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The 1958 competition for Toronto's new city hall and public square was the largest competition of its era, attracting more architects than even the 1956 Sydney Opera House competition. While the outcome is well known - Finnish architect Viljo Revell's complex opened to public acclaim in 1965 - what is lesser known to specialists and to the general public is the amazing(...)
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The 1958 competition for Toronto's new city hall and public square was the largest competition of its era, attracting more architects than even the 1956 Sydney Opera House competition. While the outcome is well known - Finnish architect Viljo Revell's complex opened to public acclaim in 1965 - what is lesser known to specialists and to the general public is the amazing(...)
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Competing modernisms: Toronto's New City Hall and Square
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The 1958 competition for Toronto's new city hall and public square was the largest competition of its era, attracting more architects than even the 1956 Sydney Opera House competition. While the outcome is well known - Finnish architect Viljo Revell's complex opened to public acclaim in 1965 - what is lesser known to specialists and to the general public is the amazing variety of projects that were submitted from around the world. Weaving a tale that is equal parts civic, cultural, and architectural history, the authors explore the impact of the competition on the design of public institutions and urban spaces in Canada, and reflect on the value of architectural competitions as modern architecture developed in the mid-20th century.
Competing modernisms: Toronto's New City Hall and Square
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The 1958 competition for Toronto's new city hall and public square was the largest competition of its era, attracting more architects than even the 1956 Sydney Opera House competition. While the outcome is well known - Finnish architect Viljo Revell's complex opened to public acclaim in 1965 - what is lesser known to specialists and to the general public is the amazing variety of projects that were submitted from around the world. Weaving a tale that is equal parts civic, cultural, and architectural history, the authors explore the impact of the competition on the design of public institutions and urban spaces in Canada, and reflect on the value of architectural competitions as modern architecture developed in the mid-20th century.
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books
books
Publication:
September 2015
September 2015
Subject:
Architecture in Canada
Architecture in Canada
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books
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$16.95
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In discussing what makes The Way Things Go utterly compelling to its viewers—whether they have seen it one time or many times—Jeremy Millar leaves no doubt as to why this film was chosen for the One Work series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a(...)
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In discussing what makes The Way Things Go utterly compelling to its viewers—whether they have seen it one time or many times—Jeremy Millar leaves no doubt as to why this film was chosen for the One Work series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a(...)
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Fischli and Weiss: the way things go
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In discussing what makes The Way Things Go utterly compelling to its viewers—whether they have seen it one time or many times—Jeremy Millar leaves no doubt as to why this film was chosen for the One Work series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a spectacle that seems at once prehistoric and postapocalyptic. Millar tells us why this extraordinary film speaks to us at the beginning of the twenty-first century. If history is "just one thing after another," then The Way Things Go is truly a historic work.
Fischli and Weiss: the way things go
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In discussing what makes The Way Things Go utterly compelling to its viewers—whether they have seen it one time or many times—Jeremy Millar leaves no doubt as to why this film was chosen for the One Work series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a spectacle that seems at once prehistoric and postapocalyptic. Millar tells us why this extraordinary film speaks to us at the beginning of the twenty-first century. If history is "just one thing after another," then The Way Things Go is truly a historic work.
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books
books
Publication:
January 1900, London
January 1900, London
Subject:
Art Theory
Art Theory
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books
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$50.00
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
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Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Robert Adams: Gone?
Robert Adams: Gone?
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$84.00
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
Title:
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Robert Adams: Gone?
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$84.00
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Form:
books
books
Publication:
April 2010, London
April 2010, London
Subject:
Photography monographs
Photography monographs
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books
books
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Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have(...)
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Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have(...)
Title:
Descanso : an urban oasis revealed
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Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have responded creatively to the garden and its timeless appeal. His photographic explorations of what he refers to as a "natural light box" have been called "lyrical and luminous" by Getty Museum curator Anne Lyden. Marr's lush panoramic images combined with essays on the significance of the garden plants and history make Descanso an elegant volume for photography and garden lovers.
Descanso : an urban oasis revealed
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Summary:
Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have responded creatively to the garden and its timeless appeal. His photographic explorations of what he refers to as a "natural light box" have been called "lyrical and luminous" by Getty Museum curator Anne Lyden. Marr's lush panoramic images combined with essays on the significance of the garden plants and history make Descanso an elegant volume for photography and garden lovers.
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books
books
Publication:
April 2007, Los Angeles
April 2007, Los Angeles
Subject:
Food
Food
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books
books
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$55.95
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Summary:
Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have(...)
$55.95
(available to order)
Summary:
Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have(...)
Title:
Descanso : an urban oasis revealed
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$55.95
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Summary:
Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have responded creatively to the garden and its timeless appeal. His photographic explorations of what he refers to as a "natural light box" have been called "lyrical and luminous" by Getty Museum curator Anne Lyden. Marr's lush panoramic images combined with essays on the significance of the garden plants and history make Descanso an elegant volume for photography and garden lovers.
Descanso : an urban oasis revealed
Actions:
Price:
$55.95
(available to order)
Summary:
Descanso Gardens is one of Los Angeles's oldest botanical gardens. Initially a Spanish rancho and later the estate of publisher and horticulturist E. Manchester Boddy, the 160-acre lot was granted to the people of Los Angeles and includes one of the world's finest collections of camellias and oaks. Warren Marr is part of a long tradition of photographers who have responded creatively to the garden and its timeless appeal. His photographic explorations of what he refers to as a "natural light box" have been called "lyrical and luminous" by Getty Museum curator Anne Lyden. Marr's lush panoramic images combined with essays on the significance of the garden plants and history make Descanso an elegant volume for photography and garden lovers.
Form:
books
books
Publication:
April 2007, Los Angeles
April 2007, Los Angeles
Subject:
Gardens
Gardens
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books
books
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$41.95
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
Title:
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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Summary:
The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Contemporary Architecture
Contemporary Architecture
Form:
books
books
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$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
Title:
The Camera: essence and apparatus
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
The Camera: essence and apparatus
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$72.50
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This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram—an image made by placing objects directly on (or in close proximity to) a light-sensitive(...)
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This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram—an image made by placing objects directly on (or in close proximity to) a light-sensitive(...)
Title:
White shadows: Anneliese Hager and the camera-less photograph
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This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram—an image made by placing objects directly on (or in close proximity to) a light-sensitive surface and exposing the assembled material to light. In its final form, a photogram is a one-of-a-kind work that reverses light and dark: the longer the paper is covered, and hence unexposed, the brighter the covered parts will be, and vice versa. Hager called these bright areas "white shadows." Hager’s photograms offer a more inclusive history of the medium, synthesizing the technique’s 20th-century avant-garde trajectory (best known in the work of László Moholy-Nagy and Man Ray) and its 19th-century prehistories in the realm of science and in practices such as the making of silhouettes, collage and textile arts—pursuits often coded feminine. In 1945, all Hager’s existing artwork was destroyed in the bombing of Dresden during World War II. This book offers an unprecedented reconstruction of her development and postwar creation of otherworldly, Surrealist visions in photograms and poems, a selection of which appear here in English for the first time. For Hager, the photogram was significant for its provocative tonal inversions and surprising chance effects, but also for what emerges from the dark.
White shadows: Anneliese Hager and the camera-less photograph
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This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram—an image made by placing objects directly on (or in close proximity to) a light-sensitive surface and exposing the assembled material to light. In its final form, a photogram is a one-of-a-kind work that reverses light and dark: the longer the paper is covered, and hence unexposed, the brighter the covered parts will be, and vice versa. Hager called these bright areas "white shadows." Hager’s photograms offer a more inclusive history of the medium, synthesizing the technique’s 20th-century avant-garde trajectory (best known in the work of László Moholy-Nagy and Man Ray) and its 19th-century prehistories in the realm of science and in practices such as the making of silhouettes, collage and textile arts—pursuits often coded feminine. In 1945, all Hager’s existing artwork was destroyed in the bombing of Dresden during World War II. This book offers an unprecedented reconstruction of her development and postwar creation of otherworldly, Surrealist visions in photograms and poems, a selection of which appear here in English for the first time. For Hager, the photogram was significant for its provocative tonal inversions and surprising chance effects, but also for what emerges from the dark.
Form:
books
books
Publication:
November 2023
November 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$65.00
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Summary:
In 1811, architect, stone mason and shell obsessive George Perry published an illustrated volume, his Conchology or the Natural History of Shells, featuring 348 illustrated mollusc shells with descriptions of species, many of which were new to science. Despite the effort that went into producing the work, at a time when "conchophilia", or shell fancying, was at its(...)
$65.00
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Summary:
In 1811, architect, stone mason and shell obsessive George Perry published an illustrated volume, his Conchology or the Natural History of Shells, featuring 348 illustrated mollusc shells with descriptions of species, many of which were new to science. Despite the effort that went into producing the work, at a time when "conchophilia", or shell fancying, was at its(...)
Title:
Beautiful shells: George Perry's Conchology
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In 1811, architect, stone mason and shell obsessive George Perry published an illustrated volume, his Conchology or the Natural History of Shells, featuring 348 illustrated mollusc shells with descriptions of species, many of which were new to science. Despite the effort that went into producing the work, at a time when "conchophilia", or shell fancying, was at its height, Perry’s Conchology all but disappeared without a trace in the scientific literature, apparently actively suppressed by the leading conchologists of the day and then cruelly mocked for decades afterwards. This book reproduces the stunning, exquisitely drawn and sometimes fanciful shell illustrations from this extraordinary forgotten volume. Following an introduction exploring our fascination with shells and their impact on human history, culture and science, each of the sixty-one colour plates is included alongside a description of notable shells and what is known of the mysterious organisms that make them. From the common limpet and razor clam to the valuable cowry and spectacular divine conch, the wide range of shells featured form a treasure trove of natural beauty from our oceans and shores.
Beautiful shells: George Perry's Conchology
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$65.00
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In 1811, architect, stone mason and shell obsessive George Perry published an illustrated volume, his Conchology or the Natural History of Shells, featuring 348 illustrated mollusc shells with descriptions of species, many of which were new to science. Despite the effort that went into producing the work, at a time when "conchophilia", or shell fancying, was at its height, Perry’s Conchology all but disappeared without a trace in the scientific literature, apparently actively suppressed by the leading conchologists of the day and then cruelly mocked for decades afterwards. This book reproduces the stunning, exquisitely drawn and sometimes fanciful shell illustrations from this extraordinary forgotten volume. Following an introduction exploring our fascination with shells and their impact on human history, culture and science, each of the sixty-one colour plates is included alongside a description of notable shells and what is known of the mysterious organisms that make them. From the common limpet and razor clam to the valuable cowry and spectacular divine conch, the wide range of shells featured form a treasure trove of natural beauty from our oceans and shores.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Fauna and flora
Fauna and flora
