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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
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Architecture theory since 1968
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Architecture theory since 1968
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Form:
books
books
Publication:
April 2000, Cambridge, Mass.
April 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
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books
books
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$105.00
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
$105.00
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Summary:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
Title:
Architecture theory since 1968
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$105.00
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Summary:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Architecture theory since 1968
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$105.00
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Summary:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Form:
books
books
Publication:
July 1998, Cambridge, Mass.
July 1998, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
xviii, 429 pages : illustrations, maps ; 25 cm
Description:
xviii, 429 pages : illustrations, maps ; 25 cm
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Subject:
Publication:
London ; New York : Routledge, 1998.
London ; New York : Routledge, 1998.
Title:
Places through the body / edited by Heidi J. Nast and Steve Pile.
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Description:
xviii, 429 pages : illustrations, maps ; 25 cm
Places through the body / edited by Heidi J. Nast and Steve Pile.
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Description:
xviii, 429 pages : illustrations, maps ; 25 cm
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books
books
Publication:
London ; New York : Routledge, 1998.
London ; New York : Routledge, 1998.
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$66.00
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Japanese publisher Tetsuhiko Fukutake has transformed the island of Naoshima into an art lover's paradise. Located off the west coast of Japan, the island is home to Ando-designed museums showcasing works by Walter De Maria, James Turrell, Jackson Pollock, Cy Twombly, Bruce Nauman and David Hockney, as well as public installations by Cai Guo-Qiang and Yayoi Kusama.
$66.00
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Summary:
Japanese publisher Tetsuhiko Fukutake has transformed the island of Naoshima into an art lover's paradise. Located off the west coast of Japan, the island is home to Ando-designed museums showcasing works by Walter De Maria, James Turrell, Jackson Pollock, Cy Twombly, Bruce Nauman and David Hockney, as well as public installations by Cai Guo-Qiang and Yayoi Kusama.
Publication:
January 2011
January 2011
Title:
Naoshima: Nature, art, architecture
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Japanese publisher Tetsuhiko Fukutake has transformed the island of Naoshima into an art lover's paradise. Located off the west coast of Japan, the island is home to Ando-designed museums showcasing works by Walter De Maria, James Turrell, Jackson Pollock, Cy Twombly, Bruce Nauman and David Hockney, as well as public installations by Cai Guo-Qiang and Yayoi Kusama.
Naoshima: Nature, art, architecture
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$66.00
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Summary:
Japanese publisher Tetsuhiko Fukutake has transformed the island of Naoshima into an art lover's paradise. Located off the west coast of Japan, the island is home to Ando-designed museums showcasing works by Walter De Maria, James Turrell, Jackson Pollock, Cy Twombly, Bruce Nauman and David Hockney, as well as public installations by Cai Guo-Qiang and Yayoi Kusama.
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books
books
Publication:
January 2011
January 2011
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books
books
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$35.00
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In this short, intentionally polemical book, Neil Leach draws on the ideas of philosophers and cultural theorists such as Walter Benjamin and Jean Baudrillard to develop a novel and highly incisive critique of the consequences of the growing (...)
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In this short, intentionally polemical book, Neil Leach draws on the ideas of philosophers and cultural theorists such as Walter Benjamin and Jean Baudrillard to develop a novel and highly incisive critique of the consequences of the growing (...)
Title:
The anaesthetics of architecture
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In this short, intentionally polemical book, Neil Leach draws on the ideas of philosophers and cultural theorists such as Walter Benjamin and Jean Baudrillard to develop a novel and highly incisive critique of the consequences of the growing preoccupation with images and image-making in contemporary architectural culture. The problem with this preoccupation, Leach argues, is that it can induce a sort of numbness, as the saturation of images floods the senses and obscures deeper concerns. This problem is particularly acute for a discipline such as architecture, which relies heavily on visual representation. As a result, architects can become anaesthetized from the social and political realities of everyday life. In the intoxicating world of the image, the aesthetics of architecture threaten to become the anaesthetics of architecture. In this culture of aesthetic consumption, this "culture of the cocktail," meaningful discourse gives way to strategies of seduction, and architectural design is reduced to the superficial play of empty, seductive forms.
The anaesthetics of architecture
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$35.00
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Summary:
In this short, intentionally polemical book, Neil Leach draws on the ideas of philosophers and cultural theorists such as Walter Benjamin and Jean Baudrillard to develop a novel and highly incisive critique of the consequences of the growing preoccupation with images and image-making in contemporary architectural culture. The problem with this preoccupation, Leach argues, is that it can induce a sort of numbness, as the saturation of images floods the senses and obscures deeper concerns. This problem is particularly acute for a discipline such as architecture, which relies heavily on visual representation. As a result, architects can become anaesthetized from the social and political realities of everyday life. In the intoxicating world of the image, the aesthetics of architecture threaten to become the anaesthetics of architecture. In this culture of aesthetic consumption, this "culture of the cocktail," meaningful discourse gives way to strategies of seduction, and architectural design is reduced to the superficial play of empty, seductive forms.
Form:
books
books
Publication:
May 1999, Cambridge, Mass.
May 1999, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Architecture of defeat
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and(...)
$57.95
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Summary:
Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and(...)
Title:
Architecture of defeat
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$57.95
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Summary:
Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan’s northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture’s intrinsic- and often problematic- relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society.
Architecture of defeat
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$57.95
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Summary:
Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan’s northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture’s intrinsic- and often problematic- relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Adventures in conceptualism
Adventures in conceptualism
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From the editor of 'The New Wave in Danish Architecture' comes a new book that explores the work of architectural offices working in a strongly conceptual manner, including BIG, MVRDV, and FREE. The book highlights signature projects through interviews and essays, examining the motivations behind Scandinavia’s most radical contemporary architecture. It tells the story of(...)
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From the editor of 'The New Wave in Danish Architecture' comes a new book that explores the work of architectural offices working in a strongly conceptual manner, including BIG, MVRDV, and FREE. The book highlights signature projects through interviews and essays, examining the motivations behind Scandinavia’s most radical contemporary architecture. It tells the story of(...)
Title:
Adventures in conceptualism
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$76.95
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From the editor of 'The New Wave in Danish Architecture' comes a new book that explores the work of architectural offices working in a strongly conceptual manner, including BIG, MVRDV, and FREE. The book highlights signature projects through interviews and essays, examining the motivations behind Scandinavia’s most radical contemporary architecture. It tells the story of how globalization has affected local building traditions, focusing on a group of architects who are sensitive to the character of the regional. The architects featured, work beyond the straitjacket of the stylish to explore the possibilities of each local site and building program.
Adventures in conceptualism
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$76.95
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Summary:
From the editor of 'The New Wave in Danish Architecture' comes a new book that explores the work of architectural offices working in a strongly conceptual manner, including BIG, MVRDV, and FREE. The book highlights signature projects through interviews and essays, examining the motivations behind Scandinavia’s most radical contemporary architecture. It tells the story of how globalization has affected local building traditions, focusing on a group of architects who are sensitive to the character of the regional. The architects featured, work beyond the straitjacket of the stylish to explore the possibilities of each local site and building program.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Contemporary Architecture
Contemporary Architecture
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books
books
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Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and(...)
$57.50
(available to order)
Summary:
Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and(...)
Title:
Practice: architecture + technique + representation
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$57.50
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Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. This second edition includes revised essays together with previously unpublished work. Allen's seminal piece on "Field Conditions" is included in this reworked, revised and redesigned volume. This is a compelling read for student and practitioner alike.
Practice: architecture + technique + representation
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$57.50
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Summary:
Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. This second edition includes revised essays together with previously unpublished work. Allen's seminal piece on "Field Conditions" is included in this reworked, revised and redesigned volume. This is a compelling read for student and practitioner alike.
Form:
books
books
Publication:
December 2008, New York
December 2008, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$38.95
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Summary:
In this book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to(...)
$38.95
(available to order)
Summary:
In this book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to(...)
Title:
The aesthetics of architecture
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$38.95
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Summary:
In this book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication thirty years ago, and he assesses the continuing relevance of his argument for the twenty-first century.
The aesthetics of architecture
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$38.95
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Summary:
In this book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication thirty years ago, and he assesses the continuing relevance of his argument for the twenty-first century.
Form:
books
books
Publication:
February 2013
February 2013
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$52.00
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Summary:
In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg,(...)
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Summary:
In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg,(...)
Title:
Nothing less than literal : architecture after minimalism
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$52.00
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Summary:
In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg, Colin Rowe, Michael Fried, and the artist-writer Robert Smithson, and then locates a recuparation of "the architecture of minimalism" in the contemporary works of John Hejduk and Frank Gehry.
Nothing less than literal : architecture after minimalism
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$52.00
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Summary:
In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg, Colin Rowe, Michael Fried, and the artist-writer Robert Smithson, and then locates a recuparation of "the architecture of minimalism" in the contemporary works of John Hejduk and Frank Gehry.
Form:
books
books
Publication:
December 2004, Cambridge, Mass.
December 2004, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
