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Materialism continues the commitment of our first two issues on Property and Service to examine foundational yet overlooked concepts in architecture and landscape architecture. In our estimation, these disciplines are haunted by materialism. We see its specular presence invoked in design research’s emphasis on large-scale flows and sites of material production, in the(...)
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Materialism continues the commitment of our first two issues on Property and Service to examine foundational yet overlooked concepts in architecture and landscape architecture. In our estimation, these disciplines are haunted by materialism. We see its specular presence invoked in design research’s emphasis on large-scale flows and sites of material production, in the(...)
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Scapegoat issue 2: materialism
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Materialism continues the commitment of our first two issues on Property and Service to examine foundational yet overlooked concepts in architecture and landscape architecture. In our estimation, these disciplines are haunted by materialism. We see its specular presence invoked in design research’s emphasis on large-scale flows and sites of material production, in the renewed focus on ‘performance’ and the rehabilitation of functionalism, in the centrality of ‘material’ as an expressive layer of tectonics, and through the import of non-human actors into discussions about spatial design. Each of the above invokes matter as its base.
Scapegoat issue 2: materialism
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Materialism continues the commitment of our first two issues on Property and Service to examine foundational yet overlooked concepts in architecture and landscape architecture. In our estimation, these disciplines are haunted by materialism. We see its specular presence invoked in design research’s emphasis on large-scale flows and sites of material production, in the renewed focus on ‘performance’ and the rehabilitation of functionalism, in the centrality of ‘material’ as an expressive layer of tectonics, and through the import of non-human actors into discussions about spatial design. Each of the above invokes matter as its base.
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journals and magazines
journals and magazines
Publication:
January 2012
January 2012
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journals and magazines
journals and magazines
Title:
Fillip 13: Spring 2011
Fillip 13: Spring 2011
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Fillip 13 includes texts by Carson Chan, Anthony Downey, Lisa Marshall, Claire Tancons, and Ryan Trecartin, among others. The issue also introduces Intangible Economies, a new, ongoing series edited by Associate Editor Antonia Hirsch, with essays by Jan Verwoert and Candice Hopkins.
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Fillip 13 includes texts by Carson Chan, Anthony Downey, Lisa Marshall, Claire Tancons, and Ryan Trecartin, among others. The issue also introduces Intangible Economies, a new, ongoing series edited by Associate Editor Antonia Hirsch, with essays by Jan Verwoert and Candice Hopkins.
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Fillip 13: Spring 2011
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Fillip 13 includes texts by Carson Chan, Anthony Downey, Lisa Marshall, Claire Tancons, and Ryan Trecartin, among others. The issue also introduces Intangible Economies, a new, ongoing series edited by Associate Editor Antonia Hirsch, with essays by Jan Verwoert and Candice Hopkins.
Fillip 13: Spring 2011
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Fillip 13 includes texts by Carson Chan, Anthony Downey, Lisa Marshall, Claire Tancons, and Ryan Trecartin, among others. The issue also introduces Intangible Economies, a new, ongoing series edited by Associate Editor Antonia Hirsch, with essays by Jan Verwoert and Candice Hopkins.
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journals and magazines
journals and magazines
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April 2011
April 2011
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journals and magazines
journals and magazines
Title:
Pica 2: La transformation
Pica 2: La transformation
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Le monde des communications visuelles est en constante transformation. Que ce soit par ses techniques, son approche sa réflexion, ou ses supports, cette évolution soulève plusieurs enjeux. En tant que designers graphiques, nous nous devons d’être au centre du questionnement et de nous positionner. Par tradition, certains affronteront la transition, d’autres se joindront à(...)
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Le monde des communications visuelles est en constante transformation. Que ce soit par ses techniques, son approche sa réflexion, ou ses supports, cette évolution soulève plusieurs enjeux. En tant que designers graphiques, nous nous devons d’être au centre du questionnement et de nous positionner. Par tradition, certains affronteront la transition, d’autres se joindront à(...)
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Pica 2: La transformation
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Le monde des communications visuelles est en constante transformation. Que ce soit par ses techniques, son approche sa réflexion, ou ses supports, cette évolution soulève plusieurs enjeux. En tant que designers graphiques, nous nous devons d’être au centre du questionnement et de nous positionner. Par tradition, certains affronteront la transition, d’autres se joindront à la progression et certains devanceront le changement. Dans tous les cas, la communication visuelle sera forcément influencée par les différentes approches.
Pica 2: La transformation
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Le monde des communications visuelles est en constante transformation. Que ce soit par ses techniques, son approche sa réflexion, ou ses supports, cette évolution soulève plusieurs enjeux. En tant que designers graphiques, nous nous devons d’être au centre du questionnement et de nous positionner. Par tradition, certains affronteront la transition, d’autres se joindront à la progression et certains devanceront le changement. Dans tous les cas, la communication visuelle sera forcément influencée par les différentes approches.
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journals and magazines
journals and magazines
Publication:
September 2010
September 2010
Form:
books
books
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
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Stories from architecture: Behind the lines at Drawing Matter
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
Stories from architecture: Behind the lines at Drawing Matter
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
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books
books
Publication:
October 2021
October 2021
Subject:
Architectural Theory
Architectural Theory
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books
books
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$67.50
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This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a(...)
$67.50
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Summary:
This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a(...)
Title:
Enchanting architecture: Gio Ponti's Italian Cultural institute in Stockholm
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This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a selection of images taken from the Institute's historical archive, as well as a new photographic reportage on the architectural and design elements featured in this building. It is well-known that Ponti took a great interest in Sweden (suffice it to think of all the space that was devoted to Swedish design in the pages of the magazine Domus from the early 1950s), yet it is fascinating to learn more and find answers regarding the dynamics that lay behind the making of this structure. Indeed, Gio Ponti managed to surpass the Swedish architect Ture Wennerholm's original idea, to breathe life into a project where the spaces, albeit organized according to function, succeed one another in a harmonious play of broken lines and different hues. Assisting him in the task were Pier Luigi Nervi and Ferruccio Rossetti. Gio Ponti gave life to a "classical modern" project in which art and architecture merge, proof that he had overcome the limits that were set by the trends characterizing that day and age. In so doing, he laid the groundwork for a new course in the cultural relations between Italy and Sweden.
Enchanting architecture: Gio Ponti's Italian Cultural institute in Stockholm
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$67.50
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Summary:
This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a selection of images taken from the Institute's historical archive, as well as a new photographic reportage on the architectural and design elements featured in this building. It is well-known that Ponti took a great interest in Sweden (suffice it to think of all the space that was devoted to Swedish design in the pages of the magazine Domus from the early 1950s), yet it is fascinating to learn more and find answers regarding the dynamics that lay behind the making of this structure. Indeed, Gio Ponti managed to surpass the Swedish architect Ture Wennerholm's original idea, to breathe life into a project where the spaces, albeit organized according to function, succeed one another in a harmonious play of broken lines and different hues. Assisting him in the task were Pier Luigi Nervi and Ferruccio Rossetti. Gio Ponti gave life to a "classical modern" project in which art and architecture merge, proof that he had overcome the limits that were set by the trends characterizing that day and age. In so doing, he laid the groundwork for a new course in the cultural relations between Italy and Sweden.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Aleksandr Rodchenko
Aleksandr Rodchenko
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A leading representative of the Russian avant-garde, Alexander Rodchenko (1891- 1956) revolutionized the world of graphic art, design and photography. The over 250 illustrations featured in this volume allow the reader to grasp the full force of this innovator and to appreciate the charisma he exerted on fellow artists as much as on the men of letters, directors and(...)
$55.00
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A leading representative of the Russian avant-garde, Alexander Rodchenko (1891- 1956) revolutionized the world of graphic art, design and photography. The over 250 illustrations featured in this volume allow the reader to grasp the full force of this innovator and to appreciate the charisma he exerted on fellow artists as much as on the men of letters, directors and(...)
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Aleksandr Rodchenko
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A leading representative of the Russian avant-garde, Alexander Rodchenko (1891- 1956) revolutionized the world of graphic art, design and photography. The over 250 illustrations featured in this volume allow the reader to grasp the full force of this innovator and to appreciate the charisma he exerted on fellow artists as much as on the men of letters, directors and intellectuals who shared his path. Whether it is the photomontages he created for Vladimir Mayakovsky's poem Pro Eto (About That), the covers designed for the magazine Novy LEF (New LEF) - a veritable point of reference for the revolutionary intelligentsia - or cinema posters and book illustrations, Rodchenko's works bear witness to his many collaborations and friendships, evoking not just the image of a brilliantly creative personality but a unique phase in twentieth-century history. The remarkable photographic portraits by the artist, his pictures of urban landscapes and architectures, as well as his photo-reportages in factories and building sites bring back both the faces and spirit of an age of great hopes and equally great contradictions. To this day, the style of Rodchenko the photographer, marked by unusual perspectives, sharp angles and diagonals, stands as the purest witness not just to the talent of an artist but to his eagerness to modernise art and the world at large. Complementing the volume are contributions by Olga Sviblova, the director of the House of Photography / Multimedia Art Museum of Moscow, by the grandson of the artist and leading scholar of his work Alexander Lavrentiev, in addition to writings and testimonies by Rodchenko himself and his daughter Varvara.
Aleksandr Rodchenko
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A leading representative of the Russian avant-garde, Alexander Rodchenko (1891- 1956) revolutionized the world of graphic art, design and photography. The over 250 illustrations featured in this volume allow the reader to grasp the full force of this innovator and to appreciate the charisma he exerted on fellow artists as much as on the men of letters, directors and intellectuals who shared his path. Whether it is the photomontages he created for Vladimir Mayakovsky's poem Pro Eto (About That), the covers designed for the magazine Novy LEF (New LEF) - a veritable point of reference for the revolutionary intelligentsia - or cinema posters and book illustrations, Rodchenko's works bear witness to his many collaborations and friendships, evoking not just the image of a brilliantly creative personality but a unique phase in twentieth-century history. The remarkable photographic portraits by the artist, his pictures of urban landscapes and architectures, as well as his photo-reportages in factories and building sites bring back both the faces and spirit of an age of great hopes and equally great contradictions. To this day, the style of Rodchenko the photographer, marked by unusual perspectives, sharp angles and diagonals, stands as the purest witness not just to the talent of an artist but to his eagerness to modernise art and the world at large. Complementing the volume are contributions by Olga Sviblova, the director of the House of Photography / Multimedia Art Museum of Moscow, by the grandson of the artist and leading scholar of his work Alexander Lavrentiev, in addition to writings and testimonies by Rodchenko himself and his daughter Varvara.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Photography monographs
Photography monographs
Form:
journals and magazines
journals and magazines
Title:
Reliefs n.18 : Glaciers
Reliefs n.18 : Glaciers
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
$38.95
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
Title:
Reliefs n.18 : Glaciers
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
Reliefs n.18 : Glaciers
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
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journals and magazines
journals and magazines
Publication:
February 2025
February 2025
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journals and magazines
journals and magazines
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$23.00
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Summary:
Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
Title:
Foil_Iann vol. 1 2007 contemporary art photography in Asia
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
Foil_Iann vol. 1 2007 contemporary art photography in Asia
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
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journals and magazines
journals and magazines
Publication:
January 2008, Korea
January 2008, Korea
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journals and magazines
journals and magazines
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$50.00
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and(...)
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Summary:
For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and(...)
Publication:
July 2024
July 2024
Title:
Nocturnal history of architecture. Column issue 2
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and public spaces gradually transformed conceptions of night in the architectural discipline. This volume offers the first attempt at a nocturnal history of architecture. What emerges from the studies is the thesis that the identity of human beings—across time and their domestic, professional and cultural spaces—is powerfully determined by the parameters of nighttime. By analyzing and studying "night scenes," this book reveals how the night is a laboratory for the development of new forms of conceptualizing space and, ultimately, of living.
Nocturnal history of architecture. Column issue 2
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and public spaces gradually transformed conceptions of night in the architectural discipline. This volume offers the first attempt at a nocturnal history of architecture. What emerges from the studies is the thesis that the identity of human beings—across time and their domestic, professional and cultural spaces—is powerfully determined by the parameters of nighttime. By analyzing and studying "night scenes," this book reveals how the night is a laboratory for the development of new forms of conceptualizing space and, ultimately, of living.
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journals and magazines
journals and magazines
Publication:
July 2024
July 2024
Form:
journals and magazines
journals and magazines
Title:
Pin-Up 36: Construction
Pin-Up 36: Construction
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The latest issue is now available at the bookstore.
$56.95
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The latest issue is now available at the bookstore.
Title:
Pin-Up 36: Construction
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$56.95
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The latest issue is now available at the bookstore.
Pin-Up 36: Construction
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$56.95
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The latest issue is now available at the bookstore.
Form:
journals and magazines
journals and magazines
Publication:
June 2024
June 2024
