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xviii, 61 pages : illustrations ; 31 cm
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xviii, 61 pages : illustrations ; 31 cm
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New York : Dover Publications, 1977.
New York : Dover Publications, 1977.
Title:
Photographic views of Sherman's campaign / George N. Barnard ; with a new preface by Beaumont Newhall.
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xviii, 61 pages : illustrations ; 31 cm
Photographic views of Sherman's campaign / George N. Barnard ; with a new preface by Beaumont Newhall.
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xviii, 61 pages : illustrations ; 31 cm
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books
books
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New York : Dover Publications, 1977.
New York : Dover Publications, 1977.
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books
books
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1 online resource
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[Place of publication not identified] : Aggregate Architectural History Collaborative, 2016.
[Place of publication not identified] : Aggregate Architectural History Collaborative, 2016.
Title:
The Thing We Love(d): : Little Girls, Inanimate Objects, and the Violence of a System.
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1 online resource
The Thing We Love(d): : Little Girls, Inanimate Objects, and the Violence of a System.
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1 online resource
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books
books
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[Place of publication not identified] : Aggregate Architectural History Collaborative, 2016.
[Place of publication not identified] : Aggregate Architectural History Collaborative, 2016.
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124 pages : illustrations ; 18 cm.
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124 pages : illustrations ; 18 cm.
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Zürich : Nieves, [2013]
Zürich : Nieves, [2013]
Title:
Ingo Giezendanner : Zzz Züri.
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124 pages : illustrations ; 18 cm.
Ingo Giezendanner : Zzz Züri.
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124 pages : illustrations ; 18 cm.
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books
books
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Zürich : Nieves, [2013]
Zürich : Nieves, [2013]
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books
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Blackout.
Blackout.
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1 online resource
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[Place of publication not identified] : AK Press, 2017., [Place of publication not identified] : Commune Editions, 2017.
[Place of publication not identified] : AK Press, 2017., [Place of publication not identified] : Commune Editions, 2017.
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books
books
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[Place of publication not identified] : AK Press, 2017., [Place of publication not identified] : Commune Editions, 2017.
[Place of publication not identified] : AK Press, 2017., [Place of publication not identified] : Commune Editions, 2017.
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xxxi, 236 pages, 12 unnumbered leaves of plates : illustrations (some color) ; 24 cm.
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xxxi, 236 pages, 12 unnumbered leaves of plates : illustrations (some color) ; 24 cm.
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Caracas : Biblioteca Ayacucho, [1978]
Caracas : Biblioteca Ayacucho, [1978]
Title:
Arte y arquitectura del modernismo brasileño (1917-1930) / compilación y prólogo, Aracy Amaral ; cronología, José Carlos Serroni ; [traducción, Marta Traba].
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xxxi, 236 pages, 12 unnumbered leaves of plates : illustrations (some color) ; 24 cm.
Arte y arquitectura del modernismo brasileño (1917-1930) / compilación y prólogo, Aracy Amaral ; cronología, José Carlos Serroni ; [traducción, Marta Traba].
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xxxi, 236 pages, 12 unnumbered leaves of plates : illustrations (some color) ; 24 cm.
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books
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Caracas : Biblioteca Ayacucho, [1978]
Caracas : Biblioteca Ayacucho, [1978]
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$65.00
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Summary:
While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction(...)
$65.00
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Summary:
While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction(...)
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October 2013
October 2013
Title:
Damage control: art and destruction since 1950
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$65.00
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration.
Damage control: art and destruction since 1950
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$65.00
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration.
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books
books
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October 2013
October 2013
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books
books
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$39.95
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material,(...)
$39.95
(available to order)
Summary:
At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material,(...)
Title:
Rubble: the afterlife of destruction
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material, historical, and affective ruptures embodied in debris. His exploration of the significance of rubble encompasses lost cities, derelict train stations, overgrown Jesuit missions and Spanish forts, stranded steamships, mass graves, and razed forests. Examining the effects of these and other forms of debris on the people living on nearby ranches and farms, and in towns, Gordillo emphasizes that for the rural poor, the rubble left in the wake of capitalist and imperialist endeavors is not romanticized ruin but the material manifestation of the violence and dislocation that created it.
Rubble: the afterlife of destruction
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$39.95
(available to order)
Summary:
At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material, historical, and affective ruptures embodied in debris. His exploration of the significance of rubble encompasses lost cities, derelict train stations, overgrown Jesuit missions and Spanish forts, stranded steamships, mass graves, and razed forests. Examining the effects of these and other forms of debris on the people living on nearby ranches and farms, and in towns, Gordillo emphasizes that for the rural poor, the rubble left in the wake of capitalist and imperialist endeavors is not romanticized ruin but the material manifestation of the violence and dislocation that created it.
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books
books
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August 2014
August 2014
Subject:
Architecture ecologies
Architecture ecologies
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books
books
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$24.00
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
$24.00
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Summary:
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
Publication:
February 2007, London
February 2007, London
Title:
The destruction of memory : Architecture at war
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
The destruction of memory : Architecture at war
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$24.00
(available to order)
Summary:
A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
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books
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February 2007, London
February 2007, London
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Description:
412 pages : illustrations ; 23 cm
Description:
412 pages : illustrations ; 23 cm
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México, D.F. : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, ©2006.
México, D.F. : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, ©2006.
Title:
Paisajes urbanos : imagen y memoria / Peter Krieger.
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412 pages : illustrations ; 23 cm
Paisajes urbanos : imagen y memoria / Peter Krieger.
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412 pages : illustrations ; 23 cm
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books
books
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México, D.F. : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, ©2006.
México, D.F. : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, ©2006.
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2 preliminary leaves, xii, 128 pages illustrations, 3 plates (portraits) plan 35 cm.
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2 preliminary leaves, xii, 128 pages illustrations, 3 plates (portraits) plan 35 cm.
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Paris, Imprimerie nationale, 1873.
Paris, Imprimerie nationale, 1873.
Title:
La première bibliothèque de l'Hôtel de Ville de Paris (1760-1797) Avec les preuves extraites des archives nationales et des papiers de la ville, par L.M. Tisserand, chef du Bureau des beaux arts et des travaux historiques à la Préfecture de la Seine.
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2 preliminary leaves, xii, 128 pages illustrations, 3 plates (portraits) plan 35 cm.
La première bibliothèque de l'Hôtel de Ville de Paris (1760-1797) Avec les preuves extraites des archives nationales et des papiers de la ville, par L.M. Tisserand, chef du Bureau des beaux arts et des travaux historiques à la Préfecture de la Seine.
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2 preliminary leaves, xii, 128 pages illustrations, 3 plates (portraits) plan 35 cm.
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books
books
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Paris, Imprimerie nationale, 1873.
Paris, Imprimerie nationale, 1873.
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