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Omnipresent, essential to life, the little-known living organisms that are trees have begun to generate a growing interest on behalf of the public, as evidenced by the international success of several recent books and movies devoted to the subject. Underestimated by biologists for a long time—like the entirety of the plant kingdom—in recent years they have been the(...)
Trees
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Omnipresent, essential to life, the little-known living organisms that are trees have begun to generate a growing interest on behalf of the public, as evidenced by the international success of several recent books and movies devoted to the subject. Underestimated by biologists for a long time—like the entirety of the plant kingdom—in recent years they have been the subject of scientific discoveries that have allowed us to see these organisms in a new light. Interestingly, some of these are amongst the oldest and largest members of this community of living things. Boasting sensory and motor skills, capable of communication, existing in symbiosis with other species and the climate, trees are equipped with unexpected faculties whose discovery confirms what traditional knowledge has long since incorporated. The veil has been lifted on a fascinating world—the world of ‘plant intelligence’—which could be the answer to many of today’s technological and environmental problems.
Gardens
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One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial(...)
Making a photographer: the early work of Ansel Adams
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One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’s artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice—beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.
Photography monographs
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Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical(...)
Palladio
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Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.
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January 1900
Architecture Monographs
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Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic(...)
Swiss graphic design : the origins and growth of an international style 1920-1965
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Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. This volume looks at graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline : images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. This book shows design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film.
Graphic Design and Typography
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Visiting the villas of Renaissance architect Andrea Palladio (1508-80), one inevitably asks oneself how people actually occupied them. Palladio conceived his villas as ''small towns'' (piccole città) that formed a single unit with adjacent service buildings and farm fields. Within their walls lived people of all ages, social backgrounds and skills. These buildings were(...)
Living with Palladio in the sixteenth century
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Visiting the villas of Renaissance architect Andrea Palladio (1508-80), one inevitably asks oneself how people actually occupied them. Palladio conceived his villas as ''small towns'' (piccole città) that formed a single unit with adjacent service buildings and farm fields. Within their walls lived people of all ages, social backgrounds and skills. These buildings were the venue for significant moments of public life, and the principles of hygiene, privacy and comfort, which we consider so defining and essential today, did not apply- in a sense furniture as such did not exist. ''Living with Palladio in the sixteenth century'' investigates how Palladio’s houses, their floors, rooms and measurements, were designed to structure the life of such a heterogeneous family of people. It analyses their hierarchical structure with the owner (padrone) at the top and everyone involved in the everyday running of the household (famiglia minuta) at the bottom. This book fills a decisive gap in research literature on the famous Italian architect by looking at how Palladio prioritized the domestic functions of his private buildings.
Architecture Monographs
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Like a ship cast on the shore by some Mediterranean tempest, the E 1027 house, built in 1929 by legendary Irish designer Eileen Gray with and for her architect friend Jean Badovici, was little more, seventy years later, than a desolate wreck. But since 2014 an exceptional combination of the knowledge and skills of a whole host of architects and historians, coupled with(...)
Architecture Monographs
May 2022
E 1027 : Restoring a house by the sea
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Like a ship cast on the shore by some Mediterranean tempest, the E 1027 house, built in 1929 by legendary Irish designer Eileen Gray with and for her architect friend Jean Badovici, was little more, seventy years later, than a desolate wreck. But since 2014 an exceptional combination of the knowledge and skills of a whole host of architects and historians, coupled with a harmonious collaboration between public authorities and private initiative, have succeeded in setting the building afloat again. E 1027 can now be seen with all the beauty of its original lines, a white vessel emerging from a lemon grove with its blue awning as a sail. Up till now only familiar through the black and white pictures of the albums of its time, its interiors bring together ingenious pieces of furniture and a collection of chairs, lamps and mirrors which have acquired iconic status, and which have been meticulously restored. The heart of this book is a guided tour through this resuscitated architectural masterpiece, with details of its remarkable furnishings and decoration, all illustrated with the photographs of Manuel Bougot.
Architecture Monographs
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Tour guides are a vital part of New York's raucous sidewalk culture, and, as "The Tour Guide" reveals, the tours they offer are as fascinatingly diverse - and eccentric - as the city itself. Visitors can take tours that cover Manhattan before the arrival of European settlers, the nineteenth-century Irish gangs of Five Points, the culinary traditions of Queens, the culture(...)
The tour guide: walking and talking New York
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Tour guides are a vital part of New York's raucous sidewalk culture, and, as "The Tour Guide" reveals, the tours they offer are as fascinatingly diverse - and eccentric - as the city itself. Visitors can take tours that cover Manhattan before the arrival of European settlers, the nineteenth-century Irish gangs of Five Points, the culinary traditions of Queens, the culture of Harlem, or even the surveillance cameras of Chelsea - in short, there are tours to satisfy anyone's curiosity about the city's past or present. And the guides are as intriguing as the subjects, we learn, as Jonathan R. Wynn explores the lives of the people behind the tours, introducing us to office workers looking for a diversion from their desk jobs, unemployed actors honing their vocal skills, and struggling retirees searching for a second calling. Matching years of research with his own experiences as a guide, Wynn also lays bare the grueling process of acquiring an official license and offers a how-to guide to designing and leading a tour.
City Guides
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From the early days of recreational camping in the late nineteenth century through the multitude of modern camping options available today, ''Making camp'' explores the history and evolution of the popular activity through the lens of its most important and familiar components: the campsite, the campfire, the picnic table, the map, the tent, the sleeping bag, as well as(...)
Making camp: A visual history of camping's most essential items and activities
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From the early days of recreational camping in the late nineteenth century through the multitude of modern camping options available today, ''Making camp'' explores the history and evolution of the popular activity through the lens of its most important and familiar components: the campsite, the campfire, the picnic table, the map, the tent, the sleeping bag, as well as the oft invisible systems for delivering water and managing trash. Find out how early nineteenth century German peasants fashioned rudimentary sleeping bags by burrowing into bags full of leaves for the night. Look back over several millennia to learn about the progression of tents from animal skins, goat's hair, and heavy canvas to featherweight nylon. Learn about the ways in which the skills to build and maintain a campfire have been displaced by the portable gas stove. Pinpoint the details of the essential campground map and its unique place in the camping imagination. Each chapter includes a broad range of visuals to help illustrate the rich history of camping and our collective devotion to it, including drawings, patents, diagrams, sketches, paintings, advertisements, and historical photographs.
Landscape Theory
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Phil Frost
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his(...)
Contemporary Art Monographs
May 2008, Bologna
Phil Frost
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.
books
May 2008, Bologna
Contemporary Art Monographs
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered(...)
May 2004, New York
The Chicago Architectural Club : prelude to the modern
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. "The Chicago Architecture Club : Prelude to the Modern" documents the history of these draughtsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice. Founded in 1885, when architecture was an emerging profession and formal architectural education was in its infancy, the club provided a setting where aspiring draftsmen could develop their skills by creating a professional network and participating in a lively program of lectures, design competitions, and social events. Wilbert R. Hasbrouck documents the personalities and politics of this impressive group, offering an in-depth look at the lesser-known men often largely responsible for the designs credited to their more famous employers. This volume includes hundreds of drawings and photographs. Epilogue by Stanley Tigerman.