On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
16 March 2017
Here It Is Toxic, There It Is Not
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On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
textual records
Cahiers de notes
ARCH258594
Description:
Cuir noir et verte: notes sur automobiles et un calendrier d'un voyage en France et Espagne (1er oct. à 8 nov.); cuir noir: vierge; 2 cuir rouge et un calepin noir: notes et croquis; un calepin bleu-vert: notes et calculs manuscrites sur poutres, arcs, etc.
1920-1929
Cahiers de notes
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ARCH258594
Description:
Cuir noir et verte: notes sur automobiles et un calendrier d'un voyage en France et Espagne (1er oct. à 8 nov.); cuir noir: vierge; 2 cuir rouge et un calepin noir: notes et croquis; un calepin bleu-vert: notes et calculs manuscrites sur poutres, arcs, etc.
textual records
1920-1929
Siza Speaks
Portuguese architect and Pritzker prize-winner Álvaro Siza presents a rare lecture in North America on the design development of the Iberê Camargo Museum in Porto Alegre, a structure noted for its sculptural volumes and tight integration with a coastal escarpment. He discusses the key role of hand sketches in the design process, from massing studies to fine-tuning(...)
Paul-Desmarais Theater
26 April 2012 , 7pm
Siza Speaks
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Portuguese architect and Pritzker prize-winner Álvaro Siza presents a rare lecture in North America on the design development of the Iberê Camargo Museum in Porto Alegre, a structure noted for its sculptural volumes and tight integration with a coastal escarpment. He discusses the key role of hand sketches in the design process, from massing studies to fine-tuning(...)
Paul-Desmarais Theater
textual records
Dossiers d'Ernest Cormier
ARCH258578
Description:
Séparateurs et dossiers parmi les sujets: « Voyage » ; « Personnel du bureaux- demande d'emploi »; « Divers » (Correspondance diverse); « Offres diverses »; J.H. Jansen; Machines à calculer; tarifs d'honoraires Société françaises d'architectes; École des Beaux-arts (association); Canadian Engineering Standard Association; Civil service architects.
1921-1973
Dossiers d'Ernest Cormier
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ARCH258578
Description:
Séparateurs et dossiers parmi les sujets: « Voyage » ; « Personnel du bureaux- demande d'emploi »; « Divers » (Correspondance diverse); « Offres diverses »; J.H. Jansen; Machines à calculer; tarifs d'honoraires Société françaises d'architectes; École des Beaux-arts (association); Canadian Engineering Standard Association; Civil service architects.
textual records
1921-1973
Photographers Clara Gutsche and David Miller offer their vision of the industrial landscape and architecture surrounding the urban historical site of Lachine Canal in Montréal. The Canal, which is over one hundred years old, suffered a long period of neglect after having played a key role in the development of Canadian industry. Fifteen years after the waterway closed,(...)
Octagonal gallery
15 July 1992 to 22 November 1992
An Industrial Landscape Observed: The Lachine Canal
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Photographers Clara Gutsche and David Miller offer their vision of the industrial landscape and architecture surrounding the urban historical site of Lachine Canal in Montréal. The Canal, which is over one hundred years old, suffered a long period of neglect after having played a key role in the development of Canadian industry. Fifteen years after the waterway closed,(...)
Octagonal gallery
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Octagonal gallery
23 October 2008 to 15 February 2009
Toplight: Roof Transparencies from 1760 to 1960
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Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Octagonal gallery
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Main galleries
13 March 1991 to 2 June 1991
Myron Goldsmith: Poet of Structure
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Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Main galleries
exhibitions
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Hall cases
26 February 1992 to 24 May 1992
The Architect's Sketchbook: Current Practice
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As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
exhibitions
26 February 1992 to
24 May 1992
Hall cases
Ben Bradley presents how the automobile shaped how Canadians encountered their country during the 20th century. As thousands and then millions came to know Canada by motoring, their travel patterns, viewing habits, and tastes shaped and reshaped the places they passed through. Canada’s roads came to be festooned with scenic pullouts, viewpoints, and a constellation of(...)
Paul Desmarais Theatre Keyword(s):
Canada, environment, Bradley, It's all happening so fast, roadside
23 February 2017, 6pm
Making Canada a Roadside Attraction
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Ben Bradley presents how the automobile shaped how Canadians encountered their country during the 20th century. As thousands and then millions came to know Canada by motoring, their travel patterns, viewing habits, and tastes shaped and reshaped the places they passed through. Canada’s roads came to be festooned with scenic pullouts, viewpoints, and a constellation of(...)
Paul Desmarais Theatre Keyword(s):
Canada, environment, Bradley, It's all happening so fast, roadside
Portuguese architect Álvaro Siza travelled to Peru in 1995 with his usual baggage: only a few changes of clothes, some books of poetry, and a single sketchbook. This was the toolkit he used to interpret the voyage and integrate it into his architecture. More than half a century earlier, Peruvian photographer Martín Chambi had taken his famous series of portraits of the(...)
Octagonal gallery
26 January 2012 to 29 April 2012
Alturas de Machu Picchu: Martín Chambi – Álvaro Siza at work
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Portuguese architect Álvaro Siza travelled to Peru in 1995 with his usual baggage: only a few changes of clothes, some books of poetry, and a single sketchbook. This was the toolkit he used to interpret the voyage and integrate it into his architecture. More than half a century earlier, Peruvian photographer Martín Chambi had taken his famous series of portraits of the(...)
Octagonal gallery