2850 Results
Level of archival description:
Series
Series
Title:
CIAM IV, CIRPAC and London
CIAM IV, CIRPAC and London
Reference number:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
People:
Date:
1933-1934
1933-1934
Title:
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Level of archival description:
Series
Series
Date:
1933-1934
1933-1934
People:
Form:
born digital
Quantity:
2304 digital file(s)
born digital
Quantity:
2304 digital file(s)
Title:
Maya and ZBrush renderings
Maya and ZBrush renderings
Actions:
Reference number:
AP174.S1.2006.D2.006
Description:
Contains the results of rendering tests in Maya, 2006 and 2009; renderings of Strand Tower used in the Skin and Bones exhibit at the Museum of Contemporary Art, Los Angeles, 2006; renderings of Strand Tower and exhibition photos from the Wild Child exhibit at Bridge Gallery, New York, 2009; ZBrush renders from 2009; and final renderings created in ZBrush in 2013. Includes a README file from 2014 indicating that final ZBrush renderings can also be found in the directory containing InDesign material (AP174.S1.2006.D2.004). Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, JPEG File Interchange Format, Portable Network Graphics, Maya Binary File Format, Unidentified
AP174.S1.2006.D2.006
Description:
Contains the results of rendering tests in Maya, 2006 and 2009; renderings of Strand Tower used in the Skin and Bones exhibit at the Museum of Contemporary Art, Los Angeles, 2006; renderings of Strand Tower and exhibition photos from the Wild Child exhibit at Bridge Gallery, New York, 2009; ZBrush renders from 2009; and final renderings created in ZBrush in 2013. Includes a README file from 2014 indicating that final ZBrush renderings can also be found in the directory containing InDesign material (AP174.S1.2006.D2.004). Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, JPEG File Interchange Format, Portable Network Graphics, Maya Binary File Format, Unidentified
People:
Date:
2006-2014
2006-2014
Title:
Maya and ZBrush renderings
Actions:
AP174.S1.2006.D2.006
Description:
Contains the results of rendering tests in Maya, 2006 and 2009; renderings of Strand Tower used in the Skin and Bones exhibit at the Museum of Contemporary Art, Los Angeles, 2006; renderings of Strand Tower and exhibition photos from the Wild Child exhibit at Bridge Gallery, New York, 2009; ZBrush renders from 2009; and final renderings created in ZBrush in 2013. Includes a README file from 2014 indicating that final ZBrush renderings can also be found in the directory containing InDesign material (AP174.S1.2006.D2.004). Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, JPEG File Interchange Format, Portable Network Graphics, Maya Binary File Format, Unidentified
Maya and ZBrush renderings
Actions:
AP174.S1.2006.D2.006
Description:
Contains the results of rendering tests in Maya, 2006 and 2009; renderings of Strand Tower used in the Skin and Bones exhibit at the Museum of Contemporary Art, Los Angeles, 2006; renderings of Strand Tower and exhibition photos from the Wild Child exhibit at Bridge Gallery, New York, 2009; ZBrush renders from 2009; and final renderings created in ZBrush in 2013. Includes a README file from 2014 indicating that final ZBrush renderings can also be found in the directory containing InDesign material (AP174.S1.2006.D2.004). Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, JPEG File Interchange Format, Portable Network Graphics, Maya Binary File Format, Unidentified
Form:
born digital
Quantity:
2304 digital file(s)
born digital
Quantity:
2304 digital file(s)
Date:
2006-2014
2006-2014
People:
Level of archival description:
Project
Project
Title:
Castelli House
Castelli House
Reference number:
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
People:
Date:
1980
1980
Title:
Castelli House
Actions:
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
Castelli House
Actions:
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
Level of archival description:
File 26
File 26
Date:
1980
1980
People:
Form:
events
events
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 November 2010 to 13 November 2010
11 November 2010 to 13 November 2010
Title:
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Form:
events
events
Date:
11 November 2010 to
13 November 2010
11 November 2010 to
13 November 2010
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Hal Ingberg fonds
Hal Ingberg fonds
Actions:
Reference number:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
People:
Date:
1991-2002
1991-2002
Title:
Hal Ingberg fonds
Actions:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Hal Ingberg fonds
Actions:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1991-2002
1991-2002
People:
Form:
textual records
textual records
Title:
MCA Universal, 1995-1996
MCA Universal, 1995-1996
Actions:
Reference number:
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
People:
Date:
1995-1996
1995-1996
Title:
MCA Universal, 1995-1996
Actions:
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
MCA Universal, 1995-1996
Actions:
DR2007:0021
Description:
During 1995-96, L.W. Richards was architectural advisor to Edgar Bronfman Jr., for the selection of an architect for a master plan and new headquarters building at Universal Studios, Los Angeles. The search that L.W. Richards conducted resulted in the selection of OMA and Rem Koolhaas. Two items are included here: a) bound notebook from the summer and fall of 1995, documenting meetings with Edgar Bronfman Jr., conversations with various architects (including Peter Eisenman, Frank Gehry, Renzo Piano, and Peter Rose), and a record of the meeting between Edgar, Rem Koolhaas, and L.W. Richards in Malibu in which Rem was selected for the project, and b) spiral bound booklet, PLAN (vision plan for de development of Universal City) by the Office of Metropolitan Architecture and presented to MCA Inc., July 1996, no.58.
Form:
textual records
textual records
Date:
1995-1996
1995-1996
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John C. Parkin fonds
John C. Parkin fonds
Reference number:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
People:
Date:
1929-1987
1929-1987
Title:
John C. Parkin fonds
Actions:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Synopsis:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1929-1987
1929-1987
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
People:
Date:
1998-2014
1998-2014
Title:
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2014
1998-2014
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
People:
Date:
1936-2021
1936-2021
Title:
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1936-2021
1936-2021
People:
Form:
photographs
photographs
Title:
Project documentation for presentation purposes for Erickson's planning and urban designs projects
Project documentation for presentation purposes for Erickson's planning and urban designs projects
Actions:
Reference number:
ARCH274184
Description:
Photographic documentation for various projects filed under, "Planning and Urban Design, Including Transportation and Landscape." Contains slides of models, plans, perspective drawings, sites and completed projects where applicable. Includes: Simon Fraser University Master Plan, Burnaby, BC (1963); Village Lake Louise, Banff National Park, AB (1969); West Seattle Freeway, Seattle, WA, with Howard Needles Tammen and Bergendorf (1969); Snauq Harbour, Vancouver, BC (1970); Toronto Transit Study, Toronto, ON (1972); Vancouver Study, Vancouver, BC (1972); Brookswood-Belmont Area Plan, Langley, BC (1973); East End Lake Study, Vancouver, BC (1973); Inner Harbour Development, Victoria, BC (1973); Eglinton West Subway Station, Toronto, ON (1974); University of British Columbia Overpass, Vancouver, BC (1974); Yorkdale Subway Station, Toronto, ON (1974); Fintas Town Centre, Kuwait City, Kuwait (1979); California Plaza Master Plan, Los Angeles, CA (1980); Harbour Steps, Seattle WA, with Clayton R. Joyce (1980); Irvine Coastal Development, Orange County, CA, with POD (1980); King Abdul Aziz University Master Plan, Jeddah, Saudi Arabia, with WZMH (1981); Simon Fraser University Village, Burnaby, BC (1981); Spadina Quay, Toronto, ON (1981); Civic Centre and 5th Hill Metrorail Stations, Los Angeles, CA (1983); East Boston Harborfront Master Plan, Boston, MA (1983); Tanjung Batu Coastal Reserve Master Plan, Bintilu, Sarwak, Malaysia, with Hijjas Kasturi Associates (1983); Centennial Campus Master Plan, North Carolina State University, Raleigh, NC (1985); New Westminister Quay, BC (1987); University Streed Beautification, Seattle, WA (1987); Simon Fraser University Master Plan Review, Burnaby, BC (1989); Pearls of Kuwait, Kuwait (1989); Marathon Lands Study, Vancouver, BC (1989); Bayshore Gardens Competition, Vancouver, BC (1989); Bukit Timah Condominium Development, Singapore (1990); Johor Coastal Development, Johor, Malaysia (1992); Al-Buhariat City, Saudi Arabia (1993).
ARCH274184
Description:
Photographic documentation for various projects filed under, "Planning and Urban Design, Including Transportation and Landscape." Contains slides of models, plans, perspective drawings, sites and completed projects where applicable. Includes: Simon Fraser University Master Plan, Burnaby, BC (1963); Village Lake Louise, Banff National Park, AB (1969); West Seattle Freeway, Seattle, WA, with Howard Needles Tammen and Bergendorf (1969); Snauq Harbour, Vancouver, BC (1970); Toronto Transit Study, Toronto, ON (1972); Vancouver Study, Vancouver, BC (1972); Brookswood-Belmont Area Plan, Langley, BC (1973); East End Lake Study, Vancouver, BC (1973); Inner Harbour Development, Victoria, BC (1973); Eglinton West Subway Station, Toronto, ON (1974); University of British Columbia Overpass, Vancouver, BC (1974); Yorkdale Subway Station, Toronto, ON (1974); Fintas Town Centre, Kuwait City, Kuwait (1979); California Plaza Master Plan, Los Angeles, CA (1980); Harbour Steps, Seattle WA, with Clayton R. Joyce (1980); Irvine Coastal Development, Orange County, CA, with POD (1980); King Abdul Aziz University Master Plan, Jeddah, Saudi Arabia, with WZMH (1981); Simon Fraser University Village, Burnaby, BC (1981); Spadina Quay, Toronto, ON (1981); Civic Centre and 5th Hill Metrorail Stations, Los Angeles, CA (1983); East Boston Harborfront Master Plan, Boston, MA (1983); Tanjung Batu Coastal Reserve Master Plan, Bintilu, Sarwak, Malaysia, with Hijjas Kasturi Associates (1983); Centennial Campus Master Plan, North Carolina State University, Raleigh, NC (1985); New Westminister Quay, BC (1987); University Streed Beautification, Seattle, WA (1987); Simon Fraser University Master Plan Review, Burnaby, BC (1989); Pearls of Kuwait, Kuwait (1989); Marathon Lands Study, Vancouver, BC (1989); Bayshore Gardens Competition, Vancouver, BC (1989); Bukit Timah Condominium Development, Singapore (1990); Johor Coastal Development, Johor, Malaysia (1992); Al-Buhariat City, Saudi Arabia (1993).
People:
Date:
21 October 1994
21 October 1994
Title:
Project documentation for presentation purposes for Erickson's planning and urban designs projects
Actions:
ARCH274184
Description:
Photographic documentation for various projects filed under, "Planning and Urban Design, Including Transportation and Landscape." Contains slides of models, plans, perspective drawings, sites and completed projects where applicable. Includes: Simon Fraser University Master Plan, Burnaby, BC (1963); Village Lake Louise, Banff National Park, AB (1969); West Seattle Freeway, Seattle, WA, with Howard Needles Tammen and Bergendorf (1969); Snauq Harbour, Vancouver, BC (1970); Toronto Transit Study, Toronto, ON (1972); Vancouver Study, Vancouver, BC (1972); Brookswood-Belmont Area Plan, Langley, BC (1973); East End Lake Study, Vancouver, BC (1973); Inner Harbour Development, Victoria, BC (1973); Eglinton West Subway Station, Toronto, ON (1974); University of British Columbia Overpass, Vancouver, BC (1974); Yorkdale Subway Station, Toronto, ON (1974); Fintas Town Centre, Kuwait City, Kuwait (1979); California Plaza Master Plan, Los Angeles, CA (1980); Harbour Steps, Seattle WA, with Clayton R. Joyce (1980); Irvine Coastal Development, Orange County, CA, with POD (1980); King Abdul Aziz University Master Plan, Jeddah, Saudi Arabia, with WZMH (1981); Simon Fraser University Village, Burnaby, BC (1981); Spadina Quay, Toronto, ON (1981); Civic Centre and 5th Hill Metrorail Stations, Los Angeles, CA (1983); East Boston Harborfront Master Plan, Boston, MA (1983); Tanjung Batu Coastal Reserve Master Plan, Bintilu, Sarwak, Malaysia, with Hijjas Kasturi Associates (1983); Centennial Campus Master Plan, North Carolina State University, Raleigh, NC (1985); New Westminister Quay, BC (1987); University Streed Beautification, Seattle, WA (1987); Simon Fraser University Master Plan Review, Burnaby, BC (1989); Pearls of Kuwait, Kuwait (1989); Marathon Lands Study, Vancouver, BC (1989); Bayshore Gardens Competition, Vancouver, BC (1989); Bukit Timah Condominium Development, Singapore (1990); Johor Coastal Development, Johor, Malaysia (1992); Al-Buhariat City, Saudi Arabia (1993).
Project documentation for presentation purposes for Erickson's planning and urban designs projects
Actions:
ARCH274184
Description:
Photographic documentation for various projects filed under, "Planning and Urban Design, Including Transportation and Landscape." Contains slides of models, plans, perspective drawings, sites and completed projects where applicable. Includes: Simon Fraser University Master Plan, Burnaby, BC (1963); Village Lake Louise, Banff National Park, AB (1969); West Seattle Freeway, Seattle, WA, with Howard Needles Tammen and Bergendorf (1969); Snauq Harbour, Vancouver, BC (1970); Toronto Transit Study, Toronto, ON (1972); Vancouver Study, Vancouver, BC (1972); Brookswood-Belmont Area Plan, Langley, BC (1973); East End Lake Study, Vancouver, BC (1973); Inner Harbour Development, Victoria, BC (1973); Eglinton West Subway Station, Toronto, ON (1974); University of British Columbia Overpass, Vancouver, BC (1974); Yorkdale Subway Station, Toronto, ON (1974); Fintas Town Centre, Kuwait City, Kuwait (1979); California Plaza Master Plan, Los Angeles, CA (1980); Harbour Steps, Seattle WA, with Clayton R. Joyce (1980); Irvine Coastal Development, Orange County, CA, with POD (1980); King Abdul Aziz University Master Plan, Jeddah, Saudi Arabia, with WZMH (1981); Simon Fraser University Village, Burnaby, BC (1981); Spadina Quay, Toronto, ON (1981); Civic Centre and 5th Hill Metrorail Stations, Los Angeles, CA (1983); East Boston Harborfront Master Plan, Boston, MA (1983); Tanjung Batu Coastal Reserve Master Plan, Bintilu, Sarwak, Malaysia, with Hijjas Kasturi Associates (1983); Centennial Campus Master Plan, North Carolina State University, Raleigh, NC (1985); New Westminister Quay, BC (1987); University Streed Beautification, Seattle, WA (1987); Simon Fraser University Master Plan Review, Burnaby, BC (1989); Pearls of Kuwait, Kuwait (1989); Marathon Lands Study, Vancouver, BC (1989); Bayshore Gardens Competition, Vancouver, BC (1989); Bukit Timah Condominium Development, Singapore (1990); Johor Coastal Development, Johor, Malaysia (1992); Al-Buhariat City, Saudi Arabia (1993).
Form:
photographs
photographs
Date:
21 October 1994
21 October 1994
People:
