$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of(...)
January 2022
Postcommodity: Time holds all the answers
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$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of 21st-century life to inspire a uniquely Indigenous futurism. Using provocation as a tool, they spark constructive conversations that challenge the social, political and economic processes that destabilize communities and geographies.The publication generates a vital new body of knowledge on their work.
Learning from Las Cuencas
$62.00
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Summary:
This publication provides a new perspective on the cultural landscapes of mining across the province of Asturias in north-west Spain. These areas, after undergoing an intense process of industrialisation, have changed considerably within just a few decades. What were once natural valleys with rural economic and social structures came to host bustling, dense urban(...)
Learning from Las Cuencas
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$62.00
(available in store)
Summary:
This publication provides a new perspective on the cultural landscapes of mining across the province of Asturias in north-west Spain. These areas, after undergoing an intense process of industrialisation, have changed considerably within just a few decades. What were once natural valleys with rural economic and social structures came to host bustling, dense urban agglomerations. As a result, hybrid architectures have emerged, mutating artefacts which, despite the invisibility of their inevitable marginality, can offer interesting lessons in architecture today. Richly illustrated with photographs and diagrams, it features contributions from noted artists and architects.
Urban Theory
books
Description:
xi, 133 pages : maps ; 30 cm
[Ottawa] : Ministère d'État, Affaires urbaines, Canada, 1975.
Profil, Vancouver : les structures politiques et administratives de la région métropolitaine de Vancouver / André Bernard, Jacques Léveillée, Guy Lord.
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xi, 133 pages : maps ; 30 cm
books
[Ottawa] : Ministère d'État, Affaires urbaines, Canada, 1975.
books
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19 unnumbered pages : illustrations, plans ; 28 cm
[Ottawa] : Canada Mortgage and Housing Corp., [1968?]
A Selection of house designs for classroom use = Un choix de modèles de maisons à l'usage des écoles.
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19 unnumbered pages : illustrations, plans ; 28 cm
books
[Ottawa] : Canada Mortgage and Housing Corp., [1968?]
journals and magazines
Derrida today.
Description:
1 online resource
Edinburgh : Edinburgh University Press, 2008-
journals and magazines
Edinburgh : Edinburgh University Press, 2008-
books
Description:
31 pages : illustrations ; 15 cm
Moscow, Foreign languages Publishing House, 1939.
The state farms of the U.S.S.R. / by P. Lobanov.
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31 pages : illustrations ; 15 cm
books
Moscow, Foreign languages Publishing House, 1939.
books
Description:
338 Seiten : Illustrationen
New York : Penguin Press, 2011.
Triumph of the city : how our greatest invention makes us richer, smarter, greener, healthier, and happier / Edward Glaeser.
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338 Seiten : Illustrationen
books
New York : Penguin Press, 2011.
$49.95
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los(...)
Strange new world : art and design from Tijuana
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Over the past decade, a seismic shift in economic and political forces has transformed life in the second-largest city on the West Coast, situated at the most heavily trafficked international border crossing in the world. Tijuana’s newfound wealth and haphazard expansion have changed patterns of migration for the city’s many artists, who once routinely moved north to Los Angeles but are now staying or returning, and being joined by friends from Mexico City and beyond. This flourishing, strengthening artistic community has responded to the city’s accelerated evolution with a broad range of work, from painting to conceptually driven installations; from street-level digital video to ambitious photo-documentation, filmmaking and political work; from architectural proposals to product design associated with the "Nortec" musical movement. The work gathered in "Strange new world" embraces Tijuana as a paradigm of a new postmodern form of urbanization shaped by the pressures of economic globalization and cultural transnationalism since 1994. It struggles to make sense of new realities changing the ways in which people live in cities around the globe. Like Aldous Huxley's Brave New World, it is part science fiction, part political commentary and part artistic revolution and cultural critique. Arranged around the concepts of the urban theorist Michael Smith, it features work by ERRE, Einar and Jamex de la Torre and Yvonne Venegas, among others.
Contemporary Art Monographs
$75.00
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Summary:
The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special(...)
Museums and Universal Exhibitions
January 1900, Berkeley
An empire on display : English, Indian, and Australian exhibitions from the Crystal Palace to the Great War
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The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special interest in the interactive nature of the exhibition experience, the long-term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration. Hoffenberg shows how exhibitions shaped culture and society within and across borders in the transnational working of the British Empire. The exhibitions were central to establishing and developing a participatory imperial world, and each polity in that world provided distinctive information, visitors, and exhibits. Among the displays were commercial goods, working machines, and ethnographic scenes. Exhibits were intended to promote external commonwealth and internal nationalism. The imperial overlay did not erase significant differences but explained and used them in economic and cultural terms. The exhibitions in cities such as London, Sydney, and Calcutta were living and active public inventories of the Empire and its national political communities. The process of building and consuming such inventories persists today in the cultural bureaucracies, museums, and festivals of modern nation-states, the appeal to tradition and social order, and the actions of transnational bodies.
Museums and Universal Exhibitions
$48.95
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Summary:
"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing(...)
Landscape and history since 1500
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"Landscape and History" explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing interest in, and concern for, many aspects of landscape within British, European and wider contexts. This has included the study of the history, development and changes in our perception of landscape, as well as research into the links between past landscapes and political ideologies, economic and social structures, cartography, art and literature. There is also considerable concern at present with the need to evaluate and classify historic landscapes, and to develop policies for their conservation and management in relation to their scenic, heritage and recreational value. This is manifest not only in the designation of particularly valued areas with enhanced protection from planning developments, such as national parks and world heritage sites, but in the countryside more generally. Further, Ian D. Whyte argues, changes in European Union policies relating to agriculture, with a greater concern for the protection and sustainable management of rural landscapes, are likely to be of major importance in relation to the themes of continuity and change in the landscapes of Britain and Europe.
Landscape Theory