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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological(...)
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological(...)
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Botanical Drift: protagonists of the invasive herbarium
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection.
Botanical Drift: protagonists of the invasive herbarium
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection.
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books
books
Publication:
January 2018
January 2018
Subject:
Landscape Theory
Landscape Theory
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books
books
Title:
Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
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Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking(...)
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Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking(...)
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Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
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Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking Intently traces the meandering and peculiar footsteps of these avant-garde artists as they moved through the city, encountering the marvelous, studying the environment, and re-enchanting the banal. Art historian Lori Waxman reveals the radical potential that walking holds for us all.
Keep walking intently: the ambulatory art of Surrealists, the Situationist International and Fluxus
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Walking, that most basic of human actions, was transformed in the twentieth century by Surrealism, the Situationist International, and Fluxus into a tactic for revolutionizing everyday life. Each group chose locations in the urban landscape as sites—from the flea markets and bars of Paris to the sidewalks of New York—and ambulation as the essential gesture. Keep Walking Intently traces the meandering and peculiar footsteps of these avant-garde artists as they moved through the city, encountering the marvelous, studying the environment, and re-enchanting the banal. Art historian Lori Waxman reveals the radical potential that walking holds for us all.
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books
books
Publication:
March 2018
March 2018
Subject:
Art Theory
Art Theory
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books
books
Title:
.TXT, no. 3
.TXT, no. 3
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Parmi les publications qui engagent une réflexion sur la diversité des pratiques du design graphique, .txt se présente comme un espace d’écriture proposé aux étudiants de l’option « design graphique » de l’École supérieure d’art et design Grenoble-Valence. Selon une célèbre devise Shadock : « Il vaut mieux pomper même s’il ne se passe rien que risquer qu’il se passe(...)
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Parmi les publications qui engagent une réflexion sur la diversité des pratiques du design graphique, .txt se présente comme un espace d’écriture proposé aux étudiants de l’option « design graphique » de l’École supérieure d’art et design Grenoble-Valence. Selon une célèbre devise Shadock : « Il vaut mieux pomper même s’il ne se passe rien que risquer qu’il se passe(...)
Title:
.TXT, no. 3
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Parmi les publications qui engagent une réflexion sur la diversité des pratiques du design graphique, .txt se présente comme un espace d’écriture proposé aux étudiants de l’option « design graphique » de l’École supérieure d’art et design Grenoble-Valence. Selon une célèbre devise Shadock : « Il vaut mieux pomper même s’il ne se passe rien que risquer qu’il se passe quelque chose de pire en ne pompant pas. » En termes de pédagogie du design, cela pourrait donner : il vaut mieux imaginer/rêver/penser même s’il ne se passe rien que risquer qu’il se passe quelque chose de pire en n’imaginant/ne rêvant/ne pensant pas. Pour inventer. Et pas seulement pour innover. Transformer. Et pas seulement accommoder. Imaginer d’autres pratiques du design, d’autres modes de production, d’autres paramètres d’analyse. Cette imagination, ces rêves, ces pensées sont celles d’étudiants dont les textes publiés dans ce troisième volume .txt témoignent aussi d’une approche critique de notre monde.
.TXT, no. 3
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Parmi les publications qui engagent une réflexion sur la diversité des pratiques du design graphique, .txt se présente comme un espace d’écriture proposé aux étudiants de l’option « design graphique » de l’École supérieure d’art et design Grenoble-Valence. Selon une célèbre devise Shadock : « Il vaut mieux pomper même s’il ne se passe rien que risquer qu’il se passe quelque chose de pire en ne pompant pas. » En termes de pédagogie du design, cela pourrait donner : il vaut mieux imaginer/rêver/penser même s’il ne se passe rien que risquer qu’il se passe quelque chose de pire en n’imaginant/ne rêvant/ne pensant pas. Pour inventer. Et pas seulement pour innover. Transformer. Et pas seulement accommoder. Imaginer d’autres pratiques du design, d’autres modes de production, d’autres paramètres d’analyse. Cette imagination, ces rêves, ces pensées sont celles d’étudiants dont les textes publiés dans ce troisième volume .txt témoignent aussi d’une approche critique de notre monde.
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books
books
Publication:
March 2018
March 2018
Subject:
Design Theory
Design Theory
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books
books
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L’architecture travaille la matière afin de la rendre expressive. Elle se heurte ce faisant à son obstination muette qu’elle tente de dépasser. Partant de ce constat, ce livre propose de l’interpréter à la lumière de la notion de matérialité envisagée comme le rapport que nous entretenons avec les phénomènes sensibles, les matériaux et les objets. Notre subjectivité(...)
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L’architecture travaille la matière afin de la rendre expressive. Elle se heurte ce faisant à son obstination muette qu’elle tente de dépasser. Partant de ce constat, ce livre propose de l’interpréter à la lumière de la notion de matérialité envisagée comme le rapport que nous entretenons avec les phénomènes sensibles, les matériaux et les objets. Notre subjectivité(...)
Title:
La matérialité de l'architecture
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L’architecture travaille la matière afin de la rendre expressive. Elle se heurte ce faisant à son obstination muette qu’elle tente de dépasser. Partant de ce constat, ce livre propose de l’interpréter à la lumière de la notion de matérialité envisagée comme le rapport que nous entretenons avec les phénomènes sensibles, les matériaux et les objets. Notre subjectivité d’êtres humains se constitue pour partie au travers de cette rencontre avec toutes ces « choses » qui tombent immédiatement sous le sens. Par leur intermédiaire, l’architecture contribue à la création d’un monde destiné spécifiquement aux hommes. L’interprétation de la matérialité a considérablement évolué depuis Vitruve. Sa transformation permet de lire différemment l’histoire de l’architecture et de mieux comprendre certains enjeux actuels, tels ceux qui s’attachent à la révolution numérique.
La matérialité de l'architecture
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L’architecture travaille la matière afin de la rendre expressive. Elle se heurte ce faisant à son obstination muette qu’elle tente de dépasser. Partant de ce constat, ce livre propose de l’interpréter à la lumière de la notion de matérialité envisagée comme le rapport que nous entretenons avec les phénomènes sensibles, les matériaux et les objets. Notre subjectivité d’êtres humains se constitue pour partie au travers de cette rencontre avec toutes ces « choses » qui tombent immédiatement sous le sens. Par leur intermédiaire, l’architecture contribue à la création d’un monde destiné spécifiquement aux hommes. L’interprétation de la matérialité a considérablement évolué depuis Vitruve. Sa transformation permet de lire différemment l’histoire de l’architecture et de mieux comprendre certains enjeux actuels, tels ceux qui s’attachent à la révolution numérique.
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books
books
Publication:
March 2018
March 2018
Subject:
Architectural Theory
Architectural Theory
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books
books
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$32.00
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"Radical Pipers" indaga le discoteche progettate e realizzate dagli architetti radicali in Italia dal 1966 al 1970 a Roma, Fireze, Torino, Milano. Dal Piper di Roma del '65 allo Space Electronic di Firenze. Opere di 3C+t(Capolei-Cavalli), Pietro Derossi, Superstudio, 9999, UFO, Ugo La Pietra. Scritti di Enrico D. Bona, Paolo Deganello, Bruno Orlandoni, Marco Ornella,(...)
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"Radical Pipers" indaga le discoteche progettate e realizzate dagli architetti radicali in Italia dal 1966 al 1970 a Roma, Fireze, Torino, Milano. Dal Piper di Roma del '65 allo Space Electronic di Firenze. Opere di 3C+t(Capolei-Cavalli), Pietro Derossi, Superstudio, 9999, UFO, Ugo La Pietra. Scritti di Enrico D. Bona, Paolo Deganello, Bruno Orlandoni, Marco Ornella,(...)
Title:
Radical pipers: architetture per il divertissment
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"Radical Pipers" indaga le discoteche progettate e realizzate dagli architetti radicali in Italia dal 1966 al 1970 a Roma, Fireze, Torino, Milano. Dal Piper di Roma del '65 allo Space Electronic di Firenze. Opere di 3C+t(Capolei-Cavalli), Pietro Derossi, Superstudio, 9999, UFO, Ugo La Pietra. Scritti di Enrico D. Bona, Paolo Deganello, Bruno Orlandoni, Marco Ornella, Emanuele Piccardo, Fabrizio Violante.
Radical pipers: architetture per il divertissment
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"Radical Pipers" indaga le discoteche progettate e realizzate dagli architetti radicali in Italia dal 1966 al 1970 a Roma, Fireze, Torino, Milano. Dal Piper di Roma del '65 allo Space Electronic di Firenze. Opere di 3C+t(Capolei-Cavalli), Pietro Derossi, Superstudio, 9999, UFO, Ugo La Pietra. Scritti di Enrico D. Bona, Paolo Deganello, Bruno Orlandoni, Marco Ornella, Emanuele Piccardo, Fabrizio Violante.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
The Primitive Metropolis
The Primitive Metropolis
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The legacy of the twentieth century, its dogmas and its principles of ethics, are obsolete and useless; the twenty-first century presents itself with totally original and contradictory features, which need to be reflected upon in an exploratory way, without attempting to recreate a new orthodoxy, but rather a rarefied system of anarchic hypotheses and experimentation,(...)
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Summary:
The legacy of the twentieth century, its dogmas and its principles of ethics, are obsolete and useless; the twenty-first century presents itself with totally original and contradictory features, which need to be reflected upon in an exploratory way, without attempting to recreate a new orthodoxy, but rather a rarefied system of anarchic hypotheses and experimentation,(...)
Title:
The Primitive Metropolis
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$30.00
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The legacy of the twentieth century, its dogmas and its principles of ethics, are obsolete and useless; the twenty-first century presents itself with totally original and contradictory features, which need to be reflected upon in an exploratory way, without attempting to recreate a new orthodoxy, but rather a rarefied system of anarchic hypotheses and experimentation, more akin to an era like ours – experimental and anarchic.
The Primitive Metropolis
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The legacy of the twentieth century, its dogmas and its principles of ethics, are obsolete and useless; the twenty-first century presents itself with totally original and contradictory features, which need to be reflected upon in an exploratory way, without attempting to recreate a new orthodoxy, but rather a rarefied system of anarchic hypotheses and experimentation, more akin to an era like ours – experimental and anarchic.
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books
books
Publication:
November 2017
November 2017
Subject:
Urban Theory
Urban Theory
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books
books
Title:
Claude Closky: Iluo
Claude Closky: Iluo
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Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
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Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
Title:
Claude Closky: Iluo
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Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
Claude Closky: Iluo
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Catalogue de l'exposition des livres d'artistes de Claude Closky au CDLA, dans le cadre du 40e anniversaire du Centre Pompidou. L'ouvrage évoque, dans sa forme, le dispositif de l'exposition. La typographie utilise une police créée pour l'occasion par l'artiste français, la kalavryta, du nom d'une station de ski grecque.
Form:
books
books
Publication:
July 2017
July 2017
Subject:
Art Theory
Art Theory
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books
books
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$41.50
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and(...)
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and(...)
Title:
10 landscapes: documentary, inventory, utopia
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and radical rural-mountain landscape in Umbria that used "hypertextual" methods and projects to draw links between different sites and "thematic" landscapes, the outcome is a broad investigation, exhibition, and catalogue on public spaces, site-specific art practices, and interventions on landscape in Italy and beyond.
10 landscapes: documentary, inventory, utopia
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and radical rural-mountain landscape in Umbria that used "hypertextual" methods and projects to draw links between different sites and "thematic" landscapes, the outcome is a broad investigation, exhibition, and catalogue on public spaces, site-specific art practices, and interventions on landscape in Italy and beyond.
Form:
books
books
Publication:
December 2017
December 2017
Subject:
Art Theory
Art Theory
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books
books
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$55.00
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The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic(...)
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The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic(...)
Title:
The advanced school of collective feeling: inhabiting modern physical culture 1926-38
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The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, and others. This obscure chapter in the modern movement gestures towards a remarkable synthesis of the individual and the collective, a perspective that holds enormous potential for articulating an architecture of today.
The advanced school of collective feeling: inhabiting modern physical culture 1926-38
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The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, and others. This obscure chapter in the modern movement gestures towards a remarkable synthesis of the individual and the collective, a perspective that holds enormous potential for articulating an architecture of today.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Architectural Theory
Architectural Theory
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books
books
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$20.00
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new(...)
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Summary:
Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new(...)
Title:
Giotto and his works in Padua
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin’s lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art.
Giotto and his works in Padua
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Long out of print, the Arundel Society first published Giotto and His Works in Padua between 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin’s lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Art Theory
Art Theory
