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Plus célèbre pour ses motifs floraux que pour son engagement politique, William Morris (1834-1896) consacre pourtant une partie de sa vie à dénoncer les contradictions internes du capitalisme. À travers ses discours, ses utopies politiques ou sa pratique artistique, il alerte sur les effets destructeurs de l’industrialisme, tant écologiques que sociaux. Convaincu que(...)
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Summary:
Plus célèbre pour ses motifs floraux que pour son engagement politique, William Morris (1834-1896) consacre pourtant une partie de sa vie à dénoncer les contradictions internes du capitalisme. À travers ses discours, ses utopies politiques ou sa pratique artistique, il alerte sur les effets destructeurs de l’industrialisme, tant écologiques que sociaux. Convaincu que(...)
Title:
William Morris et la vie belle et créatrice
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Plus célèbre pour ses motifs floraux que pour son engagement politique, William Morris (1834-1896) consacre pourtant une partie de sa vie à dénoncer les contradictions internes du capitalisme. À travers ses discours, ses utopies politiques ou sa pratique artistique, il alerte sur les effets destructeurs de l’industrialisme, tant écologiques que sociaux. Convaincu que la beauté donne sens à l’existence, il appelle à la convivialité, à l’épanouissement personnel et à l’émancipation collective, grâce à la réappropriation des activités créatrices. Florent Bussy nous montre que sa vision d’une société fondée sur le partage plutôt que la concurrence, l’égalité plutôt que la domination, la beauté plutôt que l’artifice, la qualité plutôt que le gaspillage est une source d’inspiration inestimable pour tout projet de transformation sociale radicale.
William Morris et la vie belle et créatrice
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Plus célèbre pour ses motifs floraux que pour son engagement politique, William Morris (1834-1896) consacre pourtant une partie de sa vie à dénoncer les contradictions internes du capitalisme. À travers ses discours, ses utopies politiques ou sa pratique artistique, il alerte sur les effets destructeurs de l’industrialisme, tant écologiques que sociaux. Convaincu que la beauté donne sens à l’existence, il appelle à la convivialité, à l’épanouissement personnel et à l’émancipation collective, grâce à la réappropriation des activités créatrices. Florent Bussy nous montre que sa vision d’une société fondée sur le partage plutôt que la concurrence, l’égalité plutôt que la domination, la beauté plutôt que l’artifice, la qualité plutôt que le gaspillage est une source d’inspiration inestimable pour tout projet de transformation sociale radicale.
Subject:
Critical Theory
Critical Theory
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books
books
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231, [1] p. incl. illus., plates (part double) 24 cm.
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231, [1] p. incl. illus., plates (part double) 24 cm.
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New York, Covici, Friede [c1934]
New York, Covici, Friede [c1934]
Title:
Portrait of America, by Diego Rivera; with an explanatory text by Bertram D. Wolfe.
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Description:
231, [1] p. incl. illus., plates (part double) 24 cm.
Portrait of America, by Diego Rivera; with an explanatory text by Bertram D. Wolfe.
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Description:
231, [1] p. incl. illus., plates (part double) 24 cm.
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books
books
Publication:
New York, Covici, Friede [c1934]
New York, Covici, Friede [c1934]
Form:
books
books
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1 online resource
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Subject:
- Art and music.,
- Automation.,
- Capitalism.,
- Electronic music.,
- Historiography.,
- Racism.,
- Art et musique.,
- Automatisation.,
- Historiographie.,
- Racisme.,
- Musique électroacoustique.,
- automation.,
- historiography.,
- electronic music.,
- Discursive works.,
- Essays.,
- Criticism, interpretation, etc.,
- book.
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Publication:
[Place of publication not identified] : Primary Information, 2022.
[Place of publication not identified] : Primary Information, 2022.
Form:
books
books
Publication:
[Place of publication not identified] : Primary Information, 2022.
[Place of publication not identified] : Primary Information, 2022.
Subject:
- Art and music.,
- Automation.,
- Capitalism.,
- Electronic music.,
- Historiography.,
- Racism.,
- Art et musique.,
- Automatisation.,
- Historiographie.,
- Racisme.,
- Musique électroacoustique.,
- automation.,
- historiography.,
- electronic music.,
- Discursive works.,
- Essays.,
- Criticism, interpretation, etc.,
- book.
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$39.95
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Summary:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
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Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
Title:
Capitalism and the camera: essays on photography and extraction
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Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Capitalism and the camera: essays on photography and extraction
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$39.95
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Summary:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Description:
1 online resource
Subject:
- Politics & government.,
- anthropology,
- business,
- capital,
- capitalism,
- critical theory,
- culture,
- ecology,
- economic development,
- economic history,
- economics,
- economics books,
- economy,
- energy,
- environment,
- essays,
- evolution,
- feminism,
- finance,
- food,
- geopolitics,
- globalization,
- government,
- international politics,
- marxism,
- money,
- philosophy,
- philosophy books,
- political books,
- political philosophy,
- political science,
- political science books,
- politics,
- psychology,
- revolution,
- social,
- social justice,
- social science,
- socialism,
- society,
- sociology,
- world politics
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Publication:
Goldsmiths Press 2021.
Goldsmiths Press 2021.
Title:
Futilitarianism On Neoliberalism and the Production of Uselessnes.
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1 online resource
Futilitarianism On Neoliberalism and the Production of Uselessnes.
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Description:
1 online resource
Form:
books
books
Publication:
Goldsmiths Press 2021.
Goldsmiths Press 2021.
Subject:
- Politics & government.,
- anthropology,
- business,
- capital,
- capitalism,
- critical theory,
- culture,
- ecology,
- economic development,
- economic history,
- economics,
- economics books,
- economy,
- energy,
- environment,
- essays,
- evolution,
- feminism,
- finance,
- food,
- geopolitics,
- globalization,
- government,
- international politics,
- marxism,
- money,
- philosophy,
- philosophy books,
- political books,
- political philosophy,
- political science,
- political science books,
- politics,
- psychology,
- revolution,
- social,
- social justice,
- social science,
- socialism,
- society,
- sociology,
- world politics
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$25.95
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Summary:
24/7: Late Capitalism and the Ends of Sleep explores some of the ruinous consequences of the expanding non-stop processes of twenty-first-century capitalism. The marketplace now operates through every hour of the clock, pushing us into constant activity and eroding forms of community and political expression, damaging the fabric of everyday life.
$25.95
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Summary:
24/7: Late Capitalism and the Ends of Sleep explores some of the ruinous consequences of the expanding non-stop processes of twenty-first-century capitalism. The marketplace now operates through every hour of the clock, pushing us into constant activity and eroding forms of community and political expression, damaging the fabric of everyday life.
Title:
24/7: late capitalism and the ends of sleep
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$25.95
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Summary:
24/7: Late Capitalism and the Ends of Sleep explores some of the ruinous consequences of the expanding non-stop processes of twenty-first-century capitalism. The marketplace now operates through every hour of the clock, pushing us into constant activity and eroding forms of community and political expression, damaging the fabric of everyday life.
24/7: late capitalism and the ends of sleep
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$25.95
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Summary:
24/7: Late Capitalism and the Ends of Sleep explores some of the ruinous consequences of the expanding non-stop processes of twenty-first-century capitalism. The marketplace now operates through every hour of the clock, pushing us into constant activity and eroding forms of community and political expression, damaging the fabric of everyday life.
Subject:
Social
Social
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$47.50
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Summary:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological(...)
$47.50
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Summary:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological(...)
Title:
Plastic capitalism: contemporary art and the drive to waste
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$47.50
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Summary:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.
Plastic capitalism: contemporary art and the drive to waste
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$47.50
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Summary:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.
Subject:
Art Theory
Art Theory
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$23.95
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Summary:
"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of(...)
$23.95
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Summary:
"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of(...)
Title:
Signs and machines: capitalism and the production of subjectivity
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$23.95
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"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of subjectivity. Moving beyond the dualism of signifier and signified, Signs and Machines shows how signs act as "sign-operators" that enter directly into material flows and into the functioning of machines.
Signs and machines: capitalism and the production of subjectivity
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$23.95
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Summary:
"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of subjectivity. Moving beyond the dualism of signifier and signified, Signs and Machines shows how signs act as "sign-operators" that enter directly into material flows and into the functioning of machines.
Subject:
Critical Theory
Critical Theory
Form:
audio
audio
Title:
ELLIOT RODGER PLAYS HIMSELF.
ELLIOT RODGER PLAYS HIMSELF.
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1 online resource.
Form:
audio
audio
Publication:
[Place of publication not identified] : New Models, 2020.
[Place of publication not identified] : New Models, 2020.
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$25.00
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Summary:
« Less is more », dit le dicton moderniste. Mais est-ce bien le cas ? À une époque où l'on nous exhorte sans cesse à faire « plus avec moins », pouvons-nous encore romantiser les prétentions du minimalisme ? Le propos d'Aureli s'exprime dans toute son actualité, alors que presque dix ans se sont écoulés depuis sa première publication : il offre un regard critique sur la(...)
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Summary:
« Less is more », dit le dicton moderniste. Mais est-ce bien le cas ? À une époque où l'on nous exhorte sans cesse à faire « plus avec moins », pouvons-nous encore romantiser les prétentions du minimalisme ? Le propos d'Aureli s'exprime dans toute son actualité, alors que presque dix ans se sont écoulés depuis sa première publication : il offre un regard critique sur la(...)
Title:
Less is Enough : Sur l'architecture et l'ascétisme
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« Less is more », dit le dicton moderniste. Mais est-ce bien le cas ? À une époque où l'on nous exhorte sans cesse à faire « plus avec moins », pouvons-nous encore romantiser les prétentions du minimalisme ? Le propos d'Aureli s'exprime dans toute son actualité, alors que presque dix ans se sont écoulés depuis sa première publication : il offre un regard critique sur la pratique architecturale et sur les questions fondamentales de la discipline, que ce soit dans le passé ou pour notre avenir, en démasquant habilement l'hypocrisie du capitalisme latent qui esthétise l'ascétisme, tout en continuant de regarder avec espoir la possibilité de conserver l'idée du « less » comme point de départ. Il se veut donc le témoin d'une époque où le cadre théorique et critique de l'architecture nécessitent une profonde reconfiguration.
Less is Enough : Sur l'architecture et l'ascétisme
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$25.00
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Summary:
« Less is more », dit le dicton moderniste. Mais est-ce bien le cas ? À une époque où l'on nous exhorte sans cesse à faire « plus avec moins », pouvons-nous encore romantiser les prétentions du minimalisme ? Le propos d'Aureli s'exprime dans toute son actualité, alors que presque dix ans se sont écoulés depuis sa première publication : il offre un regard critique sur la pratique architecturale et sur les questions fondamentales de la discipline, que ce soit dans le passé ou pour notre avenir, en démasquant habilement l'hypocrisie du capitalisme latent qui esthétise l'ascétisme, tout en continuant de regarder avec espoir la possibilité de conserver l'idée du « less » comme point de départ. Il se veut donc le témoin d'une époque où le cadre théorique et critique de l'architecture nécessitent une profonde reconfiguration.
Subject:
Architectural Theory
Architectural Theory