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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
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Jet age aesthetic: the glamour of media in motion
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Jet age aesthetic: the glamour of media in motion
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Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
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books
books
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April 2020
April 2020
Subject:
Design, Periods and Styles
Design, Periods and Styles
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books
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192 pages : illustrations (some color) ; 22 cm
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192 pages : illustrations (some color) ; 22 cm
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[Genève] : MétisPresses, ©2016.
[Genève] : MétisPresses, ©2016.
Title:
Un pont à part : Sergio Musmeci & Zenaide Zanini, Potenza 1966-1976 / Victor J. Jones ; Hélène Binet, photographies ; Gauthier Bolle, traduction = A distant bridge : Sergio Musmeci & Zenaide Zanini, Potenza 1966-1976 / Victor J. Jones ; Hélène Binet, photographs ; Gauthier Bolle, translation.
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192 pages : illustrations (some color) ; 22 cm
Un pont à part : Sergio Musmeci & Zenaide Zanini, Potenza 1966-1976 / Victor J. Jones ; Hélène Binet, photographies ; Gauthier Bolle, traduction = A distant bridge : Sergio Musmeci & Zenaide Zanini, Potenza 1966-1976 / Victor J. Jones ; Hélène Binet, photographs ; Gauthier Bolle, translation.
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192 pages : illustrations (some color) ; 22 cm
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books
books
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[Genève] : MétisPresses, ©2016.
[Genève] : MétisPresses, ©2016.
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$32.50
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
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Casa Poli: Pezo von Ellrichshausen
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
Casa Poli: Pezo von Ellrichshausen
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
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books
books
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July 2013
July 2013
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books
books
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this(...)
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this(...)
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AD 93:4 In praise of penumbra
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality.
AD 93:4 In praise of penumbra
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Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality.
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books
books
Publication:
July 2023
July 2023
Subject:
Magazines
Magazines
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books
books
Title:
Enoura Observatory
Enoura Observatory
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Apart from photography, Japanese artist Hiroshi Sugimoto has been working in sculpture, performing arts and architecture for more than 20 years. Since the early 2010s, he has been constructing the Enoura Observatory, and with his singular vision he has brought together ancient and contemporary Japanese traditions in one art and architectural complex. This book provides an(...)
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Apart from photography, Japanese artist Hiroshi Sugimoto has been working in sculpture, performing arts and architecture for more than 20 years. Since the early 2010s, he has been constructing the Enoura Observatory, and with his singular vision he has brought together ancient and contemporary Japanese traditions in one art and architectural complex. This book provides an(...)
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Enoura Observatory
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Apart from photography, Japanese artist Hiroshi Sugimoto has been working in sculpture, performing arts and architecture for more than 20 years. Since the early 2010s, he has been constructing the Enoura Observatory, and with his singular vision he has brought together ancient and contemporary Japanese traditions in one art and architectural complex. This book provides an account of this stunning multidisciplinary project. The Observatory, part of the artist's Odawara Art Foundation, is sited on a hilly area covered with citrus trees in Odawara, nestled against the outer rim of the Hakone Mountains and overlooking Sagami Bay. Odawara is home to groups of artisans with mastery of sophisticated techniques that have been handed down for centuries. Sugimoto has constructed the Enoura Observatory using these techniques, which are growing increasingly difficult to preserve. He envisions it as a forum for disseminating art and culture both within Japan and to the rest of the world. The stunning photographs in ''Enoura Observatory: Land of Distant Memories" reveal Sugimoto's poetic vision for this total work of art that is the culmination of his art practice.
Enoura Observatory
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Apart from photography, Japanese artist Hiroshi Sugimoto has been working in sculpture, performing arts and architecture for more than 20 years. Since the early 2010s, he has been constructing the Enoura Observatory, and with his singular vision he has brought together ancient and contemporary Japanese traditions in one art and architectural complex. This book provides an account of this stunning multidisciplinary project. The Observatory, part of the artist's Odawara Art Foundation, is sited on a hilly area covered with citrus trees in Odawara, nestled against the outer rim of the Hakone Mountains and overlooking Sagami Bay. Odawara is home to groups of artisans with mastery of sophisticated techniques that have been handed down for centuries. Sugimoto has constructed the Enoura Observatory using these techniques, which are growing increasingly difficult to preserve. He envisions it as a forum for disseminating art and culture both within Japan and to the rest of the world. The stunning photographs in ''Enoura Observatory: Land of Distant Memories" reveal Sugimoto's poetic vision for this total work of art that is the culmination of his art practice.
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books
books
Publication:
September 2025
September 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$84.00
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going(...)
$84.00
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going(...)
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Occupying space : Sammlung Generali Foundation collection
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going beyond photography, film, video, and installation, all of which allow for process-oriented engagement. The Generali Foundation in Vienna has devoted much of its collection, exhibition energy, and research focus to this "difficult" type of artwork. Though many of the artists that form its collection are part of the canon of recent art history, they are mostly underrepresented in institutions--but not the Generali Foundation. Occupying Space presents a dense, comprehensive selection of projects from its collection by such artists as Valie Export, Andrea Fraser, Isa Genzken, Dan Graham, Hans Haacke, Hans Hollein, Mary Kelly, Gordon Matta-Clark, Adrian Piper, Martha Rosler, Allan Sekula, Peter Weibel, and Franz West, together with brief, articulate texts on their work.
Occupying space : Sammlung Generali Foundation collection
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Some art is dismissed as "difficult"--difficult because of the media it employs, but even more so because of the sociopolitical themes it addresses. This art is often conceptual or performative, works cross-disciplinarily with architecture and design, and critically examines social parameters and the role of the media. Its media is naturally mixed, spanning and going beyond photography, film, video, and installation, all of which allow for process-oriented engagement. The Generali Foundation in Vienna has devoted much of its collection, exhibition energy, and research focus to this "difficult" type of artwork. Though many of the artists that form its collection are part of the canon of recent art history, they are mostly underrepresented in institutions--but not the Generali Foundation. Occupying Space presents a dense, comprehensive selection of projects from its collection by such artists as Valie Export, Andrea Fraser, Isa Genzken, Dan Graham, Hans Haacke, Hans Hollein, Mary Kelly, Gordon Matta-Clark, Adrian Piper, Martha Rosler, Allan Sekula, Peter Weibel, and Franz West, together with brief, articulate texts on their work.
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books
books
Publication:
March 2004, Vienna
March 2004, Vienna
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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367 pages : illustrations (chiefly color), facsimiles, maps, portraits ; 24 cm
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367 pages : illustrations (chiefly color), facsimiles, maps, portraits ; 24 cm
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Montréal : Centre canadien d'architecture ; Zürich : Park Books, ©2014.
Montréal : Centre canadien d'architecture ; Zürich : Park Books, ©2014.
Title:
Casablanca Chandigarh : bilans d'une modernisation / Tom Avermaete, Maristella Casciato ; missions photographiques de Yto Barrada, Takashi Homma.
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367 pages : illustrations (chiefly color), facsimiles, maps, portraits ; 24 cm
Casablanca Chandigarh : bilans d'une modernisation / Tom Avermaete, Maristella Casciato ; missions photographiques de Yto Barrada, Takashi Homma.
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367 pages : illustrations (chiefly color), facsimiles, maps, portraits ; 24 cm
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books
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Montréal : Centre canadien d'architecture ; Zürich : Park Books, ©2014.
Montréal : Centre canadien d'architecture ; Zürich : Park Books, ©2014.
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books
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$38.99
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Summary:
It is perhaps the eighth wonder of our world that despite modern mapping and satellite photography our planet continues to surprise us. Hidden lairs beneath layers of rock, forgotten cities rising out of deserted lands and even mankind's own feats of engineering eccentricity lie in the most unusual of destinations. Travis Elborough goes in search of the obscure and(...)
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It is perhaps the eighth wonder of our world that despite modern mapping and satellite photography our planet continues to surprise us. Hidden lairs beneath layers of rock, forgotten cities rising out of deserted lands and even mankind's own feats of engineering eccentricity lie in the most unusual of destinations. Travis Elborough goes in search of the obscure and(...)
Title:
Atlas of improbable places: a journey to the world's most unusual corners
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It is perhaps the eighth wonder of our world that despite modern mapping and satellite photography our planet continues to surprise us. Hidden lairs beneath layers of rock, forgotten cities rising out of deserted lands and even mankind's own feats of engineering eccentricity lie in the most unusual of destinations. Travis Elborough goes in search of the obscure and bizarre, the beautiful and estranged. Taking in the defiant relics of ancient cities such as Ani, a once thriving metropolis lost to conquered lands, and the church tower of San Juan Parangaricuto, that miraculously stands as the sole survivor of a town sunk by lava. Through the labyrinths of Berlin and Beijing - underground realms dug for refuge, espionage and even, as Canada's Moose Jaw, used as the playground for gangsters trading liquor and money over cards. Never forgetting the freaks and wonders of nature's own unusual masterpieces: the magical underground river shaped like a dragon's mouth in the Philippines and the floating world of Palmerston. With beautiful maps and stunning photography illustrating each destination, Atlas of Improbable Places is a fascinating voyage to the world's most incredible destinations. As the Island of Dolls and the hauntingly titled Door to Hell - an inextinguishable fire pit - attest, mystery is never far away. The truths and myths behind their creation are as varied as the destinations themselves. Standing as symbols of worship, testaments to kingships or even the strange and wonderful traditions of old and new, these curious places are not just extraordinary sights but reflections on man's own relationship with the world around us
Atlas of improbable places: a journey to the world's most unusual corners
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It is perhaps the eighth wonder of our world that despite modern mapping and satellite photography our planet continues to surprise us. Hidden lairs beneath layers of rock, forgotten cities rising out of deserted lands and even mankind's own feats of engineering eccentricity lie in the most unusual of destinations. Travis Elborough goes in search of the obscure and bizarre, the beautiful and estranged. Taking in the defiant relics of ancient cities such as Ani, a once thriving metropolis lost to conquered lands, and the church tower of San Juan Parangaricuto, that miraculously stands as the sole survivor of a town sunk by lava. Through the labyrinths of Berlin and Beijing - underground realms dug for refuge, espionage and even, as Canada's Moose Jaw, used as the playground for gangsters trading liquor and money over cards. Never forgetting the freaks and wonders of nature's own unusual masterpieces: the magical underground river shaped like a dragon's mouth in the Philippines and the floating world of Palmerston. With beautiful maps and stunning photography illustrating each destination, Atlas of Improbable Places is a fascinating voyage to the world's most incredible destinations. As the Island of Dolls and the hauntingly titled Door to Hell - an inextinguishable fire pit - attest, mystery is never far away. The truths and myths behind their creation are as varied as the destinations themselves. Standing as symbols of worship, testaments to kingships or even the strange and wonderful traditions of old and new, these curious places are not just extraordinary sights but reflections on man's own relationship with the world around us
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Architectural Plans and Cartography
Architectural Plans and Cartography
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books
books
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$42.95
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Summary:
How do you find out about historic buildings and places? A good place to start is with visual evidence. Original drawings, topographical views, surveys, maps, photographs, and other historic visual sources help to support an understanding of how a building or location appears the way it does today. Interpreting such material requires knowledge of historic design and(...)
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How do you find out about historic buildings and places? A good place to start is with visual evidence. Original drawings, topographical views, surveys, maps, photographs, and other historic visual sources help to support an understanding of how a building or location appears the way it does today. Interpreting such material requires knowledge of historic design and(...)
Publication:
April 2019
April 2019
Title:
Understanding architectural drawings and historical visual sources
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How do you find out about historic buildings and places? A good place to start is with visual evidence. Original drawings, topographical views, surveys, maps, photographs, and other historic visual sources help to support an understanding of how a building or location appears the way it does today. Interpreting such material requires knowledge of historic design and mapping conventions, the place of the drawings in the construction process, the methods and techniques used to create engraved or topographical views, and the equipment and processes used in photography at particular times. The authors of this book explain the provenance, purpose, and terminology of a range of visual sources from the sixteenth to the twentieth century, and explore how they can help—or sometimes hinder—an understanding of the original form and subsequent changes to a building, site, or landscape.
Understanding architectural drawings and historical visual sources
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$42.95
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How do you find out about historic buildings and places? A good place to start is with visual evidence. Original drawings, topographical views, surveys, maps, photographs, and other historic visual sources help to support an understanding of how a building or location appears the way it does today. Interpreting such material requires knowledge of historic design and mapping conventions, the place of the drawings in the construction process, the methods and techniques used to create engraved or topographical views, and the equipment and processes used in photography at particular times. The authors of this book explain the provenance, purpose, and terminology of a range of visual sources from the sixteenth to the twentieth century, and explore how they can help—or sometimes hinder—an understanding of the original form and subsequent changes to a building, site, or landscape.
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books
books
Publication:
April 2019
April 2019
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books
books
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$90.00
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born(...)
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born(...)
Title:
Gordon Matta-Clark: works and collected writings
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
Gordon Matta-Clark: works and collected writings
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$90.00
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Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
Form:
books
books
Publication:
October 2006
October 2006
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
