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journals and magazines
journals and magazines
Title:
Texte zur Kunst 98: media
Texte zur Kunst 98: media
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Going beyond discussions of post-Net production in the digital realm, this issue invites in the ghost of Friedrich Kittler to address “media” via the nexus of its fraught theoretical legacy – ’90s techno-determinism versus the biopolitical forces of capital in the social field. What if, rather than writing a social history of media, we thought through media to read our(...)
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Going beyond discussions of post-Net production in the digital realm, this issue invites in the ghost of Friedrich Kittler to address “media” via the nexus of its fraught theoretical legacy – ’90s techno-determinism versus the biopolitical forces of capital in the social field. What if, rather than writing a social history of media, we thought through media to read our(...)
Title:
Texte zur Kunst 98: media
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Going beyond discussions of post-Net production in the digital realm, this issue invites in the ghost of Friedrich Kittler to address “media” via the nexus of its fraught theoretical legacy – ’90s techno-determinism versus the biopolitical forces of capital in the social field. What if, rather than writing a social history of media, we thought through media to read our social sphere? The fallout is recombined here as a framework for engaging, and perhaps upending, contemporary relations of body, class, and power and the devices and cultural techniques by which they are bound.
Texte zur Kunst 98: media
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$35.00
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Summary:
Going beyond discussions of post-Net production in the digital realm, this issue invites in the ghost of Friedrich Kittler to address “media” via the nexus of its fraught theoretical legacy – ’90s techno-determinism versus the biopolitical forces of capital in the social field. What if, rather than writing a social history of media, we thought through media to read our social sphere? The fallout is recombined here as a framework for engaging, and perhaps upending, contemporary relations of body, class, and power and the devices and cultural techniques by which they are bound.
Form:
journals and magazines
journals and magazines
Publication:
October 2015
October 2015
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps(...)
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Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps(...)
Title:
Texte zur Kunst 97: bohème/bohemia
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Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps the real displacement and disenfranchisement after which romantic notions of “bohemia” were later formed may again be a very real threat?
Texte zur Kunst 97: bohème/bohemia
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Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps the real displacement and disenfranchisement after which romantic notions of “bohemia” were later formed may again be a very real threat?
Form:
journals and magazines
journals and magazines
Publication:
April 2015
April 2015
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel,(...)
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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel,(...)
Title:
Texte zur Kunst 96: the gallerists
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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel, and a constant presence at fairs, this art world protagonist has in turn, adapted their role to accommodate these pressures. In light of this, what, today, can we make of the “good” gallerist carefully establishing a stable of artists, “placing” their work over time in particular institutional and private collections? And if a market taking place independently of gallerists is indeed increasing, how then does this affect the established mechanisms of validation and canonization?
Texte zur Kunst 96: the gallerists
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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel, and a constant presence at fairs, this art world protagonist has in turn, adapted their role to accommodate these pressures. In light of this, what, today, can we make of the “good” gallerist carefully establishing a stable of artists, “placing” their work over time in particular institutional and private collections? And if a market taking place independently of gallerists is indeed increasing, how then does this affect the established mechanisms of validation and canonization?
Form:
journals and magazines
journals and magazines
Publication:
December 2014
December 2014
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$31.95
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Title:
Science of the secondary 5: door
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
Science of the secondary 5: door
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
Form:
journals and magazines
journals and magazines
Publication:
October 2015
October 2015
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$28.00
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Summary:
For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
$28.00
(available in store)
Summary:
For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Title:
Science of the secondary 6: pipe
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$28.00
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Summary:
For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
Science of the secondary 6: pipe
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Price:
$28.00
(available in store)
Summary:
For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
Form:
journals and magazines
journals and magazines
Publication:
October 2015
October 2015
Subject:
Magazines
Magazines
Form:
books
books
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$85.00
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Summary:
Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within(...)
$85.00
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Summary:
Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within(...)
Title:
Reza Shafahi, Diary of a gambler
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Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within a stand-alone volume, celebrating the full scope of his artistic practice. Edited by Jina Khayyer, ''Reza Shafahi, The Diary of a Gambler'' features a selection of art curated by Mamali and by Tony Cox, owner and founder of Club Rhubarb in New York City, where Reza had his first solo show in 2019. Apartamento magazine first told Reza’s captivating story in issue #29, and ''Reza Shafahi, the Diary of a Gambler'' is punctuated by a first-person reimagining of Khayyer’s original interview. Classic poems by Rumi, Khayyam, Saadi, and the more modern Forough Farrokhzad—clear influences on Reza’s vibrant and sensual creations—are presented here in Farsi and in English translation. Contributions by Mamali, Cox, Michael Bullock, and Martha Kirszenbaum lend further context to Reza’s artistic journey, into a world that, as Kirszenbaum notes, shines with ‘a touch of glow and softness.’
Reza Shafahi, Diary of a gambler
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$85.00
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Summary:
Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within a stand-alone volume, celebrating the full scope of his artistic practice. Edited by Jina Khayyer, ''Reza Shafahi, The Diary of a Gambler'' features a selection of art curated by Mamali and by Tony Cox, owner and founder of Club Rhubarb in New York City, where Reza had his first solo show in 2019. Apartamento magazine first told Reza’s captivating story in issue #29, and ''Reza Shafahi, the Diary of a Gambler'' is punctuated by a first-person reimagining of Khayyer’s original interview. Classic poems by Rumi, Khayyam, Saadi, and the more modern Forough Farrokhzad—clear influences on Reza’s vibrant and sensual creations—are presented here in Farsi and in English translation. Contributions by Mamali, Cox, Michael Bullock, and Martha Kirszenbaum lend further context to Reza’s artistic journey, into a world that, as Kirszenbaum notes, shines with ‘a touch of glow and softness.’
Form:
books
books
Publication:
May 2023
May 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$41.50
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Summary:
Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are(...)
$41.50
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Summary:
Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are(...)
Title:
Here: Where the black designers are
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$41.50
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Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are urgent to the design profession: Where did they originate? Where have they been? Why haven't they been represented in design histories and canons? Holmes-Miller traces her development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design, Maryland Institute College of Art, and Pratt, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television, as well as the story of her later critiques of the industry in the design press, most notably in Print magazine. Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers.
Here: Where the black designers are
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Price:
$41.50
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Summary:
Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: "Where are the Black designers?" along with related questions that are urgent to the design profession: Where did they originate? Where have they been? Why haven't they been represented in design histories and canons? Holmes-Miller traces her development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design, Maryland Institute College of Art, and Pratt, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television, as well as the story of her later critiques of the industry in the design press, most notably in Print magazine. Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Design Theory
Design Theory
Form:
books
books
Title:
Warhol's dream
Warhol's dream
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$26.00
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Summary:
"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star(...)
$26.00
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Summary:
"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star(...)
Subject:
Art Theory
Art Theory
Publication:
January 1900, Paris Zurich
January 1900, Paris Zurich
Title:
Warhol's dream
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$26.00
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Summary:
"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star Palace, on 37th and Madison. And there, sitting alone at the window was, believe it or not, Robert Smithson, who I've met a few times. They all think he's a genius. But I still can't get through the stuff he writes in Artforum. I get a headache almost right away." Saul Anton, an Editor-at-Large at Cabinet magazine who has written for Salon and Artforum, among other publications, describes an imaginary encounter between Robert Smithson and Andy Warhol, drifting together for a day through an empty New York City, talking about entropy, glamour, science fiction, cinema and the art of their times. Published in conjunction with les Presses du reel, this highly informative and witty essay on both artists' works in the form of a fiction could be considered a contemporary Platonic Symposium.
Warhol's dream
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$26.00
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Summary:
"12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star Palace, on 37th and Madison. And there, sitting alone at the window was, believe it or not, Robert Smithson, who I've met a few times. They all think he's a genius. But I still can't get through the stuff he writes in Artforum. I get a headache almost right away." Saul Anton, an Editor-at-Large at Cabinet magazine who has written for Salon and Artforum, among other publications, describes an imaginary encounter between Robert Smithson and Andy Warhol, drifting together for a day through an empty New York City, talking about entropy, glamour, science fiction, cinema and the art of their times. Published in conjunction with les Presses du reel, this highly informative and witty essay on both artists' works in the form of a fiction could be considered a contemporary Platonic Symposium.
Form:
books
books
Publication:
January 1900, Paris Zurich
January 1900, Paris Zurich
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Mary Ellen Mark: Encounters
Mary Ellen Mark: Encounters
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$73.00
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Summary:
The images of American photographer Mary Ellen Mark are icons of documentary and humanistic photography. Focusing her camera on the socially disadvantaged and those on the fringes of society, she told the stories of her protagonists without prejudice. In the context of the emerging women’s movement in the USA during the 1960s and 70s, and as a freelance photographer at a(...)
$73.00
(available to order)
Summary:
The images of American photographer Mary Ellen Mark are icons of documentary and humanistic photography. Focusing her camera on the socially disadvantaged and those on the fringes of society, she told the stories of her protagonists without prejudice. In the context of the emerging women’s movement in the USA during the 1960s and 70s, and as a freelance photographer at a(...)
Title:
Mary Ellen Mark: Encounters
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$73.00
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Summary:
The images of American photographer Mary Ellen Mark are icons of documentary and humanistic photography. Focusing her camera on the socially disadvantaged and those on the fringes of society, she told the stories of her protagonists without prejudice. In the context of the emerging women’s movement in the USA during the 1960s and 70s, and as a freelance photographer at a time when print media was suffering its first major crisis, Mark fought her way to the forefront of female voices in photojournalism. Encounters provides an expansive cross-section of the photographer’s full body of work. The book focuses on five iconic series that contributed significantly to Mark’s reputation: Ward 81 in which she photographed residents at an Oregon psychiatric hospital for women; a reportage on prostitutes on Falkland Road in Mumbai; a tribute to Mother Teresa’s charitable work; Indian Circus, documenting traveling circus families; and the long-term project Streetwise, in which Mark followed the life of Erin Blackwell (Tiny) for more than 30 years. For the first time, this book contextualizes these works within Mark’s œuvre and presents them alongside original magazine spreads and archival material—including contact sheets, letters and notebooks—to reveal the breadth of her accomplishments and singularly compassionate eye.
Mary Ellen Mark: Encounters
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Price:
$73.00
(available to order)
Summary:
The images of American photographer Mary Ellen Mark are icons of documentary and humanistic photography. Focusing her camera on the socially disadvantaged and those on the fringes of society, she told the stories of her protagonists without prejudice. In the context of the emerging women’s movement in the USA during the 1960s and 70s, and as a freelance photographer at a time when print media was suffering its first major crisis, Mark fought her way to the forefront of female voices in photojournalism. Encounters provides an expansive cross-section of the photographer’s full body of work. The book focuses on five iconic series that contributed significantly to Mark’s reputation: Ward 81 in which she photographed residents at an Oregon psychiatric hospital for women; a reportage on prostitutes on Falkland Road in Mumbai; a tribute to Mother Teresa’s charitable work; Indian Circus, documenting traveling circus families; and the long-term project Streetwise, in which Mark followed the life of Erin Blackwell (Tiny) for more than 30 years. For the first time, this book contextualizes these works within Mark’s œuvre and presents them alongside original magazine spreads and archival material—including contact sheets, letters and notebooks—to reveal the breadth of her accomplishments and singularly compassionate eye.
Form:
books
books
Publication:
December 2023
December 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
2 G Eduardo Arroyo
2 G Eduardo Arroyo
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$46.95
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Summary:
In recent years the Madrid school has gone through a renewal that is generating an architecture which is especially interested in what is done on the other side of the Spanish frontier. Without losing sight of a rich local tradition, the many different architecture studios of Madrid -like Ábalos and Herreros, Tuñón and Mansilla, Soriano and Palacios, Cero9, Acebo and(...)
$46.95
(available in store)
Summary:
In recent years the Madrid school has gone through a renewal that is generating an architecture which is especially interested in what is done on the other side of the Spanish frontier. Without losing sight of a rich local tradition, the many different architecture studios of Madrid -like Ábalos and Herreros, Tuñón and Mansilla, Soriano and Palacios, Cero9, Acebo and(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
April 2007, Barcelona
April 2007, Barcelona
Title:
2 G Eduardo Arroyo
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Summary:
In recent years the Madrid school has gone through a renewal that is generating an architecture which is especially interested in what is done on the other side of the Spanish frontier. Without losing sight of a rich local tradition, the many different architecture studios of Madrid -like Ábalos and Herreros, Tuñón and Mansilla, Soriano and Palacios, Cero9, Acebo and Alonso, Aranguren and Gallegos, Nieto and Sobejano- are displaying a much fresher and more active approach in terms of defining new advances for contemporary Spanish architecture than their compatriots of the Barcelona School. As part of this, Eduardo Arroyo and the members of the Madrid studio no.mad arquitectos occupy an important place within the new Spanish architecture. Despite having built very little (a day nursery in Sondika, a square and a stadium in Barakaldo, and a single-family house on the outskirts of Madrid), Eduardo Arroyo is a key figure for understanding the new directions that not only Spanish, but also European, architecture is taking. This new 41st issue of the magazine 2G presents all his studio’s built work and some of its more recent projects, a total oeuvre that moves between the fiercest pragmatism and rigour, a playful geometry, the value of architecture as part of the landscape, and constructional responsibility.
2 G Eduardo Arroyo
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Price:
$46.95
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Summary:
In recent years the Madrid school has gone through a renewal that is generating an architecture which is especially interested in what is done on the other side of the Spanish frontier. Without losing sight of a rich local tradition, the many different architecture studios of Madrid -like Ábalos and Herreros, Tuñón and Mansilla, Soriano and Palacios, Cero9, Acebo and Alonso, Aranguren and Gallegos, Nieto and Sobejano- are displaying a much fresher and more active approach in terms of defining new advances for contemporary Spanish architecture than their compatriots of the Barcelona School. As part of this, Eduardo Arroyo and the members of the Madrid studio no.mad arquitectos occupy an important place within the new Spanish architecture. Despite having built very little (a day nursery in Sondika, a square and a stadium in Barakaldo, and a single-family house on the outskirts of Madrid), Eduardo Arroyo is a key figure for understanding the new directions that not only Spanish, but also European, architecture is taking. This new 41st issue of the magazine 2G presents all his studio’s built work and some of its more recent projects, a total oeuvre that moves between the fiercest pragmatism and rigour, a playful geometry, the value of architecture as part of the landscape, and constructional responsibility.
Form:
books
books
Publication:
April 2007, Barcelona
April 2007, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
