7436 Results
Title:
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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$60.00
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Summary:
In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
$60.00
(available to order)
Summary:
In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
Publication:
November 2019
November 2019
Title:
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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Price:
$60.00
(available to order)
Summary:
In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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Price:
$60.00
(available to order)
Summary:
In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
Form:
books
books
Holdings:
Description:
111 pages : color illustrations ; 21 cm
Description:
111 pages : color illustrations ; 21 cm
Title:
Rubber! : fun, fashion, fetish / Janet Bloor, John D. Sinclair.
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Description:
111 pages : color illustrations ; 21 cm
Rubber! : fun, fashion, fetish / Janet Bloor, John D. Sinclair.
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Description:
111 pages : color illustrations ; 21 cm
Form:
books
books
Publication:
London ; New York : Thames & Hudson, 2004.
London ; New York : Thames & Hudson, 2004.
Price:
$54.00
(available to order)
Summary:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In(...)
$54.00
(available to order)
Summary:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In(...)
Title:
Stereophonica: Sound and space in science, technology and the arts
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$54.00
(available to order)
Summary:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In ''Stereophonica,'' Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today. Developing a uniquely interdisciplinary perspective, Ouzounian draws on both the history of science and technology and the history of music and sound art. She investigates the binaural apparatus that allowed nineteenth-century listeners to observe sound in three dimensions; examines the development of military technologies for sound location during World War I; revisits experiments in stereo sound at Bell Telephone Laboratories in the 1930s; and considers the creation of "optimized acoustical environments" for theaters and factories. She explores the development of multichannel "spatial music" in the 1950s and sound installation art in the 1960s; analyzes the mapping of soundscapes; and investigates contemporary approaches to sonic urbanism, sonic practices that reimagine urban environments through sound.
Stereophonica: Sound and space in science, technology and the arts
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Price:
$54.00
(available to order)
Summary:
The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In ''Stereophonica,'' Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today. Developing a uniquely interdisciplinary perspective, Ouzounian draws on both the history of science and technology and the history of music and sound art. She investigates the binaural apparatus that allowed nineteenth-century listeners to observe sound in three dimensions; examines the development of military technologies for sound location during World War I; revisits experiments in stereo sound at Bell Telephone Laboratories in the 1930s; and considers the creation of "optimized acoustical environments" for theaters and factories. She explores the development of multichannel "spatial music" in the 1950s and sound installation art in the 1960s; analyzes the mapping of soundscapes; and investigates contemporary approaches to sonic urbanism, sonic practices that reimagine urban environments through sound.
Subject:
Acoustics
Acoustics
Price:
$63.95
(available to order)
Summary:
Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a(...)
$63.95
(available to order)
Summary:
Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a(...)
Title:
The Polaroid project: at the intersection of art and technology
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$63.95
(available to order)
Summary:
Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a reality—within an hour. Land’s creation was a groundbreaking scientific accomplishment that also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation’s own artist support program, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century. Published to accompany a major traveling exhibition, "The Polaroid project" is a creative exploration of the relationship between Polaroid’s many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this impressive volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artifacts that speak to the sheer ingenuity that lay behind the art. With essays by the exhibition’s curators and leading photographic writers and historians, "The Polaroid project" provides a unique perspective on the Polaroid phenomenon—a technology, an art form, a convergence of both—and its enduring cultural legacy.
The Polaroid project: at the intersection of art and technology
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Price:
$63.95
(available to order)
Summary:
Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a reality—within an hour. Land’s creation was a groundbreaking scientific accomplishment that also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation’s own artist support program, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century. Published to accompany a major traveling exhibition, "The Polaroid project" is a creative exploration of the relationship between Polaroid’s many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this impressive volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artifacts that speak to the sheer ingenuity that lay behind the art. With essays by the exhibition’s curators and leading photographic writers and historians, "The Polaroid project" provides a unique perspective on the Polaroid phenomenon—a technology, an art form, a convergence of both—and its enduring cultural legacy.
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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Description:
261 pages : illustrations (some color) ; 28 cm
Description:
261 pages : illustrations (some color) ; 28 cm
Author:
Subject:
- Architecture, Modern 20th century Exhibitions.,
- Concrete panels Exhibitions.,
- Architecture 20e siècle Expositions.,
- Panneaux préfabriqués Expositions.,
- Technology.,
- Architecture, Modern,
- Concrete panels,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Publication:
London : AA Publications, [2014], ©2014
London : AA Publications, [2014], ©2014
Title:
Panel / Pedro Ignacio Alonso and Hugh Palmarola.
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Description:
261 pages : illustrations (some color) ; 28 cm
Panel / Pedro Ignacio Alonso and Hugh Palmarola.
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Description:
261 pages : illustrations (some color) ; 28 cm
Form:
books
books
Publication:
London : AA Publications, [2014], ©2014
London : AA Publications, [2014], ©2014
Subject:
- Architecture, Modern 20th century Exhibitions.,
- Concrete panels Exhibitions.,
- Architecture 20e siècle Expositions.,
- Panneaux préfabriqués Expositions.,
- Technology.,
- Architecture, Modern,
- Concrete panels,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Form:
books
books
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Description:
6 volumes, plates : illustrations ; 24 c
- Library main 53210 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 1 | Available
- Library main 53209 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 2 | Available
- Library main 53208 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 3 | Available
- Library main 53207 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 4 | Available
- Library main 53206 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 5 | Available
- Library main 53205 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 6 | Available
- Library main 53216 | 133 EXP T801; ID:90-B1968 | v. 1 | Available
- Library main 53215 | 133 EXP T801; ID:90-B1968 | v. 2 | Available
- Library main 53214 | 133 EXP T801; ID:90-B1968 | v. 3 | Available
- Library main 53213 | 133 EXP T801; ID:90-B1968 | v. 4 | Available
- Library main 53212 | 133 EXP T801; ID:90-B1968 | v. 5 | Available
- Library main 53211 | 133 EXP T801; ID:90-B1968 | v. 6 | Available
(See more)
Description:
6 volumes, plates : illustrations ; 24 c
Subject:
Publication:
Washington : Government Printing Office, 1870.
Washington : Government Printing Office, 1870.
Title:
Reports of the United States Commissioners to the Paris Universal Exposition, 1867 / edited by William P. Blake.
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Description:
6 volumes, plates : illustrations ; 24 c
Reports of the United States Commissioners to the Paris Universal Exposition, 1867 / edited by William P. Blake.
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Holdings:
- Library main 53210 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 1 | Available
- Library main 53209 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 2 | Available
- Library main 53208 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 3 | Available
- Library main 53207 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 4 | Available
- Library main 53206 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 5 | Available
- Library main 53205 | 11288 11289 11290 11291 11292 11293 A2016 EXP T801; ID:90-B1968 | v. 6 | Available
- Library main 53216 | 133 EXP T801; ID:90-B1968 | v. 1 | Available
- Library main 53215 | 133 EXP T801; ID:90-B1968 | v. 2 | Available
- Library main 53214 | 133 EXP T801; ID:90-B1968 | v. 3 | Available
- Library main 53213 | 133 EXP T801; ID:90-B1968 | v. 4 | Available
- Library main 53212 | 133 EXP T801; ID:90-B1968 | v. 5 | Available
- Library main 53211 | 133 EXP T801; ID:90-B1968 | v. 6 | Available
(See more)
Description:
6 volumes, plates : illustrations ; 24 c
Form:
books
books
Publication:
Washington : Government Printing Office, 1870.
Washington : Government Printing Office, 1870.
Form:
books
books
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Description:
1 volume (unpaged) : all illustrations ; 29 cm
Description:
1 volume (unpaged) : all illustrations ; 29 cm
Subject:
Publication:
[London] : MACK, [2017], ©2017
[London] : MACK, [2017], ©2017
Title:
The mechanism / Mårten Lange.
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Description:
1 volume (unpaged) : all illustrations ; 29 cm
The mechanism / Mårten Lange.
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Description:
1 volume (unpaged) : all illustrations ; 29 cm
Form:
books
books
Publication:
[London] : MACK, [2017], ©2017
[London] : MACK, [2017], ©2017
Form:
books
books
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Description:
672 pages : color illustrations ; 31 cm
Description:
672 pages : color illustrations ; 31 cm
Subject:
- Type and type-founding History.,
- Type and type-founding Pictorial works.,
- Printing History.,
- Illustrated books.,
- Caractères d'imprimerie Histoire.,
- Caractères d'imprimerie Ouvrages illustrés.,
- Imprimerie Histoire.,
- Livres illustrés.,
- illustrated books.,
- Technology.,
- Printing,
- Type and type-founding,
- Typografie,
- Schriftkunde,
- Schriftart,
- illustrations (layout features),
- Pictures,
- Illustrated works,
- History,
- Pictorial works,
- Images.,
- Ouvrages illustrés.
(See more)
Publication:
London : Laurence King Publishing, 2017., ©2017
London : Laurence King Publishing, 2017., ©2017
Title:
The visual history of type / Paul McNeil.
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Description:
672 pages : color illustrations ; 31 cm
The visual history of type / Paul McNeil.
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Description:
672 pages : color illustrations ; 31 cm
Form:
books
books
Publication:
London : Laurence King Publishing, 2017., ©2017
London : Laurence King Publishing, 2017., ©2017
Subject:
- Type and type-founding History.,
- Type and type-founding Pictorial works.,
- Printing History.,
- Illustrated books.,
- Caractères d'imprimerie Histoire.,
- Caractères d'imprimerie Ouvrages illustrés.,
- Imprimerie Histoire.,
- Livres illustrés.,
- illustrated books.,
- Technology.,
- Printing,
- Type and type-founding,
- Typografie,
- Schriftkunde,
- Schriftart,
- illustrations (layout features),
- Pictures,
- Illustrated works,
- History,
- Pictorial works,
- Images.,
- Ouvrages illustrés.
(See more)
Form:
books
books
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Description:
181 pages : color illustrations ; 30 cm
Description:
181 pages : color illustrations ; 30 cm
Author:
Subject:
- Oxman, Neri, 1976- Exhibitions.,
- Oxman, Neri, 1976- Criticism and interpretation.,
- Oxman, Neri, 1976- Themes, motives.,
- Oxman, Neri,,
- Museum of Modern Art (New York, N.Y.) Exhibitions 21st century.,
- Museum of Modern Art (New York, N.Y.),
- Ecology in art Exhibitions.,
- Design and technology Exhibitions.,
- Industrial design History 21st century Exhibitions.,
- Three-dimensional printing.,
- Three-dimensional modeling.,
- Art and science 21st century Exhibitions.,
- Art, Israeli 21st century Exhibitions.,
- Art, American 21st century Exhibitions.,
- Art and science Exhibitions.,
- Printing, Three-Dimensional,
- Design et technologie Expositions.,
- Design Histoire 21e siècle Expositions.,
- Impression tridimensionnelle.,
- Modélisation tridimensionnelle.,
- Art et sciences Expositions.,
- Art israélien 21e siècle Expositions.,
- Art et sciences 21e siècle Expositions.,
- Art américain 21e siècle Expositions.,
- 3-D printing.,
- Industrial design History Exhibitions. 21st century.,
- Art, Israeli Exhibitions. 21st century.,
- Themes, motives,
- Art, American,
- Industrial design,
- Ecology in art,
- Design and technology,
- Art, Israeli,
- Art and science,
- Exhibition,
- exhibition catalogs.,
- Illustrated works,
- Essays,
- Criticism, interpretation, etc.,
- Art criticism,
- History,
- Exhibition catalogs,
- Tentoonstellingscatalogi (vorm),
- Catalogues d'exposition.,
- Critiques d'art.,
- Ouvrages illustrés.
(See more)
Publication:
New York, New York : The Museum of Modern Art, [2020], New York, New York ; London, England : Artbook · D.A.P. : Thames & Hudson Ltd., Istanbul, Turkey : Printed and bound by Ofset Yapımevi., ©2020.
New York, New York : The Museum of Modern Art, [2020], New York, New York ; London, England : Artbook · D.A.P. : Thames & Hudson Ltd., Istanbul, Turkey : Printed and bound by Ofset Yapımevi., ©2020.
Title:
The Neri Oxman material ecology catalogue / Paola Antonelli with Anna Burckhardt ; edited by Emily Hall and Jennifer Liese.
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Description:
181 pages : color illustrations ; 30 cm
The Neri Oxman material ecology catalogue / Paola Antonelli with Anna Burckhardt ; edited by Emily Hall and Jennifer Liese.
Actions:
Holdings:
Description:
181 pages : color illustrations ; 30 cm
Form:
books
books
Publication:
New York, New York : The Museum of Modern Art, [2020], New York, New York ; London, England : Artbook · D.A.P. : Thames & Hudson Ltd., Istanbul, Turkey : Printed and bound by Ofset Yapımevi., ©2020.
New York, New York : The Museum of Modern Art, [2020], New York, New York ; London, England : Artbook · D.A.P. : Thames & Hudson Ltd., Istanbul, Turkey : Printed and bound by Ofset Yapımevi., ©2020.
Subject:
- Oxman, Neri, 1976- Exhibitions.,
- Oxman, Neri, 1976- Criticism and interpretation.,
- Oxman, Neri, 1976- Themes, motives.,
- Oxman, Neri,,
- Museum of Modern Art (New York, N.Y.) Exhibitions 21st century.,
- Museum of Modern Art (New York, N.Y.),
- Ecology in art Exhibitions.,
- Design and technology Exhibitions.,
- Industrial design History 21st century Exhibitions.,
- Three-dimensional printing.,
- Three-dimensional modeling.,
- Art and science 21st century Exhibitions.,
- Art, Israeli 21st century Exhibitions.,
- Art, American 21st century Exhibitions.,
- Art and science Exhibitions.,
- Printing, Three-Dimensional,
- Design et technologie Expositions.,
- Design Histoire 21e siècle Expositions.,
- Impression tridimensionnelle.,
- Modélisation tridimensionnelle.,
- Art et sciences Expositions.,
- Art israélien 21e siècle Expositions.,
- Art et sciences 21e siècle Expositions.,
- Art américain 21e siècle Expositions.,
- 3-D printing.,
- Industrial design History Exhibitions. 21st century.,
- Art, Israeli Exhibitions. 21st century.,
- Themes, motives,
- Art, American,
- Industrial design,
- Ecology in art,
- Design and technology,
- Art, Israeli,
- Art and science,
- Exhibition,
- exhibition catalogs.,
- Illustrated works,
- Essays,
- Criticism, interpretation, etc.,
- Art criticism,
- History,
- Exhibition catalogs,
- Tentoonstellingscatalogi (vorm),
- Catalogues d'exposition.,
- Critiques d'art.,
- Ouvrages illustrés.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
vii, 213 pages ; 23 cm
Description:
vii, 213 pages ; 23 cm
Subject:
- Public spaces.,
- Digital communications.,
- Mass media and culture.,
- Information technology Social aspects.,
- Urbanization.,
- Espaces publics.,
- Transmission numérique.,
- Médias et culture.,
- Technologie de l'information Aspect social.,
- Urbanisation.,
- urbanization.,
- SOCIAL SCIENCE Media Studies.
(See more)
Publication:
Cambridge, UK ; Malden, MA : Polity, 2016., ©2016
Cambridge, UK ; Malden, MA : Polity, 2016., ©2016
Title:
Geomedia : networked cities and the future of public space / Scott McQuire.
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Description:
vii, 213 pages ; 23 cm
Geomedia : networked cities and the future of public space / Scott McQuire.
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Holdings:
Description:
vii, 213 pages ; 23 cm
Form:
books
books
Publication:
Cambridge, UK ; Malden, MA : Polity, 2016., ©2016
Cambridge, UK ; Malden, MA : Polity, 2016., ©2016
Subject:
- Public spaces.,
- Digital communications.,
- Mass media and culture.,
- Information technology Social aspects.,
- Urbanization.,
- Espaces publics.,
- Transmission numérique.,
- Médias et culture.,
- Technologie de l'information Aspect social.,
- Urbanisation.,
- urbanization.,
- SOCIAL SCIENCE Media Studies.
(See more)