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journals and magazines
journals and magazines
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A collection of essays, projects and interviews highlighting work by faculty, students and graduates of SCI-Arc. This issue features essays on the theme of the urban form in Los Angeles, a critique of current practice, an interview with Mike Kelley, and an investigation of the trailer park.
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A collection of essays, projects and interviews highlighting work by faculty, students and graduates of SCI-Arc. This issue features essays on the theme of the urban form in Los Angeles, a critique of current practice, an interview with Mike Kelley, and an investigation of the trailer park.
Title:
Offramp 6 - Greatness close to home
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A collection of essays, projects and interviews highlighting work by faculty, students and graduates of SCI-Arc. This issue features essays on the theme of the urban form in Los Angeles, a critique of current practice, an interview with Mike Kelley, and an investigation of the trailer park.
Offramp 6 - Greatness close to home
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$28.95
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A collection of essays, projects and interviews highlighting work by faculty, students and graduates of SCI-Arc. This issue features essays on the theme of the urban form in Los Angeles, a critique of current practice, an interview with Mike Kelley, and an investigation of the trailer park.
Form:
journals and magazines
journals and magazines
Publication:
March 1997, New York
March 1997, New York
Subject:
Magazines
Magazines
Form:
books
books
Title:
Greene & Greene
Greene & Greene
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$49.95
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a(...)
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
October 2003, London / New York
October 2003, London / New York
Title:
Greene & Greene
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Summary:
Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a powerful symbiosis, resulting in some of the most beautifully crafted houses in America. The elegant works of their peak period, such as the Gamble, Blacker and Thorsen houses, are masterful in their design and execution. No detail was overlooked: every element of the interior, including furniture, fittings and glasswork, as well as the building structure (down to pegs, air-vents and bracing) was conceived as an organic whole, and finished exquisitely. No hint of conflict was ever recorded between the gentlemanly brothers, yet their intertwined professional lives ultimately diverged into a physical separation and distinct design vocabularies. Even so, the automatic bond between the brothers was never completely severed, and they continued to consult each other on projects for the rest of their lives. This critical monograph, which charts the brothers’ careers (together and apart), is illustrated with superb new photography and draws on a wealth of previously unpublished archival material.
Greene & Greene
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a powerful symbiosis, resulting in some of the most beautifully crafted houses in America. The elegant works of their peak period, such as the Gamble, Blacker and Thorsen houses, are masterful in their design and execution. No detail was overlooked: every element of the interior, including furniture, fittings and glasswork, as well as the building structure (down to pegs, air-vents and bracing) was conceived as an organic whole, and finished exquisitely. No hint of conflict was ever recorded between the gentlemanly brothers, yet their intertwined professional lives ultimately diverged into a physical separation and distinct design vocabularies. Even so, the automatic bond between the brothers was never completely severed, and they continued to consult each other on projects for the rest of their lives. This critical monograph, which charts the brothers’ careers (together and apart), is illustrated with superb new photography and draws on a wealth of previously unpublished archival material.
Form:
books
books
Publication:
October 2003, London / New York
October 2003, London / New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
The arts of China after 1620
The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors(...)
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors(...)
Subject:
History until 1900, Asia
History until 1900, Asia
Publication:
September 2006, New Haven / London
September 2006, New Haven / London
Title:
The arts of China after 1620
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The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the 'decorative' arts rose to a prominence quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, as well as identifying repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen's skills and encouraging the cross-over of techniques from different disciplines and they present the compelling influence of Emperor Qianlong's aesthetic innovations. In architecture the vast plan and overwhelming authority of the imperial buildings contrasts with the restrained subtlety of domestic architecture and garden design where magnificent rocks were the principal feature, just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This handsome, well-illustrated book provides a scholarly and illuminating resource for all students of the arts of China.
The arts of China after 1620
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$74.95
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Summary:
The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the 'decorative' arts rose to a prominence quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, as well as identifying repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen's skills and encouraging the cross-over of techniques from different disciplines and they present the compelling influence of Emperor Qianlong's aesthetic innovations. In architecture the vast plan and overwhelming authority of the imperial buildings contrasts with the restrained subtlety of domestic architecture and garden design where magnificent rocks were the principal feature, just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This handsome, well-illustrated book provides a scholarly and illuminating resource for all students of the arts of China.
Form:
books
books
Publication:
September 2006, New Haven / London
September 2006, New Haven / London
Subject:
History until 1900, Asia
History until 1900, Asia
Form:
books
books
Title:
The photographer's cookbook
The photographer's cookbook
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$37.50
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In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that(...)
$37.50
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In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that(...)
Title:
The photographer's cookbook
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$37.50
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In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum’s collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in 'The Photographer’s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s many before they made a name for themselves as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography’s most important practitioners.
The photographer's cookbook
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$37.50
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Summary:
In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book was never published, and the materials have remained in George Eastman Museum’s collection ever since. Now, nearly 40 years later, this extensive and distinctive archive of untouched recipes and photographs is published in 'The Photographer’s Cookbook' for the first time. The book provides a time capsule of contemporary photographers of the 1970s many before they made a name for themselves as well as a fascinating look at how they depicted food, family and home, taking readers behind the camera and into the hearts and stomachs of some of photography’s most important practitioners.
Form:
books
books
Publication:
June 2016
June 2016
Subject:
Food
Food
Form:
books
books
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Description:
192 pages : illustrations ; 28 cm
Description:
192 pages : illustrations ; 28 cm
Author:
Subject:
Publication:
New York : Whitney Library of Design, 1984.
New York : Whitney Library of Design, 1984.
Title:
Architectural sketching and rendering : techniques for designers and artists / edited by Stephen Kliment ; foreword by Cesar Pelli.
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Description:
192 pages : illustrations ; 28 cm
Architectural sketching and rendering : techniques for designers and artists / edited by Stephen Kliment ; foreword by Cesar Pelli.
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Description:
192 pages : illustrations ; 28 cm
Form:
books
books
Publication:
New York : Whitney Library of Design, 1984.
New York : Whitney Library of Design, 1984.
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Form:
books
books
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Description:
8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
Description:
8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
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Subject:
Publication:
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
Title:
A history of technology / edited by Charles Singer [and others].
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Description:
8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
A history of technology / edited by Charles Singer [and others].
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Description:
8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
Form:
books
books
Publication:
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
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books
books
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$36.95
(available in store)
Summary:
Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This(...)
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Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This(...)
Title:
Activism: Whitechapel Documents of Contemporary Art
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Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art’s most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries.
Activism: Whitechapel Documents of Contemporary Art
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$36.95
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Summary:
Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art’s most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Portable architecture
Portable architecture
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$85.50
(available to order)
Summary:
Designers included in the first edition have continued to exercise their skills on new projects that are progressions from their former work. The nature of this book is that the case studies are primarily projects that have been taken to completion, however, it is of interest that several of the designers included here are currently involved in much more(...)
$85.50
(available to order)
Summary:
Designers included in the first edition have continued to exercise their skills on new projects that are progressions from their former work. The nature of this book is that the case studies are primarily projects that have been taken to completion, however, it is of interest that several of the designers included here are currently involved in much more(...)
Title:
Portable architecture
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$85.50
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Summary:
Designers included in the first edition have continued to exercise their skills on new projects that are progressions from their former work. The nature of this book is that the case studies are primarily projects that have been taken to completion, however, it is of interest that several of the designers included here are currently involved in much more ambitious projects. The Millennium Dome is also discussed in the introduction as an example of large scale portable architecture and a high profile building in the UK. The overriding purpose of this book is to show that portable buildings are eminently feasible, capable of a wide range of roles and economic to build and operate. They can also be subversive as well as sensitive, amusing as well as appropriate, energetic as well as economic. This second edition of 'Portable Architecture' includes work by two new design teams and seven new case studies to help further define the relevant characteristics of this important strand of contemporary building design. The projects completed by the two new designers introduced in this edition have been included for very difference reasons. Architects Branson Coates designed Powerhouse::UK, a temporary British products design exhibition sponsored by the UK Department of Trade and Industry represents an establishment based endorsement of a portable building. Festo KG's 'Airtecture' hall uses inflatable technology and fundamentally could not be more different, it was not reported in the main stream press yet it won many industrial design awards.
Portable architecture
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$85.50
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Summary:
Designers included in the first edition have continued to exercise their skills on new projects that are progressions from their former work. The nature of this book is that the case studies are primarily projects that have been taken to completion, however, it is of interest that several of the designers included here are currently involved in much more ambitious projects. The Millennium Dome is also discussed in the introduction as an example of large scale portable architecture and a high profile building in the UK. The overriding purpose of this book is to show that portable buildings are eminently feasible, capable of a wide range of roles and economic to build and operate. They can also be subversive as well as sensitive, amusing as well as appropriate, energetic as well as economic. This second edition of 'Portable Architecture' includes work by two new design teams and seven new case studies to help further define the relevant characteristics of this important strand of contemporary building design. The projects completed by the two new designers introduced in this edition have been included for very difference reasons. Architects Branson Coates designed Powerhouse::UK, a temporary British products design exhibition sponsored by the UK Department of Trade and Industry represents an establishment based endorsement of a portable building. Festo KG's 'Airtecture' hall uses inflatable technology and fundamentally could not be more different, it was not reported in the main stream press yet it won many industrial design awards.
Form:
books
books
Publication:
January 1900, Oxford
January 1900, Oxford
Subject:
Engineering Structures
Engineering Structures
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books
books
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$43.95
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Summary:
More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than(...)
$43.95
(available to order)
Summary:
More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than(...)
Subject:
Public Space
Public Space
Publication:
October 2006, Philadelphia
October 2006, Philadelphia
Title:
More Philadelphia murals and the story they tell
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$43.95
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Summary:
More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than 2600 murals throughout Philadelphia, the program has brightened the lives of countless residents and tourists while providing a creative outlet for an astounding array of artists. MAP now works with more than 3000 students around the city, engaging them in a curriculum that teaches not only artistic skills but civic engagement and personal responsibility. "More Philadelphia murals and the stories they tell", a sequel to "Philadelphia murals and the stories they tell", shares with the earlier work its beautiful color photography, along with profiles of the artists. Featured here is the remarkable story of an unlikely artistic collaboration — between boys who live in a residential facility, a community in the Kensington section of Philadelphia, and men who are incarcerated in a maximum-security state correctional facility. The 1/8 of a mile long mural they created, about balanced and restorative justice, was intended to help the young men give something back to a community they had harmed and help the community wrestle with issues around crime and violence. In the process of creating the mural, it became a life-changing experience for all involved.
More Philadelphia murals and the story they tell
Actions:
Price:
$43.95
(available to order)
Summary:
More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than 2600 murals throughout Philadelphia, the program has brightened the lives of countless residents and tourists while providing a creative outlet for an astounding array of artists. MAP now works with more than 3000 students around the city, engaging them in a curriculum that teaches not only artistic skills but civic engagement and personal responsibility. "More Philadelphia murals and the stories they tell", a sequel to "Philadelphia murals and the stories they tell", shares with the earlier work its beautiful color photography, along with profiles of the artists. Featured here is the remarkable story of an unlikely artistic collaboration — between boys who live in a residential facility, a community in the Kensington section of Philadelphia, and men who are incarcerated in a maximum-security state correctional facility. The 1/8 of a mile long mural they created, about balanced and restorative justice, was intended to help the young men give something back to a community they had harmed and help the community wrestle with issues around crime and violence. In the process of creating the mural, it became a life-changing experience for all involved.
Form:
books
books
Publication:
October 2006, Philadelphia
October 2006, Philadelphia
Subject:
Public Space
Public Space
Form:
books
books
Title:
On the digital humanities
On the digital humanities
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$35.99
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Summary:
Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media. Stephen Ramsay’s ''On the digital humanities'', a collection of essays spanning the personal to the polemic, is a(...)
$35.99
(available to order)
Summary:
Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media. Stephen Ramsay’s ''On the digital humanities'', a collection of essays spanning the personal to the polemic, is a(...)
Title:
On the digital humanities
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$35.99
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Summary:
Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media. Stephen Ramsay’s ''On the digital humanities'', a collection of essays spanning the personal to the polemic, is a spirited defense of the field of digital humanities. A founding figure in what was once known as 'humanities computing,' Ramsay has a well-known and contentious relationship with what is now called the digital humanities (DH). Here Ramsay collects and updates his most influential and notorious essays and speeches from the past fifteen years, considering DH from an array of practical and theoretical perspectives. The essays pursue a broad variety of themes, including the nature of data and its place in more conventional notions of text and interpretation, the relationship between the constraints of computation and the more open-ended nature of the humanities, the positioning of practical skills and infrastructures in both research and pedagogical contexts, the status of DH as a program for political and social action, and personal reflections on the author’s journey into the field as both a theorist and a technologist. These wide-ranging essays all center around one idea: that DH not forsake its connection to the humanities. While 'digital humanities' may sound like an entirely new form of engagement with the artifacts of human culture, Ramsay argues that the field well reveals what is most essential to humanistic inquiry.
On the digital humanities
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$35.99
(available to order)
Summary:
Since its inception, the digital humanities has been repeatedly attacked as a threat to the humanities: warnings from literary and cultural theorists of technology overtaking English departments and the mechanization of teaching have peppered popular media. Stephen Ramsay’s ''On the digital humanities'', a collection of essays spanning the personal to the polemic, is a spirited defense of the field of digital humanities. A founding figure in what was once known as 'humanities computing,' Ramsay has a well-known and contentious relationship with what is now called the digital humanities (DH). Here Ramsay collects and updates his most influential and notorious essays and speeches from the past fifteen years, considering DH from an array of practical and theoretical perspectives. The essays pursue a broad variety of themes, including the nature of data and its place in more conventional notions of text and interpretation, the relationship between the constraints of computation and the more open-ended nature of the humanities, the positioning of practical skills and infrastructures in both research and pedagogical contexts, the status of DH as a program for political and social action, and personal reflections on the author’s journey into the field as both a theorist and a technologist. These wide-ranging essays all center around one idea: that DH not forsake its connection to the humanities. While 'digital humanities' may sound like an entirely new form of engagement with the artifacts of human culture, Ramsay argues that the field well reveals what is most essential to humanistic inquiry.
Form:
books
books
Publication:
August 2023
August 2023
Subject:
Archive, library and the digital
Archive, library and the digital
