Event-cities 5 : poetics
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"Event-Cities 5" is the fifth and final volume in the MIT Press series documenting recent built and unbuilt projects by renowned architect Bernard Tschumi. This volume expands on the theoretical preoccupations that have shaped Tschumi's work in practice and pedagogy. In this volume, Tschumi embarks on what he calls a “poetics” that addresses both the rational elaboration(...)
Event-cities 5 : poetics
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"Event-Cities 5" is the fifth and final volume in the MIT Press series documenting recent built and unbuilt projects by renowned architect Bernard Tschumi. This volume expands on the theoretical preoccupations that have shaped Tschumi's work in practice and pedagogy. In this volume, Tschumi embarks on what he calls a “poetics” that addresses both the rational elaboration of work and the irrational eruption of inexplicable elements in architectural projects. How do chance, intuition, and analogy, among other elements, intersect with the logical play of concept, context, and program to generate innovative and informed design? Highlights of this volume include circular building projects, works with suspended gardens and floating rectangular masses, superposed structures created via surrealist tactics, an immense educational research complex in France that hovers between building and urban design, a museum in China made from intersecting conic shapes, and a project for a cultural center in Italy that is structured as an investigation into courtyards and facades.
Architecture Monographs
Alick Phiri: Lusaka Street
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
Alick Phiri: Lusaka Street
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
Photography monographs
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Jacq. de Brouwer
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There are few architects who are as adept as the Dutch architect Jacq. de Brouwer at creating such powerful architecture with such economy of means. His work exemplifies a rare purity. The work of De Brouwer stands outside the main currents in Dutch architecture, in which there is an over-emphasis on the production of seductive superficies. From the Dutch perspective(...)
Jacq. de Brouwer
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There are few architects who are as adept as the Dutch architect Jacq. de Brouwer at creating such powerful architecture with such economy of means. His work exemplifies a rare purity. The work of De Brouwer stands outside the main currents in Dutch architecture, in which there is an over-emphasis on the production of seductive superficies. From the Dutch perspective his approach to architecture is remarkably unfashionable, perhaps even old-fashioned, while in a European context there are architects such as Cruz & Ortiz and Peter Zumthor who occupy similar positions. The abstraction of De Brouwers architecture means that his work is both unruly and intriguing. In his work he cuts to the essential core with determination and precision. He banishes all distraction, whether it be the trends and fashions in the profession, or the interference in the environment for which he is designing. This monograph provides a chronological overview of the most important works created by De Brouwer since the mid-1980s.
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November 2004, Rotterdam
Architecture Monographs
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical(...)
Juul & Frost Architects, Copenhagen : Signatur
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical and theoretical approach to architecture. There is a focus on the architectonic idea, which is consistently pursued and tested throughout the entire course of the project. The origin of their work was established through the editorial responsibilities for the Danish journal of architecture, SKALA, and the running of an architectural gallery, also known as SKALA, at the end of the nineteen-eighties. In the nineteen-nineties, Juul & Frost continued working as curators of large scale urban exhibitions, symposia and workshops known as SKAZKI Architecture Forum.Comprehensively unified planning and the contextual angle stand as indispensable points of reference for Juul & Frost, regardless of the assignment's scale.
books
December 2003, Berlin
small format
Well, what is photography?
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In this accessible and eloquent book-length essay, Urs Stahel, writer, curator and co-founder of Fotomuseum Winterthur, muses on the very nature of photography. The introduction outlines the unique tension defining photography--that it shows a segment of the world and simultaneously expresses a subject's particular view of this world. This tension is the source of the(...)
Well, what is photography?
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In this accessible and eloquent book-length essay, Urs Stahel, writer, curator and co-founder of Fotomuseum Winterthur, muses on the very nature of photography. The introduction outlines the unique tension defining photography--that it shows a segment of the world and simultaneously expresses a subject's particular view of this world. This tension is the source of the medium's unique creative potential and its complex relation to truth. Stahel provides a philosophical perspective on these issues by placing them in an epistemological, social, and historical context. Chapters on industrial photography, staged and conceptual photography, and the current crisis of photojournalism provide a panoramic overview of the possibilities and challenges of photography in all of its variety, from the casual snapshot to art and commercial photography. This profound and readable essay, one of the few daring enough to address the nature of photography, is destined to become a standard work, a must read for anyone interested in thinking about photography.
Theory of Photography
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The art that has been produced in the last fifteen years has generated virtually no theoretical reflection or historial contextualization. The contrast with the previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art,(...)
Right about now: art & theory since the 1990s
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The art that has been produced in the last fifteen years has generated virtually no theoretical reflection or historial contextualization. The contrast with the previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art, Conceptual Art - they all had to have their own story. In the 1990s it was mainly the art itself and the experience it provided that were key. And yet this 'art without theory' ca, of course, be interpreted theoretically and put into a historical context. In Right about Now: Art and Theory since the 1990s and international group of renowned authors and new comers in the field has accepted the challenge and endeavoured to bring together the art and theory of the recent past. Their thought-provoking contributions revolve around six topical themes: the body, interactivity, engagement, documentary strategies, money, curating.
Art Theory
Madrid architectural guide
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This guidebook showcases 150 buildings from the past 100 years starting with one of the most influential urban projects ever: the Gran Vía. This main avenue marked a milestone for Madrid which went from being a historic city to the modern capital that it is today. This intervention had been ongoing for almost two decades with the initial phase of construction reaching(...)
Madrid architectural guide
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This guidebook showcases 150 buildings from the past 100 years starting with one of the most influential urban projects ever: the Gran Vía. This main avenue marked a milestone for Madrid which went from being a historic city to the modern capital that it is today. This intervention had been ongoing for almost two decades with the initial phase of construction reaching completion circa. 1917. A selection of the most relevant buildings thereafter until the present day sheds light on Madrid’s architecture in relation to its inherent historical context, including the need for the reconstruction of built heritage after the Spanish Civil War, the influence of the Franco dictatorship lasting for almost forty years, and the new materials and collaborative architecture that have arisen during the current economic crisis, among other aspects. Seven proposed routes lead us through the different districts that make up the city, as well as those historic epochs that have made Madrid the city it is today.
City Guides
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and(...)
Rethinking the modular: adaptable systems in architecture and design
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and the Cooper-Hewitt National Design Museum. Released as part of USM’s fiftieth-anniversary celebration of this iconic furniture design, Rethink the Modular examines the role of unit-based systems in the wider context of architecture and design. It combines previously published writings, specially commissioned essays from thinkers and innovators John Thackara and Rick Poyner, and interviews with leading figures in the design world that explain how the concept of the modular influences their work. Interspersed with visual material, the texts reveal the many possibilities created by balancing structure with flexibility, and seek to redefine the place of modularity in modern design history.
Industrial Design
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
Museology
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Studies of the radical environmental politics of the 1960s have tended to downplay the extent to which much of that countercultural intellectual and social ferment continued into the 1970s and 1980s. Canadian Countercultures and the Environment adds to our knowledge of this understudied period. This collection contributes a sustained analysis of the beginning of major(...)
Canadian countercultures and the environment
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Studies of the radical environmental politics of the 1960s have tended to downplay the extent to which much of that countercultural intellectual and social ferment continued into the 1970s and 1980s. Canadian Countercultures and the Environment adds to our knowledge of this understudied period. This collection contributes a sustained analysis of the beginning of major environmental debates in this era and examines a range of issues related to broad environmental concerns, topics which emerged as key concerns in the context of Cold War military investments and experiments, the oil crisis of the 1970s, debates over gendered roles, and the increasing attention to urban pollution and pesticide use. No other publication dealing with this period covers the wide range of environmental topics (among others, activism, midwifery, organic farming, recycling, urban cycling, and communal living) or geographic locales, from Yukon to Atlantic Canada. Together, they demonstrate how this period influenced and informed environmental action and issues in ways that have had a long-term impact on Canadian society.
Architecture in Canada