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books
books
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This publication is an exhibition catalog produced by the Herbert F. Johnson Museum of Art at Cornell University for a show featuring forty-nine "dot-paintings" produced by Aboriginal artists from the settlement of Panpunya. Dot-painting has become an art instantly associated with Aboriginal Australia. In the more than thirty-five years since the advent of this movement,(...)
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This publication is an exhibition catalog produced by the Herbert F. Johnson Museum of Art at Cornell University for a show featuring forty-nine "dot-paintings" produced by Aboriginal artists from the settlement of Panpunya. Dot-painting has become an art instantly associated with Aboriginal Australia. In the more than thirty-five years since the advent of this movement,(...)
Subject:
Art Periods and Styles
Art Periods and Styles
Publication:
February 2009, Ithaca
February 2009, Ithaca
Title:
Icons of the desert : early aboriginal paintings from Papunya
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This publication is an exhibition catalog produced by the Herbert F. Johnson Museum of Art at Cornell University for a show featuring forty-nine "dot-paintings" produced by Aboriginal artists from the settlement of Panpunya. Dot-painting has become an art instantly associated with Aboriginal Australia. In the more than thirty-five years since the advent of this movement, Papunya works have been widely exhibited and acquired by private collectors and museums in Australia, and increasingly abroad. This is the first book to focus on the founding expressions of Papunya art. It examines their origins in the paintings produced in Papunya in the Western Desert during the years 1971 to 1973, after the Sydney schoolteacher Geoffrey Bardon provided Aboriginal men with art materials and encouraged them to paint on Masonite, against the wishes of Australian government officials. These paintings claim a unique status. Only around six hundred were made. They are also the first painted works to transfer the designs of desert ceremonial imagery to a permanent surface. The book is illustrated with full-color plates of the forty-nine exhibited works by such great artists as Clifford Possum Tjapaltjarri, Johnny Warangkula Tjupurrula, and Tim Leura Tjapaltjarri. In addition, it features numerous color figures of comparative works and documentary photographs of the original artists at work, some never before published, and a chronological catalog documenting the works’ history and iconography.
Icons of the desert : early aboriginal paintings from Papunya
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Price:
$44.95
(available to order)
Summary:
This publication is an exhibition catalog produced by the Herbert F. Johnson Museum of Art at Cornell University for a show featuring forty-nine "dot-paintings" produced by Aboriginal artists from the settlement of Panpunya. Dot-painting has become an art instantly associated with Aboriginal Australia. In the more than thirty-five years since the advent of this movement, Papunya works have been widely exhibited and acquired by private collectors and museums in Australia, and increasingly abroad. This is the first book to focus on the founding expressions of Papunya art. It examines their origins in the paintings produced in Papunya in the Western Desert during the years 1971 to 1973, after the Sydney schoolteacher Geoffrey Bardon provided Aboriginal men with art materials and encouraged them to paint on Masonite, against the wishes of Australian government officials. These paintings claim a unique status. Only around six hundred were made. They are also the first painted works to transfer the designs of desert ceremonial imagery to a permanent surface. The book is illustrated with full-color plates of the forty-nine exhibited works by such great artists as Clifford Possum Tjapaltjarri, Johnny Warangkula Tjupurrula, and Tim Leura Tjapaltjarri. In addition, it features numerous color figures of comparative works and documentary photographs of the original artists at work, some never before published, and a chronological catalog documenting the works’ history and iconography.
Form:
books
books
Publication:
February 2009, Ithaca
February 2009, Ithaca
Subject:
Art Periods and Styles
Art Periods and Styles
Form:
books
books
Title:
The birth of graffiti
The birth of graffiti
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$32.00
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The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark(...)
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The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark(...)
Publication:
June 2007, Munich
June 2007, Munich
Title:
The birth of graffiti
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$32.00
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The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark body of work are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting New York of the early 1970s and the raw visual power of early graffiti. While today graffiti is an accepted reality of city life--by turns condemned and embraced--these early photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. In most cases these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, puts these photographs in a broad historical context of an emerging youth culture that now reaches into every corner of art, fashion, and entertainment. At once nostalgic and inspirational, The Birth of Graffiti opens the way to a deeper appreciation of graffiti's historical and artistic significance.
The birth of graffiti
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$32.00
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Summary:
The now global phenomenon of graffiti was first captured in New York by a professional photographer in early 1973. The result was Jon Naar's The Faith of Graffiti, the first and most celebrated book about this controversial new art form. Now the forty or so photographs in that book and more than one hundred additional never-before-published pictures from that landmark body of work are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting New York of the early 1970s and the raw visual power of early graffiti. While today graffiti is an accepted reality of city life--by turns condemned and embraced--these early photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. In most cases these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, puts these photographs in a broad historical context of an emerging youth culture that now reaches into every corner of art, fashion, and entertainment. At once nostalgic and inspirational, The Birth of Graffiti opens the way to a deeper appreciation of graffiti's historical and artistic significance.
Form:
books
books
Publication:
June 2007, Munich
June 2007, Munich
Form:
books
books
Title:
Daido Moriyama: record
Daido Moriyama: record
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$92.00
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Inspired by Japanese photographers, as well as by William Klein’s seminal photography book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval.(...)
$92.00
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Summary:
Inspired by Japanese photographers, as well as by William Klein’s seminal photography book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval.(...)
Title:
Daido Moriyama: record
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$92.00
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Summary:
Inspired by Japanese photographers, as well as by William Klein’s seminal photography book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. Between June 1972 and July 1973 Moriyama produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago, after a decades-long interval, he was able to resume publication of Record. Now this book collects work from all thirty published issues, edited into a single sequence, punctuated by Moriyama’s own text as it appeared in the magazine. Produced at the magazine’s original size, with an introduction by Mark Holborn, this volume features more than 200 works from throughout the magazine’s history. It used to be assumed that Moriyama’s peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveler, has been able to apply his unique vision to northern Europe; southern France; the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York, and Los Angeles as well as the alleys of Osaka; the landscape of Hokkaido; and Afghanistan.
Daido Moriyama: record
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$92.00
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Summary:
Inspired by Japanese photographers, as well as by William Klein’s seminal photography book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. Between June 1972 and July 1973 Moriyama produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago, after a decades-long interval, he was able to resume publication of Record. Now this book collects work from all thirty published issues, edited into a single sequence, punctuated by Moriyama’s own text as it appeared in the magazine. Produced at the magazine’s original size, with an introduction by Mark Holborn, this volume features more than 200 works from throughout the magazine’s history. It used to be assumed that Moriyama’s peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveler, has been able to apply his unique vision to northern Europe; southern France; the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York, and Los Angeles as well as the alleys of Osaka; the landscape of Hokkaido; and Afghanistan.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Shelter cookbook
Shelter cookbook
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$55.00
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Summary:
DIY architect, publisher and pioneer of the self-build movement, Lloyd Kahn (born 1935) is a legend of the American counterculture. Influenced by Buckminster Fuller, in 1968 Kahn started building geodesic domes, and was an editor for Stewart Brand’s Whole Earth Catalog. In 1970 Kahn published his first book, Domebook One, followed the next year by the bestselling Domebook(...)
$55.00
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Summary:
DIY architect, publisher and pioneer of the self-build movement, Lloyd Kahn (born 1935) is a legend of the American counterculture. Influenced by Buckminster Fuller, in 1968 Kahn started building geodesic domes, and was an editor for Stewart Brand’s Whole Earth Catalog. In 1970 Kahn published his first book, Domebook One, followed the next year by the bestselling Domebook(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
December 2025
December 2025
Title:
Shelter cookbook
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$55.00
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Summary:
DIY architect, publisher and pioneer of the self-build movement, Lloyd Kahn (born 1935) is a legend of the American counterculture. Influenced by Buckminster Fuller, in 1968 Kahn started building geodesic domes, and was an editor for Stewart Brand’s Whole Earth Catalog. In 1970 Kahn published his first book, Domebook One, followed the next year by the bestselling Domebook 2. In 1971, he bought land in Bolinas and built a geodesic dome (later to be featured in Life magazine), but he soon pursued other ways to build, resulting in the classic 1973 book "Shelter." Kahn published numerous self-build books over the ensuing decades, most recently "Tiny Homes on the Move" (2014). "Shelter Cookbook" is an exploration of Kahn’s now iconic publications by the Swiss architect Leopold Banchini (born 1981) - whose practice makes emphatic use of DIY architecture culture- and the German author and curator Lukas Feireiss (born 1977). It relates Kahn’s building philosophy to contemporary practices, recording Banchini and Feireiss’ personal search for unexpected relationships between historical documents and contemporary architectural projects. The large-format volume includes interviews, photospreads and archival material on self-building, and also includes a mycological investigation. "Shelter Cookbook" will inspire architects, designers, artists and counterculture cognoscenti alike with its positive vision of the possibilities and legacy of the self-build movement.
Shelter cookbook
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$55.00
(available in store)
Summary:
DIY architect, publisher and pioneer of the self-build movement, Lloyd Kahn (born 1935) is a legend of the American counterculture. Influenced by Buckminster Fuller, in 1968 Kahn started building geodesic domes, and was an editor for Stewart Brand’s Whole Earth Catalog. In 1970 Kahn published his first book, Domebook One, followed the next year by the bestselling Domebook 2. In 1971, he bought land in Bolinas and built a geodesic dome (later to be featured in Life magazine), but he soon pursued other ways to build, resulting in the classic 1973 book "Shelter." Kahn published numerous self-build books over the ensuing decades, most recently "Tiny Homes on the Move" (2014). "Shelter Cookbook" is an exploration of Kahn’s now iconic publications by the Swiss architect Leopold Banchini (born 1981) - whose practice makes emphatic use of DIY architecture culture- and the German author and curator Lukas Feireiss (born 1977). It relates Kahn’s building philosophy to contemporary practices, recording Banchini and Feireiss’ personal search for unexpected relationships between historical documents and contemporary architectural projects. The large-format volume includes interviews, photospreads and archival material on self-building, and also includes a mycological investigation. "Shelter Cookbook" will inspire architects, designers, artists and counterculture cognoscenti alike with its positive vision of the possibilities and legacy of the self-build movement.
Form:
books
books
Publication:
December 2025
December 2025
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
La Fábrica, Ricardo Bofill
La Fábrica, Ricardo Bofill
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$81.00
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Summary:
La Fábrica is one of Ricardo Bofill’s most iconoclastic creations. A former cement factory on the outskirts of Barcelona, serendipitously discovered while driving, the building became the centre of the late Catalan architect’s life, serving both as his home and as the headquarters of his practice since 1973. Here, Ricardo created a world of his own, exposing the concrete(...)
$81.00
(available to order)
Summary:
La Fábrica is one of Ricardo Bofill’s most iconoclastic creations. A former cement factory on the outskirts of Barcelona, serendipitously discovered while driving, the building became the centre of the late Catalan architect’s life, serving both as his home and as the headquarters of his practice since 1973. Here, Ricardo created a world of his own, exposing the concrete(...)
Title:
La Fábrica, Ricardo Bofill
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$81.00
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Summary:
La Fábrica is one of Ricardo Bofill’s most iconoclastic creations. A former cement factory on the outskirts of Barcelona, serendipitously discovered while driving, the building became the centre of the late Catalan architect’s life, serving both as his home and as the headquarters of his practice since 1973. Here, Ricardo created a world of his own, exposing the concrete forms from beneath years of dust and smoke, encouraging nature back onto the structure, and fine-tuning the balance between its monumental scale and a delicate, human sensibility, in one of the earliest examples of the reuse of an industrial building—and it’s still changing. This new edition expands on the book originally published in 2018, featuring exclusive archival imagery courtesy of RBTA and an expansive selection of photographs taken by Nacho Alegre on his visits to La Fábrica over the last decade. He returned in November 2022 to document the building in its current state, closing the book with 32 pages of otherwise unseen images—a portrait of Ricardo’s most cherished work at a moment of profound transformation. With an introduction by Pablo Bofill, the book also features an interview with Ricardo himself by Barcelona-based architects Arquitectura-G and Guillermo López, an extended version of the conversation originally published in issue #11 of Apartamento magazine.
La Fábrica, Ricardo Bofill
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$81.00
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Summary:
La Fábrica is one of Ricardo Bofill’s most iconoclastic creations. A former cement factory on the outskirts of Barcelona, serendipitously discovered while driving, the building became the centre of the late Catalan architect’s life, serving both as his home and as the headquarters of his practice since 1973. Here, Ricardo created a world of his own, exposing the concrete forms from beneath years of dust and smoke, encouraging nature back onto the structure, and fine-tuning the balance between its monumental scale and a delicate, human sensibility, in one of the earliest examples of the reuse of an industrial building—and it’s still changing. This new edition expands on the book originally published in 2018, featuring exclusive archival imagery courtesy of RBTA and an expansive selection of photographs taken by Nacho Alegre on his visits to La Fábrica over the last decade. He returned in November 2022 to document the building in its current state, closing the book with 32 pages of otherwise unseen images—a portrait of Ricardo’s most cherished work at a moment of profound transformation. With an introduction by Pablo Bofill, the book also features an interview with Ricardo himself by Barcelona-based architects Arquitectura-G and Guillermo López, an extended version of the conversation originally published in issue #11 of Apartamento magazine.
Form:
books
books
Publication:
December 2022
December 2022
Subject:
Architecture Monographs
Architecture Monographs
Form:
journals and magazines
journals and magazines
Title:
Revue historique.
Revue historique.
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Publication:
Paris : Librairie G. Bailleère, 1876-, Paris : Librairie Félix Alcan, Paris : Presses Universitaires de France
Paris : Librairie G. Bailleère, 1876-, Paris : Librairie Félix Alcan, Paris : Presses Universitaires de France
Form:
journals and magazines
journals and magazines
Publication:
Paris : Librairie G. Bailleère, 1876-, Paris : Librairie Félix Alcan, Paris : Presses Universitaires de France
Paris : Librairie G. Bailleère, 1876-, Paris : Librairie Félix Alcan, Paris : Presses Universitaires de France
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Form:
journals and magazines
journals and magazines
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Description:
1 online resource ( volumes)
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Publication:
Cambridge, Mass. : American Economic Association, 1911-
Cambridge, Mass. : American Economic Association, 1911-
Form:
journals and magazines
journals and magazines
Publication:
Cambridge, Mass. : American Economic Association, 1911-
Cambridge, Mass. : American Economic Association, 1911-
Author:
Subject:
Form:
journals and magazines
journals and magazines
Title:
Fontes artis musicae.
Fontes artis musicae.
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Description:
1 online resource (volumes)
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Subject:
Publication:
Basel : Kassel und Bärenreiter-Verlag, 1954-, Madison, WI : A-R Editions, London, UK : International Association of Music Libraries, Archives and Documentation Centres
Basel : Kassel und Bärenreiter-Verlag, 1954-, Madison, WI : A-R Editions, London, UK : International Association of Music Libraries, Archives and Documentation Centres
Form:
journals and magazines
journals and magazines
Publication:
Basel : Kassel und Bärenreiter-Verlag, 1954-, Madison, WI : A-R Editions, London, UK : International Association of Music Libraries, Archives and Documentation Centres
Basel : Kassel und Bärenreiter-Verlag, 1954-, Madison, WI : A-R Editions, London, UK : International Association of Music Libraries, Archives and Documentation Centres
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Form:
journals and magazines
journals and magazines
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Publication:
Baltimore, Md. : Johns Hopkins University Press, ©1996-
Baltimore, Md. : Johns Hopkins University Press, ©1996-
Form:
journals and magazines
journals and magazines
Publication:
Baltimore, Md. : Johns Hopkins University Press, ©1996-
Baltimore, Md. : Johns Hopkins University Press, ©1996-
Author:
Subject:
Form:
journals and magazines
journals and magazines
Title:
Revue économique.
Revue économique.
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Publication:
Paris : Librarie Armand Colin, 1950-
Paris : Librarie Armand Colin, 1950-
Form:
journals and magazines
journals and magazines
Publication:
Paris : Librarie Armand Colin, 1950-
Paris : Librarie Armand Colin, 1950-
Author:
Subject:
