10724 Results
Level of archival description:
Sub-series
Sub-series
Title:
Opera Houses
Opera Houses
Reference number:
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
People:
Date:
1717-1868
1717-1868
Title:
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Level of archival description:
File 3
File 3
Date:
1717-1868
1717-1868
People:
Form:
drawings, textual records, born digital
drawings, textual records, born digital
Actions:
Reference number:
AP181.S1.005
Description:
Original directory name: "04_Planung". File shows plans, drawings, renderings, project specifications, lists of plans and their circulation among consultants for design planning. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, bfm, Realgruen Landschaftsarchitekten, Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Consultant Schmitt Stumpf Frühauf und partner (SSF) also facilitated some of the documentation’s organization and exchange. Bulk dates run from 2003-2006. Over a third of the records are under the “CAD” directory. They are DWG data models, layouts, templates, fonts, line types and plot styles, and act as reference materials for the project. More elaborate files show drawings and plans of the roof, the double cone, the restaurants, the hall, etc. A handbook is included to guide the usage of CAD tools for the BMW Welt project, and can be found in “b_CAD\06_Handbuecher”. It provides an understanding of the firm’s methodology for the development of the project into a building. Furthermore, the “Archiv” directory contains an earlier version of the "b_CAD/01_Datenmodell" directory. Its “Transfer” sub-directory has records showing how COOP HIMMELB(L)AU sent plans to the project's stakeholders. An additional third of the records are part of the “3D-Modell” directory which reflects the use of a diversity of software and formats (Rhino, Maya, DWG, JPG, TIFF, IGES, MAX, etc.) for plans of the various parts of the building, such as the facade, hall, roof, and double cone. The “Raumbuch” directory includes files showing the detailed planning for all parts of a given room: plumbing, heat and ventilation, refrigeration systems, building automation, etc. Related Access and FileMaker databases can be found in file AP181.S1.006 under "b_KBP_Haustechnik\D_Berichte\Raumbuch" and "c_PRO_Elektro_Foerdertechnik\I_Raumbuch_Elektro". Under “Valid plans” (gueltige plaene) are specific sets of plans organized under directories dated between June 2005 and April 2007. Those subdirectories also indicate the building area they concern. Most plans were saved here in PDF, although there are some AutoCAD and Rhino files too. "Dokumentation" records are divided under three directories: design (entwurf), approval planning (genehmigungsplanung), and specifications (baubeschreibung). The first two contain plans, organized by date and building area or stakeholder. The third one contains textual records of various early scenarios of specifications for the project. Specific and smaller sets of records in other directories include: scheduling and circulation of plans to stakeholders in “Lieferscheine_Planlisten”; early documentation on program planning in “Flaechenlisten”; reference documentation and concept presentations for the choice of materials, such as lights and facade materials, in “Materialen”; drawings and plans for the steel structure in “ZBV”; engineering data for parts of the building (basement, facade, double cone, etc.) in “Bauteilkatalog”; and stock material from the client in “3D-Modelle-BMWs”. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Acrobat PDF 1.4 - Portable Document Format
AP181.S1.005
Description:
Original directory name: "04_Planung". File shows plans, drawings, renderings, project specifications, lists of plans and their circulation among consultants for design planning. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, bfm, Realgruen Landschaftsarchitekten, Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Consultant Schmitt Stumpf Frühauf und partner (SSF) also facilitated some of the documentation’s organization and exchange. Bulk dates run from 2003-2006. Over a third of the records are under the “CAD” directory. They are DWG data models, layouts, templates, fonts, line types and plot styles, and act as reference materials for the project. More elaborate files show drawings and plans of the roof, the double cone, the restaurants, the hall, etc. A handbook is included to guide the usage of CAD tools for the BMW Welt project, and can be found in “b_CAD\06_Handbuecher”. It provides an understanding of the firm’s methodology for the development of the project into a building. Furthermore, the “Archiv” directory contains an earlier version of the "b_CAD/01_Datenmodell" directory. Its “Transfer” sub-directory has records showing how COOP HIMMELB(L)AU sent plans to the project's stakeholders. An additional third of the records are part of the “3D-Modell” directory which reflects the use of a diversity of software and formats (Rhino, Maya, DWG, JPG, TIFF, IGES, MAX, etc.) for plans of the various parts of the building, such as the facade, hall, roof, and double cone. The “Raumbuch” directory includes files showing the detailed planning for all parts of a given room: plumbing, heat and ventilation, refrigeration systems, building automation, etc. Related Access and FileMaker databases can be found in file AP181.S1.006 under "b_KBP_Haustechnik\D_Berichte\Raumbuch" and "c_PRO_Elektro_Foerdertechnik\I_Raumbuch_Elektro". Under “Valid plans” (gueltige plaene) are specific sets of plans organized under directories dated between June 2005 and April 2007. Those subdirectories also indicate the building area they concern. Most plans were saved here in PDF, although there are some AutoCAD and Rhino files too. "Dokumentation" records are divided under three directories: design (entwurf), approval planning (genehmigungsplanung), and specifications (baubeschreibung). The first two contain plans, organized by date and building area or stakeholder. The third one contains textual records of various early scenarios of specifications for the project. Specific and smaller sets of records in other directories include: scheduling and circulation of plans to stakeholders in “Lieferscheine_Planlisten”; early documentation on program planning in “Flaechenlisten”; reference documentation and concept presentations for the choice of materials, such as lights and facade materials, in “Materialen”; drawings and plans for the steel structure in “ZBV”; engineering data for parts of the building (basement, facade, double cone, etc.) in “Bauteilkatalog”; and stock material from the client in “3D-Modelle-BMWs”. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Acrobat PDF 1.4 - Portable Document Format
People:
Date:
1994-2013
1994-2013
Title:
Design planning, BMW Welt, Munich
Actions:
AP181.S1.005
Description:
Original directory name: "04_Planung". File shows plans, drawings, renderings, project specifications, lists of plans and their circulation among consultants for design planning. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, bfm, Realgruen Landschaftsarchitekten, Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Consultant Schmitt Stumpf Frühauf und partner (SSF) also facilitated some of the documentation’s organization and exchange. Bulk dates run from 2003-2006. Over a third of the records are under the “CAD” directory. They are DWG data models, layouts, templates, fonts, line types and plot styles, and act as reference materials for the project. More elaborate files show drawings and plans of the roof, the double cone, the restaurants, the hall, etc. A handbook is included to guide the usage of CAD tools for the BMW Welt project, and can be found in “b_CAD\06_Handbuecher”. It provides an understanding of the firm’s methodology for the development of the project into a building. Furthermore, the “Archiv” directory contains an earlier version of the "b_CAD/01_Datenmodell" directory. Its “Transfer” sub-directory has records showing how COOP HIMMELB(L)AU sent plans to the project's stakeholders. An additional third of the records are part of the “3D-Modell” directory which reflects the use of a diversity of software and formats (Rhino, Maya, DWG, JPG, TIFF, IGES, MAX, etc.) for plans of the various parts of the building, such as the facade, hall, roof, and double cone. The “Raumbuch” directory includes files showing the detailed planning for all parts of a given room: plumbing, heat and ventilation, refrigeration systems, building automation, etc. Related Access and FileMaker databases can be found in file AP181.S1.006 under "b_KBP_Haustechnik\D_Berichte\Raumbuch" and "c_PRO_Elektro_Foerdertechnik\I_Raumbuch_Elektro". Under “Valid plans” (gueltige plaene) are specific sets of plans organized under directories dated between June 2005 and April 2007. Those subdirectories also indicate the building area they concern. Most plans were saved here in PDF, although there are some AutoCAD and Rhino files too. "Dokumentation" records are divided under three directories: design (entwurf), approval planning (genehmigungsplanung), and specifications (baubeschreibung). The first two contain plans, organized by date and building area or stakeholder. The third one contains textual records of various early scenarios of specifications for the project. Specific and smaller sets of records in other directories include: scheduling and circulation of plans to stakeholders in “Lieferscheine_Planlisten”; early documentation on program planning in “Flaechenlisten”; reference documentation and concept presentations for the choice of materials, such as lights and facade materials, in “Materialen”; drawings and plans for the steel structure in “ZBV”; engineering data for parts of the building (basement, facade, double cone, etc.) in “Bauteilkatalog”; and stock material from the client in “3D-Modelle-BMWs”. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Acrobat PDF 1.4 - Portable Document Format
Design planning, BMW Welt, Munich
Actions:
AP181.S1.005
Description:
Original directory name: "04_Planung". File shows plans, drawings, renderings, project specifications, lists of plans and their circulation among consultants for design planning. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, bfm, Realgruen Landschaftsarchitekten, Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Consultant Schmitt Stumpf Frühauf und partner (SSF) also facilitated some of the documentation’s organization and exchange. Bulk dates run from 2003-2006. Over a third of the records are under the “CAD” directory. They are DWG data models, layouts, templates, fonts, line types and plot styles, and act as reference materials for the project. More elaborate files show drawings and plans of the roof, the double cone, the restaurants, the hall, etc. A handbook is included to guide the usage of CAD tools for the BMW Welt project, and can be found in “b_CAD\06_Handbuecher”. It provides an understanding of the firm’s methodology for the development of the project into a building. Furthermore, the “Archiv” directory contains an earlier version of the "b_CAD/01_Datenmodell" directory. Its “Transfer” sub-directory has records showing how COOP HIMMELB(L)AU sent plans to the project's stakeholders. An additional third of the records are part of the “3D-Modell” directory which reflects the use of a diversity of software and formats (Rhino, Maya, DWG, JPG, TIFF, IGES, MAX, etc.) for plans of the various parts of the building, such as the facade, hall, roof, and double cone. The “Raumbuch” directory includes files showing the detailed planning for all parts of a given room: plumbing, heat and ventilation, refrigeration systems, building automation, etc. Related Access and FileMaker databases can be found in file AP181.S1.006 under "b_KBP_Haustechnik\D_Berichte\Raumbuch" and "c_PRO_Elektro_Foerdertechnik\I_Raumbuch_Elektro". Under “Valid plans” (gueltige plaene) are specific sets of plans organized under directories dated between June 2005 and April 2007. Those subdirectories also indicate the building area they concern. Most plans were saved here in PDF, although there are some AutoCAD and Rhino files too. "Dokumentation" records are divided under three directories: design (entwurf), approval planning (genehmigungsplanung), and specifications (baubeschreibung). The first two contain plans, organized by date and building area or stakeholder. The third one contains textual records of various early scenarios of specifications for the project. Specific and smaller sets of records in other directories include: scheduling and circulation of plans to stakeholders in “Lieferscheine_Planlisten”; early documentation on program planning in “Flaechenlisten”; reference documentation and concept presentations for the choice of materials, such as lights and facade materials, in “Materialen”; drawings and plans for the steel structure in “ZBV”; engineering data for parts of the building (basement, facade, double cone, etc.) in “Bauteilkatalog”; and stock material from the client in “3D-Modelle-BMWs”. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Acrobat PDF 1.4 - Portable Document Format
Form:
drawings, textual records, born digital
drawings, textual records, born digital
Date:
1994-2013
1994-2013
People:
Form:
journals and magazines
journals and magazines
Title:
Archives and records.
Archives and records.
Actions:
Description:
1 online resource.
Author:
Subject:
Publication:
Abingdon, Oxordshire, UK : Routledge, [2013]-
Abingdon, Oxordshire, UK : Routledge, [2013]-
Form:
journals and magazines
journals and magazines
Publication:
Abingdon, Oxordshire, UK : Routledge, [2013]-
Abingdon, Oxordshire, UK : Routledge, [2013]-
Author:
Subject:
Form:
books
books
Actions:
Description:
1 online resource (xxiii, 68 pages)
Author:
Subject:
Publication:
Minneapolis, MN : University of Minnesota Press ; Lüneberg, Germany : Meson Press, 2019.
Minneapolis, MN : University of Minnesota Press ; Lüneberg, Germany : Meson Press, 2019.
Title:
Archives / Andrew Lison, Marcell Mars, Tomislav Medak, and Rick Prelinger.
Actions:
Description:
1 online resource (xxiii, 68 pages)
Archives / Andrew Lison, Marcell Mars, Tomislav Medak, and Rick Prelinger.
Actions:
Description:
1 online resource (xxiii, 68 pages)
Form:
books
books
Publication:
Minneapolis, MN : University of Minnesota Press ; Lüneberg, Germany : Meson Press, 2019.
Minneapolis, MN : University of Minnesota Press ; Lüneberg, Germany : Meson Press, 2019.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
vii, 127, 139, vii pages : graphs ; 23 cm
Description:
vii, 127, 139, vii pages : graphs ; 23 cm
Author:
Subject:
Publication:
Ottawa : The Council, 1980.
Ottawa : The Council, 1980.
Title:
Canadian archives : report to the Social Sciences and Humanities Research Council of Canada / by the Consultative Group on Canadian Archives.
Actions:
Holdings:
Description:
vii, 127, 139, vii pages : graphs ; 23 cm
Canadian archives : report to the Social Sciences and Humanities Research Council of Canada / by the Consultative Group on Canadian Archives.
Actions:
Holdings:
Description:
vii, 127, 139, vii pages : graphs ; 23 cm
Form:
books
books
Publication:
Ottawa : The Council, 1980.
Ottawa : The Council, 1980.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
192 p. ; 24 cm
Description:
192 p. ; 24 cm
Author:
Subject:
Publication:
Paris : Direction des archives de France, 2000.
Paris : Direction des archives de France, 2000.
Title:
Des archives de l'architecture aux archives de la ville : table ronde tenue aux Archives nationales, les 18 et 19 juin 1998 / textes recueillis et publiés par Christian Oppetit.
Actions:
Holdings:
Description:
192 p. ; 24 cm
Des archives de l'architecture aux archives de la ville : table ronde tenue aux Archives nationales, les 18 et 19 juin 1998 / textes recueillis et publiés par Christian Oppetit.
Actions:
Holdings:
Description:
192 p. ; 24 cm
Form:
books
books
Publication:
Paris : Direction des archives de France, 2000.
Paris : Direction des archives de France, 2000.
Author:
Subject:
Form:
journals and magazines
journals and magazines
Title:
Archives.
Archives.
Actions:
Holdings:
Description:
v. ill. 28 cm.
Description:
v. ill. 28 cm.
Subject:
Publication:
Québec, Association des archivistes du Québec.
Québec, Association des archivistes du Québec.
Form:
journals and magazines
journals and magazines
Publication:
Québec, Association des archivistes du Québec.
Québec, Association des archivistes du Québec.
Subject:
Form:
books
books
Actions:
Holdings:
Description:
xxiii, 68 pages ; 18 cm.
Description:
xxiii, 68 pages ; 18 cm.
Author:
Subject:
Publication:
Minneapolis : University of Minnesota Press, 2019.
Minneapolis : University of Minnesota Press, 2019.
Title:
Archives / Andrew Lison, Marcell Mars, Tomislav Medak, and Rick Prelinger.
Actions:
Holdings:
Description:
xxiii, 68 pages ; 18 cm.
Archives / Andrew Lison, Marcell Mars, Tomislav Medak, and Rick Prelinger.
Actions:
Holdings:
Description:
xxiii, 68 pages ; 18 cm.
Form:
books
books
Publication:
Minneapolis : University of Minnesota Press, 2019.
Minneapolis : University of Minnesota Press, 2019.
Author:
Subject:
Actions:
Holdings:
Description:
pages 117-122 ; 22 cm
Description:
pages 117-122 ; 22 cm
Author:
Subject:
Title:
Architectural archives / [John H. Harvey].
Actions:
Holdings:
Description:
pages 117-122 ; 22 cm
Architectural archives / [John H. Harvey].
Actions:
Holdings:
Description:
pages 117-122 ; 22 cm
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
xxiii, 280 pages ; 24 cm
Description:
xxiii, 280 pages ; 24 cm
Author:
Subject:
Publication:
New York : Neal-Schuman Publishers, 2010.
New York : Neal-Schuman Publishers, 2010.
Title:
Archives : principles and practices / Laura A. Millar.
Actions:
Holdings:
Description:
xxiii, 280 pages ; 24 cm
Archives : principles and practices / Laura A. Millar.
Actions:
Holdings:
Description:
xxiii, 280 pages ; 24 cm
Form:
books
books
Publication:
New York : Neal-Schuman Publishers, 2010.
New York : Neal-Schuman Publishers, 2010.
Author:
Subject:
