14287 Results
Level of archival description:
Series
Series
Title:
Projects administration
Projects administration
Actions:
Reference number:
AP022.S2
Description:
Series is comprised of records relating to built and proposed projects, offer of services files to potential clients, and projects documentation from the offices of Erickson / Massey Architects (1963-1972) and Arthur Erickson Architects (1972-1991), Toronto, Ontario, and Vancouver, British Columbia. It also includes documentation and working documents for projects on which Arthur Erickson worked as a design consultant. Documents include specifications, building programs and other long term documentation for external audits refered as "permanent files". It also contains offer of services and related proposals and correspondance.Series also contains general project documentation for both built and un-built projects designed at the offices of Erickson/Massey Architects, Vancouver and Arthur Erickson Architects, Vancouver, Los Angeles and Toronto. Project binders were filed under general headings including: Education, Commercial, Housing, Medical, Planning, Transit and Theatre and Performing Arts. Also included in this series are slides of projects not documented under the project series in series AP022.S1. The majority of the material is photographic, some records also include project information sheets, newspaper clippings, and a few reports. A large portion of the documentation binders were assembled on 1 October 1990 at the offices of Arthur Erickson Architects. The material was used for either external presentation or internal documentation purposes.
AP022.S2
Description:
Series is comprised of records relating to built and proposed projects, offer of services files to potential clients, and projects documentation from the offices of Erickson / Massey Architects (1963-1972) and Arthur Erickson Architects (1972-1991), Toronto, Ontario, and Vancouver, British Columbia. It also includes documentation and working documents for projects on which Arthur Erickson worked as a design consultant. Documents include specifications, building programs and other long term documentation for external audits refered as "permanent files". It also contains offer of services and related proposals and correspondance.Series also contains general project documentation for both built and un-built projects designed at the offices of Erickson/Massey Architects, Vancouver and Arthur Erickson Architects, Vancouver, Los Angeles and Toronto. Project binders were filed under general headings including: Education, Commercial, Housing, Medical, Planning, Transit and Theatre and Performing Arts. Also included in this series are slides of projects not documented under the project series in series AP022.S1. The majority of the material is photographic, some records also include project information sheets, newspaper clippings, and a few reports. A large portion of the documentation binders were assembled on 1 October 1990 at the offices of Arthur Erickson Architects. The material was used for either external presentation or internal documentation purposes.
People:
Date:
1953-2005
1953-2005
Title:
Projects administration
Actions:
AP022.S2
Description:
Series is comprised of records relating to built and proposed projects, offer of services files to potential clients, and projects documentation from the offices of Erickson / Massey Architects (1963-1972) and Arthur Erickson Architects (1972-1991), Toronto, Ontario, and Vancouver, British Columbia. It also includes documentation and working documents for projects on which Arthur Erickson worked as a design consultant. Documents include specifications, building programs and other long term documentation for external audits refered as "permanent files". It also contains offer of services and related proposals and correspondance.Series also contains general project documentation for both built and un-built projects designed at the offices of Erickson/Massey Architects, Vancouver and Arthur Erickson Architects, Vancouver, Los Angeles and Toronto. Project binders were filed under general headings including: Education, Commercial, Housing, Medical, Planning, Transit and Theatre and Performing Arts. Also included in this series are slides of projects not documented under the project series in series AP022.S1. The majority of the material is photographic, some records also include project information sheets, newspaper clippings, and a few reports. A large portion of the documentation binders were assembled on 1 October 1990 at the offices of Arthur Erickson Architects. The material was used for either external presentation or internal documentation purposes.
Projects administration
Actions:
AP022.S2
Description:
Series is comprised of records relating to built and proposed projects, offer of services files to potential clients, and projects documentation from the offices of Erickson / Massey Architects (1963-1972) and Arthur Erickson Architects (1972-1991), Toronto, Ontario, and Vancouver, British Columbia. It also includes documentation and working documents for projects on which Arthur Erickson worked as a design consultant. Documents include specifications, building programs and other long term documentation for external audits refered as "permanent files". It also contains offer of services and related proposals and correspondance.Series also contains general project documentation for both built and un-built projects designed at the offices of Erickson/Massey Architects, Vancouver and Arthur Erickson Architects, Vancouver, Los Angeles and Toronto. Project binders were filed under general headings including: Education, Commercial, Housing, Medical, Planning, Transit and Theatre and Performing Arts. Also included in this series are slides of projects not documented under the project series in series AP022.S1. The majority of the material is photographic, some records also include project information sheets, newspaper clippings, and a few reports. A large portion of the documentation binders were assembled on 1 October 1990 at the offices of Arthur Erickson Architects. The material was used for either external presentation or internal documentation purposes.
Level of archival description:
Series
Series
Date:
1953-2005
1953-2005
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
People:
Date:
1971-1972
1971-1972
Title:
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Level of archival description:
Project
Project
Date:
1971-1972
1971-1972
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
People:
Date:
circa 1978-2018
circa 1978-2018
Title:
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Level of archival description:
Project
Project
Date:
circa 1978-2018
circa 1978-2018
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1993.PR07
Description:
This project series documents a new building for the Fields Institute of Research in Mathematical Sciences at the University of Toronto from 1993-1995. The office identified the project number as 9318. This project consisted of a four-storey building, characterized by a rusticated limestone and red-brick exterior, located at 222 College Street. The building's layout consisted of offices, conference rooms, classrooms, resource centres, computer training facilities, a library, and the main lobby and reception. At the core was a grand atrium with a wood-lined helical staircase that ran the height of the building, a stucco fireplace and an elliptical reception desk. Designed to encourage spontaneous thought and interaction, the institute featured slate chalkboards throughout. The roof was comprised of a Douglas fir deck on metal trusses, while the interior finishes included tiles, carpet, wood, metal, stone and concrete.[1] The project is recorded through drawings, photographic materials, a presentation painting and textual records dating from 1993-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, details, perspectives and axonometric drawings. The photographic materials include images for presentation and research, while the textual records document completion schedules. [1] "Fields Institute Facilities." The Fields Institute for Research in Mathematical Sciences. Accessed April 29, 2019. http://www.fields.utoronto.ca/resources/fields-institute-facilities
AP056.S1.1993.PR07
Description:
This project series documents a new building for the Fields Institute of Research in Mathematical Sciences at the University of Toronto from 1993-1995. The office identified the project number as 9318. This project consisted of a four-storey building, characterized by a rusticated limestone and red-brick exterior, located at 222 College Street. The building's layout consisted of offices, conference rooms, classrooms, resource centres, computer training facilities, a library, and the main lobby and reception. At the core was a grand atrium with a wood-lined helical staircase that ran the height of the building, a stucco fireplace and an elliptical reception desk. Designed to encourage spontaneous thought and interaction, the institute featured slate chalkboards throughout. The roof was comprised of a Douglas fir deck on metal trusses, while the interior finishes included tiles, carpet, wood, metal, stone and concrete.[1] The project is recorded through drawings, photographic materials, a presentation painting and textual records dating from 1993-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, details, perspectives and axonometric drawings. The photographic materials include images for presentation and research, while the textual records document completion schedules. [1] "Fields Institute Facilities." The Fields Institute for Research in Mathematical Sciences. Accessed April 29, 2019. http://www.fields.utoronto.ca/resources/fields-institute-facilities
People:
Date:
1993-1996
1993-1996
Title:
The Fields Institute for Research in Mathematical Sciences, University of Toronto (1993-1995)
Actions:
AP056.S1.1993.PR07
Description:
This project series documents a new building for the Fields Institute of Research in Mathematical Sciences at the University of Toronto from 1993-1995. The office identified the project number as 9318. This project consisted of a four-storey building, characterized by a rusticated limestone and red-brick exterior, located at 222 College Street. The building's layout consisted of offices, conference rooms, classrooms, resource centres, computer training facilities, a library, and the main lobby and reception. At the core was a grand atrium with a wood-lined helical staircase that ran the height of the building, a stucco fireplace and an elliptical reception desk. Designed to encourage spontaneous thought and interaction, the institute featured slate chalkboards throughout. The roof was comprised of a Douglas fir deck on metal trusses, while the interior finishes included tiles, carpet, wood, metal, stone and concrete.[1] The project is recorded through drawings, photographic materials, a presentation painting and textual records dating from 1993-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, details, perspectives and axonometric drawings. The photographic materials include images for presentation and research, while the textual records document completion schedules. [1] "Fields Institute Facilities." The Fields Institute for Research in Mathematical Sciences. Accessed April 29, 2019. http://www.fields.utoronto.ca/resources/fields-institute-facilities
The Fields Institute for Research in Mathematical Sciences, University of Toronto (1993-1995)
Actions:
AP056.S1.1993.PR07
Description:
This project series documents a new building for the Fields Institute of Research in Mathematical Sciences at the University of Toronto from 1993-1995. The office identified the project number as 9318. This project consisted of a four-storey building, characterized by a rusticated limestone and red-brick exterior, located at 222 College Street. The building's layout consisted of offices, conference rooms, classrooms, resource centres, computer training facilities, a library, and the main lobby and reception. At the core was a grand atrium with a wood-lined helical staircase that ran the height of the building, a stucco fireplace and an elliptical reception desk. Designed to encourage spontaneous thought and interaction, the institute featured slate chalkboards throughout. The roof was comprised of a Douglas fir deck on metal trusses, while the interior finishes included tiles, carpet, wood, metal, stone and concrete.[1] The project is recorded through drawings, photographic materials, a presentation painting and textual records dating from 1993-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, details, perspectives and axonometric drawings. The photographic materials include images for presentation and research, while the textual records document completion schedules. [1] "Fields Institute Facilities." The Fields Institute for Research in Mathematical Sciences. Accessed April 29, 2019. http://www.fields.utoronto.ca/resources/fields-institute-facilities
Level of archival description:
Project
Project
Date:
1993-1996
1993-1996
People:
Level of archival description:
Project
Project
Reference number:
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
People:
Date:
1990-1993
1990-1993
Title:
Glass Station, Oguni, Japan (1990-1993)
Actions:
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
Glass Station, Oguni, Japan (1990-1993)
Actions:
AP166.S1.1991.PR2
Description:
This project series documents the project "Glass Station", a gas station constructed on an irregularly-shaped site at the entrance to the town of Oguni in Kumamoto Prefecture, Japan. The project was completed in 1993. The office, pumps, shop and work space of the service station are covered by an undulating canopy composed of asymmetrical concrete arches that form the boundaries of a lattice of pretensioned steel rods and aluminum channels into which panels of glass bonded to sheets of perforated stainless steel were inserted, sealed with polyester film, and secured with structural silicon. The project series is chiefly composed of design development drawings. It includes numbered sets of architectural drawings and structural drawings and some mechanical and electrical drawings. There is a set of unnumbered ink drawings and reproductions related to the geometry of the canopy. There are also some images of the canopy that are output from a computer file or files (wireframes and renderings). There is a small amount of textual material related to technical data and form finding for the canopy. The file also includes 2 study models. There are some graphic design documents for the name of the project and for the name "IDEX". Material in this file was created between 1990 and 1993.
Level of archival description:
project
project
Date:
1990-1993
1990-1993
People:
Level of archival description:
Series
Series
Title:
TopSolid development
TopSolid development
Actions:
Reference number:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
People:
Date:
1992-2011
1992-2011
Title:
TopSolid development
Actions:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
TopSolid development
Actions:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
Level of archival description:
Series
Series
Date:
1992-2011
1992-2011
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1947-2006
1947-2006
Title:
Yorke-Forbes Residence, Vancouver, British Columbia (1999)
Actions:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Yorke-Forbes Residence, Vancouver, British Columbia (1999)
Actions:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1947-2006
1947-2006
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
People:
Date:
1988-1995
1988-1995
Title:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Level of archival description:
Project
Project
Date:
1988-1995
1988-1995
People:
Level of archival description:
Series
Series
Title:
OCEAN reference files
OCEAN reference files
Actions:
Reference number:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
People:
Date:
1998
1998
Title:
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
Level of archival description:
Series
Series
Date:
1998
1998
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
People:
Date:
2002-2012
2002-2012
Title:
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Level of archival description:
Project
Project
Date:
2002-2012
2002-2012
People:
