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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
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June 2000, Cambridge, Mass.
Architectural Theory
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192 pages : illustrations (chiefly color) ; 26 cm
London : RIBA Publishing, 2012.
The plot : designing diversity in the built environment : a manual for architects and urban designers / Jonathan Tarbatt.
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192 pages : illustrations (chiefly color) ; 26 cm
books
London : RIBA Publishing, 2012.
$55.00
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Often dissident, sometimes adherent, this volume resists definition: adaptive, fluid, speculative. Reflecting the ambivalences of contemporary life, it is at once superficial and profound, profane and divine, present everywhere and nowhere, dismissed as futile yet capable of transforming even the most beautiful interiors. The book gathers diverse tools and insights –(...)
Nothing about interior architecture
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Often dissident, sometimes adherent, this volume resists definition: adaptive, fluid, speculative. Reflecting the ambivalences of contemporary life, it is at once superficial and profound, profane and divine, present everywhere and nowhere, dismissed as futile yet capable of transforming even the most beautiful interiors. The book gathers diverse tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and critical – spanning media, technology, the arts, and other undefined fields, to examine the impact on contemporary design. With contributions by Philippe Rahm, Line Fontana, Paule Perron, Youri Kravtchenko, Simon Husslein, Camille Bagnoud, more.
Museology
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing(...)
Contemporary Architecture
September 2025
The land remembers: A Collective exploration into the possibilities for regeneration
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing on the soil's memory as a testament to resilience and renewal. The format of the memory box is an archive of the land's richness, challenges, and potential, asking: How can we heal the land to build for future generations? The catalog combines expert analysis, personal stories, and diverse perspectives on destruction, regeneration, and coexistence. From ecological restoration to regenerative architecture and preservation of Lebanon's biodiversity, it underscores the urgent need for a symbiotic relationship between people and nature. By counter-mapping environmental destruction, reflecting on modern warfare's impacts, and embracing innovative solutions, this collective work envisions a legacy for future generations—one rooted in resilience, learning, and hope.
Contemporary Architecture
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film,(...)
Architecture of the night : the illuminated building
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film, architecture, and painting. "Architecture of the Night" explores this dynamic period in depth, considers its impact today, and addresses the new issues that confront contemporary lighting, such as "light pollution", conservation, and aesthetics. The book features close to 200 illustrations and examines 100 examples of building illumination, including the Paris Opera House (1880), the Gas and Electric Building, Denver (1910), the Empire State Building, New York (1931), the Seagram Building, New York (1958), the Lloyds Building, London (1988) and the Anzeiger Hochhaus, Hanover (2000).
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February 2002, Munich
sale books
$84.95
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The photographer offers the viewer an objective yet aesthetically captivating look at what now awaits visitors to the elaborately planned and expensive sports venues. The variety of possible subsequent uses shown here is both insightful and educational. It also demonstrates the effectiveness of architecture in an environment that is beyond the reaches of planning control.(...)
Olympic realities: six cities after the games
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The photographer offers the viewer an objective yet aesthetically captivating look at what now awaits visitors to the elaborately planned and expensive sports venues. The variety of possible subsequent uses shown here is both insightful and educational. It also demonstrates the effectiveness of architecture in an environment that is beyond the reaches of planning control. A book that is both poetic and inspiring.
Contemporary Architecture
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban(...)
Imperfect health: the medicalization of architecture
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban defence systems; architecture combating pollution; environmental and urban challenges, obesity and design strategies; Modernism and tuberculosis; sunbathing and suburbia; aging today and indoor life and toxic materials. The publication is richly conveyed through a diverse range of materials including architectural drawings, photographs, books and artefacts.
CCA Publications
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"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the(...)
Magazines
June 2003, New Haven
Perspecta 34 : temporary architecture
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"Perspecta 34" explores the temporary relationship between architecture and the larger contexts within which social crisis and cultural transformation take place. The issue examines many questions associated with modernism, including the limits of utopian urban planning, and considers alternatives to space as the dominant organizing concept for architecture. It views the contemporary as a fluid practice in which games, intuition, collective imagination, and style emerge alongside conventional architectural approaches as ways to comprehend and shape the temporary landscape. Case studies--on the Olympics, Belgrade protests, refugee housing--ask how temporary events intensify the possibilities and limitations for architectural innovation. Perspecta 34 also explores the built environment as an ecology of change consisting of dynamic economies, movements of people, and overlapping systems of authority. The issue includes a portfolio of twentieth-century temporary projects that reflect changing ideas of fabrication, the deployment of the architectural object, and architecture's relationship to social and cultural practices.
Magazines
First works, volume 1
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Centred on the Fundación ENAIRE by GFA2, this volume is the opening publication in a new series, ''First works''. Often going untold, the series attempts to package and present the making of early built work of young and emerging architects. It is an effort to make evident not only the finished documents of a building but those that tell the story of how the process was(...)
First works, volume 1
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$42.00
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Centred on the Fundación ENAIRE by GFA2, this volume is the opening publication in a new series, ''First works''. Often going untold, the series attempts to package and present the making of early built work of young and emerging architects. It is an effort to make evident not only the finished documents of a building but those that tell the story of how the process was undertaken and the challenges were navigated. Collectively, the series acts as both a repository of emerging work, an opportunity for a young generation of architects to publish, and as a guide of sorts for the generation below them who are yet to complete their own first work. GFA2 is an architectural practice based in Santander, Spain, and Sydney, Australia. Co-founded by Gabriel and Guillermo Fernández-Abascal in 2018, the office approaches design from an intellectual and technical background, simultaneously. GFA2’s collaborative environment enables the delivery of a broad set of projects across various scales and locations.The projects are clear and direct, creating spatial frameworks where contemporary life unfolds in all their complexity.
Contemporary Architecture
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North(...)
For the record: first women in Canadian architecture
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North America. Profiles of the women who graduated from the School of Architecture at the University of Toronto between 1920 and 1960 are illustrated with photographs of their work and include archival material that has never before been published. The final chapter on contemporary women in architecture showcases contributions by leading women architects across the country, from Halifax to Vancouver to Iqaluit. For the Record also provides current information on schools of architecture in Canada and includes a list of other resources to encourage young women who are thinking of pursuing careers in architecture. Foreword by Eva Matsuzaki.
Canadian Architects