British Watchtowers
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Summary:
Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of(...)
British Watchtowers
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$28.95
(available in store)
Summary:
Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of watchtowers to survey the occupied territories of Northern Ireland. These high tech towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a 30-year conflict in and over Northern Ireland, euphemistically called "The Troubles." The Towers were finally demolished between 2003 and 2007 as part of the British government's "demilitarization" program for Northern Ireland. For over a year Donovan Wylie photographed these towers, working entirely from an elevated position enabled by military helicopter, observing the observers and ensuring that their actions were not forgotten.
Photography monographs
Edward Burtynsky: Salt pans
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"Salt Pans" is Edward Burtynsky’s newest book in his acclaimed ongoing series of photographs exploring different industrialized landscapes across the world. Consisting of 31 aerial photos of the salt pans in the Little Rann of Kutch, India, the project is the result of months of intricate negotiations and preparations. These striking geometric images, taken in an intense(...)
Edward Burtynsky: Salt pans
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$95.00
(available to order)
Summary:
"Salt Pans" is Edward Burtynsky’s newest book in his acclaimed ongoing series of photographs exploring different industrialized landscapes across the world. Consisting of 31 aerial photos of the salt pans in the Little Rann of Kutch, India, the project is the result of months of intricate negotiations and preparations. These striking geometric images, taken in an intense ten-day period during which Burtynsky photographed from a helicopter, present the pans, wells and vehicle tracks as abstract, painterly patterns: subtly colored rectangles crossed by grids of gestural lines. And yet the reality behind the ironic beauty of Burtynsky’s pictures is a harsh one. Each year 100,000 poorly paid Agariya workers toil in the pans, extracting over a million tons of salt from the floodwaters of the nearby Arabian Sea. Furthermore, receding groundwater levels, combined with debt, diminishing market values as well as a lack of governmental support, threaten the future of this 400-year-old tradition and the lives dependent on it.
Photography monographs
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Summary:
In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine was also built. Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in(...)
Contemporary Art Monographs
January 1900, London
Making art work : the Mike Smith Studio
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In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine was also built. Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in London furnishes the architecture for the most pressing installations and sculptures of young British artists. He is the carborundum that enables the best artists working in Britain today to realize their work - Rachel Whiteread's monument in Trafalgar Square is a testament to his work. The painter Patsy Craig has unravelled the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. She has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio. They are a diary and vade mecum of the construction of a significant theory in current British art. It is an assembly of the very templates of the thinking, design and creation of art in Britain today.
Contemporary Art Monographs