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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The(...)
May 2004, Cambridge
A minimal future? : art as object 1958-1968
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.
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Since the first volume was published, the subject of patterns has continued to evolve: colorful patterned wallpapers have returned to private homes; patterns have become a determining factor in graphic design and architecture; and designers are asked to design an ever-increasing variety of new ornaments and pattern repeats. Patterns 2 provides the necessary inspiration.(...)
Ornementation
July 2008, Basel, Berlin, Boston
Patterns 2: design, art and architecture
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Since the first volume was published, the subject of patterns has continued to evolve: colorful patterned wallpapers have returned to private homes; patterns have become a determining factor in graphic design and architecture; and designers are asked to design an ever-increasing variety of new ornaments and pattern repeats. Patterns 2 provides the necessary inspiration. It describes current trends, presents contemporary experiments, and situates the development within the cultural-historical context. For this follow-up volume the editors have broadened the focus. In addition to architecture, design, and art, Patterns 2 now contains patterns from fashion and the sciences. These include graphic representations of whale songs and genetic codes and the latest creations of fashion designers like Paul Smith and Eley Kishimoto.
Ornementation
Sigmar Polke
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses(...)
Sigmar Polke
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses some of the social and political issues to which Girlfriends refers. Considering such topics as the distinction between Polke and Alain Jacquet in their use of photographed material, between Polke’s use of the raster technique and that of Roy Lichtenstein, and the feminist discourse of the time, Gronert draws on a variety of critical interpretations of Polke’s work, including some material that has not yet been translated into English.
Art Theory
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Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for(...)
Rebel modernists: Viennese architecture since Otto Wagner
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Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for most of the twentieth century and ultimately produced much of what is modern in every field of culture and science. The book also places architectural history within the context of the political economy that has shaped Vienna and highlights the relatively unknown tradition of Viennese social housing, initiated by social democratic Red Vienna in the 1920s. Today, 60% of Vienna’s population lives in the most successful social housing in the world.
Architecture since 1900, Europe
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Between 1949 and 1989, remarkable buildings of late modernity were constructed in the coastal city of Kuwait. Within these four decades, the city state on the Arabian Gulf was comprehensively restructured and practically redesigned. Following a first volume with 150 carefully selected exemplary buildings, this second volume features interviews, essays and arguments, as(...)
Architecture since 1900, Middle-East
December 2017
Modern architecture Kuwait: essays, arguments, interviews
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Between 1949 and 1989, remarkable buildings of late modernity were constructed in the coastal city of Kuwait. Within these four decades, the city state on the Arabian Gulf was comprehensively restructured and practically redesigned. Following a first volume with 150 carefully selected exemplary buildings, this second volume features interviews, essays and arguments, as well as transcripts of contemporary publications of these years. The texts by local and international scholars focus on questions regarding the significance and function of the buildings along with the role of individual and corporate protagonists that influenced, defined and created this highly dynamic restructuring process. Furthermore, all aspects are integrated into a wider regional and international context. The contributions are complemented by an array of photographic, layout, and archive materials.
Architecture since 1900, Middle-East
Graphics and industry
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Graphics and Industry is an illustrated bibliography, a collection of commercial catalogues that were created for design companies between 1906 and 2002. It is published to mark the exhibition of the same name held from 15 September to 24 December at the Bibliothèque des Arts Décoratifs in Paris, the book traces the history of Italian editorial graphic design through a(...)
Graphics and industry
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Graphics and Industry is an illustrated bibliography, a collection of commercial catalogues that were created for design companies between 1906 and 2002. It is published to mark the exhibition of the same name held from 15 September to 24 December at the Bibliothèque des Arts Décoratifs in Paris, the book traces the history of Italian editorial graphic design through a new and unusual context, the layout of commercial catalogues. Arranged alphabetically throughout the book with captions in Italian and English, there are brochures, booklets, catalogues and leaflets featuring innovative and revolutionary designs. A range of projects that saw some of Italy’s foremost designers, such as Gio Ponti, Ettore Sottsass, Enzo Mari and Giovanni Pintori, put their skills as graphic designers to the test.
Graphic Design and Typography
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s(...)
Kazuo Shinohara: traversing the house and the city
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s insistence on the equivalation between the house and the city. New scholarly essays, interviews with clients and collaborators, and translations of Shinohara’s key texts are complemented by previously unpublished archival drawings and personal travel photographs by Shinohara. The volume reframes his architectural achievements in terms of his oeuvre as a whole and situates them in the broader cultural and social context in Japan and globally.
Architecture Monographs
Detroit after dark
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This book is the first to explore photographic representations of Detroit during the hours from dusk until dawn, featuring work by artists including Robert Frank, Leni Sinclair, Steve Shaw, Russ Marshall, and Dave Jordano, among others. The city’s streets, architecture, vast industrial complexes, night clubs, and unique subcultures are captured here in otherworldly(...)
Detroit after dark
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This book is the first to explore photographic representations of Detroit during the hours from dusk until dawn, featuring work by artists including Robert Frank, Leni Sinclair, Steve Shaw, Russ Marshall, and Dave Jordano, among others. The city’s streets, architecture, vast industrial complexes, night clubs, and unique subcultures are captured here in otherworldly visions of the nighttime urban landscape from the 1950s to the present day. These images offer a unique interpretation of Detroit, its industry, culture, and turbulent history through the second half of the 20th century and into the 21st. This book also provides context for the work by addressing historically significant artists who have contributed to the genre, including Ilse Bing, Brassaï, André Kertész, Berenice Abbott, and others.
Photography Collections
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This book honors the centennial of Dada by telling for the first time the full story of its genesis and the role played by Zurich and its vibrant community of artists in its creation and flourishing. It sets the early years of Dada firmly in the city’s historical and cultural context and reveals the intellectual and social background that were crucial to the fermenting(...)
April 2016
Genesis Dada: 100 years of Dada Zurich
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This book honors the centennial of Dada by telling for the first time the full story of its genesis and the role played by Zurich and its vibrant community of artists in its creation and flourishing. It sets the early years of Dada firmly in the city’s historical and cultural context and reveals the intellectual and social background that were crucial to the fermenting artistic ideas that culminated in Dada. It goes on to trace the explosion of Dada into a worldwide phenomenon that took in such artists and intellectuals as Joan Miró, Marcel Duchamp, Jean Cocteau, and Man Ray. Richly illustrated, this book will stand as the definitive account of the origins of Dada and its little-considered ties to one particular, spectacular city.
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"On knowledge production : a critical reader in contemporary art" presents a selection of newly commissioned and anthologized texts by a diverse group of artists, art historians, philosophers, and theorists who have engaged with thinking critically about the field of art as a site for the production of knowledge. The body of contributions in this reader comprise a series(...)
Art Theory
January 1900, Utrecht, Frankfurt am Main
On knowledge production : a critical reader in contemporary art (BAK critical reader series)
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"On knowledge production : a critical reader in contemporary art" presents a selection of newly commissioned and anthologized texts by a diverse group of artists, art historians, philosophers, and theorists who have engaged with thinking critically about the field of art as a site for the production of knowledge. The body of contributions in this reader comprise a series of critical inquiries, thought experiments, documents of practices, and tentative propositions about the status of producing knowledge in contemporary art, which vary widely in perspective, approach, and form. This selection unfolds different entry points and layers, unwrapping the (often) uncritically adopted notion of "art producing knowledge" and casting diverse views on the context, meaning, and potential of this understanding of art practices today.
Art Theory