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228 pages ; 22 cm.
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228 pages ; 22 cm.
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Paris : Stock, 2010.
Paris : Stock, 2010.
Title:
Tokyo, ville flottante : scène urbaine, mises en scène / François Laplantine.
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228 pages ; 22 cm.
Tokyo, ville flottante : scène urbaine, mises en scène / François Laplantine.
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228 pages ; 22 cm.
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books
books
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Paris : Stock, 2010.
Paris : Stock, 2010.
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books
books
Title:
Construire un nouveau nouveau monde : l'amerikanizm dans l'architecture russe / Jean-Louis Cohen.
Construire un nouveau nouveau monde : l'amerikanizm dans l'architecture russe / Jean-Louis Cohen.
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544 pages : illustrations (some color), facsimiles, plans, portraits ; 24 cm
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544 pages : illustrations (some color), facsimiles, plans, portraits ; 24 cm
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Paris : Éditions de la Villette, [2020], ©2020
Paris : Éditions de la Villette, [2020], ©2020
Title:
Construire un nouveau nouveau monde : l'amerikanizm dans l'architecture russe / Jean-Louis Cohen.
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544 pages : illustrations (some color), facsimiles, plans, portraits ; 24 cm
Construire un nouveau nouveau monde : l'amerikanizm dans l'architecture russe / Jean-Louis Cohen.
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544 pages : illustrations (some color), facsimiles, plans, portraits ; 24 cm
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books
books
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Paris : Éditions de la Villette, [2020], ©2020
Paris : Éditions de la Villette, [2020], ©2020
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books
books
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x, 351 pages : illustrations ; 24 cm.
Description:
x, 351 pages : illustrations ; 24 cm.
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Toronto ; Buffalo : University of Toronto Press, ©2006.
Toronto ; Buffalo : University of Toronto Press, ©2006.
Title:
World's fairs Italian style : the great exhibitions in Turin and their narratives, 1860-1915 / Cristina Della Coletta.
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x, 351 pages : illustrations ; 24 cm.
World's fairs Italian style : the great exhibitions in Turin and their narratives, 1860-1915 / Cristina Della Coletta.
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x, 351 pages : illustrations ; 24 cm.
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books
books
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Toronto ; Buffalo : University of Toronto Press, ©2006.
Toronto ; Buffalo : University of Toronto Press, ©2006.
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books
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$39.99
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Summary:
At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
$39.99
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
Title:
Dreaming in books: the making of the bibliographic imagination in the romantic age
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Dreaming in books: the making of the bibliographic imagination in the romantic age
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$39.99
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Summary:
At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
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books
books
Publication:
April 2009
April 2009
Subject:
Architectural Theory
Architectural Theory
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books
books
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830 pages : illustrations (some color) ; 29 cm
Description:
830 pages : illustrations (some color) ; 29 cm
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Ostfildern-Ruit : Cantz, ©1997.
Ostfildern-Ruit : Cantz, ©1997.
Title:
Politics, poetics : Documenta X, the book / [editor, Documenta and Museum Fridericianum Veranstaltungs-GmbH ; idea and conception, Catherine David and Jean François Chevrier].
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830 pages : illustrations (some color) ; 29 cm
Politics, poetics : Documenta X, the book / [editor, Documenta and Museum Fridericianum Veranstaltungs-GmbH ; idea and conception, Catherine David and Jean François Chevrier].
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830 pages : illustrations (some color) ; 29 cm
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books
books
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Ostfildern-Ruit : Cantz, ©1997.
Ostfildern-Ruit : Cantz, ©1997.
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books
books
Title:
Peter Eisenman : feints
Peter Eisenman : feints
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$49.95
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Summary:
Impregnated with “culture” in the broadest sense, the works of Peter Eisenman reflect many years of important study on the meaning and sense of design. Architecture understood as history, as philosophy, as art, as mathematics, as literature, architecture understood – as it should be that is – as a strict discipline that aims to recover its operational fields, defining(...)
$49.95
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Summary:
Impregnated with “culture” in the broadest sense, the works of Peter Eisenman reflect many years of important study on the meaning and sense of design. Architecture understood as history, as philosophy, as art, as mathematics, as literature, architecture understood – as it should be that is – as a strict discipline that aims to recover its operational fields, defining(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
May 2006, Milano
May 2006, Milano
Title:
Peter Eisenman : feints
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$49.95
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Impregnated with “culture” in the broadest sense, the works of Peter Eisenman reflect many years of important study on the meaning and sense of design. Architecture understood as history, as philosophy, as art, as mathematics, as literature, architecture understood – as it should be that is – as a strict discipline that aims to recover its operational fields, defining with precision its limits and the potential for a profession that must constantly face destabilising visual and technological systems. Within history and yet outside it so that it can continue, within tradition yet outside of Tradition in order to avoid becoming sterile, the architecture of Peter Eisenman does not aim to console with the simple suggestion of a difficult-to-define aesthetic or the illusion of an evanescent technique. The unpredictability of his work anchors design to individuation and the clarification of its objectives by focussing on the value of the sign understood as a fundamental conceptual expression and not as simple formal distortion. The validity of this formidable theoretical system intended to return a renewed and personal linguistic system to fields of architecture, is confirmed by examining the continued expansion of the territorial system, as evidenced by projects on a territorial scale such as the Memorial of Berlin or the Cultural Centre of Galizia, the most recent projects which demonstrate the vitality of a design system that is constantly renewing itself.
Peter Eisenman : feints
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$49.95
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Summary:
Impregnated with “culture” in the broadest sense, the works of Peter Eisenman reflect many years of important study on the meaning and sense of design. Architecture understood as history, as philosophy, as art, as mathematics, as literature, architecture understood – as it should be that is – as a strict discipline that aims to recover its operational fields, defining with precision its limits and the potential for a profession that must constantly face destabilising visual and technological systems. Within history and yet outside it so that it can continue, within tradition yet outside of Tradition in order to avoid becoming sterile, the architecture of Peter Eisenman does not aim to console with the simple suggestion of a difficult-to-define aesthetic or the illusion of an evanescent technique. The unpredictability of his work anchors design to individuation and the clarification of its objectives by focussing on the value of the sign understood as a fundamental conceptual expression and not as simple formal distortion. The validity of this formidable theoretical system intended to return a renewed and personal linguistic system to fields of architecture, is confirmed by examining the continued expansion of the territorial system, as evidenced by projects on a territorial scale such as the Memorial of Berlin or the Cultural Centre of Galizia, the most recent projects which demonstrate the vitality of a design system that is constantly renewing itself.
Form:
books
books
Publication:
May 2006, Milano
May 2006, Milano
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$68.95
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Summary:
In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
$68.95
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Summary:
In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
Title:
Queer moderns: Max Ewing's jazz age New York
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
Queer moderns: Max Ewing's jazz age New York
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$68.95
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Summary:
In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
The dominion of the dead
The dominion of the dead
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$17.50
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Summary:
How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In "The dominion of the dead", Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living-the graves, images, literature, architecture, and(...)
$17.50
(available to order)
Summary:
How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In "The dominion of the dead", Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living-the graves, images, literature, architecture, and(...)
Title:
The dominion of the dead
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$17.50
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How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In "The dominion of the dead", Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living-the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us. This work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.
The dominion of the dead
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Price:
$17.50
(available to order)
Summary:
How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In "The dominion of the dead", Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living-the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us. This work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.
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books
books
Publication:
May 2005, Chicago, London
May 2005, Chicago, London
Subject:
Landscape Theory
Landscape Theory
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books
books
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$67.95
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Summary:
"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
$67.95
(available to order)
Summary:
"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
Subject:
Modernism
Modernism
Publication:
July 2003, Cambridge / London
July 2003, Cambridge / London
Title:
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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$67.95
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Summary:
"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Form:
books
books
Publication:
July 2003, Cambridge / London
July 2003, Cambridge / London
Subject:
Modernism
Modernism
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books
books
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$48.95
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Summary:
"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing(...)
$48.95
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Summary:
"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing(...)
Title:
Landscape and history since 1500
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$48.95
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"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing interest in, and concern for, many aspects of landscape within British, European and wider contexts. This has included the study of the history, development and changes in our perception of landscape, as well as research into the links between past landscapes and political ideologies, economic and social structures, cartography, art and literature. There is also considerable concern at present with the need to evaluate and classify historic landscapes, and to develop policies for their conservation and management in relation to their scenic, heritage and recreational value. This is manifest not only in the designation of particularly valued areas with enhanced protection from planning developments, such as national parks and world heritage sites, but in the countryside more generally. Further, Ian D. Whyte argues, changes in European Union policies relating to agriculture, with a greater concern for the protection and sustainable management of rural landscapes, are likely to be of major importance in relation to the themes of continuity and change in the landscapes of Britain and Europe.
Landscape and history since 1500
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$48.95
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Summary:
"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing interest in, and concern for, many aspects of landscape within British, European and wider contexts. This has included the study of the history, development and changes in our perception of landscape, as well as research into the links between past landscapes and political ideologies, economic and social structures, cartography, art and literature. There is also considerable concern at present with the need to evaluate and classify historic landscapes, and to develop policies for their conservation and management in relation to their scenic, heritage and recreational value. This is manifest not only in the designation of particularly valued areas with enhanced protection from planning developments, such as national parks and world heritage sites, but in the countryside more generally. Further, Ian D. Whyte argues, changes in European Union policies relating to agriculture, with a greater concern for the protection and sustainable management of rural landscapes, are likely to be of major importance in relation to the themes of continuity and change in the landscapes of Britain and Europe.
Form:
books
books
Publication:
November 2002, London
November 2002, London
Subject:
Landscape Theory
Landscape Theory
