5738 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
R&Sie(n) project records
R&Sie(n) project records
Actions:
Reference number:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
People:
Date:
2005-2015
2005-2015
Title:
R&Sie(n) project records
Actions:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
R&Sie(n) project records
Actions:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2005-2015
2005-2015
People:
Form:
exhibitions
exhibitions
Title:
Empire
Empire
Actions:
Description:
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
8 December 2005 to 12 March 2006
8 December 2005 to 12 March 2006
Title:
Empire
Actions:
Description:
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Empire
Actions:
Description:
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Form:
exhibitions
exhibitions
Date:
8 December 2005 to
12 March 2006
8 December 2005 to
12 March 2006
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
Date:
11 August 2016, 6pm
11 August 2016, 6pm
Title:
Visiting Scholar Seminar: Cara Rachele
Actions:
Description:
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
Visiting Scholar Seminar: Cara Rachele
Actions:
Description:
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
Form:
events
events
Date:
11 August 2016
6pm
11 August 2016
6pm
Form:
research
research
Title:
Visiting Scholars 2010
Visiting Scholars 2010
Actions:
Description:
Nicholas Adams, Vassar College, Poughkeepsie, United States Topic: Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, United States Topic: Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Topic: Le(...)
Nicholas Adams, Vassar College, Poughkeepsie, United States Topic: Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, United States Topic: Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Topic: Le(...)
Date:
9 March 2010 to 15 August 2010
9 March 2010 to 15 August 2010
Title:
Visiting Scholars 2010
Actions:
Description:
Nicholas Adams, Vassar College, Poughkeepsie, United States Topic: Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, United States Topic: Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Topic: Le(...)
Visiting Scholars 2010
Actions:
Description:
Nicholas Adams, Vassar College, Poughkeepsie, United States Topic: Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, United States Topic: Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Topic: Le(...)
Form:
research
research
Date:
9 March 2010 to
15 August 2010
9 March 2010 to
15 August 2010
Form:
exhibitions
exhibitions
Title:
Speed Limits
Speed Limits
Actions:
Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Location:
Main galleries
Main galleries
Date:
20 May 2009 to 8 November 2009
20 May 2009 to 8 November 2009
Title:
Speed Limits
Actions:
Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Speed Limits
Actions:
Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Form:
exhibitions
exhibitions
Date:
20 May 2009 to
8 November 2009
20 May 2009 to
8 November 2009
Location:
Main galleries
Main galleries
Form:
photographs
Quantity:
14 File
photographs
Quantity:
14 File
Actions:
Reference number:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
People:
Date:
1967
1967
Title:
Coloured slides of the Pavilions of Trinidad & Tobago, and Grenada, of India, of the Katimavik and of the Steel Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Coloured slides of the Pavilions of Trinidad & Tobago, and Grenada, of India, of the Katimavik and of the Steel Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH261938
Description:
The case contains slides of the Pavilion of Trinidad & Tobago (4), of the Pavilion of India (2, + 3 incorrectly identified as Mexico, + 1 incorrectly identified as Habitat 67 [the grey scale drawing at the right is a representation of the same monument found in front of the Indian Pavilion] = 6), of the Steel Pavilion (1) and of the [Katimavik] (3)***. ***The Katimavik is inscribed on the case ARCH262025, however the corresponding slides are located in case ARCH261938 since there is no space to store them in ARCH262025.
Form:
photographs
Quantity:
14 File
photographs
Quantity:
14 File
Date:
1967
1967
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Location:
Main galleries
Main galleries
Date:
19 July 1994 to 25 September 1994
19 July 1994 to 25 September 1994
Title:
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Form:
exhibitions
exhibitions
Date:
19 July 1994 to
25 September 1994
19 July 1994 to
25 September 1994
Location:
Main galleries
Main galleries
Level of archival description:
Sub-series
Sub-series
Title:
Virtools files
Virtools files
Actions:
Reference number:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
People:
Date:
1995-2013
1995-2013
Title:
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Level of archival description:
Subseries
Subseries
Date:
1995-2013
1995-2013
People:
Form:
works of art
works of art
Actions:
Reference number:
ARCH160308
Description:
Inclus une esquisse, encre bleu sur céramique blanche, représentant la façade du village olympique signée au verso Roger D'Astous et Luc Durand, dans un étui en cuir brun. Une représentation, couleur or sur céramique blanche, de la façade du village olympique, signée Roger D'Astous et Luc Durand, dans un étui en cuir brun.
ARCH160308
Description:
Inclus une esquisse, encre bleu sur céramique blanche, représentant la façade du village olympique signée au verso Roger D'Astous et Luc Durand, dans un étui en cuir brun. Une représentation, couleur or sur céramique blanche, de la façade du village olympique, signée Roger D'Astous et Luc Durand, dans un étui en cuir brun.
People:
Date:
circa 1974
circa 1974
Title:
Esquisses représentant la façade du village olympique
Actions:
ARCH160308
Description:
Inclus une esquisse, encre bleu sur céramique blanche, représentant la façade du village olympique signée au verso Roger D'Astous et Luc Durand, dans un étui en cuir brun. Une représentation, couleur or sur céramique blanche, de la façade du village olympique, signée Roger D'Astous et Luc Durand, dans un étui en cuir brun.
Esquisses représentant la façade du village olympique
Actions:
ARCH160308
Description:
Inclus une esquisse, encre bleu sur céramique blanche, représentant la façade du village olympique signée au verso Roger D'Astous et Luc Durand, dans un étui en cuir brun. Une représentation, couleur or sur céramique blanche, de la façade du village olympique, signée Roger D'Astous et Luc Durand, dans un étui en cuir brun.
Form:
works of art
works of art
Date:
circa 1974
circa 1974
People:
Form:
textual records
textual records
Title:
Kenneth Frampton writings M
Kenneth Frampton writings M
Actions:
Reference number:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
People:
Date:
circa 1980-2016
circa 1980-2016
Title:
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Form:
textual records
textual records
Date:
circa 1980-2016
circa 1980-2016
People:
