Architecture and objects
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This first book on architecture by the founder of object-oriented ontology (OOO) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Thinking through object-oriented ontology—and the work of(...)
Architecture and objects
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This first book on architecture by the founder of object-oriented ontology (OOO) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—enables the exploration of new concepts regarding the relationship between form and function.
Architectural Theory
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Wonderland manual is a cultural version of the NATO Cold War strategy of flexible response . Pursuing the military analogy, the manual is a continuation by other means of what Wonderland has been doing for the past years: accelerating the exchange of information among young architects in Europe.It is first and foremost a guide containing facts and figures, tips and(...)
Wonderland : manual for emerging architects
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Wonderland manual is a cultural version of the NATO Cold War strategy of flexible response . Pursuing the military analogy, the manual is a continuation by other means of what Wonderland has been doing for the past years: accelerating the exchange of information among young architects in Europe.It is first and foremost a guide containing facts and figures, tips and experiences and as such can be seen as a handbook for European architects at the start of their careers.
Architectural Theory
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Aline B. Louchheim (1914–1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. ''When Eero met his match'' draws on the couple’s personal correspondence to reconstruct the early days of their thrilling(...)
When Eero met his match: Aline Louchheim Saarinen and the making of an architect
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Aline B. Louchheim (1914–1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. ''When Eero met his match'' draws on the couple’s personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim’s gradual takeover of Saarinen’s public narrative in the 1950s, the decade when his career soared to unprecedented heights. Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen’s work would not have been nearly as well known. Providing a new understanding of postwar architectural history in the United States, ''When Eero met his match'' is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own.
Architectural Theory
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by(...)
Contemporary Art Monographs
October 2012
Theaster Gates, 12 ballads for Huguenot House
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by migrant workers, as were so many of the houses in Gates’ own neighborhood in Chicago, and today is in a state of disrepair. Gates therefore proposed a unique architectural exchange, transporting materials from a large, dilapidated building in Chicago to renovate Huguenot House, while also reusing materials from Huguenot House to reconstruct the Chicago building. In this volume, Gates documents his plans for the exchange in 12 thematic “ballads” that elucidate the project’s rich historical and architectural resonances.
Contemporary Art Monographs
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In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg,(...)
Nothing less than literal : architecture after minimalism
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In 'Nothing less than literal : architecture after minimalism', Mark Linder shows how minimalist art of the 1960's was infiltrated with architecture, resulting in a reconfiguration of the disciplines of both art and architecture. Linder traces the exchange of concepts and techniques between architecture and art through a reading of the work of critics Clement Greenberg, Colin Rowe, Michael Fried, and the artist-writer Robert Smithson, and then locates a recuparation of "the architecture of minimalism" in the contemporary works of John Hejduk and Frank Gehry.
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December 2004, Cambridge, Mass.
Architectural Theory
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Between 1917 and 1945, a tide of hyperindustrialization washed over the United States and the Soviet Union. While the two countries remained ideologically opposed, the factories that amassed in Stalingrad, Moscow, Detroit, Buffalo, and Cleveland were strikingly similar, as were the new forms of modern work and urban and infrastructural development that supported this(...)
Architectural Theory
September 2023
Detroit-Moscow-Detroit: An architecture for industrialization, 1917-1945
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Between 1917 and 1945, a tide of hyperindustrialization washed over the United States and the Soviet Union. While the two countries remained ideologically opposed, the factories that amassed in Stalingrad, Moscow, Detroit, Buffalo, and Cleveland were strikingly similar, as were the new forms of modern work and urban and infrastructural development that supported this industrialization. Drawing on previously unknown archival materials and photographs, the essays in ''Detroit-Moscow-Detroit'' document a stunning two-way transfer of technical knowledge between the United States and the USSR that greatly influenced the built environment in both countries, upgrading each to major industrial power by the start of the Second World War. The innovative research presented here explores spatial development, manufacturing, mass production, and organizational planning across geopolitical lines to demonstrate that capitalist and communist built environments in the twentieth century were not diametrically opposed and were, on certain sites, coproduced in a period of intense technical exchange between the two world wars. A fresh account of the effects of industrialization and globalization on US and Soviet cultures, architecture, and urban history, ''Detroit-Moscow-Detroit'' will find wide readership among architects, urban designers, and scholars of architectural, urban, and twentieth-century history.
Architectural Theory
The feeling of space
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Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for(...)
The feeling of space
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Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for belonging. Using rich illustrations and examinations of art, technology, and philosophy, Bardt argues that if we can get back to first feeling space, then we can treat space as the substance that gives agency to our intersubjectivity—our exchange of conscious and unconscious thoughts.
Architectural Theory
Are we the world?
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Part six of the Design and Politics series compares the Randstad region with São Paulo, Istanbul and Detroit, and speculates about alternative visions for city planning and idealistic architectural intervention for the cities involved. Are We the World? is not only a plea for a central role for city planning, and an active exchange of ideas, but primarily for new(...)
Are we the world?
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Part six of the Design and Politics series compares the Randstad region with São Paulo, Istanbul and Detroit, and speculates about alternative visions for city planning and idealistic architectural intervention for the cities involved. Are We the World? is not only a plea for a central role for city planning, and an active exchange of ideas, but primarily for new political involvement.
Urban Theory
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136 pages : illustrations, maps, portraits ; 19 x 25 cm
Chichester : Wiley-Academy, 2001.
Beyond the plan : the transformation of personal space in housing / Stephen Willats.
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136 pages : illustrations, maps, portraits ; 19 x 25 cm
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Chichester : Wiley-Academy, 2001.
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The 19th-century German architect and artist, Karl Friedrich Schinkel, was among the great personalities in the world of architecture. Classicism and Romanticism moved towards Modern Architecture in his buildings; his ''Collection of Architectural Designs'' led the way to our contemporary understanding of the work of the architect; and as a state master building he shaped(...)
Karl Friedrich Schinkel: a meander through his life and work
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The 19th-century German architect and artist, Karl Friedrich Schinkel, was among the great personalities in the world of architecture. Classicism and Romanticism moved towards Modern Architecture in his buildings; his ''Collection of Architectural Designs'' led the way to our contemporary understanding of the work of the architect; and as a state master building he shaped the architectural culture of his time. A universal scholar and versatile artist, Schinkel led an intensive, if not boundless exchange with the society and the developments of the 19th century. The portrayal by one of the most renowned art and architectural historians of our time displays in richly illustrated thematic chapters the dialogue between Schinkel as a person, his oeuvre and his cultural world.
Architecture Monographs