14287 Results
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Project
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Reference number:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
People:
Date:
1983-1989
1983-1989
Title:
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Level of archival description:
Project
Project
Date:
1983-1989
1983-1989
People:
Level of archival description:
Series
Series
Title:
Projects
Projects
Reference number:
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
People:
Date:
2002-2014
2002-2014
Title:
Projects
Actions:
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
Projects
Actions:
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
Level of archival description:
Series
Series
Date:
2002-2014
2002-2014
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
People:
Date:
1971-1974
1971-1974
Title:
Banco Pinto & Sotto Mayor [Pinto & Sotto Mayor bank], Oliveira de Azeméis, Portugal (1971-1974)
Actions:
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
Banco Pinto & Sotto Mayor [Pinto & Sotto Mayor bank], Oliveira de Azeméis, Portugal (1971-1974)
Actions:
AP178.S1.1971.PR01
Description:
This project series documents the Banco Pinto & Sotto Mayor in Oliveira de Azeméis, Portugal. While the records were held in the office’s archives this project was assigned the number 5/70. In the past the office identified the project as number 130. The office assigned the date 1971-1974 for this project. This project was a three storey bank on the corner of the main square of Oliveira de Azeméis. The building was surrounded by a courthouse and a 17th century home. It included a reception office, strong-room, changing rooms, and sanitary installations. The building was built in concrete between the years 1971 and 1974. The project series contains sketches and studies, as well as working drawings and floor plans. Textual materials include project documentation and correspondence. The photographs and slides primarily document the model and built project.
Level of archival description:
Project
Project
Date:
1971-1974
1971-1974
People:
Level of archival description:
Sub-series
Sub-series
Title:
Dead projects
Dead projects
Actions:
Reference number:
AP140.S2.SS2
Description:
Sub-series documents "dead projects", by the successive firms of Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. These projects are those which did not lead to commissions, or the production of drawings, but were preliminary contacts or negotiations between clients and competition organizers and the architectural firms. Most of these projects were for locations in the United States, but also include locations in the United Kingdom, Germany, Australia, Italy, Spain, Portugal, Iran, France, Netherlands, Saudi Arabia, the Soviet Union, Canada, Austria and Switzerland. Material in this sub-series was produced between 1963 and probably 2002. Sub-series contains textual records, such as notes, proposals, correspondence with clients or consultants, reports, building programs, contracts or agreements. It also contains maps of sites and cadastral plans used as reference, and site plans.
AP140.S2.SS2
Description:
Sub-series documents "dead projects", by the successive firms of Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. These projects are those which did not lead to commissions, or the production of drawings, but were preliminary contacts or negotiations between clients and competition organizers and the architectural firms. Most of these projects were for locations in the United States, but also include locations in the United Kingdom, Germany, Australia, Italy, Spain, Portugal, Iran, France, Netherlands, Saudi Arabia, the Soviet Union, Canada, Austria and Switzerland. Material in this sub-series was produced between 1963 and probably 2002. Sub-series contains textual records, such as notes, proposals, correspondence with clients or consultants, reports, building programs, contracts or agreements. It also contains maps of sites and cadastral plans used as reference, and site plans.
People:
Date:
circa 1963-2002
circa 1963-2002
Title:
Dead projects
Actions:
AP140.S2.SS2
Description:
Sub-series documents "dead projects", by the successive firms of Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. These projects are those which did not lead to commissions, or the production of drawings, but were preliminary contacts or negotiations between clients and competition organizers and the architectural firms. Most of these projects were for locations in the United States, but also include locations in the United Kingdom, Germany, Australia, Italy, Spain, Portugal, Iran, France, Netherlands, Saudi Arabia, the Soviet Union, Canada, Austria and Switzerland. Material in this sub-series was produced between 1963 and probably 2002. Sub-series contains textual records, such as notes, proposals, correspondence with clients or consultants, reports, building programs, contracts or agreements. It also contains maps of sites and cadastral plans used as reference, and site plans.
Dead projects
Actions:
AP140.S2.SS2
Description:
Sub-series documents "dead projects", by the successive firms of Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. These projects are those which did not lead to commissions, or the production of drawings, but were preliminary contacts or negotiations between clients and competition organizers and the architectural firms. Most of these projects were for locations in the United States, but also include locations in the United Kingdom, Germany, Australia, Italy, Spain, Portugal, Iran, France, Netherlands, Saudi Arabia, the Soviet Union, Canada, Austria and Switzerland. Material in this sub-series was produced between 1963 and probably 2002. Sub-series contains textual records, such as notes, proposals, correspondence with clients or consultants, reports, building programs, contracts or agreements. It also contains maps of sites and cadastral plans used as reference, and site plans.
Level of archival description:
Sub-Series 2
Sub-Series 2
Date:
circa 1963-2002
circa 1963-2002
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
People:
Date:
1969-1970
1969-1970
Title:
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Urban park competition, Modena, Italy (1970)
Actions:
AP148.S1.1970.PR01
Description:
The project series documents Poli and Roberto Gherardi's work for their thesis project submitted to Professor Savioli at the University of Florence School of Architecture in 1970. Poli notes that he became an official member of Superstudio after he wrote the thesis. Some works are signed Alessandro Poli-Superstudio. The project features a competition design and proposal for an urban park in Modena, Italy. The project has been published as "Park Dedicated to the Restistance" (Lang and Menking, 2003, 170-171). This title also appears on materials in this series. Reference is made to Poli's earlier project, Piper, in some of the documentation. The project was published in the magazine AD (n.6) in June, 1971. Project contains drawings, sketches, photomontages, project documentation and the thesis text itself. Source cited: Peter Lang and William Menking, Superstudio: Life Without Objects, Milan: Skira Editore, 2003.
Level of archival description:
Project
Project
Date:
1969-1970
1969-1970
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1959.PR01
Description:
This project series documents the design proposal for Monumento aos Calafates in Foz Douro, Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 11/50. The office assigned the date 1959 to this project. Siza, Alcino Soutinho, Augusto Amaral, and the sculptor Lagoa Henriques developed this project for an open competition for the Delegação do Porto da Comissão das Comemorações do V Centenário do Infante D. Henrique in colaboration with the Escola de Belas Artes do Porto. The project was exhibited at the I Exposição Extra-escolar dos Alunos da ESBAP in 1959. The project won first prize but was not built. Documenting this project are a small number of sketches. Also included are photographic materials of the model and project site as well as a slide of a drawing.
AP178.S1.1959.PR01
Description:
This project series documents the design proposal for Monumento aos Calafates in Foz Douro, Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 11/50. The office assigned the date 1959 to this project. Siza, Alcino Soutinho, Augusto Amaral, and the sculptor Lagoa Henriques developed this project for an open competition for the Delegação do Porto da Comissão das Comemorações do V Centenário do Infante D. Henrique in colaboration with the Escola de Belas Artes do Porto. The project was exhibited at the I Exposição Extra-escolar dos Alunos da ESBAP in 1959. The project won first prize but was not built. Documenting this project are a small number of sketches. Also included are photographic materials of the model and project site as well as a slide of a drawing.
People:
Date:
1959
1959
Title:
Monumento aos Calafates [Caulkers Monument], Foz do Douro, Porto, Portugal (1959)
Actions:
AP178.S1.1959.PR01
Description:
This project series documents the design proposal for Monumento aos Calafates in Foz Douro, Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 11/50. The office assigned the date 1959 to this project. Siza, Alcino Soutinho, Augusto Amaral, and the sculptor Lagoa Henriques developed this project for an open competition for the Delegação do Porto da Comissão das Comemorações do V Centenário do Infante D. Henrique in colaboration with the Escola de Belas Artes do Porto. The project was exhibited at the I Exposição Extra-escolar dos Alunos da ESBAP in 1959. The project won first prize but was not built. Documenting this project are a small number of sketches. Also included are photographic materials of the model and project site as well as a slide of a drawing.
Monumento aos Calafates [Caulkers Monument], Foz do Douro, Porto, Portugal (1959)
Actions:
AP178.S1.1959.PR01
Description:
This project series documents the design proposal for Monumento aos Calafates in Foz Douro, Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 11/50. The office assigned the date 1959 to this project. Siza, Alcino Soutinho, Augusto Amaral, and the sculptor Lagoa Henriques developed this project for an open competition for the Delegação do Porto da Comissão das Comemorações do V Centenário do Infante D. Henrique in colaboration with the Escola de Belas Artes do Porto. The project was exhibited at the I Exposição Extra-escolar dos Alunos da ESBAP in 1959. The project won first prize but was not built. Documenting this project are a small number of sketches. Also included are photographic materials of the model and project site as well as a slide of a drawing.
Level of archival description:
Project
Project
Date:
1959
1959
People:
Level of archival description:
Project
Project
Title:
Ice House I (1971)
Ice House I (1971)
Reference number:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
People:
Date:
circa 1971-2015
circa 1971-2015
Title:
Ice House I (1971)
Actions:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Ice House I (1971)
Actions:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Level of archival description:
Project
Project
Date:
circa 1971-2015
circa 1971-2015
People:
Level of archival description:
Project
Project
Title:
Human Space (2012)
Human Space (2012)
Actions:
Reference number:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Level of archival description:
Project
Project
Title:
Energy FREE TREE (2017)
Energy FREE TREE (2017)
Actions:
Reference number:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
People:
Date:
2017-2018
2017-2018
Title:
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2017-2018
2017-2018
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP032.S1.SS4.D6
Description:
Files ARCH219102-ARCH219120 are documents relating to various personal and professional activities (c.1961-1977). Includes notebooks, travel journals, correspondence, clippings, Oakland Bay Bridge booklet, Federal Building at N.Y. World's Fair brochure, F.L. Wright talk (1930), notes and sketches, photographs of bridges and rural buildings, postcards, periodicals, ephemera. Files ARCH254834-ARCH254880 are papers relating to personal business interests such as real estate, investments, taxes, as well as institutions and associations like the Chicago Arts Club, the AIA, the Illinois Institute of Technology, MOMA and the Guggenheim Museum. Documents include Goldsmith's entry in Who's Who, correspondence, medical reports, memos and notes, brochures and booklets on artists and exhibitions, periodicals and clippings. Architectural material includes an address by N.A. Owings, Presidential Design Awards 1984, T.Y. Lin, and documents concerning the call for proposals for the San Francisco main library, and a project for Athens College in Greece.
AP032.S1.SS4.D6
Description:
Files ARCH219102-ARCH219120 are documents relating to various personal and professional activities (c.1961-1977). Includes notebooks, travel journals, correspondence, clippings, Oakland Bay Bridge booklet, Federal Building at N.Y. World's Fair brochure, F.L. Wright talk (1930), notes and sketches, photographs of bridges and rural buildings, postcards, periodicals, ephemera. Files ARCH254834-ARCH254880 are papers relating to personal business interests such as real estate, investments, taxes, as well as institutions and associations like the Chicago Arts Club, the AIA, the Illinois Institute of Technology, MOMA and the Guggenheim Museum. Documents include Goldsmith's entry in Who's Who, correspondence, medical reports, memos and notes, brochures and booklets on artists and exhibitions, periodicals and clippings. Architectural material includes an address by N.A. Owings, Presidential Design Awards 1984, T.Y. Lin, and documents concerning the call for proposals for the San Francisco main library, and a project for Athens College in Greece.
People:
Date:
1964-1991
1964-1991
Title:
Personal and Business Documents
Actions:
AP032.S1.SS4.D6
Description:
Files ARCH219102-ARCH219120 are documents relating to various personal and professional activities (c.1961-1977). Includes notebooks, travel journals, correspondence, clippings, Oakland Bay Bridge booklet, Federal Building at N.Y. World's Fair brochure, F.L. Wright talk (1930), notes and sketches, photographs of bridges and rural buildings, postcards, periodicals, ephemera. Files ARCH254834-ARCH254880 are papers relating to personal business interests such as real estate, investments, taxes, as well as institutions and associations like the Chicago Arts Club, the AIA, the Illinois Institute of Technology, MOMA and the Guggenheim Museum. Documents include Goldsmith's entry in Who's Who, correspondence, medical reports, memos and notes, brochures and booklets on artists and exhibitions, periodicals and clippings. Architectural material includes an address by N.A. Owings, Presidential Design Awards 1984, T.Y. Lin, and documents concerning the call for proposals for the San Francisco main library, and a project for Athens College in Greece.
Personal and Business Documents
Actions:
AP032.S1.SS4.D6
Description:
Files ARCH219102-ARCH219120 are documents relating to various personal and professional activities (c.1961-1977). Includes notebooks, travel journals, correspondence, clippings, Oakland Bay Bridge booklet, Federal Building at N.Y. World's Fair brochure, F.L. Wright talk (1930), notes and sketches, photographs of bridges and rural buildings, postcards, periodicals, ephemera. Files ARCH254834-ARCH254880 are papers relating to personal business interests such as real estate, investments, taxes, as well as institutions and associations like the Chicago Arts Club, the AIA, the Illinois Institute of Technology, MOMA and the Guggenheim Museum. Documents include Goldsmith's entry in Who's Who, correspondence, medical reports, memos and notes, brochures and booklets on artists and exhibitions, periodicals and clippings. Architectural material includes an address by N.A. Owings, Presidential Design Awards 1984, T.Y. Lin, and documents concerning the call for proposals for the San Francisco main library, and a project for Athens College in Greece.
Level of archival description:
File 6
File 6
Date:
1964-1991
1964-1991
People:
