John Pawson: Plain space
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John Pawson's work combines an essential simplicity with a keen attention to the details of everyday life and human experience. His pared-down yet luxurious houses and art galleries were his first projects to gain international attention, and his work has since included Calvin Klein's flagship store in New York, airport lounges for Cathay Pacific, and a kitchen for(...)
Architecture Monographs
September 2010
John Pawson: Plain space
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John Pawson's work combines an essential simplicity with a keen attention to the details of everyday life and human experience. His pared-down yet luxurious houses and art galleries were his first projects to gain international attention, and his work has since included Calvin Klein's flagship store in New York, airport lounges for Cathay Pacific, and a kitchen for Obumex. In the last decade, the scope of his designs has broadened from objects and interiors to include houses, monasteries, pavilions and boats. This change in scale has given his office the opportunity to refine its minimalist aesthetic and further develop its ideas of a fundamental architecture based on the qualities of space, proportion, light and materials. Frequently these projects intervene in existing conditions to create spaces that are simultaneously simple and complex, timeless and contemporary: in the Novy Dvur Monastery in the Czech Republic, elements of the original baroque complex are combined with entirely new architecture to create a mysterious and beautiful sequence of spaces, and in the Baron House in Sweden the vernacular language of the area is refined and abstracted to create a truly modern home. Plain Space presents both this recent body of work and earlier projects from the perspective of someone who has had unique access to the work and archives of the office.
Architecture Monographs
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Aalto's career overlapped both chronologically and ideologically with those of Le Corbusier and Mies van der Rohe, but his commitment to a humanitarian ideal, inspired by nature, set him apart from his purist Modernist contemporaries. His beautiful buildings, including the Paimio Sanatorium, Villa Mairea, Jyvaskla Worker's Club, Church of the Three Crosses and Baker House(...)
Architecture Monographs
April 2007, London
Alvar Aalto : trough the eyes of shigeru ban
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Aalto's career overlapped both chronologically and ideologically with those of Le Corbusier and Mies van der Rohe, but his commitment to a humanitarian ideal, inspired by nature, set him apart from his purist Modernist contemporaries. His beautiful buildings, including the Paimio Sanatorium, Villa Mairea, Jyvaskla Worker's Club, Church of the Three Crosses and Baker House Dormitory, with their curving facades, careful interaction of wood, concrete and brick, and innovative uses of emerging technologies, show the touch of a true master. With contributions from Colin St John Wilson (architect of the British Library), Juhani Pallasmaa (Aalto specialist at the University of Technology, Helsinki), as well as an exclusive interview with Shigeru Ban, Alvar Aalto: Through the Eyes of Shigeru Ban offers a refreshing new take on Aalto's architecture and design. Added to this, three new translations of Aalto's own writings provide an insight into the workings of his mind, and the theoretical and philosophical discussions that he was engaging with in the 1920s and 30s. Beautifully illustrated, Alvar Aalto: Through the Eyes of Shigeru Ban features stunning new images by photographer Judith Turner, whose abstract interpretation of Aalto's work brings out the poetry of his buildings, and shows them in a whole new light. Hitherto unseen archive images from the Aalto foundation are also published for the first time, making this a truly unique publication. The environmental concerns of the twenty-first century mean that Aalto’s legacies have become ever more apparent. This timely retrospective pays tribute to one of the great masters of architecture and is essential reading for architects, designers and anyone interested in the origins of contemporary architecture and culture.
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April 2007, London
Architecture Monographs
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Since the first edition of "Edible Estates : Attack on the Front Lawn" was published in 2008, interest in edible gardening has exploded across the United States and abroad. This greatly expanded second edition of the book documents the eight Edible Estates regional prototype gardens that author Fritz Haeg has planted in California, Kansas, Texas, Maryland, New Jersey, New(...)
Edible estates : attack on the front lawn, 2nd edition
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Since the first edition of "Edible Estates : Attack on the Front Lawn" was published in 2008, interest in edible gardening has exploded across the United States and abroad. This greatly expanded second edition of the book documents the eight Edible Estates regional prototype gardens that author Fritz Haeg has planted in California, Kansas, Texas, Maryland, New Jersey, New York and England, and includes personal accounts from the homeowner-gardeners about the pleasures and challenges of publicly growing food where they live. Ten "Reports from Coast to Coast" tell the stories of others who have planted their own edible front yards in towns and cities across the country. In addition to essays by landscape architect and scholar Diana Balmori, edible-landscaping pioneer Rosalind Creasy, bestselling author and sustainable-food advocate Michael Pollan and artist and writer Lesley Stern, this edition features updated text by Haeg (including his observations on the Obama White House vegetable garden); a contribution from Mannahatta author Eric W. Sanderson; and Growing Power founder, MacArthur Fellow and urban farmer Will Allen's never-before-published Declaration of the Good Food Revolution. This is not a comprehensive how-to book, nor a showcase of impossibly perfect gardens. The stories presented here are intended to reveal something about how we are living today and to inspire readers to plant their own versions of an Edible Estate. If we see that our neighbor's typical grassy lawn instead can be a beautiful food garden, perhaps we will begin to look at the city around us with new eyes. Our private land can be a public model for the world in which we would like to live.
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The single-screen movie theaters that punctuated small-town America's main streets and city neighborhoods since the 1920s are all but gone. The well-dressed throng of moviegoers has vanished; the facades are boarded. In "Silent Screens", photographer Michael Putnam captures these once(...)
Silent screens : the decline and transformation of the American movie theater
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The single-screen movie theaters that punctuated small-town America's main streets and city neighborhoods since the 1920s are all but gone. The well-dressed throng of moviegoers has vanished; the facades are boarded. In "Silent Screens", photographer Michael Putnam captures these once prominent cinemas in decline and transformation. His photographs of abandoned movie houses and forlorn marquees are an elegy to this disappearing cultural icon. In the early 1980s, Putnam began photographing closed theaters, theaters that had been converted to other uses (a church, a swimming pool), theaters on the verge of collapse, theaters being demolished, and even vacant lots where theaters once stood. The result is an archive of images, large in quantity and geographically diffuse. Here is what has become of the Odeons, Strands, and Arcadias that existed as velvet and marble outposts of Hollywood drama next to barbershops, hardware stores, and five-and-dimes. Introduced by Robert Sklar, the starkly beautiful photographs are accompanied by original reminiscences on moviegoing by Peter Bogdanovich, Molly Haskell, Andrew Sarris, and Chester H. Liebs as well as excerpts from the works of poet John Hollander and writers Larry McMurtry and John Updike. Sklar begins by mapping the rise and fall of the local movie house, tracing the demise of small-town theaters to their role as bit players in the grand spectacle of Hollywood film distribution. "Under standard distribution practice," he writes, "a new film took from six months to a year to wend its way from picture palace to Podunk (the prints getting more and more frayed and scratched along the route). Even though the small-town theaters and their urban neighborhood counterparts made up the majority of the nation's movie houses, their significance, in terms of revenue returned to the major motion-picture companies that produced and distributed films, was paltry." In his essay, "Old Dreams," Last Picture Show director Peter Bogdanovich recalls the closing of New York City's great movie palaces -- the mammoth Roxy, the old Paramount near Times Square, the Capitol, and the Mayfair -- and the more innocent time in which they existed "when a quarter often bought you two features, a newsreel, a comedy short, a travelogue, a cartoon, a serial, and coming attractions." While the images in Putnam's book can be read as a metaphor for the death of many downtowns in America, "Silent Screens" goes beyond mere nostalgia to tell the important story of the disappearance of the single-screen theater, illuminating the layers of cultural and economic significance that still surround it.
books
June 2000, Baltimore
Architecture and Film, Set Design