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$89.95
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This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such(...)
$89.95
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Summary:
This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such(...)
Title:
Skidmore, Owings & Merrill : SOM since 1936
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$89.95
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Summary:
This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such mid-century masterworks as Lever House (1952) and Chase Manhattan Plaza (1961). Before the current age of the super skyscraper, SOM designed what was for almost thirty years the world's tallest building, Chicago's Sears Tower (1973), as well as the city's John Hancock Center (1970). With an essay by the American critic Nicholas Adams that contextualizes the importance of SOM's contribution to the globalization of architecture - and its participation in less emphatically vertical structures, such as the Albright-Knox Art Gallery in Buffalo (1962) and the l Hajj Terminal at King Abdul Aziz International Airport in Jeddah, Saudi Arabia (1981) - this title provides the first-ever independently authored overview on a firm that continues to make headlines to this day.
Skidmore, Owings & Merrill : SOM since 1936
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$89.95
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Summary:
This monograph surveys thirty of the most iconic buildings designed by Skidmore, Owings Merrill (SOM), the legendary American architecture firm, since its founding in 1936. Along with such architects as Ludwig Mies van der Rohe and Le Corbusier, SOM is largely credited with propagating the Internationalist style of architecture that filled the New York skyline with such mid-century masterworks as Lever House (1952) and Chase Manhattan Plaza (1961). Before the current age of the super skyscraper, SOM designed what was for almost thirty years the world's tallest building, Chicago's Sears Tower (1973), as well as the city's John Hancock Center (1970). With an essay by the American critic Nicholas Adams that contextualizes the importance of SOM's contribution to the globalization of architecture - and its participation in less emphatically vertical structures, such as the Albright-Knox Art Gallery in Buffalo (1962) and the l Hajj Terminal at King Abdul Aziz International Airport in Jeddah, Saudi Arabia (1981) - this title provides the first-ever independently authored overview on a firm that continues to make headlines to this day.
Form:
books
books
Publication:
June 2007, Milan
June 2007, Milan
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$53.95
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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition(...)
$53.95
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Summary:
Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition(...)
Title:
La Tendenza : architectures italiennes, 1965-1985
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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition "Architettura razionale", à la Triennale de Milan, formalise ce retour vers l'histoire qui, loin de l'abstraction du modernisme et de toute idée d'avant-garde, s'imposera comme une simple tendance, la Tendenza. Première publication sur ce courant spécifiquement italien, le catalogue illustre l'intense recherche graphique d'architectes (Carlo Aymonino, Aldo Rossi, Paolo Portoghesi, Franco Purini, Gianni Braghieri, le GRAU, Dario Passi, entre autres) cherchant à redéfinir la logique du projet architectural. Dirigé par Frédéric Migayrou et enrichi des recherches d'une nouvelle génération d'historiens, cet ouvrage s'interroge sur l'historicisation d'un mouvement dont l'apogée, marqué par la réalisation du Teatro del Monda (1979) par Aldo Rossi puis l'exposition "La Strada Novissima" (1980) organisée à Venise, contribua à la fortune critique mondiale d'un nouveau concept, le postmodernisme.
La Tendenza : architectures italiennes, 1965-1985
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Summary:
Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition "Architettura razionale", à la Triennale de Milan, formalise ce retour vers l'histoire qui, loin de l'abstraction du modernisme et de toute idée d'avant-garde, s'imposera comme une simple tendance, la Tendenza. Première publication sur ce courant spécifiquement italien, le catalogue illustre l'intense recherche graphique d'architectes (Carlo Aymonino, Aldo Rossi, Paolo Portoghesi, Franco Purini, Gianni Braghieri, le GRAU, Dario Passi, entre autres) cherchant à redéfinir la logique du projet architectural. Dirigé par Frédéric Migayrou et enrichi des recherches d'une nouvelle génération d'historiens, cet ouvrage s'interroge sur l'historicisation d'un mouvement dont l'apogée, marqué par la réalisation du Teatro del Monda (1979) par Aldo Rossi puis l'exposition "La Strada Novissima" (1980) organisée à Venise, contribua à la fortune critique mondiale d'un nouveau concept, le postmodernisme.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
The unphotographable
The unphotographable
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$55.00
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Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
$55.00
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Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
Title:
The unphotographable
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$55.00
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Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
The unphotographable
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Price:
$55.00
(available to order)
Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
Form:
books
books
Publication:
March 2013
March 2013
Subject:
Photography Collections
Photography Collections
Form:
journals and magazines
journals and magazines
Title:
Oriens extremus.
Oriens extremus.
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Description:
1 online resource
Form:
journals and magazines
journals and magazines
Publication:
Wiesbaden : Kommissionverlag O. Harrasowitz
Wiesbaden : Kommissionverlag O. Harrasowitz
Form:
journals and magazines
journals and magazines
Title:
The journal of finance.
The journal of finance.
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Subject:
- Finance Periodicals.,
- Finance United States Periodicals.,
- Finances Périodiques.,
- Finances États-Unis Périodiques.,
- Banking, Finance & Investing.,
- Finances.,
- Publications périodiques.,
- Finance.,
- Financiën.,
- Etats-Unis d'Amérique.,
- United States.,
- Business, management and economics,
- Periodicals.
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Publication:
[Malden, Mass.] : Published by Blackwell Publishers for the American Finance Association
[Malden, Mass.] : Published by Blackwell Publishers for the American Finance Association
Form:
journals and magazines
journals and magazines
Publication:
[Malden, Mass.] : Published by Blackwell Publishers for the American Finance Association
[Malden, Mass.] : Published by Blackwell Publishers for the American Finance Association
Subject:
- Finance Periodicals.,
- Finance United States Periodicals.,
- Finances Périodiques.,
- Finances États-Unis Périodiques.,
- Banking, Finance & Investing.,
- Finances.,
- Publications périodiques.,
- Finance.,
- Financiën.,
- Etats-Unis d'Amérique.,
- United States.,
- Business, management and economics,
- Periodicals.
(See more)
Form:
journals and magazines
journals and magazines
Title:
Arctic.
Arctic.
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Description:
1 online resource
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Publication:
Montreal, Canada ; New York, N.Y. : Arctic Institute of North America, ©1948-
Montreal, Canada ; New York, N.Y. : Arctic Institute of North America, ©1948-
Form:
journals and magazines
journals and magazines
Publication:
Montreal, Canada ; New York, N.Y. : Arctic Institute of North America, ©1948-
Montreal, Canada ; New York, N.Y. : Arctic Institute of North America, ©1948-
Form:
journals and magazines
journals and magazines
Title:
American imago.
American imago.
Actions:
Subject:
- Psychoanalysis Periodicals.,
- Psychoanalysis and culture Periodicals.,
- Psychoanalytic Interpretation,
- Psychanalyse Périodiques.,
- Psychanalyse et culture Périodiques.,
- Ethnopsychanalyse Périodiques.,
- Interprétation psychanalytique.,
- psychoanalysis.,
- Psychoanalysis.,
- Psychoanalysis and culture.,
- Psychanalyse.,
- Psicoanàlisi.,
- Literature,
- Electronic journals.,
- periodicals.,
- Periodicals.,
- Périodique électronique (Descripteur de forme),
- Ressource Internet (Descripteur de forme),
- Annotations (Provenance),
- Périodiques.,
- Revistes electròniques.
(See more)
Publication:
Baltimore, MD : Johns Hopkins University Press
Baltimore, MD : Johns Hopkins University Press
Form:
journals and magazines
journals and magazines
Publication:
Baltimore, MD : Johns Hopkins University Press
Baltimore, MD : Johns Hopkins University Press
Subject:
- Psychoanalysis Periodicals.,
- Psychoanalysis and culture Periodicals.,
- Psychoanalytic Interpretation,
- Psychanalyse Périodiques.,
- Psychanalyse et culture Périodiques.,
- Ethnopsychanalyse Périodiques.,
- Interprétation psychanalytique.,
- psychoanalysis.,
- Psychoanalysis.,
- Psychoanalysis and culture.,
- Psychanalyse.,
- Psicoanàlisi.,
- Literature,
- Electronic journals.,
- periodicals.,
- Periodicals.,
- Périodique électronique (Descripteur de forme),
- Ressource Internet (Descripteur de forme),
- Annotations (Provenance),
- Périodiques.,
- Revistes electròniques.
(See more)
Form:
books
books
Actions:
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Description:
575 pages : illustrations ; 21 cm.
Description:
575 pages : illustrations ; 21 cm.
Author:
- Architecture et archives numériques natives (2007 : Paris, France),
- Peyceré, David.,
- Wierre, Florence, 1973-,
- Koch, Carole.,
- Alzua, Jérôme de.,
- Ansuini, Roberta.,
- Banat-Berger, Françoise.,
- Barzon, Furio, 1972-,
- Busarayat, Chawee.,
- Beasley, Gerald.,
- Chupin, Jean-Pierre.,
- De Grassi, Mario.,
- De Luca, Livio.,
- De Meyer, Dirk, 1961-,
- Domenichini, Riccardo.,
- Dubois, Lionel.,
- Enge, Jürgen.,
- Fallon, Kristine K.,
- Farinati, Valeria, 1956-,
- Florenzano, Michel.,
- Franken, Bernhard.,
- Garret, Pascal.,
- Giretti, Alberto.,
- Kowalski, Carissa.,
- Loret, Stephane.,
- Žantovská Murray, Irena, 1946-,
- Pariset, Jean-Daniel.,
- Pérennès-Poncet, Ségolène.,
- Picon, Antoine.,
- Pourtois, Christophe.,
- Procida, Elisabetta.,
- Reed, Anthony.,
- Sauge, Birgitte.,
- Scharrer, Berthold.,
- Schumacher, Susanne.,
- Shubert, Howard.,
- Smith, MacKenzie.,
- Stefani, Chiara.,
- Triunveri, Elena.,
- Véron, Philippe.,
- Willinge, Mariet.,
- Wolf, Inge.,
- Zambelli, Matteo, 1968-,
- Cité de l'architecture et du patrimoine (Paris, France),
- Institut national d'histoire de l'art (France),
- GAUDI programme.
(See more)
Subject:
- Architecture Archival resources Congresses.,
- Archives Administration Congresses.,
- Electronic records Conservation and restoration Congresses.,
- Architecture Fonds d'archives Congrès.,
- Archives Gestion Congrès.,
- Archives électroniques Conservation et restauration Congrès.,
- Architecture Archival resources.,
- Archives Administration.,
- Electronic records Conservation and restoration.,
- Computer-generated architectural records.,
- Proceedings.,
- Conference papers and proceedings.
(See more)
Publication:
Gollion : Infolio, ©2008.
Gollion : Infolio, ©2008.
Title:
Architecture et archives numériques : l'architecture à l'ère numérique : un enjeu de mémoire / sous la direction de David Peyceré, Florence Wierre ; coordination éditoriale, Carole Koch ; [traduction, Philip Watterson, Reinald Freling] = Architecture and digital archives : architecture in the digital age : a question of memory / executive editors, David Peyceré, Florence Wierre ; publishing co-ordinator, Carole Koch ; translation, Philip Watterson, Reinald Freling].
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Description:
575 pages : illustrations ; 21 cm.
Architecture et archives numériques : l'architecture à l'ère numérique : un enjeu de mémoire / sous la direction de David Peyceré, Florence Wierre ; coordination éditoriale, Carole Koch ; [traduction, Philip Watterson, Reinald Freling] = Architecture and digital archives : architecture in the digital age : a question of memory / executive editors, David Peyceré, Florence Wierre ; publishing co-ordinator, Carole Koch ; translation, Philip Watterson, Reinald Freling].
Actions:
Holdings:
Description:
575 pages : illustrations ; 21 cm.
Form:
books
books
Publication:
Gollion : Infolio, ©2008.
Gollion : Infolio, ©2008.
Author:
- Architecture et archives numériques natives (2007 : Paris, France),
- Peyceré, David.,
- Wierre, Florence, 1973-,
- Koch, Carole.,
- Alzua, Jérôme de.,
- Ansuini, Roberta.,
- Banat-Berger, Françoise.,
- Barzon, Furio, 1972-,
- Busarayat, Chawee.,
- Beasley, Gerald.,
- Chupin, Jean-Pierre.,
- De Grassi, Mario.,
- De Luca, Livio.,
- De Meyer, Dirk, 1961-,
- Domenichini, Riccardo.,
- Dubois, Lionel.,
- Enge, Jürgen.,
- Fallon, Kristine K.,
- Farinati, Valeria, 1956-,
- Florenzano, Michel.,
- Franken, Bernhard.,
- Garret, Pascal.,
- Giretti, Alberto.,
- Kowalski, Carissa.,
- Loret, Stephane.,
- Žantovská Murray, Irena, 1946-,
- Pariset, Jean-Daniel.,
- Pérennès-Poncet, Ségolène.,
- Picon, Antoine.,
- Pourtois, Christophe.,
- Procida, Elisabetta.,
- Reed, Anthony.,
- Sauge, Birgitte.,
- Scharrer, Berthold.,
- Schumacher, Susanne.,
- Shubert, Howard.,
- Smith, MacKenzie.,
- Stefani, Chiara.,
- Triunveri, Elena.,
- Véron, Philippe.,
- Willinge, Mariet.,
- Wolf, Inge.,
- Zambelli, Matteo, 1968-,
- Cité de l'architecture et du patrimoine (Paris, France),
- Institut national d'histoire de l'art (France),
- GAUDI programme.
(See more)
Subject:
- Architecture Archival resources Congresses.,
- Archives Administration Congresses.,
- Electronic records Conservation and restoration Congresses.,
- Architecture Fonds d'archives Congrès.,
- Archives Gestion Congrès.,
- Archives électroniques Conservation et restauration Congrès.,
- Architecture Archival resources.,
- Archives Administration.,
- Electronic records Conservation and restoration.,
- Computer-generated architectural records.,
- Proceedings.,
- Conference papers and proceedings.
(See more)
Form:
journals and magazines
journals and magazines
Form:
journals and magazines
journals and magazines
Publication:
Oxford ; New York : Pergamon Press, 1968-
Oxford ; New York : Pergamon Press, 1968-
Form:
books
books
Actions:
Price:
$56.00
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Summary:
Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of(...)
$56.00
(available to order)
Summary:
Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
April 2004, New Haven / London
April 2004, New Haven / London
Title:
Mirror-Travels : Robert Smithson and history
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$56.00
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Summary:
Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of the twentieth century. Less well known is the connection between the Jetty and the nearby Golden Spike National Historic Site, location of the completion of the first U.S. transcontinental railroad. The link between these two monuments is but one facet of an entire complex of historical reference and reflection that structures Smithson’s work. Mirror-Travels encompasses the full span of Smithson’s career, offering a close analysis of the artist’s working model of history and featuring comprehensive case studies of three of his most influential works: The Monuments of Passaic, Incidents of Mirror-Travel in the Yucatan, and the Spiral Jetty. Incorporating abundant new material from Smithson’s personal papers and library, Jennifer Roberts offers surprising new interpretations about the artist and his responses to the social, ideological, and material contradictions of his time.
Mirror-Travels : Robert Smithson and history
Actions:
Price:
$56.00
(available to order)
Summary:
Robert Smithson (1938–1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty - a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake - is widely appreciated as one of the most significant art projects of the twentieth century. Less well known is the connection between the Jetty and the nearby Golden Spike National Historic Site, location of the completion of the first U.S. transcontinental railroad. The link between these two monuments is but one facet of an entire complex of historical reference and reflection that structures Smithson’s work. Mirror-Travels encompasses the full span of Smithson’s career, offering a close analysis of the artist’s working model of history and featuring comprehensive case studies of three of his most influential works: The Monuments of Passaic, Incidents of Mirror-Travel in the Yucatan, and the Spiral Jetty. Incorporating abundant new material from Smithson’s personal papers and library, Jennifer Roberts offers surprising new interpretations about the artist and his responses to the social, ideological, and material contradictions of his time.
Form:
books
books
Publication:
April 2004, New Haven / London
April 2004, New Haven / London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
