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''There’s no sign of slow down for Montpellier, with the French boom town awash in big-name architects and major projects. From Jean Nouvel’s city hall, to a school of management by Massimiliano and Doriana Fuksas, and a library by Zaha Hadid, we profile a city with an eye for tomorrow. From Venice, eight architects – from Norman Foster to Kumiko Inui – give us their(...)
Mark 41
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''There’s no sign of slow down for Montpellier, with the French boom town awash in big-name architects and major projects. From Jean Nouvel’s city hall, to a school of management by Massimiliano and Doriana Fuksas, and a library by Zaha Hadid, we profile a city with an eye for tomorrow. From Venice, eight architects – from Norman Foster to Kumiko Inui – give us their thoughts on the Architecture Biennale’s best and brightest. Finally, Adjaye Associates inject spirit into Washington D.C.’s design scene with a pair of libraries in low-income neighbourhoods.''
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New issue in store / Nouveau numéro en librairie.
The architectural review #1390, décembre 2012
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New issue in store / Nouveau numéro en librairie.
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Continuité 135, hiver 2013
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Nouveau numéro en librairie
Continuité 135, hiver 2013
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Nouveau numéro en librairie
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January 2013
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Nouveau numéro en librairie / New issue in store
Muséologies : volume 6, numéro 1
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Nouveau numéro en librairie / New issue in store
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October 142: Occupy Wall Street
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Metropolis, January 2013
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New issue in store! / Nouveau numéro en librairie!
Metropolis, January 2013
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New issue in store! / Nouveau numéro en librairie!
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers(...)
Afterall 31, Autumn / Winter 2012
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers discussing the same artist's work from varied perspectives. The print journal itself is visually rich, with numerous accompanying illustrations. Published in editorial and research partnership with Museum van Hedendaagse Kunst Antwerpen (M HKA); Smart Museum of Art and Open Practice Committee, University of Chicago; arteypensamiento, Universidad Internacional de Andalucia (UNIA); and Central Saint Martins College of Art and Design, University of the Arts, London.
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This issue of a+u takes both the London 2012 Olympics and architecture firms from Helsinki as its main features. For the former, special focus is given to the Serpentine Gallery Pavilion by Herzog & de Meuron and Ai Weiwei, the London Aquatics Centre by Zaha Hadid, the Velodrome by Hopkins Architects, and the Basketball Arena by Wilkinson Eyre Architects. Also included(...)
a+u 503: London 2012 olympics
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This issue of a+u takes both the London 2012 Olympics and architecture firms from Helsinki as its main features. For the former, special focus is given to the Serpentine Gallery Pavilion by Herzog & de Meuron and Ai Weiwei, the London Aquatics Centre by Zaha Hadid, the Velodrome by Hopkins Architects, and the Basketball Arena by Wilkinson Eyre Architects. Also included are photo essays on the London Bridge Tower and King’s Cross Redevelopment. Detailed profiles of the Finnish architects are offered as well; the section features JKMM Architects, K2S Architects, LPR-Arkkitehdit, Avanto Architects and Anttinen Oiva Arkkitehdit, among others.
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a+u 504: La Luz Magica
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a+u 504: La Luz Magica
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