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The architecture of the Soviet Union in the 1920s and 1930s was integral to shaping 20th-century modernism. Russian architect Konstantin Melnikov (1890–1974) was a key figure of this movement, with many of his realized projects, such as his cylindrical residential house completed in 1929, becoming modernist icons. Because he refused to conform to architectural standards(...)
Konstantin Melnikov: The master of the architectural form
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The architecture of the Soviet Union in the 1920s and 1930s was integral to shaping 20th-century modernism. Russian architect Konstantin Melnikov (1890–1974) was a key figure of this movement, with many of his realized projects, such as his cylindrical residential house completed in 1929, becoming modernist icons. Because he refused to conform to architectural standards after Stalin's cultural turn in 1932, his works were largely forgotten for several decades. He was rehabilitated and received public recognition for his imaginative constructions only a few years prior to his death in 1974. This publication presents models of Melnikov's built and unbuilt works, created under the direction of scholar Pavel Kuznetsov by the students of the Accademia di Architettura in Mendrisio. The models are accompanied by photographs, sketches and project descriptions expanding on Melnikov's work. An essay by Kuznetsov situates the architect in his historical context, shedding light on an underappreciated figure of architectural history.
Architecture Monographs
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Kazuo Shinohara’s (1925–2006) book Residential Architecture is considered one of the most significant pieces of writing on Japanese architecture of the late twentieth century. First published in Japan in 1964 as Jutaku kenchiku, the book was mandatory reading for generations of students of architecture in Japan and has deeply influenced many of the best-known Japanese(...)
Architectural Theory
May 2026
Residential architecture: Kazuo Shinohara
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Kazuo Shinohara’s (1925–2006) book Residential Architecture is considered one of the most significant pieces of writing on Japanese architecture of the late twentieth century. First published in Japan in 1964 as Jutaku kenchiku, the book was mandatory reading for generations of students of architecture in Japan and has deeply influenced many of the best-known Japanese designers, such as Toyo Ito, Kazuyo Sejima, Ryue Nishizawa, and others. Translated by architectural historian David B. Stewart (1942–2025) and architects Shin-ichi Okuyama (born 1961) and Kenichi Nakamura (born 1958), Shinohara’s reflections on housing are available in English for the first time, making multifaceted insights into the fundamentals of his outstanding work accessible to a global audience. In the first of three chapters, Shinohara writes about traditional Japanese architecture, thus explaining the foundation of his theory and practice, followed by a description of his design method, which he further illustrates through the examples of his first seven designs for homes.
Architectural Theory
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Material Matters brings together texts and work by theorists and practitioners who are making material central to their work and reflects the diverse areas of inquiry which are expanding current material discourse. Focusing on the cultural, political, economic, technological and intellectual forces which shape material practices in architecture, the contributors draw on(...)
Materials and Lighting
January 2006, London, New York
Material matters: architecture and material practice
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Material Matters brings together texts and work by theorists and practitioners who are making material central to their work and reflects the diverse areas of inquiry which are expanding current material discourse. Focusing on the cultural, political, economic, technological and intellectual forces which shape material practices in architecture, the contributors draw on disciplines ranging from philosophy, history and pedagogy to art practice and digital and low-tech fabrication. By paying critical attention to material, a wide range of issues emerge in Material Matters which are otherwise excluded from architectural discourse, issues that shape and determine the buildings we make, the processes we use and the ways we understand them. Beautifully illustrated and designed, this book is a unique collection which will be of great interest to architectural practitioners and theorists who want to consider the wider implications of material practice, and to students who are developing their own approach to making buildings.
Materials and Lighting
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This guide offers a comprehensive overview of all 10 accredited schools of architecture in Canada. Learn about specific programmes offered, including professionsl and post-professional degrees. Dedicated chapters for each school provide insight into areas such as academic philosophy, curriculum, faculty specialization, student work, and research innovation. Published(...)
Guide to Canadian graduate schools of architecture / Guide des programmes canadiens de deuxième cycle en architecture
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This guide offers a comprehensive overview of all 10 accredited schools of architecture in Canada. Learn about specific programmes offered, including professionsl and post-professional degrees. Dedicated chapters for each school provide insight into areas such as academic philosophy, curriculum, faculty specialization, student work, and research innovation. Published results from a nation-wide survey of current graduate students provides a unique perspective on school culture. / Ce guide vous offre une description complète des 10 écoles d'architecture accréditées du Canada. Vous saurez quelles sont les particularités des programmes professionnels et post-professionnels de chacune d'entre elles. Les chapitres consacrés aux écoles fournissent des renseignements sur les éléments suivants : la philosophie de l'école, les programmes de formation, les spécialisations du corps professoral, le travail étudiant, et la recherche et l'innovation. Les résultats d'un sondage réalisé auprès des étudiants de deuxième cycle à travers le Canada vous donneront une perspective unique sur la culture de chaque école.
Architecture in Canada
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This book is the first in-depth exploration of the revolutionary designers who defined American fashion in its emerging years and helped build an industry with global impact, yet have been largely forgotten. Focusing on female designers, the authors reclaim a place in history for the women who created not only for celebrities and socialites, but for millions of(...)
The hidden history of America fashion: rediscovering 20th century women designers
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This book is the first in-depth exploration of the revolutionary designers who defined American fashion in its emerging years and helped build an industry with global impact, yet have been largely forgotten. Focusing on female designers, the authors reclaim a place in history for the women who created not only for celebrities and socialites, but for millions of fashion-conscious customers across the United States. From one of America's first couturiers, Jessie Franklin Turner, to Zelda Wynn Valdes, the book captures the lost histories of the luminaries who paved the way in the world of American fashion design. This fully illustrated collection takes us from Hollywood to Broadway, from sportswear to sustainable fashion, and explores important crossovers between film, theater, and fashion. Uncovering fascinating histories of the design pioneers we should know about, the book enlarges the prevailing narrative of fashion history and will be an important reference for fashion students, historians, costume curators, and fashion enthusiasts alike.
Fashion Design
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"At one with nature" showcases Ken Yeang’s latest ideas, built projects designs, research work and advances in the field of designing with nature, a topic that Yeang has pioneered and developed over many decades since receiving his doctorate in ecological design and planning from Cambridge University. His ideas and work are even more pertinent today with the current state(...)
At one with nature: Advances in ecological architecture in the work of Ken Yeang
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"At one with nature" showcases Ken Yeang’s latest ideas, built projects designs, research work and advances in the field of designing with nature, a topic that Yeang has pioneered and developed over many decades since receiving his doctorate in ecological design and planning from Cambridge University. His ideas and work are even more pertinent today with the current state of devastation of Earth’s natural systems and a biogeochemical cycle that has been extensively and severely impacted by human society. The global environment today is in a state of crisis, but what can society do to address the issues? Yeang’s recent projects are presented with instructive diagrams that provide a basis for action for architects, planners, designers, engineers, and anyone whose daily work impinges on the natural environment. Offered in a highly visual, annotated format, with instructive illustrations of Yeang’s theoretical books on the topic, "At one with nature" is an invaluable resource that students and academics interested in designing with nature will find both informative and relevant.
Architecture Monographs
Modern theatres 1950-2020
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"Modern theatres 1950–2020" is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America. The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such(...)
Modern theatres 1950-2020
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"Modern theatres 1950–2020" is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America. The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated. An excellent resource for students of theatre planning, theatre architecture and architectural design, "Modern theatres 1950 – 2020" discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building. This illustrated book is also a must-read for architects, theater designers, theatre historians, and theatre practitioners.
Commercial interiors, Building types
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A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression.(...)
See Red Women's Workshop: feminist posters 1974-1990
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A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humor and bold, colorful graphics, See Red expressed the personal experiences of women as well as their role in wider struggles for change. Written by See Red members, detailing the group’s history up until the closure of the workshop in 1990, and with a foreword by celebrated feminist historian Sheila Rowbotham, See Red Women’s Workshop features all of the collective’s original screenprints and posters. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation—with continued relevance for today.
Printed Matter
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This collection of never-before-published talks at one of the leading art schools in the United States, documents an exciting decade in the development of contemporary art and arts education, featuring interviews with renowned artists, curators, and writers. Introduced in 1986 as an initiative by Richard Hertz (Chair, Academic Studies, 1979–2003), the Graduate Art(...)
Artcenter Talks: graduate seminar, the first decade, 1986-1995
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This collection of never-before-published talks at one of the leading art schools in the United States, documents an exciting decade in the development of contemporary art and arts education, featuring interviews with renowned artists, curators, and writers. Introduced in 1986 as an initiative by Richard Hertz (Chair, Academic Studies, 1979–2003), the Graduate Art Department of the ArtCenter College of Design, located in Pasadena, California, celebrates its thirtieth anniversary in 2016. This book documents the first decade of the department’s existence by presenting a selection from over three hundred talks, including a 1990 symposium conducted by renowned curator and art historian Robert Storr, as well as twelve talks from its artists and critics lecture series known as the Graduate Seminar. Discussions between students and faculty members range from what it means to be an artist and the changing role of art in society, to how artists function within an academic setting.
Art Theory
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Between 1919 and 1933, the Bauhaus thrived as a school of ideas that encouraged students to experiment with material, colour, and drawing techniques and learn basic skills. One hundred years later, its educational methods are still relevant. This book introduces the famous Foundation course and its major instructors: Joseph Albers, Johannes Itten, and László Moholy-Nagy.(...)
Original Bauhaus exercise book
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Between 1919 and 1933, the Bauhaus thrived as a school of ideas that encouraged students to experiment with material, colour, and drawing techniques and learn basic skills. One hundred years later, its educational methods are still relevant. This book introduces the famous Foundation course and its major instructors: Joseph Albers, Johannes Itten, and László Moholy-Nagy. It offers for the first time a series of more than fifty exercises from the Foundation Course. The book presents a collection of exercises gathered from historical material, mainly from the Bauhaus-Archiv such as drawings, photographs, original notes, and later recollections of the tasks given by the famous Bauhaus artists. The exercises are accompanied by comments by teachers, artists, and experts with different professional backgrounds. These teachings illustrate not only the methods and philosophy of the Bauhaus school, but also provide budding artists with a foundation for developing their own practice, whether it be in drawing, architecture, design, or typography.
Modernism