6049 Results
Form:
artefacts
artefacts
Holdings:
Description:
1 model : metal ; 8 x 10 x 9 cm
Description:
1 model : metal ; 8 x 10 x 9 cm
Author:
Subject:
Publication:
[1910?] ([Newark, N.J. : Art Metal Works])
[1910?] ([Newark, N.J. : Art Metal Works])
Title:
Modern Woodmen of America : the head offices, Rock Island Ill.
Actions:
Holdings:
Description:
1 model : metal ; 8 x 10 x 9 cm
Modern Woodmen of America : the head offices, Rock Island Ill.
Actions:
Holdings:
Description:
1 model : metal ; 8 x 10 x 9 cm
Form:
artefacts
artefacts
Publication:
[1910?] ([Newark, N.J. : Art Metal Works])
[1910?] ([Newark, N.J. : Art Metal Works])
Author:
Subject:
Form:
artefacts
artefacts
Actions:
Holdings:
Description:
1 salt and pepper shaker set : metal, cork ; each 7 x 5 x 4 cm
Description:
1 salt and pepper shaker set : metal, cork ; each 7 x 5 x 4 cm
Author:
Subject:
Publication:
N.Y.C. [New York] : Enco, [between 1950 and 1980] (Japan : publisher not identified])
N.Y.C. [New York] : Enco, [between 1950 and 1980] (Japan : publisher not identified])
Title:
Will Rogers Shrine of the Sun, Colo.
Actions:
Holdings:
Description:
1 salt and pepper shaker set : metal, cork ; each 7 x 5 x 4 cm
Will Rogers Shrine of the Sun, Colo.
Actions:
Holdings:
Description:
1 salt and pepper shaker set : metal, cork ; each 7 x 5 x 4 cm
Form:
artefacts
artefacts
Publication:
N.Y.C. [New York] : Enco, [between 1950 and 1980] (Japan : publisher not identified])
N.Y.C. [New York] : Enco, [between 1950 and 1980] (Japan : publisher not identified])
Author:
Subject:
Form:
artefacts
artefacts
Actions:
Holdings:
Description:
1 model : metal ; 8 x 10 x 4 cm
Description:
1 model : metal ; 8 x 10 x 4 cm
Author:
Subject:
Publication:
[195-?] ([Germany? : publisher not identified])
[195-?] ([Germany? : publisher not identified])
Title:
Lindau im Bodensee Hafeneinfahrt
Actions:
Holdings:
Description:
1 model : metal ; 8 x 10 x 4 cm
Lindau im Bodensee Hafeneinfahrt
Actions:
Holdings:
Description:
1 model : metal ; 8 x 10 x 4 cm
Form:
artefacts
artefacts
Publication:
[195-?] ([Germany? : publisher not identified])
[195-?] ([Germany? : publisher not identified])
Author:
Subject:
Form:
artefacts
artefacts
Actions:
Holdings:
Description:
1 model : pewter ; 11 x 7 x 9 cm.
Description:
1 model : pewter ; 11 x 7 x 9 cm.
Author:
Subject:
Publication:
[2002] ([Burbank, CA] : Microcosms)
[2002] ([Burbank, CA] : Microcosms)
Title:
Coit Tower [model] : 2002, San Francisco, SBCS.
Actions:
Holdings:
Description:
1 model : pewter ; 11 x 7 x 9 cm.
Coit Tower [model] : 2002, San Francisco, SBCS.
Actions:
Holdings:
Description:
1 model : pewter ; 11 x 7 x 9 cm.
Form:
artefacts
artefacts
Publication:
[2002] ([Burbank, CA] : Microcosms)
[2002] ([Burbank, CA] : Microcosms)
Author:
Subject:
Form:
artefacts
artefacts
Holdings:
Description:
1 model : metal ; 3 x 15 x 13 cm
Description:
1 model : metal ; 3 x 15 x 13 cm
Author:
Subject:
Publication:
[not before 2001] (Marlboro, MA : Dupliform Casting, Co.)
[not before 2001] (Marlboro, MA : Dupliform Casting, Co.)
Title:
JFK Terminal 4 : JFK IAT, JFK International Air Terminal LLC.
Actions:
Holdings:
Description:
1 model : metal ; 3 x 15 x 13 cm
JFK Terminal 4 : JFK IAT, JFK International Air Terminal LLC.
Actions:
Holdings:
Description:
1 model : metal ; 3 x 15 x 13 cm
Form:
artefacts
artefacts
Publication:
[not before 2001] (Marlboro, MA : Dupliform Casting, Co.)
[not before 2001] (Marlboro, MA : Dupliform Casting, Co.)
Author:
Subject:
Form:
artefacts
artefacts
Title:
[Taj Mahal]
[Taj Mahal]
Actions:
Holdings:
Description:
1 model : ceramic, marble, plastic ; 32 x 18 x 18 cm
Description:
1 model : ceramic, marble, plastic ; 32 x 18 x 18 cm
Author:
Subject:
Publication:
[approximately 1950]
[approximately 1950]
Title:
[Taj Mahal]
Actions:
Holdings:
Description:
1 model : ceramic, marble, plastic ; 32 x 18 x 18 cm
[Taj Mahal]
Actions:
Holdings:
Description:
1 model : ceramic, marble, plastic ; 32 x 18 x 18 cm
Form:
artefacts
artefacts
Publication:
[approximately 1950]
[approximately 1950]
Author:
Subject:
Form:
books
books
Actions:
Price:
$36.95
(available to order)
Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
$36.95
(available to order)
Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
Title:
Film X Autochthonous struggles today
Actions:
Price:
$36.95
(available to order)
Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Film X Autochthonous struggles today
Actions:
Price:
$36.95
(available to order)
Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$65.00
(available in store)
Summary:
Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing.(...)
$65.00
(available in store)
Summary:
Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing.(...)
Publication:
June 2017
June 2017
Title:
Modeling history. The case for the tectonic. Stagecraft: models and photos
Actions:
Price:
$65.00
(available in store)
Summary:
Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing. Produced on the occasion of the exhibition 'Stagecraft: Models and Photos' at Columbia University's Arthur RossArchitecture Gallery, Modeling History moves between modes of representation, past and present, to explore Frampton's theory and pedagogy concerning tectonics. The sixteen photographs enclosed in this book by photographer James Ewing reveal the possibilities of Frampton's radical approach today. Each image not only reengages with a model built during Frampton's seminar, but, by playing with the potentials of photography, also aspires to project similar material, tectonic, and poetic realities. Printed in a limited edition of 250 copies.
Modeling history. The case for the tectonic. Stagecraft: models and photos
Actions:
Price:
$65.00
(available in store)
Summary:
Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing. Produced on the occasion of the exhibition 'Stagecraft: Models and Photos' at Columbia University's Arthur RossArchitecture Gallery, Modeling History moves between modes of representation, past and present, to explore Frampton's theory and pedagogy concerning tectonics. The sixteen photographs enclosed in this book by photographer James Ewing reveal the possibilities of Frampton's radical approach today. Each image not only reengages with a model built during Frampton's seminar, but, by playing with the potentials of photography, also aspires to project similar material, tectonic, and poetic realities. Printed in a limited edition of 250 copies.
Form:
books
books
Publication:
June 2017
June 2017
Form:
books
books
Title:
Architecture of nature
Architecture of nature
Actions:
Price:
$65.95
(available to order)
Summary:
Based on documentation originating in the environmental sciences, history of science, philosophy and art, ''Architecture of Nature'' explores the materiality and the effects of the forces at play in the history of the earth through the architect's modes of seeing and techniques of representation. This book presents research work developed for the past eight years in the(...)
$65.95
(available to order)
Summary:
Based on documentation originating in the environmental sciences, history of science, philosophy and art, ''Architecture of Nature'' explores the materiality and the effects of the forces at play in the history of the earth through the architect's modes of seeing and techniques of representation. This book presents research work developed for the past eight years in the(...)
Subject:
Environment and environmental theory
Environment and environmental theory
Publication:
February 2019
February 2019
Title:
Architecture of nature
Actions:
Price:
$65.95
(available to order)
Summary:
Based on documentation originating in the environmental sciences, history of science, philosophy and art, ''Architecture of Nature'' explores the materiality and the effects of the forces at play in the history of the earth through the architect's modes of seeing and techniques of representation. This book presents research work developed for the past eight years in the Advanced Research graduate studio 'Architecture of Nature/ Nature of Architecture', created and directed by Diana Agrest at the Irwin S. Chanin School of Architecture of the Cooper Union. ''Architecture of Nature'' departs from the traditional approach to nature as a referent for architecture and reframes it as its object of study. The complex processes of generation and transformations of extreme natural phenomena such as glaciers, volcanoes, permafrost, and clouds are explored through unique drawings and models, confronting a scale of space and time that expands and transcends the established boundaries of the architectural discipline.
Architecture of nature
Actions:
Price:
$65.95
(available to order)
Summary:
Based on documentation originating in the environmental sciences, history of science, philosophy and art, ''Architecture of Nature'' explores the materiality and the effects of the forces at play in the history of the earth through the architect's modes of seeing and techniques of representation. This book presents research work developed for the past eight years in the Advanced Research graduate studio 'Architecture of Nature/ Nature of Architecture', created and directed by Diana Agrest at the Irwin S. Chanin School of Architecture of the Cooper Union. ''Architecture of Nature'' departs from the traditional approach to nature as a referent for architecture and reframes it as its object of study. The complex processes of generation and transformations of extreme natural phenomena such as glaciers, volcanoes, permafrost, and clouds are explored through unique drawings and models, confronting a scale of space and time that expands and transcends the established boundaries of the architectural discipline.
Form:
books
books
Publication:
February 2019
February 2019
Subject:
Environment and environmental theory
Environment and environmental theory
Form:
books
books
Actions:
Price:
$45.00
(available in store)
Summary:
Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United(...)
$45.00
(available in store)
Summary:
Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2018
February 2018
Title:
A way to disconnect and connect
Actions:
Price:
$45.00
(available in store)
Summary:
Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United States. Cristian explores his surroundings and boundaries to find details that provide memories to a place that still feels new to him. He often put myself in situations where he wanders alone through unknown places, without any specific plan in mind - exploring, improvising and letting himself drift and flow to record elements that drive his attention, discovering cultures and local information that manifests along the way as evidence, providing a representation of the area and somehow activating memories of other places he has lived in.
A way to disconnect and connect
Actions:
Price:
$45.00
(available in store)
Summary:
Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United States. Cristian explores his surroundings and boundaries to find details that provide memories to a place that still feels new to him. He often put myself in situations where he wanders alone through unknown places, without any specific plan in mind - exploring, improvising and letting himself drift and flow to record elements that drive his attention, discovering cultures and local information that manifests along the way as evidence, providing a representation of the area and somehow activating memories of other places he has lived in.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Photography monographs
Photography monographs
