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What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a(...)
101 things to learn in art school
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What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection. The book offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Art Theory
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
Architecture since 1900, Americas
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Food appears everywhere in the arts. But what happens after viewers carry food away in the intestinal networks activated by social practice art, the same way digestion turns food into a body? Exploring the emerging field of metabolic arts, "After eating" claims digestion and metabolism as key cultural, creative, and political processes that demand attention. Taking an(...)
After eating: Metabolizing the arts
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Food appears everywhere in the arts. But what happens after viewers carry food away in the intestinal networks activated by social practice art, the same way digestion turns food into a body? Exploring the emerging field of metabolic arts, "After eating" claims digestion and metabolism as key cultural, creative, and political processes that demand attention. Taking an artist-centered approach to nutrition, Lindsay Kelley cultivates a neglected middle ground between the everyday and the scientific, using metabolism as a lens through which to read and write about art. Divided into two parts and full of playful chapter titles such as "Food Babies" and "Poop Circus," After Eating investigates multiple facets of the sociocultural implications of body image and body process in body art from the 1970s to the present. By engaging the notion of "after" as an artistic homage or tribute, metabolism moves beyond the cell to transform into a method for responding to the most difficult cultural, philosophical, and political challenges of the contemporary moment. Metabolic reading rethinks feminist, queer, bioart, installation, and performance projects, providing artists, students, and teachers with new pathways into art theory.
Food
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"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of(...)
Horror in architecture: The reanimated edition
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"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of horror as a serious aesthetic category, "Horror in architecture" establishes incisive links between contemporary horror media and its parallel traits found in various architectural designs. Through chapters dedicated to distorted and monstrous buildings, abandoned spaces, extremes of scale, and other structural peculiarities, and featuring new essays on insurgent natures, blobs, and architectural puppets, this volume brings together diverse architectural anomalies and shows how their unsettling effects deepen our fascination with the unreal. Intended for both horror fans and students of visual culture, Horror in Architecture turns a unique lens on the relationship between the human body and the artificial landscapes it inhabits. Extensively illustrated with photographs, film stills, and diagrams, this book retrieves horror from the cultural fringes and demonstrates how its attributes permeate the modern condition and the material world.
Architectural Theory
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Many of the projects described in the "Handbook" have combined innovative architectural training with cross-cultural immersion, social activism, and environmental science, using design skills (and where appropriate) hands-on construction projects to confront poverty and urgent social problems. Often involving community members and students, these case studies promote(...)
Architecture since 1900, Europe
July 2005, Los Angeles
Cityworks Los Angeles : handbook
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Many of the projects described in the "Handbook" have combined innovative architectural training with cross-cultural immersion, social activism, and environmental science, using design skills (and where appropriate) hands-on construction projects to confront poverty and urgent social problems. Often involving community members and students, these case studies promote maximum use of recycled or inexpensive, locally available materials, as well as lighting and energy systems that reduce utility costs and promote resource conservation. Not all the projects are specific to the City of Los Angeles, but they are examples of the types of projects CITYWORKSLA hopes to develop. Our aim is that the case studies assembled within the "Handbook" will serve as models for making architectural education relevant to urgent social problems, helping communities mobilize indigenous resources and social capital to develop long-term sustainable practices that protect, rather than erode, cultural identity, dignity, and stability. Edited by Elizabeth Martin with articles by : Peter Aesbacher, Chantal Aquin, Monique Birault, John Cary, Jeanine Centuori, Joaquin Herranz, Jr., Maria-Rosario Jackson, Florence Kabwasa-Green, Bruce Lindsey, Vic Liptak, Elizabeth Martin, Ken McCown, William McDonough, Russell Rock, Leslie Thomas, John Quale.
Architecture since 1900, Europe
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Between 2022 and 2024, Alec Soth visited twenty-five undergraduate art programmes across the United States. "Advice for Young Artists" comprises work he made there. Its title – perhaps like the visits themselves – is misleading: rather than wisdom or guidance, Soth offers an angular and unresolved reflection on artmaking at different stages of life and the relations of(...)
Alec Soth: Advice for young artists
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Between 2022 and 2024, Alec Soth visited twenty-five undergraduate art programmes across the United States. "Advice for Young Artists" comprises work he made there. Its title – perhaps like the visits themselves – is misleading: rather than wisdom or guidance, Soth offers an angular and unresolved reflection on artmaking at different stages of life and the relations of photography, time, and ageing. The photographs here range from formal studies evocative of the classroom to more unruly works of self-expression. Ambiguous stagings, found forms, and lyrical portraits are interspersed with gnomic quotes and unfinished credos scrawled on Post-its. Among the students, Soth himself appears at intervals, an uncertain sage in their midst. Inspired by Walker Evans’s late Polaroids, this latest body of work reveals a new expansion of Soth’s practice and a new vantage, twenty years on from the publication of his first book. Recalling the conceit of Broken Manual, it uses an instructional format as a spurious cover for introspection and provocation. As much as a study of the experience of the young artist, this is a reckoning with the prospect of becoming an old one.
Photography monographs
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"At the edge" is a rich and evocative call to action at a time when new ideas are urgently needed. Mandatory reading for policy analysts and decision makers in the public, private, and volunteer sectors, it will be equally useful to scholars, teachers, students, and others interested in creating sustainable societies. Throughout the world, biophysical evidence is mounting(...)
At the edge : sustainable development in the 21st century
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"At the edge" is a rich and evocative call to action at a time when new ideas are urgently needed. Mandatory reading for policy analysts and decision makers in the public, private, and volunteer sectors, it will be equally useful to scholars, teachers, students, and others interested in creating sustainable societies. Throughout the world, biophysical evidence is mounting that human growth and activity patterns are slowly destroying the earth. This ecological deterioration is accompanied by similar social and economic decline, with potentially grave consequences for the continued existence of human societies. Yet, as Ann Dale compassionately argues, it is not too late to take action. Hope lies in sustainable development - the fundamental human imperative of the 21st century. Sustainable development, in Dale's view, is the process of reconciling three imperatives: the ecological, the social, and the economic. Equitable access to resources in all three spheres is fundamental to the global realization of sustainable development. This will not be realized without strong leadership by governments at all levels. Ultimately needed is a new framework for governance based on human responsibility and a recognition of the interconnectedness of human and natural systems.
Green Architecture
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many(...)
Graphic Designers, Monographs
October 2005, New York
Chip Kidd : work : 1986-2006, book one
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students.
Graphic Designers, Monographs
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Western society is being terrorized by fear. Whether concerning national security, road safety or the protection of public health, every form of risk is meant to be spread, accounted for or eradicated. The safety and security obsession is leaving behind ever more visible traces, especially in public space. Speed bumps, smoke-free zones and surveillance cameras serve a(...)
Fear & space : the view of young designers in the Netherlands
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Western society is being terrorized by fear. Whether concerning national security, road safety or the protection of public health, every form of risk is meant to be spread, accounted for or eradicated. The safety and security obsession is leaving behind ever more visible traces, especially in public space. Speed bumps, smoke-free zones and surveillance cameras serve a society where prevention is the order of the day. This second book in the Group portraits series -a collaboration between the Netherlands architecture fund and the Netherlands foundation for visual arts, design and architecture (Fonds BKVB) - once again brings together four groups of young designers around a highly topical theme. As a sequel to the successful "City branding" book, this publication explores the various aspects of fear and prevention and considers the impact on contemporary urban space in four chapters. All the stops are pulled out: text, photography, research and design alternate in a thought-provoking sequence. This publication is the result of intensive research into the presence of fear in our Western society and the role that architecture might play herein. It is therefore an instrument for students, researchers, architects and policy-makers who are concerned with security issues.
Architectural Theory
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What are the unique characteristics that make a house Colonial or Craftsman, Modern or Deco, or any of the other approximately 20 styles of domestic architecture common in the United States? At a time of near-obsessive attention to home design and renovation, this compact, easily accessible guide - the only book of its kind with all colour photography - makes the(...)
The Abrams guide to American house styles
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What are the unique characteristics that make a house Colonial or Craftsman, Modern or Deco, or any of the other approximately 20 styles of domestic architecture common in the United States? At a time of near-obsessive attention to home design and renovation, this compact, easily accessible guide - the only book of its kind with all colour photography - makes the identification of house styles a breeze. Each style is described by author William Morgan, a Pulitzer Prize-nominated architectural historian, in a short historical summary, alongside a list of its distinguishing features. Multiple examples of each house style are provided - the book includes 350 houses from more than 40 states - so the reader can see the region-specific variations. Complementing the beautiful colour photographs is a selection of line drawings highlighting each style's key attributes. Both at the desk and in the field, for a wide audience of discerning house hunters, homeowners, and realtors; architects, builders, and students; and the ever-increasing public with a seemingly insatiable curiosity about residential design, this elegant, informative, portable volume will be an invaluable resource for years to come.
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November 2004, New York
History until 1900