who. ‘Inverted Commas’ follows ‘pseudonym’ through names, naming, bodies, brains, self, author, other, reader, labour.
Art Theory
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Simon Yuill on musical code making and breaking from Sun Ra to free software / Stewart Martin on the post-Fordist crisis of progressive education / John Cunningham sizes up Antonio Negri's aesthetics at Tate Britain's Art & Immaterial Labour conference / Benedict Seymour on the convergence of art and sport / Dimitry Vorobyev and Thomas Campbell on carnivalesque(...)
Magazines
January 1900, London
Mute: culture and politics after the net: vol. 2 no. 8
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Simon Yuill on musical code making and breaking from Sun Ra to free software / Stewart Martin on the post-Fordist crisis of progressive education / John Cunningham sizes up Antonio Negri's aesthetics at Tate Britain's Art & Immaterial Labour conference / Benedict Seymour on the convergence of art and sport / Dimitry Vorobyev and Thomas Campbell on carnivalesque anti-regeneration campaigns in St. Petersburg / Harry Halpin reveals the human agents who pull the web's strings
Magazines
$25.95
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The home where our hopes and dreams play out is at the heart many vital political questions Housing is more than bricks and mortar. Feeling at Home grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Alva Gotby shows that solving the housing(...)
Feeling at home: Transforming the politics of housing
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The home where our hopes and dreams play out is at the heart many vital political questions Housing is more than bricks and mortar. Feeling at Home grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Alva Gotby shows that solving the housing crisis is about much more than housing stock. It means revolutionising our everyday lives and labours.
Humans and cities
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The twenty-fifth issue of Prefix Photo magazine presents an array of writers and artists, all of whom engage with the subjects of land and sea in their critical explorations of labour, industry, transportation, communication and trade. Contributors include Kenneth Hayes, Louie Palu, Edward Burtynsky, Robert Bean, Scott Conarroe, Anja Bock, Pascal Grandmaison, Allan(...)
Prefix photo 25: land ans sea
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The twenty-fifth issue of Prefix Photo magazine presents an array of writers and artists, all of whom engage with the subjects of land and sea in their critical explorations of labour, industry, transportation, communication and trade. Contributors include Kenneth Hayes, Louie Palu, Edward Burtynsky, Robert Bean, Scott Conarroe, Anja Bock, Pascal Grandmaison, Allan Sekula Susan Dobson, Andreas Fogarasi, Louis Helbig, J.J. Kegan McFadden, Catherine Opie, Jill Glessing, Sarah Munro, Amanda Rataj and Dot Tuer.
Magazines
$45.00
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down(...)
Architecture from below: An anthology
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down below’. The process of building rarely features in architectural history and theory. Ferro argues that this persistent dismissal and neglect of building labour is no mere oversight, but instead a structural necessity of capitalist development which serves to deny labour as the source of value, to make capital’s command appear mandatory, and to maintain the profession’s capacity to act ‘on’ and ‘over’ the building site. Written between 1967 and 2019, these ten essays introduce Sérgio Ferro’s vital thinking by confronting architecture with critical theories ranging from Marx to contemporary authors. They draw on concrete cases in different historical and geographical contexts – from Strasbourg to Brasilia, via Dubai – to disclose how capitalist relations of production have transformed architecture and its relations to artistic practices such as painting and sculpture.
Architectural Theory