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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges(...)
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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges(...)
Subject:
History until 1900, Asia
History until 1900, Asia
Publication:
May 2008, Tokyo, Rutland, Singapore
May 2008, Tokyo, Rutland, Singapore
Title:
Chinese bridges: living architecture from China's past
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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges of China move beyond that stereotype, as many are undeniably dramatic, even majestic and daring. Chinese Bridges illustrates in detail 20 well-preserved ancient bridges, along with descriptions and essays on the distinctive architectural elements shared by the various designs. For the first time in an English-language book, Chinese Bridges records scores of newly discovered bridges across China's vast landscape, illustrated with over 400 color photographs, as well as woodblock prints, historic images, paintings and line drawings. Ronald G. Knapp has been carrying out research on cultural and historical geography in China's countryside since 1965. Currently SUNY Distinguished Professor Emeritus at the State University of New York, New Paltz, he is the author or contributing editor of more than a dozen books.
Chinese bridges: living architecture from China's past
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Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at these marvels from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many consider bridges to be merely utilitarian, the bridges of China move beyond that stereotype, as many are undeniably dramatic, even majestic and daring. Chinese Bridges illustrates in detail 20 well-preserved ancient bridges, along with descriptions and essays on the distinctive architectural elements shared by the various designs. For the first time in an English-language book, Chinese Bridges records scores of newly discovered bridges across China's vast landscape, illustrated with over 400 color photographs, as well as woodblock prints, historic images, paintings and line drawings. Ronald G. Knapp has been carrying out research on cultural and historical geography in China's countryside since 1965. Currently SUNY Distinguished Professor Emeritus at the State University of New York, New Paltz, he is the author or contributing editor of more than a dozen books.
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books
books
Publication:
May 2008, Tokyo, Rutland, Singapore
May 2008, Tokyo, Rutland, Singapore
Subject:
History until 1900, Asia
History until 1900, Asia
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journals and magazines
journals and magazines
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Architects are workaholics. Many of them work ten hours a day, seven days a week, fifty weeks a year. The little time they have left over is sacred and must be respected as such. In this spirit, 91° is a crossover leisure magazine that specifically caters to architects’ special interests. It is published semiannually. Art: Why people pose nude for Spencer Tunick.(...)
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Architects are workaholics. Many of them work ten hours a day, seven days a week, fifty weeks a year. The little time they have left over is sacred and must be respected as such. In this spirit, 91° is a crossover leisure magazine that specifically caters to architects’ special interests. It is published semiannually. Art: Why people pose nude for Spencer Tunick.(...)
Subject:
Magazines
Magazines
Publication:
March 2008
March 2008
Title:
91 degrees, Issue one, autumn 2007, More than Architecture
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Architects are workaholics. Many of them work ten hours a day, seven days a week, fifty weeks a year. The little time they have left over is sacred and must be respected as such. In this spirit, 91° is a crossover leisure magazine that specifically caters to architects’ special interests. It is published semiannually. Art: Why people pose nude for Spencer Tunick. Fashion: What building skins and clothing have in common. Research: On site at the fiber cement lab in Denmark. Interview: A look inside the studio of the French architect Edouard François. Photography: The world through the viewfinder. Literature: What comes out when writers think about architecture. Sports: Why many architects don bow and arrow in their free time. Travel: Tenerife, far from Ballermann, beach, and sangria. Europe: What causes architects to pack up and travel the world. Cars: What architects like to drive when they go racing through the countryside. At Home With: Hans Kollhoff. Construction Site: On working conditions in Shangri-la – working in Dubai. And more.
91 degrees, Issue one, autumn 2007, More than Architecture
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Architects are workaholics. Many of them work ten hours a day, seven days a week, fifty weeks a year. The little time they have left over is sacred and must be respected as such. In this spirit, 91° is a crossover leisure magazine that specifically caters to architects’ special interests. It is published semiannually. Art: Why people pose nude for Spencer Tunick. Fashion: What building skins and clothing have in common. Research: On site at the fiber cement lab in Denmark. Interview: A look inside the studio of the French architect Edouard François. Photography: The world through the viewfinder. Literature: What comes out when writers think about architecture. Sports: Why many architects don bow and arrow in their free time. Travel: Tenerife, far from Ballermann, beach, and sangria. Europe: What causes architects to pack up and travel the world. Cars: What architects like to drive when they go racing through the countryside. At Home With: Hans Kollhoff. Construction Site: On working conditions in Shangri-la – working in Dubai. And more.
Form:
journals and magazines
journals and magazines
Publication:
March 2008
March 2008
Subject:
Magazines
Magazines
Form:
books
books
Title:
Challenging social inequality: The Landless Rural Workers Moverment and agrarian reform in Brazil
Challenging social inequality: The Landless Rural Workers Moverment and agrarian reform in Brazil
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In ''Challenging Social Inequality'', an international and interdisciplinary group of scholars and development workers explores the causes, consequences, and contemporary reactions to Brazil's sharply unequal agrarian structure. They focus on the Landless Rural Workers Movement (MST)—Latin America's largest and most prominent social movement—and its ongoing efforts to(...)
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In ''Challenging Social Inequality'', an international and interdisciplinary group of scholars and development workers explores the causes, consequences, and contemporary reactions to Brazil's sharply unequal agrarian structure. They focus on the Landless Rural Workers Movement (MST)—Latin America's largest and most prominent social movement—and its ongoing efforts to(...)
Title:
Challenging social inequality: The Landless Rural Workers Moverment and agrarian reform in Brazil
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In ''Challenging Social Inequality'', an international and interdisciplinary group of scholars and development workers explores the causes, consequences, and contemporary reactions to Brazil's sharply unequal agrarian structure. They focus on the Landless Rural Workers Movement (MST)—Latin America's largest and most prominent social movement—and its ongoing efforts to confront historic patterns of inequality in the Brazilian countryside. Several essays provide essential historical background for understanding the MST. They examine Brazil's agrarian structure, state policies, and the formation of rural civil-society organizations. Other essays build on a frequently made distinction between the struggle for land and the struggle on the land. The first refers to the mobilization undertaken by landless peasants to demand government land redistribution. The struggle on the land takes place after the establishment of an official agricultural settlement. The main efforts during this phase are geared toward developing productive and meaningful rural communities. The last essays in the collection are wide-ranging analyses of the MST, which delve into the movement's relations with recent governments and its impact on other Brazilian social movements. In the conclusion, Miguel Carter appraises the future of agrarian reform in Brazil.
Challenging social inequality: The Landless Rural Workers Moverment and agrarian reform in Brazil
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$51.95
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Summary:
In ''Challenging Social Inequality'', an international and interdisciplinary group of scholars and development workers explores the causes, consequences, and contemporary reactions to Brazil's sharply unequal agrarian structure. They focus on the Landless Rural Workers Movement (MST)—Latin America's largest and most prominent social movement—and its ongoing efforts to confront historic patterns of inequality in the Brazilian countryside. Several essays provide essential historical background for understanding the MST. They examine Brazil's agrarian structure, state policies, and the formation of rural civil-society organizations. Other essays build on a frequently made distinction between the struggle for land and the struggle on the land. The first refers to the mobilization undertaken by landless peasants to demand government land redistribution. The struggle on the land takes place after the establishment of an official agricultural settlement. The main efforts during this phase are geared toward developing productive and meaningful rural communities. The last essays in the collection are wide-ranging analyses of the MST, which delve into the movement's relations with recent governments and its impact on other Brazilian social movements. In the conclusion, Miguel Carter appraises the future of agrarian reform in Brazil.
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books
books
Publication:
June 2015
June 2015
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in(...)
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Summary:
No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in(...)
Title:
Lavoirs : washhouses of rural France
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No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in the seventeenth century, but flourished as public spaces after the Revolution. Later, they became architectural monuments of regional styles and local materials, often hand-cut stone and hewn timbers, revealing centuries of masonry and woodworking tradition. As running water and modern appliances became standard in French homes after World War II, the lavoirs were abandoned, and with them three hundred years of women's gathering and conversation. In spite of the efforts of preservationists, hundreds of them have faced abandonment, vandalism, and decay. Through duotone photographs, thoughtful sketches, and detailed watercolors, Mireille Roddier safeguards these places. Her text outlines the history, politics, health, water technology, and social background of the buildings and unveils them as an important architectural type worthy of our study, admiration, and protection.
Lavoirs : washhouses of rural France
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$38.95
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Summary:
No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in the seventeenth century, but flourished as public spaces after the Revolution. Later, they became architectural monuments of regional styles and local materials, often hand-cut stone and hewn timbers, revealing centuries of masonry and woodworking tradition. As running water and modern appliances became standard in French homes after World War II, the lavoirs were abandoned, and with them three hundred years of women's gathering and conversation. In spite of the efforts of preservationists, hundreds of them have faced abandonment, vandalism, and decay. Through duotone photographs, thoughtful sketches, and detailed watercolors, Mireille Roddier safeguards these places. Her text outlines the history, politics, health, water technology, and social background of the buildings and unveils them as an important architectural type worthy of our study, admiration, and protection.
Form:
books
books
Publication:
July 2003, New York
July 2003, New York
Subject:
History until 1900, France
History until 1900, France
Form:
books
books
Title:
Brecht Evens : The making of
Brecht Evens : The making of
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The Making Of is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, The Wrong Place. With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is invited to a small town as an honored guest. From the moment he arrives,(...)
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The Making Of is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, The Wrong Place. With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is invited to a small town as an honored guest. From the moment he arrives,(...)
Title:
Brecht Evens : The making of
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The Making Of is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, The Wrong Place. With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is invited to a small town as an honored guest. From the moment he arrives, things start going wrong, and since no one seems ready to step in, Pieterjan takes over the show. He decides to build a giant garden gnome as a symbol of Flemish identity, but the construction process brings buried tensions to the surface as the other artists become jealous of Pieterjan's authority. In The Making Of, Evens delves deep into the petty tensions, small misunderstandings, and deadpan humor that pervade modern relationships. With a keen eye for the subtleties of body language, Even's The Making Of builds on the iconic visual style showcased in the Eisner award nominated The Wrong Place, which was published around the world. Sweeping watercolors jump off the page, surrealist scenery intermingles with crowds of people, and small suburban plot homes have never looked so lovely.
Brecht Evens : The making of
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$29.95
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Summary:
The Making Of is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, The Wrong Place. With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is invited to a small town as an honored guest. From the moment he arrives, things start going wrong, and since no one seems ready to step in, Pieterjan takes over the show. He decides to build a giant garden gnome as a symbol of Flemish identity, but the construction process brings buried tensions to the surface as the other artists become jealous of Pieterjan's authority. In The Making Of, Evens delves deep into the petty tensions, small misunderstandings, and deadpan humor that pervade modern relationships. With a keen eye for the subtleties of body language, Even's The Making Of builds on the iconic visual style showcased in the Eisner award nominated The Wrong Place, which was published around the world. Sweeping watercolors jump off the page, surrealist scenery intermingles with crowds of people, and small suburban plot homes have never looked so lovely.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Illustration
Illustration
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books
books
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$34.00
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Summary:
How can the different strands of modern architecture in Britain be understood? For many British people, it remains an alien cultural import and minority taste, yet British architecture has never stood higher in world esteem than at the close of the twentieth century. In this book Alan Powers shows how beneath today’s achievements in architecture, past conflicts have not(...)
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Summary:
How can the different strands of modern architecture in Britain be understood? For many British people, it remains an alien cultural import and minority taste, yet British architecture has never stood higher in world esteem than at the close of the twentieth century. In this book Alan Powers shows how beneath today’s achievements in architecture, past conflicts have not(...)
Title:
Britain : modern architecture in history
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How can the different strands of modern architecture in Britain be understood? For many British people, it remains an alien cultural import and minority taste, yet British architecture has never stood higher in world esteem than at the close of the twentieth century. In this book Alan Powers shows how beneath today’s achievements in architecture, past conflicts have not been resolved, as the country that invented industrial civilization has struggled to control its effect on cities and countryside. He examines developments and changes from 1900 to the present day in a series of thematic chapters, giving equal weight to technical, economic and moral aspects and demonstrating how architecture has responded to specific social needs and political pressures. Rather than giving a conventional account of stylistic tendencies, Powers listens to the arguments and conversations of the time in order to recapture the dominating issues of each decade, and locate the moments of transition in architecture and in the wider culture. Featuring more than 220 images, including both recent and historical photographs, "Britain" is an authoritative yet highly accessible account of twentieth-century British architecture. Giving due regard to the separate identities of England, Scotland and Wales, the book also adds a new and original dimension to the perennial problem of defining ‘Britain’ in the modern world.
Britain : modern architecture in history
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$34.00
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Summary:
How can the different strands of modern architecture in Britain be understood? For many British people, it remains an alien cultural import and minority taste, yet British architecture has never stood higher in world esteem than at the close of the twentieth century. In this book Alan Powers shows how beneath today’s achievements in architecture, past conflicts have not been resolved, as the country that invented industrial civilization has struggled to control its effect on cities and countryside. He examines developments and changes from 1900 to the present day in a series of thematic chapters, giving equal weight to technical, economic and moral aspects and demonstrating how architecture has responded to specific social needs and political pressures. Rather than giving a conventional account of stylistic tendencies, Powers listens to the arguments and conversations of the time in order to recapture the dominating issues of each decade, and locate the moments of transition in architecture and in the wider culture. Featuring more than 220 images, including both recent and historical photographs, "Britain" is an authoritative yet highly accessible account of twentieth-century British architecture. Giving due regard to the separate identities of England, Scotland and Wales, the book also adds a new and original dimension to the perennial problem of defining ‘Britain’ in the modern world.
Form:
books
books
Publication:
July 2006, London
July 2006, London
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
Francesca Woodman's notebook
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure,(...)
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure,(...)
Title:
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman's mother and father as an artist's book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman's photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca's father, that contextualizes the work within the photographer's artist's book production.
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman's mother and father as an artist's book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman's photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca's father, that contextualizes the work within the photographer's artist's book production.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing(...)
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Summary:
"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing(...)
Title:
Landscape and history since 1500
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"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing interest in, and concern for, many aspects of landscape within British, European and wider contexts. This has included the study of the history, development and changes in our perception of landscape, as well as research into the links between past landscapes and political ideologies, economic and social structures, cartography, art and literature. There is also considerable concern at present with the need to evaluate and classify historic landscapes, and to develop policies for their conservation and management in relation to their scenic, heritage and recreational value. This is manifest not only in the designation of particularly valued areas with enhanced protection from planning developments, such as national parks and world heritage sites, but in the countryside more generally. Further, Ian D. Whyte argues, changes in European Union policies relating to agriculture, with a greater concern for the protection and sustainable management of rural landscapes, are likely to be of major importance in relation to the themes of continuity and change in the landscapes of Britain and Europe.
Landscape and history since 1500
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"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing interest in, and concern for, many aspects of landscape within British, European and wider contexts. This has included the study of the history, development and changes in our perception of landscape, as well as research into the links between past landscapes and political ideologies, economic and social structures, cartography, art and literature. There is also considerable concern at present with the need to evaluate and classify historic landscapes, and to develop policies for their conservation and management in relation to their scenic, heritage and recreational value. This is manifest not only in the designation of particularly valued areas with enhanced protection from planning developments, such as national parks and world heritage sites, but in the countryside more generally. Further, Ian D. Whyte argues, changes in European Union policies relating to agriculture, with a greater concern for the protection and sustainable management of rural landscapes, are likely to be of major importance in relation to the themes of continuity and change in the landscapes of Britain and Europe.
Form:
books
books
Publication:
November 2002, London
November 2002, London
Subject:
Landscape Theory
Landscape Theory
Form:
books
books
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$38.95
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Summary:
Throughout the twentieth century, architects in Italy have attempted to define the role of architecture under diverse political systems, from the monarchy of the first seventy years since Italian unification, to the 21 years of Fascist control, to the post-Second World War parliamentary republic. At the same time, Italy holds some of the most prized architecture and art(...)
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Throughout the twentieth century, architects in Italy have attempted to define the role of architecture under diverse political systems, from the monarchy of the first seventy years since Italian unification, to the 21 years of Fascist control, to the post-Second World War parliamentary republic. At the same time, Italy holds some of the most prized architecture and art(...)
Title:
Italy
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Throughout the twentieth century, architects in Italy have attempted to define the role of architecture under diverse political systems, from the monarchy of the first seventy years since Italian unification, to the 21 years of Fascist control, to the post-Second World War parliamentary republic. At the same time, Italy holds some of the most prized architecture and art in the world, from antiquity to the baroque, packed into its dense historic city centres, which planners and politicians have negotiated as they struggled to cope with massive migration from the countryside to the city. Diane Ghirardo addresses these and other issues by considering modern architectural production in Italy from the late nineteenth century to the present day within a clear presentation of the larger historical, social and political contexts. From the post-unification efforts to identify a distinctly Italian architectural language to the transformation of the urban environment in Italian cities undergoing industrialization in the late nineteenth and early twentieth centuries, Diane Ghirardo challenges received interpretations of modern architecture, as well as focusing on the subject of illegal building and responses to current ecological challenges. With up-to-date examples, both from the work of widely published architects in the largest cities and from throughout the peninsula, including small towns and rural areas, Italy provides a comprehensive view of the country’s modern built environment.
Italy
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Throughout the twentieth century, architects in Italy have attempted to define the role of architecture under diverse political systems, from the monarchy of the first seventy years since Italian unification, to the 21 years of Fascist control, to the post-Second World War parliamentary republic. At the same time, Italy holds some of the most prized architecture and art in the world, from antiquity to the baroque, packed into its dense historic city centres, which planners and politicians have negotiated as they struggled to cope with massive migration from the countryside to the city. Diane Ghirardo addresses these and other issues by considering modern architectural production in Italy from the late nineteenth century to the present day within a clear presentation of the larger historical, social and political contexts. From the post-unification efforts to identify a distinctly Italian architectural language to the transformation of the urban environment in Italian cities undergoing industrialization in the late nineteenth and early twentieth centuries, Diane Ghirardo challenges received interpretations of modern architecture, as well as focusing on the subject of illegal building and responses to current ecological challenges. With up-to-date examples, both from the work of widely published architects in the largest cities and from throughout the peninsula, including small towns and rural areas, Italy provides a comprehensive view of the country’s modern built environment.
Form:
books
books
Publication:
November 2011
November 2011
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
journals and magazines
journals and magazines
Price:
$36.00
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Summary:
The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the(...)
$36.00
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Summary:
The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the(...)
Title:
Open 7 (no)memory : storing and recalling in contemporary art and culture
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Summary:
The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the information that is stored in modern-day 'places of memory'? What role does art play in this? Is collective memory even a possibility these days? How can cultural heritage be made accessible without transforming city and countryside into one big open-air museum? And what are the implications of new media and digital storage technologies for the social and historical processes of preserving and remembering? Rudi Laermans analyses the modern-day 'heritage regime'. Frank van Vree examines the role of the contemporary monument. Cor Wagenaar advocates the introduction of time as an instrument for the Belvedere Policy. Wolfgang Ernst considers how the archive becomes a literal metaphor in a digital culture. Nico Bick photographed various archives. Jorinde Seijdel takes a closer look at the visual archive of Bill Gates. Sven Lütticken writes about the conspiracy of openness that is apparently at work in the mass media. Geert Lovink interviews artist and archivist Tjebbe van Tijen. Artists' contributions from Joke Robaard, Nico Dockx, Hans Aarsman, Arnoud Holleman and Barbara Visser. Other contributions by Henk Oosterling, Brigitte van der Sande, Stef Scagliola, Jordan Crandall and Paul Meurs.
Open 7 (no)memory : storing and recalling in contemporary art and culture
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Price:
$36.00
(available to order)
Summary:
The modern design and perception of the public domain is to a large degree determined by the tension between different memories - individual and collective, old and new, indigenous and immigrant. This makes memory a topical theme in the public domain, and its content, management and place are in urgent need of renewed consideration. How can one actively make use of the information that is stored in modern-day 'places of memory'? What role does art play in this? Is collective memory even a possibility these days? How can cultural heritage be made accessible without transforming city and countryside into one big open-air museum? And what are the implications of new media and digital storage technologies for the social and historical processes of preserving and remembering? Rudi Laermans analyses the modern-day 'heritage regime'. Frank van Vree examines the role of the contemporary monument. Cor Wagenaar advocates the introduction of time as an instrument for the Belvedere Policy. Wolfgang Ernst considers how the archive becomes a literal metaphor in a digital culture. Nico Bick photographed various archives. Jorinde Seijdel takes a closer look at the visual archive of Bill Gates. Sven Lütticken writes about the conspiracy of openness that is apparently at work in the mass media. Geert Lovink interviews artist and archivist Tjebbe van Tijen. Artists' contributions from Joke Robaard, Nico Dockx, Hans Aarsman, Arnoud Holleman and Barbara Visser. Other contributions by Henk Oosterling, Brigitte van der Sande, Stef Scagliola, Jordan Crandall and Paul Meurs.
Form:
journals and magazines
journals and magazines
Publication:
January 1900, Rotterdam
January 1900, Rotterdam
Subject:
Magazines
Magazines
