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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to(...)
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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to(...)
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Architecture and the imaginary
Architecture and the imaginary
Publication:
May 2004, London
May 2004, London
Title:
Fantasy architecture 1500-2036
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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to that already familiar from science fiction films and the fantastic virtual environments of computer games? "Fantasy Architecture" proposes answers to these questions by focusing on 130 imagined buildings, structures, and schemes from the late medieval period to the present. Artists and architects include Robert Adam, Archigram, Charles Barry, Étienne-Louis Boullée, William Chambers, FAT, Foreign Office Architects, Foster and Partners, Ernö Goldfinger, Louis Hellman, Inigo Jones, Berthold Lubetkin, Edwin Lutyens, Eric Mendelsohn, Nils Norman, Claes Oldenburg, Joseph Paxton, Sir John Soane, Softroom and Paolo Soleri.~Essayists include Neil Bingham, previously Assistant Curator of the Royal Institute of British Architecture (RIBA) Drawings Collections, London and author of monographs on Christopher Nicholson and C.A. Busby; Clare Carolin, Exhibitions Curator at the Hayward Gallery in London; Rob Wilson, Curator at the RIBA Gallery; and architect Peter Cook, professor at the Bartlett School of Architecture and former member of the group Archigram, who offers a personal text.
Fantasy architecture 1500-2036
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The towns and cities that we inhabit are the survivors of a much larger world that was never built--of visions of the future that remain on paper due to lack of funds, political changes, or because they were technically ahead of their time. How might the world look today had the realities of history been different? And how close will the architecture of the future be to that already familiar from science fiction films and the fantastic virtual environments of computer games? "Fantasy Architecture" proposes answers to these questions by focusing on 130 imagined buildings, structures, and schemes from the late medieval period to the present. Artists and architects include Robert Adam, Archigram, Charles Barry, Étienne-Louis Boullée, William Chambers, FAT, Foreign Office Architects, Foster and Partners, Ernö Goldfinger, Louis Hellman, Inigo Jones, Berthold Lubetkin, Edwin Lutyens, Eric Mendelsohn, Nils Norman, Claes Oldenburg, Joseph Paxton, Sir John Soane, Softroom and Paolo Soleri.~Essayists include Neil Bingham, previously Assistant Curator of the Royal Institute of British Architecture (RIBA) Drawings Collections, London and author of monographs on Christopher Nicholson and C.A. Busby; Clare Carolin, Exhibitions Curator at the Hayward Gallery in London; Rob Wilson, Curator at the RIBA Gallery; and architect Peter Cook, professor at the Bartlett School of Architecture and former member of the group Archigram, who offers a personal text.
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books
books
Publication:
May 2004, London
May 2004, London
Subject:
Architecture and the imaginary
Architecture and the imaginary
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books
books
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$27.95
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
Title:
The pragmatist imagination: thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state toemergent forms of transnationalism.
The pragmatist imagination: thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state toemergent forms of transnationalism.
Form:
books
books
Publication:
September 2001
September 2001
Subject:
Architecture and the imaginary
Architecture and the imaginary
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books
books
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$21.95
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De A, comme Abaton, à Z, comme Zuy, voici qu'un dictionnaire nous offre la plus merveilleuse des invitation au voyage. A partir des univers que de tous temps se plurent à inventer les ecrivains du monde entier, Alberto Manguel et Gianni Guadalupi, forts de leur conviction que la fiction est réalité, ont recensé lieux imaginaires et sites chimériques. Ils en rappellent la(...)
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De A, comme Abaton, à Z, comme Zuy, voici qu'un dictionnaire nous offre la plus merveilleuse des invitation au voyage. A partir des univers que de tous temps se plurent à inventer les ecrivains du monde entier, Alberto Manguel et Gianni Guadalupi, forts de leur conviction que la fiction est réalité, ont recensé lieux imaginaires et sites chimériques. Ils en rappellent la(...)
Subject:
Architecture and the imaginary
Architecture and the imaginary
Publication:
January 1900, Paris
January 1900, Paris
Title:
Dictionnaire des lieux imaginaires
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De A, comme Abaton, à Z, comme Zuy, voici qu'un dictionnaire nous offre la plus merveilleuse des invitation au voyage. A partir des univers que de tous temps se plurent à inventer les ecrivains du monde entier, Alberto Manguel et Gianni Guadalupi, forts de leur conviction que la fiction est réalité, ont recensé lieux imaginaires et sites chimériques. Ils en rappellent la situation géographique, la topographie, le climat, la faune et la flore, les formes de gouvernement, les transports et moyens de communication, les moeurs et les coutumes locales, les curiosités touristiques ou les spécialités locales... Rien n'étant inventé, on pourra vérifier dans les textes cités l'exactitude de toutes ces informations, qu'enrichissent par ailleurs " les indispensables " du genre : cartes, plans, dessins, assortis de conseils pratiques, si utiles au voyageur... Recensés avec une extrême rigueur mais loin de tout souci d'exhaustivité, les auteurs et les ouvrages cités ont été choisis selon la seule règle du plaisir. Chaque article de ce dictionnaire, s'il invite à un voyage passionnant à travers l'un ou l'autre des lieux imaginaires, est également prétexte à découvrir - ou à redécouvrir - comme autant d'îles au trésor, des oeuvres illustres ou plus secrètes. Aussi, comment ne pas engager le lecteur a suivre sans délai cette recommandation d'Italo Calvino : " Dans la Bibliothèque du Superflu dont j'aimerais qu'elle trouve toujours une place sur nos étagères, ce Dictionnaire des lieux imaginaires est, sans l'ombre d'un doute, un ouvrage dont la consultation est indispensable " ? --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Dictionnaire des lieux imaginaires
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De A, comme Abaton, à Z, comme Zuy, voici qu'un dictionnaire nous offre la plus merveilleuse des invitation au voyage. A partir des univers que de tous temps se plurent à inventer les ecrivains du monde entier, Alberto Manguel et Gianni Guadalupi, forts de leur conviction que la fiction est réalité, ont recensé lieux imaginaires et sites chimériques. Ils en rappellent la situation géographique, la topographie, le climat, la faune et la flore, les formes de gouvernement, les transports et moyens de communication, les moeurs et les coutumes locales, les curiosités touristiques ou les spécialités locales... Rien n'étant inventé, on pourra vérifier dans les textes cités l'exactitude de toutes ces informations, qu'enrichissent par ailleurs " les indispensables " du genre : cartes, plans, dessins, assortis de conseils pratiques, si utiles au voyageur... Recensés avec une extrême rigueur mais loin de tout souci d'exhaustivité, les auteurs et les ouvrages cités ont été choisis selon la seule règle du plaisir. Chaque article de ce dictionnaire, s'il invite à un voyage passionnant à travers l'un ou l'autre des lieux imaginaires, est également prétexte à découvrir - ou à redécouvrir - comme autant d'îles au trésor, des oeuvres illustres ou plus secrètes. Aussi, comment ne pas engager le lecteur a suivre sans délai cette recommandation d'Italo Calvino : " Dans la Bibliothèque du Superflu dont j'aimerais qu'elle trouve toujours une place sur nos étagères, ce Dictionnaire des lieux imaginaires est, sans l'ombre d'un doute, un ouvrage dont la consultation est indispensable " ? --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Form:
books
books
Publication:
January 1900, Paris
January 1900, Paris
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
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$32.50
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Summary:
Geography and Vision is a series of personal reflections by leading cultural geographer, Denis Cosgrove, on the complex connections between seeing, imagining and representing the world geographically. Ranging historically from the sixteenth century to the present day, the essays include reflections upon discovery and the role of imagination in giving it meaning;(...)
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Summary:
Geography and Vision is a series of personal reflections by leading cultural geographer, Denis Cosgrove, on the complex connections between seeing, imagining and representing the world geographically. Ranging historically from the sixteenth century to the present day, the essays include reflections upon discovery and the role of imagination in giving it meaning;(...)
Subject:
Architecture and the imaginary
Architecture and the imaginary
Publication:
January 1900, London, New York
January 1900, London, New York
Title:
Geography & vision: seeing, imagining and representing the world
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Geography and Vision is a series of personal reflections by leading cultural geographer, Denis Cosgrove, on the complex connections between seeing, imagining and representing the world geographically. Ranging historically from the sixteenth century to the present day, the essays include reflections upon discovery and the role of imagination in giving it meaning; colonisation and sixteenth century gardening; the shaping of American landscapes; wilderness, imperial mappings and masculinity; urban cartography and utopian visions; conceptions of the Pacific; the cartography of John Ruskin; and the imaginative grip of the Equator. Extensively illustrated, this engaging work reveals the richness and complexity of the geographical imagination as expressed over the past five centuries.
Geography & vision: seeing, imagining and representing the world
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Geography and Vision is a series of personal reflections by leading cultural geographer, Denis Cosgrove, on the complex connections between seeing, imagining and representing the world geographically. Ranging historically from the sixteenth century to the present day, the essays include reflections upon discovery and the role of imagination in giving it meaning; colonisation and sixteenth century gardening; the shaping of American landscapes; wilderness, imperial mappings and masculinity; urban cartography and utopian visions; conceptions of the Pacific; the cartography of John Ruskin; and the imaginative grip of the Equator. Extensively illustrated, this engaging work reveals the richness and complexity of the geographical imagination as expressed over the past five centuries.
Form:
books
books
Publication:
January 1900, London, New York
January 1900, London, New York
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
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$16.99
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Summary:
Disconcerted and enchanted, the reader follows the narrator through a midsummer's night in which two tales of seduction, sperated by more than two-hundred years, interweave and oscillate between the sublime and the comic, finally culminating in poignant cross-century encounter sure to linger in the reader's mind.
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Disconcerted and enchanted, the reader follows the narrator through a midsummer's night in which two tales of seduction, sperated by more than two-hundred years, interweave and oscillate between the sublime and the comic, finally culminating in poignant cross-century encounter sure to linger in the reader's mind.
Title:
Slowness
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Disconcerted and enchanted, the reader follows the narrator through a midsummer's night in which two tales of seduction, sperated by more than two-hundred years, interweave and oscillate between the sublime and the comic, finally culminating in poignant cross-century encounter sure to linger in the reader's mind.
Slowness
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Disconcerted and enchanted, the reader follows the narrator through a midsummer's night in which two tales of seduction, sperated by more than two-hundred years, interweave and oscillate between the sublime and the comic, finally culminating in poignant cross-century encounter sure to linger in the reader's mind.
Form:
books
books
Publication:
October 1997
October 1997
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
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$14.50
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Summary:
Translation in 2008 by Chris Andrews. Ghosts revolves around an immigrant worker's family squatting on the haunted construction site of a luxury condominium building. All of the workmen and their wives and children see the ghosts, who literally hang around the place, but one teenage girl becomes the most curious. Her questions about the ghosts get so intense that her(...)
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Summary:
Translation in 2008 by Chris Andrews. Ghosts revolves around an immigrant worker's family squatting on the haunted construction site of a luxury condominium building. All of the workmen and their wives and children see the ghosts, who literally hang around the place, but one teenage girl becomes the most curious. Her questions about the ghosts get so intense that her(...)
Title:
Ghosts
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Translation in 2008 by Chris Andrews. Ghosts revolves around an immigrant worker's family squatting on the haunted construction site of a luxury condominium building. All of the workmen and their wives and children see the ghosts, who literally hang around the place, but one teenage girl becomes the most curious. Her questions about the ghosts get so intense that her mother - in a chilling split-second - realizes her daughter's life hangs in the balance.
Ghosts
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Translation in 2008 by Chris Andrews. Ghosts revolves around an immigrant worker's family squatting on the haunted construction site of a luxury condominium building. All of the workmen and their wives and children see the ghosts, who literally hang around the place, but one teenage girl becomes the most curious. Her questions about the ghosts get so intense that her mother - in a chilling split-second - realizes her daughter's life hangs in the balance.
Form:
books
books
Publication:
January 2009, New York
January 2009, New York
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
Title:
Cent ans après ou l'an 2000
Cent ans après ou l'an 2000
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Julian West, jeune homme de bonne famille, s’endort en 1887 et émerge d’un long sommeil en 2000. Boston a considérablement changé, mais ce qui va l’étonner concerne le fonctionnement de l’économie, du travail, des loisirs, de la famille et de l’État. Dès sa parution en 1888, l’ouvrage a connu un grand succès et a été traduit dans plusieurs langues.
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Julian West, jeune homme de bonne famille, s’endort en 1887 et émerge d’un long sommeil en 2000. Boston a considérablement changé, mais ce qui va l’étonner concerne le fonctionnement de l’économie, du travail, des loisirs, de la famille et de l’État. Dès sa parution en 1888, l’ouvrage a connu un grand succès et a été traduit dans plusieurs langues.
Title:
Cent ans après ou l'an 2000
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Julian West, jeune homme de bonne famille, s’endort en 1887 et émerge d’un long sommeil en 2000. Boston a considérablement changé, mais ce qui va l’étonner concerne le fonctionnement de l’économie, du travail, des loisirs, de la famille et de l’État. Dès sa parution en 1888, l’ouvrage a connu un grand succès et a été traduit dans plusieurs langues.
Cent ans après ou l'an 2000
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Julian West, jeune homme de bonne famille, s’endort en 1887 et émerge d’un long sommeil en 2000. Boston a considérablement changé, mais ce qui va l’étonner concerne le fonctionnement de l’économie, du travail, des loisirs, de la famille et de l’État. Dès sa parution en 1888, l’ouvrage a connu un grand succès et a été traduit dans plusieurs langues.
Form:
books
books
Publication:
December 2008, Gollion
December 2008, Gollion
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
Title:
Bit Rot: stories and essays
Bit Rot: stories and essays
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A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose.(...)
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Summary:
A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose.(...)
Title:
Bit Rot: stories and essays
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A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Douglas Coupland writes, “Bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones.” "Bit Rot" the book is a fascinating meditation on the ways in which humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland’s established fanbase hungry for his observations about our world, and a revelation to new readers of his work. For almost three decades, his unique pattern recognition has powered his fiction, his phrase-making, and his visual art.
Bit Rot: stories and essays
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$34.00
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Summary:
A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. “Bit rot” is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Douglas Coupland writes, “Bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones.” "Bit Rot" the book is a fascinating meditation on the ways in which humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland’s established fanbase hungry for his observations about our world, and a revelation to new readers of his work. For almost three decades, his unique pattern recognition has powered his fiction, his phrase-making, and his visual art.
Form:
books
books
Publication:
March 2017
March 2017
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
Title:
The cathedral of mist
The cathedral of mist
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First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a(...)
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First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a(...)
Title:
The cathedral of mist
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$16.95
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First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title.
The cathedral of mist
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First published in French in 1983, 'The Cathedral of Mist' is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title.
Form:
books
books
Publication:
July 2016
July 2016
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
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$18.00
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Summary:
The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in(...)
$18.00
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Summary:
The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in(...)
Title:
Red plenty: inside the fifties' soviet dream
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Red plenty: inside the fifties' soviet dream
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Architecture and the imaginary
Architecture and the imaginary
